| Saxena, Vandana |
Memory and Nation-Building: World War II in Malaysian Literature |
2022 |
Malaysia, Noel Barber |
| Saxena, Vandana |
Afterlives of Colonialism: Nostalgia, Reader’s Response and the Case of Noel Barber’s Tanamera |
2023 |
historical romance, history, race/ethnicity, UK, Singapore, national identity, readers, Malaysia, war/armed forces, settings, Noel Barber |
| Sceats, Sarah; Cunningham, Gail |
Image & Power: Women in Fiction in the Twentieth Century |
1996 |
|
| Hiergeist, Teresa; Schäfer, Stefanie |
Ladies in Arms: Women, Guns, and Feminisms in Contemporary Popular Culture |
2024 |
feminism |
| Schalk, Sami |
Happily Ever After for Whom? Blackness and Disability in Romance Narratives |
2016 |
disability, race/ethnicity, sex/sexuality, African American romance, Gwynne Forster, gender, war/armed forces, N. K. Jemisin, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Big Bad Wolf: Masculinity and Genetics in Popular Culture |
2007 |
animals, health/medical, gender, evolutionary psychology, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Love Life of a Fact |
2011 |
gender, evolutionary psychology, authors, feminism, romance scholarship, sex/sexuality, animals, Linda Howard, paranormal/fantasy/time-travel romance |
| Schell, Heather |
Bringing the Mid-West to the Middle-East: An Analysis of a Harlequin Romance in English and Turkish |
2013 |
translation, Harlequin Mills & Boon, Turkey, Shirley Jump, readers, family, social/economic class, gender |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Schoene, Berthold |
The Edinburgh Companion to Contemporary Scottish Literature |
2007 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Schopp, Claude |
Delly. Les Trois châteaux d’Ourida |
2011 |
Delly |
| Schultz Nybacka, Pamela |
Bookonomy: The Consumption Practice and Value of Book Reading |
2011 |
Sweden, Harlequin Mills & Boon, readers, trash/literary and or intellectual quality, Publishing |
| Sullivan, Larry E.; Schurman, Lydia Cushman |
Pioneers, Passionate Ladies, and Private Eyes: Dime Novels, Series Books, and Paperbacks |
1996 |
|
| Schurman, Lydia Cushman; Johnson, Deidre |
Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America |
2002 |
|
| Schwab, Sandra Martina |
Of Dragons, Knights, and Virgin Maidens: Dragonslaying and Gender Roles from Richard Johnson to Modern Popular Fiction |
2013 |
historical romance, Teresa Medeiros, Gaelen Foley, Stephanie Laurens, metaphor/symbolism, genre definitions, Harlequin Mills & Boon, happy ending, Sandra Schwab, gender, Penelope Williamson, animals, Julia Ross, virginity, romance scholarship |
| Schwab, Sandra |
“It Is Only with One’s Heart That One Can See Clearly”: The Loss of Sight in Teresa Medeiros’s The Bride and the Beast and Yours until Dawn |
2012 |
disability, Teresa Medeiros, metaphor/symbolism, fairytales/folktales, settings, Charlotte Brontë, myth |
| Gilmour, Rachael; Schwarz, Bill |
End of Empire and the English Novel since 1945 |
2011 |
|
| Scott, Alison M. |
Romance in the Stacks; or, Popular Romance Fiction Imperiled |
2002 |
libraries/librarians, trash/literary and or intellectual quality, romance scholarship |
| Scupham, Hannah Elizabeth |
“Reader, I Married Him”: Readership, Imagination, and Politics of the Marriage Plot in the Nineteenth-Century Novel |
2022 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), readers, Jane Austen, Elizabeth Gaskell, George Eliot |
| Seale, Maura |
"I find some Hindu practices like burning widows, utterly bizarre": Representations of Sati and Questions of Choice in Veils of Silk |
2007 |
Mary Jo Putney, India, historical romance, feminism, race/ethnicity, gender, religion/spirituality, death, family, marriage |
| Secrease, Cassandra L |
A comparative analysis of lesbian romance novels and heterosexual romance novel themes |
2000 |
LGBT+ characters, readers and/or authors, Karin Kallmaker, Peggy Herring, Lyn Denison, Katherine V. Forrest, Diana Simmonds |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Seidel, Kathleen Gilles |
Judge Me by the Joy I Bring |
1992 |
readers, happy ending, love, settings, emotions, feminism |
| Seifert, Christine |
Virginity in Young Adult Literature after Twilight |
2015 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, virginity, Twilight, contemporary romance |
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBT+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality |
| Selinger, Eric Murphy |
Foils and Fakers, Monsters and Makers |
