Newell, Stephanie; Okome, Onookome |
Popular Culture in Africa: The Episteme of the Everyday |
2014 |
|
Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
Newton, Marlo Leigh |
Romancing the tome: the novels of Georgette Heyer |
1991 |
Georgette Heyer |
Neylon, Virginia Lyn |
Reading and Writing the Romance Novel: An Analysis of Romance Fiction and Its Place in the Community College Classroom |
2003 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), teaching romance |
Ngoshi, Hazel Tafadzwa |
Repression, Literary Dissent and the Paradox of Censorship in Zimbabwe |
2021 |
Zimbabwe, romance and, or as, activism, Africa |
Nibafasha, Spes |
The politics of the popular: Definitions and uses of African popular fiction |
2020 |
Africa, genre definitions, trash/literary and or intellectual quality, readers, gender |
Nichols, Sue |
Love matters: the case for an inclusive, contemporary approach to romance themes and texts in subject English |
2023 |
YA/teenage romance, teaching romance, LGBT+ characters, readers and/or authors |
Nickel, Eleanor Hersey |
Christian Popular Culture from The Chronicles of Narnia to Duck Dynasty |
2020 |
Christian romance, Francine Rivers, sex/sexuality, feminism, fairytales/folktales |
Nielsen, Inge |
Caught in the Web of Love: Intercepting the Young Adult Reception of Qiongyao's Romances On-Line |
2000 |
Taiwan, YA/teenage romance, readers, Qiongyao/Qiong Yao, film/movies, translation, fanfiction |
Nikbakht, H. |
Female Agency in the Harlequin Romance Formula: developments within the timeframe of second wave feminism |
2019 |
Harlequin Mills & Boon, feminism, family, work, sex/sexuality, gender, Carole Mortimer, Roberta Leigh/Rachel Lindsay, virginity, rape and/or intimate partner violence/abuse, health/medical, marriage |
Nilson, Maria |
From The Flame and the Flower to Fifty Shades of Grey: Sex, Power and Desire in the Romance Novel |
2013 |
Fifty Shades, sex/sexuality, Kathleen Woodiwiss, chick lit, rape and/or intimate partner violence/abuse |
Nilson, Maria |
Kärlek, passion och begär – om romance |
2016 |
genre definitions, historical romance, gothic romance, erotic romance |
Nilson, Maria |
Kärlek i kyligt klimat: Om nordisk romance |
2017 |
Sweden, Norway, Simona Ahrnstedt, Natalie Normann, national identity, gender, sex/sexuality |
Nilson, Maria |
Nådens tuttar : Om skönheter, odjur och den frälsande kvinnokroppen i modern romance |
2017 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Fifty Shades, Twilight, sex/sexuality |
Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
Muryn, Teresa; Niziołek, Małgorzata; Hajok, Alicja |
Que dit la main dans le roman sentimental et policier? |
2020 |
linguistics |
Nobert, Margo |
Le titre comme séduction dans le roman Harlequin: une lecture sociosémiotique |
1983 |
Harlequin Mills & Boon, paratext, linguistics, metaphor/symbolism, animals, settings, gender |
Noizet, Pascale |
La coopération interprétative dans le roman d'amour populaire de la langue française de 1880 à nos jours |
1986 |
|
Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
Bettinotti, Julia; Noizet, Pascale |
Le récit en littérature populaire: répétition et invention dans le roman d’amour |
1989 |
Harlequin Mills & Boon, Delly, sheikh romance |
Noizet, Pascale |
Naissance du roman d'amour de grande consommation: Harlequin à la recherche de ses aïeux |
1990 |
Older and/or precursor texts (may not be "romance" as now defined) |
Bettinotti, Julia; Noizet, Pascale |
Ægritudo amoris : le topos d’un piège somato-physiologique |
1990 |
love |
Noizet, Pascale |
Delly, l’équation d’une illustre inconnue |
1995 |
Delly |
Bettinotti, Julia; Noizet, Pascale |
Guimauve et fleurs d’oranger: Delly |
1995 |
Delly |
Noizet, Pascale |
L’idée moderne d’amour. Entre sexe et genre: vers une théorie du sexologème |
1996 |
love, Harlequin Mills & Boon, Samuel Richardson, gender |
Nolan, Michelle |
Love on the Racks: a History of American Romance Comics |
2008 |
comics/manga |
Noone, Kristin |
Succulent Texts: Desire, Outlaws, and Consumption in Popular Romance |
2019 |
food, drink, Suzanne Enoch, pirates and outlaws, Diane Carey, Alexis Hall, historical romance, steampunk, LGBT+ characters, readers and/or authors, community, religion/spirituality, rural romance |
Griffiths, Clare V. J.; Nott, James J.; Whyte, William |
Classes, Cultures, & Politics: Essays on British History for Ross McKibbin |
2011 |
|
Novak, Julia |
Nell Gwyn in Contemporary Romance Novels: Biography and the Dictates of 'Genre Literature' |
2014 |
history, historical romance |
Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
Novakova, Iva |
Les motifs phraséologiques pour distinguer les genres littéraires. Sur l’exemple des motifs de la communication verbale et non verbale |
2021 |
linguistics |
Nowacki, Dariusz |
Access Paths: On Popular Women’s Literature and Criticism |
2020 |
romance scholarship |
Nowicka, Katarzyna |
How to Romance the Masses – Problems of Translating Light Romantic Fiction in Poland |
2013 |
translation, Poland, Harlequin Mills & Boon |
Ntelia, Renata Elizabetta |
How Damsels Love: The Transgressive Pleasure of Romance |
2021 |
feminism, love, psychology, gender |
Núñez Cubero, Luis; Romero Pérez, Clara |
Emociones, cultura y educación: Un enfoque interdisciplinar |
2009 |
|
Núñez Puente, Sonia |
Novela rosa y cultura popular: Carmen de Icaza y Concha Linares Becerra |
2007 |
Carmen de Icaza, Concha Linares-Becerra, Spain, fascism/right-wing authoritarianism, gender |
Núñez Puente, Sonia |
La novela rosa como mascarada de la muerte de lo social: Concha Linares Becerra y María Mercedes Ortoll |
2008 |
Concha Linares-Becerra, María Mercedes Ortoll, gender, fashion/clothing, Spain, fascism/right-wing authoritarianism |
Núñez Puente, Sonia |
The Romance Novel and Popular Culture during the Early Franco Regime in Spain: Towards the Construction of Other Discourses of Femininity |
2008 |
Spain, fascism/right-wing authoritarianism, Carmen de Icaza, gender, work, metafiction |
Nyquist, Mary |
Romance in the Forbidden Zone |
1993 |
Samuel Richardson, gender, marriage, Linda Shaw, sex/sexuality, race/ethnicity, Sonya Pelton, Native American romance, Arlene James, rape and/or intimate partner violence/abuse, work |
O'Brien, Lee |
Telling Gaps and Domestic Tyranny: Georgette Heyer’s Regency Romances |
2022 |
Georgette Heyer, happy ending, family, history, health/medical, sex/sexuality, gender, social/economic class, rape and/or intimate partner violence/abuse, marriage |
O'Byrne, Patricia |
Popular fiction in postwar Spain: the soothing, subversive novela rosa |
2008 |
Spain, fascism/right-wing authoritarianism, work, religion/spirituality, María Mercedes Ortoll, war/armed forces, Ángeles Villarta Tuñón, María Morgan/Rosa María Cajal |
O'Byrne, Patricia |
Post-War Spanish Women Novelists and the Recuperation of Historical