2006 |
Georgette Heyer, Eloisa James, A. S. Byatt |
| Selinger, Eric Murphy |
Rereading the Romance |
2007 |
romance scholarship |
| Selinger, Eric Murphy |
How to Read a Romance Novel (and Fall in Love with Popular Romance) |
2012 |
close reading, trash/literary and or intellectual quality, Laura Kinsale, marriage, Milton, disability, religion/spirituality, love |
| Selinger, Eric Murphy; Frantz, Sarah S. G. |
Introduction: New Approaches to Popular Romance Fiction |
2012 |
Loretta Chase, romance scholarship |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Selinger, Eric Murphy |
Nothing But Good Times Ahead: A Special Forum on Jennifer Crusie (Editor’s Introduction) |
2012 |
Jennifer Crusie, romance scholarship, marriage, family, feminism |
| Moore, Kate; Selinger, Eric Murphy |
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation |
2012 |
Jennifer Crusie, readers, metafiction, romance scholarship, sex/sexuality, marriage |
| Selinger, Eric Murphy |
My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na |
2014 |
film/movies, metafiction |
| Selinger, Eric Murphy |
An Interview with Susan Elizabeth Phillips |
2015 |
Susan Elizabeth Phillips, rape and/or intimate partner violence/abuse, romance scholarship, United States of America, religion/spirituality, authors |
| Selinger, Eric Murphy |
Erotica: romance novels |
2015 |
genre definitions |
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Gleason, William A.; Selinger, Eric Murphy |
Romance Fiction and American Culture: Love as the Practice of Freedom? |
2016 |
|
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Selinger, Eric Murphy |
When I Paint My Masterpiece: Bob Dylan, Ekphrasis, and the Art of Susan Elizabeth Phillips |
2016 |
Susan Elizabeth Phillips, metafiction, close reading, trash/literary and or intellectual quality, gender, music |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Cant and Canonicity |
2022 |
romance scholarship, trash/literary and or intellectual quality, teaching romance, genre definitions |
| Selinger, Eric Murphy |
Disaggregating attraction: asexuality and genre critique in Alex Beecroft's Blue Steel Chain |
2022 |
Alex Beecroft, LGBT+ characters, readers and/or authors, sex/sexuality, religion/spirituality, love, marriage, Ann Herendeen, metafiction, trash/literary and or intellectual quality, Christian romance, food, drink, metaphor/symbolism |
| Selinger, Eric Murphy |
Disenchantment and its discontents: “modern love” and irony in popular romance fiction |
2022 |
love, Jennifer Crusie, science/technology, religion/spirituality, marriage, Alisha Rai, feminism, emotions, Alexis Hall, metafiction, Francine Rivers, fairytales/folktales, health/medical |
| Selinger, Eric Murphy |
The wild heart of the continent: love and place in the Silk Road novels of Sherry Thomas |
2022 |
Sherry Thomas, settings, trash/literary and or intellectual quality, love, Buddhism, religion/spirituality, historical romance, race/ethnicity, China, Asia |
| Sequeiros, Paula |
“Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison |
2018 |
readers, Portugal |
| Serafine, Amelia |
"He Filled My Heart with Doubt": The Southern Belle's Love and Duty in the Civil War |
2016 |
history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Augusta Jane Evans, death, war/armed forces, religion/spirituality, gender, Edward Bulwer-Lytton, readers |
| Şerban, Andreea |
Romancing the Paranormal: A Case Study of J.R. Ward’s The Black Dagger Brotherhood |
2012 |
paranormal/fantasy/time-travel romance, J. R. Ward, LGBT+ characters, readers and/or authors, sex/sexuality |
| Serisier, Tanya |
On Not Reading Fifty Shades: Feminism and the Fantasy of Romantic Immunity |
2015 |
Fifty Shades, readers, feminism, rape and/or intimate partner violence/abuse |
| Servén, Carmen |
Éxito y olvido de Carmen de Icaza |
2005 |
Carmen de Icaza |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| Servén Díez, Carmen |
Novela rosa, novela blanca y escritura femenina en los años cuarenta: la evolución de Carmen de Icaza |
1996 |
Carmen de Icaza, Spain, work, Rafael Pérez y Pérez, marriage |
| Service, Alexandra |
Popular Vikings: Constructions of Viking Identity in Twentieth Century Britain |
1998 |
historical romance, Heather Graham, Johanna Lindsey, Catherine Coulter, Betina Krahn, rape and/or intimate partner violence/abuse, history, war/armed forces |
| Sevilla, Florencio; Alvar, Carlos |
Actas del XIII Congreso de la Asociación Internacional de Hispanistas: Madrid 1998: IV: Historia y sociedad comparada y otros estudios |
2000 |
|
| Shachar, Hila |
A Post-Feminist Romance: Love, Gender and Intertextuality in Stephenie Meyer's Saga |
2011 |
Twilight, Emily Brontë, Charlotte Brontë, Harlequin Mills & Boon |
| Harvey, Keith; Shalom, Celia |
Language and Desire: Encoding Sex, Romance, and Intimacy |
1997 |
|
| Coles, Claire D.; Shamp, M. Johnna |
Some Sexual, Personality, and Demographic Characteristics of Women Readers of Erotic Romances |
1984 |
readers, erotic romance, sex/sexuality, pornography |
| Shapiro, Joan; Kroeger, Lee |
Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media |
1991 |
psychology, readers |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
It Takes (at least) Two: The Work to Make Romance Work |
2023 |
Publishing, authors, readers |
| Sheehan, Sarah E.; Stevens, Jen |
Creating a Popular Romance Collection in an Academic Library |
2015 |
libraries/librarians |
| Sheehan, Sarah E. |
The “Popular Romance Canon”: An Academic Librarian’s Response |
2022 |
romance scholarship, libraries/librarians |
| Sheerman, Lucy |
“Place the glass before you, and draw in chalk your own picture”: The Recasting of Jane Eyre |
2022 |
Charlotte Brontë, Beverly Jenkins, Alyssa Cole, race/ethnicity |
| Macdonald, Andrew; Macdonald, Gina; Sheridan, Mary Ann |
Shape-shifting: Images of Native Americans in Recent Popular Fiction |
2000 |
Native American romance, race/ethnicity |
| Bontly, Susan W.; Sheridan, Carol J. |
Enchanted Journeys Beyond the Imagination: An Annotated Bibliography of Fantasy, Futuristic, Supernatural, and Time Travel Romances |
1996 |
paranormal/fantasy/time-travel romance |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Sherman, Jen |
Reading Infrastructures in the Contemporary City: A Study of Three Public Libraries in Sydney |
2016 |
libraries/librarians, Australia |
| Sherwood, Kim |
Pride and prejudice: metafiction and the value of historical romance in Georgette Heyer |
2021 |
Georgette Heyer, metafiction, trash/literary and or intellectual quality |
| Okamoto, Shigeko; Shibamoto Smith, Janet S. |
Japanese Language, Gender, and Ideology: Cultural Models and Real People |
2004 |
|
| Shibamoto Smith, Janet S. |
Language and Gender in the (Hetero)Romance: "Reading" the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction |
2004 |
Japan |
| Shibamoto Smith, Janet S. |
Translating True Love: Japanese Romance Fiction, Harlequin-Style |
2005 |
Japan, Harlequin Mills & Boon, linguistics, gender, emotions, translation |
| Shibamoto Smith, Janet S. |
Changing Lovestyles: Fictional Representations of Contemporary Japanese Men in Love |
2008 |
love, gender, Japan, marriage, linguistics |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Shore, Z. Lesley |
Essay Review: Girls Learning, Women Teaching: Dancing to Different Drummers |
2000 |
readers |
| Cooper, Katherine; Short, Emma |
The Female Figure in Contemporary Historical Fiction |
2012 |
|
| Short, Christopher Brown |
The history of romance illustration and the romance novel cover |
1996 |
paratext |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Shumway, David R. |
Romance in the Romance: Love and Marriage in Turn-of-the-Century Best Sellers |
1999 |
Older and/or precursor texts (may not be "romance" as now defined), love, marriage, history, national identity |
| Sichelschmidt, Gustav |
Hedwig Courths-Mahler. Deutschlands erfolgreichste Autorin. Eine literatursoziologische Studie |
1967 |
Hedwig Courths-Mahler |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, drink, linguistics, history, gender, emotions, social/economic class |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| Silliman, Daniel |
Fictions of Belief: Reading Evangelical Novels in A Secular Age |
2016 |
Christian romance, religion/spirituality, United States of America, Janette Oke, Beverly Lewis, Publishing |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Livros do Coração: uma análise dos romances sentimentais do Século XX |
2008 |
Delly, Brazil, linguistics, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil |
2010 |
Corín Tellado, Brazil, history, capitalism/business, love, marriage, gender, readers, fascism/right-wing authoritarianism |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Corpos que falam: erotismo, amor e paixão no romance sentimental |
2010 |
Elinor Glyn, sex/sexuality |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A pedagogia social dos romances de amor dos “tempos da vovó” |
2013 |
Brazil, Publishing, readers, gender, social/economic class, Delly, Elinor Glyn, Berta Ruck, Concordia Merrel |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O Consumo de Romances e o Universo Feminino: As Práticas de Leitura dos Livros do Coração |
2013 |
readers, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O que é o romance ideal? Uma cartografia dos romances mais populares publicados pela Harlequim-Silhouette entre 1977 e 2012 |
2013 |
Brazil, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Romances Sentimentais e suas Comunidades de Leitura |
2014 |
Brazil, readers |
| Silva, Erotilde Honório; Andrade, Roberta Manuela Barros de |
Os romances sentimentais e a revolução digital: os processos de criação dos projetos de democratização da leitura nos livros do coração |
2015 |
Publishing, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Leith, Murray Stewart; Sim, Duncan |
The Modern Scottish Diaspora: Contemporary Debates and Perspectives |
2014 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Gillis, Bryan; Simpson, Joanna |
Sexual Content in Young Adult Literature: Reading between the Sheets |
2015 |
YA/teenage romance, sex/sexuality |
| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Ya’u, Mohammed Sani; Rashid, Sabariah Md; Ali, Afida Mohamad; Singh, Hardev Kaur Jujar |
Semantic Extensions of Hausa Visual and Auditory Perception Verbs gani and ji in Romance Fiction |
2023 |
linguistics |
| Sinha, Mona |
Reading Mills and Boon in India From the Post-Colonial to the Millennial Experience |
2022 |
India, Harlequin Mills & Boon, readers, chick lit |
| Sinner, Carsten |
Fictional orality in romance novels: Between linguistic reality and editorial requirements |
2012 |
translation, languages |
| Slušná, Zuzana |
Paranormal and Religious as Part of Pop Cultural Consumerism |
2014 |
paranormal/fantasy/time-travel romance, religion/spirituality |
| Slušná, Zuzana |
Postfeminism, Post-romantic and New Patterns of Feminity [sic] in Popular Culture |
2015 |
readers, gender, sex/sexuality, pornography, trash/literary and or intellectual quality |
| Slusser, George E.; Rabkin, Eric S. |
Intersections: Fantasy and Science Fiction |
1987 |
|
| Smáradóttir, Helena María |
Love as a Commodity: Brand-Name Romantic Fiction and its Readers. The Domain and Readership of Harlequin Enterprises, Both in Iceland and Abroad |
2009 |
Harlequin Mills & Boon, Iceland, readers |
| Šmídová, Monika Markéta |
Five Thousand for Justice: The Use of English Folklore in the Novels of KJ Charles |
2021 |
K. J. Charles, fairytales/folktales, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, historical romance, social/economic class, community, family |
| Smith, William Clay Kinchen |
Revising Captivity Narratives |
2002 |
United States of America, historical romance, Native American romance, Fern Michaels, race/ethnicity, Nan Ryan, Karen A. Bale |
| Churchwell, Sarah; Smith, Thomas Ruys |
Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code |
2012 |
|
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Smith, Lindsay Lea |
Feminism and romance novels : is Irigaray's utopia found in bestselling romance novels? |
2006 |
feminism |
| Smith, Janet S. (Shibamoto) |
From Hiren to Happî-endo: Romantic Expression in the Japanese Love Story |
1999 |
Japan, marriage, love, linguistics, family, metaphor/symbolism, emotions |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Smith, Faith |
Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad |
1999 |
Caribbean, race/ethnicity, Valerie Belgrave, feminism, national identity |
| Deller, Ruth A.; Smith, Clarissa |
Reading the BDSM romance: Reader responses to Fifty Shades |
2013 |
Fifty Shades, BDSM, readers, trash/literary and or intellectual quality, sex/sexuality |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Snitow, Ann Barr |
Mass Market Romance: Pornography for Women is Different |
1979 |
Harlequin Mills & Boon, readers, gender, virginity, fashion/clothing, food, drink, sex/sexuality, religion/spirituality, settings, work, pornography, Anne Mather |
| Snodgrass, Mary Ellen |
Reading Nora Roberts |
2010 |
Nora Roberts/J. D. Robb |
| Snyman, Maritha; Penzhorn, Cecilia |
Leser en Konteks: ’n resepsiestudie oor Afrikaanse romanselesers |
2011 |
readers, South Africa |
| Petersson, Sara; Söderberg, Daniel |
En berättelse tar form - en studie i hur geometrisk form på bokomslag indikerar populärlitterär genre |
2014 |
paratext |
| Soedibio, Sari M. R. D.; Djundjung, Jenny M. |
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s |
2013 |
gender, Harlequin Mills & Boon, Nora Roberts/J. D. Robb, Diana Palmer, Penny Jordan/Caroline Courtney, Debbie Macomber, Linda Lael Miller, Robyn Carr |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Soler Gallo, Miguel |
La novela romántica falangista femenina de los años cuarenta |
2013 |
Spain, fascism/right-wing authoritarianism |
| Soler Gallo, Miguel |
El Bien y el Mal: Modelos de conducta femeninos en la novela rosa de los 40 |
2014 |
fascism/right-wing authoritarianism, Spain, gender |
| Soler Gallo, Miguel |
Vencer a Medusa: el modelo de mujer angelical en la primera novela rosa de Carmen de Icaza. Feminidad y tradicionalismo |
2015 |
Carmen de Icaza, fascism/right-wing authoritarianism, gender, family |
| Soler Gallo, Miguel |
El ideal de la mujer de la Sección Femenina de Falange a través de las ilustraciones de la novela rosa de los años cuarenta |
2016 |
gender, fascism/right-wing authoritarianism, Spain, paratext, Carmen de Icaza |
| Soler Gallo, Miguel |
Novela rosa y fantasía amorosa en la España de los años Cuarenta: análisis de La rival de Julieta de Josefina de la Torre |
2016 |
Spain, fascism/right-wing authoritarianism, Laura de Cominges/Josefina de la Torre, gender |
| Soler Gallo, Miguel |
El ideal de masculinidad en la novela romántica falangista: análisis de Una mujer de veinte años de Mercedes Ballesteros |
2017 |
SylviaVisconti/Mercedes Ballesteros Gaibrois, Spain, fascism/right-wing authoritarianism, gender, war/armed forces, history, Rosa María Aranda, Elena Puerto/Mercedes Formica |
| Soler Gallo, Miguel |
El juego amoroso en la novela rosa española femenina de los años cuarenta |
2017 |
Spain, love, fascism/right-wing authoritarianism, gender, family, marriage, history |
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Holman, Rebecca H.; Solomon, Michael R. |
NA - Advances in Consumer Research Volume 18 |
1991 |
|
| Sonnet, Esther |
'Erotic Fiction by Women for Women': The Pleasures of Post-Feminist Heterosexuality |
1999 |
sex/sexuality, feminism, pornography |
| Sonnet, Esther |
What the Woman Reads: Categorising Contemporary Popular Erotica for Women |
2000 |
sex/sexuality, feminism |
| Sonnet, Esther |
'"Just a book", she said ...': Refiguring Ethnography for the Female Readers of Sexual Fiction |
2002 |
readers, sex/sexuality |
| Iché, Virginie; Sorlin, Sandrine |
The Rhetoric of Literary Communication: From Classical English Novels to Contemporary Digital Fiction |
2022 |
|
| Soubeyroux, Marie-Hélène; Zapata, Mónica |
Miradas sobre una obra polifacética: Homenaje a Jean Louis Guereña |
2016 |
|
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Sparks, Tabitha |
Reading the Women’s Sentimental Novel: A Romance |
2023 |
Older and/or precursor texts (may not be "romance" as now defined), metafiction, authors, Annie S. Swan, Sarah Doudney, Emily Jolly, Adeline Sergeant |
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Spehner, Norbert |
L'Amour, toujours l'amour ...: The Popular Love Story and Romance: A Basic Checklist of Secondary Sources |
1997 |
romance scholarship |
| Spencer, Lynda Gichanda |
“Walk like a chameleon”: Reflecting on my teaching journey at a South African university |
2024 |
teaching romance |
| Spillman, K. Elizabeth |
The "Managing Female" in the Novels of Georgette Heyer |
2012 |
Georgette Heyer, gender, metafiction, marriage |
| Spinazzola, Vittorio |
Pubblico 1977 |
1977 |
|
| Spinazzola, Vittorio |
Qualche ipotesi sulla narrativa “rosa”. Conversazione con Brunella Gasperini |
1977 |
Brunella Gasperini |
| Spinazzola, Vittorio |
L'immaginazione divertente. Il giallo, il rosa, il porno e il fumetto |
1995 |
|
| Spraggs, Gillian |
Hell and the Mirror: A Reading of Desert of the Heart |
1992 |
Jane Rule, religion/spirituality, LGBT+ characters, readers and/or authors, settings, Radclyffe Hall, psychology |
| Pearce, Lynne; Stacey, Jackie |
Romance Revisited |
1995 |
|
| Stacey, Jackie; Pearce, Lynne |
The Heart of the Matter: Feminists Revisit the Romance |
1995 |
feminism |
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Stavropoulou, Marina |
Romance Fiction: At the Frontline of Digital Publishing |
2016 |
Publishing |
| Guillén-Nieto, Victoria; Stein, Dieter |
Language as Evidence: Doing Forensic Linguistics |
2022 |
|
| Steiner, Peter; Červenka, Miroslav; Vroon, Ronald |
The Structure of the Literary Process Studies dedicated to the Memory of Felix Vodička |
1982 |
|
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Hague, Euan; Stenhouse, David |
A Very Interesting Place: Representing Scotland in American Romance Novels |
2007 |
Scotland, Karen Marie Moning, paratext, Sue-Ellen Welfonder, linguistics, readers, historical romance, Diana Gabaldon, paranormal/fantasy/time-travel romance |
| Neuman, Shirley; Stephenson, Glennis |
ReImagining Women: Representations of Women in Culture |
1993 |
|
| Sterk, Helen Mae |
Functioning fictions: the adjustment rhetoric of Silhouette romance novels |
1986 |
readers, gender |
| Sterling, Alexandra |
Love in the Ton: Georgette Heyer’s Legacy in Regency Romance World-Building |
2020 |
Georgette Heyer, historical romance, race/ethnicity, history |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Stern, Barbara B. |
Two Pornographies: a Feminist View of Sex in Advertising |
1991 |
pornography, feminism, sex/sexuality, gender |
| Lynch, Katherine E.; Sternglantz, Ruth E.; Barot, Len |
Queering the Romantic Heroine: Where Her Power Lies |
2012 |
LGBT+ characters, readers and/or authors, lesbian romance, Radclyffe Hall, Older and/or precursor texts (may not be "romance" as now defined), Katherine V. Forrest, Radclyffe/Len Barot, Lea Santos, gender, paranormal/fantasy/time-travel romance |
| Stetson, Suzanne |
Reconciling Reader Response and Feminism in Late Twentieth-Century Erotic Historical Romances |
2022 |
feminism, sex/sexuality |
| Sheehan, Sarah E.; Stevens, Jen |
Creating a Popular Romance Collection in an Academic Library |
2015 |
libraries/librarians |
| Stieg, Margaret F. |
Indian Romances: Tracts for the Times |
1985 |
Older and/or precursor texts (may not be "romance" as now defined), India, settings, race/ethnicity, gender, UK |
| Still, Julie |
Reading Between the Lines: Librarians as Authors of Fiction |
2005 |
libraries/librarians, Jayne Ann Krentz/Amanda Quick/Jayne Castle |
| Stille Luse, Marcia L. |
Secondary educators' attitudes and professional assessment of the place for contemporary young adult series romance novels in the low-end and reluctant readers' curriculum |
1991 |
YA/teenage romance, teaching romance |
| Stinson, Emmett; Mannion, Aaron |
The Return of Print?: Contemporary Australian Publishing |
2016 |
|
| Stobaugh, Rebecca |
Halfway-Sexual: Exploring Demisexuality in American Literature |
2023 |
sex/sexuality, LGBT+ characters, readers and/or authors, Fifty Shades, Jack Byrne |
| Stoneley, Peter |
'Never Love a Cowboy': Romance Fiction and Fantasy Families |
1999 |
United States of America, Ann Major, Lindsay McKenna, Robin Morgan, family, gender |
| Stotesbury, John A. |
Language and Mindstyle in Anglophone Popular Romantic Fiction under Apartheid |
1994 |
Africa |
| Stotesbury, John A. |
Genre and Islam in Recent Anglophone Romantic Fiction |
2004 |
Islam, Leila Aboulela, Rayda Jacobs, religion/spirituality |
| Stowers, Eva |
City of Fantasy: Romance Novels in Las Vegas |
2007 |
settings |
| Street, Amy |
Georgette Heyer – guilty pleasures |
2021 |
Georgette Heyer, readers, psychology, race/ethnicity, social/economic class, feminism |
| Strehle, Susan; Carden, Mary Paniccia |
Doubled Plots: Romance and History |
2003 |
|
| Strinati, Dominic; Wagg, Stephen |
Come on Down?: Popular Media Culture in Post-War Britain |
1992 |
|
| Struve, Laura |
Sisters of Sorts: Reading Romantic Fiction and the Bonds Among Female Readers |
2011 |
readers, paratext, Publishing, Older and/or precursor texts (may not be "romance" as now defined) |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Sughi, Laura |
Evasione e conformismo nella narrativa rosa |
1977 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Sule, Sani |
Exploring the Benefit and Significance of Reading Hausa Popular Romance Genre: A Thematic Analysis |
2019 |
Nigeria, readers |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Sullivan, Larry E.; Schurman, Lydia Cushman |
Pioneers, Passionate Ladies, and Private Eyes: Dime Novels, Series Books, and Paperbacks |
1996 |
|
| Sullivan, Ceri; White, Barbara |
Writing and Fantasy |
1999 |
|
| Sullivan, Ashleigh Taylor |
From Darcy to Dickheads: Why Do Women Love the Bad Boy? |
2022 |
rape and/or intimate partner violence/abuse, readers, gothic romance, gender, L. J. Shen, sex/sexuality, BDSM, Penelope Douglas, Emily Brontë, Charlotte Brontë, Fifty Shades, Jade West |
| Sutherland, Kathryn |
‘Where History says little, Fiction may say much’ (Anna Barbauld): the historical novel in women’s hands in the mid-twentieth century |
2021 |
history, Sir Walter Scott, Jane Austen, Georgette Heyer |
| Sutherland, John |
The Longman Companion to Victorian Fiction (Second Edition) |
2009 |
Older and/or precursor texts (may not be "romance" as now defined), Florence Barclay, Charles Garvice, Ouida, Rosa Praed, Annie S. Swan |
| DeVries, Susan; Dunlop, Margaret; Goopy, Suzanne; Moyle, Wendy; Sutherland‐Lockhart, Diane |
Discipline and passion: meaning, masochism and mythology in popular medical romances |
1995 |
medical romance, history, work, emotions, sex/sexuality, health/medical, death, family, settings, gender, BDSM, Harlequin Mills & Boon |
| Sutton, Roger |
Librarians and the Paperback Romance: Trying to Do the Right Thing |
1985 |
libraries/librarians, YA/teenage romance, sex/sexuality, trash/literary and or intellectual quality |
| Sutton, Denise Hardesty |
Marketing Love: Romance Publishers Mills & Boon and Harlequin Enterprises, 1930–1990 |
2022 |
Harlequin Mills & Boon, Publishing, capitalism/business |
| Suwanban, Pauline |
From Exhalation to Transformation: The Female Body in the Orientalist Romance |
2018 |
E. M. Hull, gender, sex/sexuality, race/ethnicity |
| Suwanban, Pauline |
The Oriental Beast: The Sheik and Fairy Tales |
2020 |
E. M. Hull, race/ethnicity, fairytales/folktales, animals, gender |
| Swaffield, Audrey-Claire |
Paperbacks Promoting Passion! What Is Harlequin Really Presenting? |
1981 |
Harlequin Mills & Boon |
| Swaminathan, Srividhya |
J. D. Robb’s Police Procedurals and the Critique of Modernity |
2016 |
Nora Roberts/J. D. Robb, romantic suspense, science fiction/futuristic romance |
| Salmon, Catherine; Symons, Donald |
Warrior Lovers: Erotic Fiction, Evolution and Female Sexuality |
2003 |
evolutionary psychology, m/m romance, sex/sexuality |
| Søndberg Spaabæk, Anne Sofie |
The “Infernal” Value of the Gothic: A Reading of Gothicness and Romanceness in Cassandra Clare’s The Infernal Devices |
2022 |
gothic romance, paranormal/fantasy/time-travel romance, Cassandra Clare, genre definitions |
| Holden, Stacy E.; Tabol, Charity |
In Sickness and In Health: Representations of PTSD in Post-9/11 Romance Novels |
2015 |
war/armed forces, health/medical, Harlequin Mills & Boon, United States of America, romance and, or as, activism, Susan Mallery, Karen Templeton, Janice Kay Johnson, disability, psychology |
| Taddeo, Julie Anne |
Corsets of Steel: Steampunk's Reimagining of Victorian Femininity |
2013 |
fashion/clothing, steampunk, feminism, gender, history |
| Taddeo, Julie Anne; Miller, Cynthia J. |
Steaming Into a Victorian Future: A Steampunk Anthology |
2013 |
|
| Thomas, Patrick; Takayoshi, Pamela |
Literacy in Practice: Writing in Private, Public and Working Lives |
2016 |
|
| Talbot, Mary M. |
Fictions at Work: Language and Social Practice in Fiction |
1995 |
readers, Harlequin Mills & Boon, sex/sexuality, gender, Kate Walker, fashion/clothing, linguistics, metafiction, social/economic class, romances in magazines and newspapers, YA/teenage romance, feminism |
| Talbot, Mary M. |
‘An Explosion Deep inside Her’: Women’s Desire and Popular Romance Fiction |
1997 |
Harlequin Mills & Boon, sex/sexuality, gender, Robyn Donald, Diana Hamilton, linguistics |
| Andrews, Maggie; Talbot, Mary M. |
All the World and Her Husband: Women in Twentieth-Century Consumer Culture |
2000 |
|
| Tang, Yang |
Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace |
2014 |
China, paranormal/fantasy/time-travel romance |
| Tang, Ning |
Reading Online Romance Novels Is Related To Chinese Readers' View of Love |
2022 |
China, readers, love |
| Tanner, David |
Literary Success and Popular Romantic Fiction: Ethel M. Dell, a Case Study |
2016 |
Ethel M. Dell, trash/literary and or intellectual quality, Older and/or precursor texts (may not be "romance" as now defined), Publishing, romances in magazines and newspapers, India, settings |
| Tanner, David |
Riding The Tosh Horse: Ethel M. Dell, A Written Life |
2024 |
Ethel M. Dell, Older and/or precursor texts (may not be "romance" as now defined) |
| Tapper, Olivia |
Romance and Innovation in Twenty-First Century Publishing |
2014 |
Publishing, Harlequin Mills & Boon |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| Raitt, Suzanne; Tate, Trudi |
Women's Fiction and The Great War |
1997 |
|
| Tatlock, Lynne |
German Writing, American Reading: Women and the Import of Fiction, 1866-1917 |
2012 |
Germany, United States of America, translation, gender, work, marriage, fairytales/folktales, family, Publishing, E. Marlitt/Eugenie John, Wilhelmine Heimburg/Bertha Behrens, Fanny Lewald, Wilhelmine von Hillern, Claire von Glümer, Ursula Zöge von Manteuffel, E. Werner/Elisabeth Bürstenbinder, religion/spirituality, Nataly von Eschstruth, metafiction, social/economic class, Charlotte Brontë, E. Juncker, Moritz von Reichenbach/Valeska von Reiswitz, Gräfin von Bethusy-Huc, Golo Raimund/Bertha [Heyn] Frederich, history, national identity, war/armed forces, race/ethnicity, Louisa May Alcott |
| Tatlock, Kristen Doris |
Raised on romance: a cultural study of romance fiction |
1986 |
|
| Tatum, James |
The Search for the Ancient Novel |
1994 |
|
| Tatum, Charles |
Lágrimas, risas y amor: Mexico's Most Popular Romance Comic Book |
1980 |
comics/manga, Mexico |
| Gilbert, Pam; Taylor, Sandra |
Fashioning the Feminine: Girls, Popular Culture, and Schooling |
1991 |
readers, YA/teenage romance |
| Gilbert, Pam; Taylor, Sandra |
Reading the Romance |
1993 |
readers, social/economic class, gender |
| Taylor, Jessica Anne |
Write the Book of Your Heart: Career, Passion and Publishing in the Romance Writing Community |
2013 |
authors, Publishing, race/ethnicity, social/economic class, gender, love, work |
| Taylor, Jessica |
And You Can Be My Sheikh: Gender, Race, and Orientalism in Contemporary Romance Novels |
2007 |
gender, race/ethnicity, sheikh romance, settings, paratext |
| Taylor, Jessica |
Romance and the Female Gaze Obscuring Gendered Violence in The Twilight Saga |
2014 |
gender, rape and/or intimate partner violence/abuse, Twilight |
| Taylor, Jessica |
Love the Market: Discourses of Passion and Professionalism in Romance Writing Communities |
2016 |
authors, work, emotions, Publishing |
| Taylor, Jessica |
Animating Creative Selves: Pen Names as Property in the Careers of Canadian and American Romance Writers |
2018 |
authors, Publishing, work |
| Taylor, Jessica |
Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada |
2018 |
Canada, authors, national identity, Kate Bridges, settings, Publishing, Harlequin Mills & Boon, race/ethnicity, historical romance, history |
| Taylor, Jessica |
Garçon Manqué: A Queer Rereading (of) The Sheik |
2020 |
E. M. Hull, Radclyffe Hall, gender, LGBT+ characters, readers and/or authors, sex/sexuality, readers, fashion/clothing, race/ethnicity |
| Taylor, Helen |
Romantic Readers |
1989 |
readers, gender, race/ethnicity, Barbara Taylor Bradford, LGBT+ characters, readers and/or authors, lesbian romance, Margaret Mitchell, social/economic class |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| Taylor, Anthea |
‘The urge towards love is an urge towards (un)death’: Romance, masochistic desire and postfeminism in the Twilight novels |
2012 |
YA/teenage romance, Twilight, death, BDSM, gender, sex/sexuality, paranormal/fantasy/time-travel romance, family |
| Teague, Anna Sophia Wester |
“If my hubby ever did half the stuff my book boyfriends did… I’d put him six ft in the ground” : narratives of interpersonal and gendered violence as discussed in romance novel review websites |
2015 |
readers, rape and/or intimate partner violence/abuse, psychology, pornography, gender, sex/sexuality |
| Tegan, Mary Beth |
Becoming Both Poet and Poem: Feminists Repossess the Romance |
2007 |
feminism, Mary Stewart, Jennifer Crusie, Vicki Lewis Thompson, Georgette Heyer |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Tennenhouse, Tracy Shana |
Female Fantasies in Women's Popular Fiction |
1996 |
Older and/or precursor texts (may not be "romance" as now defined), gender, lesbian romance, erotic romance |
| Teo, Hsu-Ming |
Shanghaied By Sheiks: Orientalism and hybridity in women's romance writing |
1999 |
sheikh romance, race/ethnicity |
| Teo, Hsu-Ming |
The Romance of White Nations: Imperialism, Popular Culture and National Histories |
2003 |
national identity, race/ethnicity, UK, history, Africa, gender, Mary Gaunt, with John Ridgwell Essex, E. M. Hull, sheikh romance, Harlequin Mills & Boon, United States of America, Native American romance |
| Teo, Hsu-Ming |
Romancing the Raj: Interracial Relations in Anglo-Indian Romance Novels |
2004 |
India, UK, social/economic class, history, race/ethnicity, gender, Flora Annie Steel, Mrs F. E. Penny, Alice Perrin, Maud Diver, Alice Eustace, Juliet Armstrong, Harlequin Mills & Boon, national identity |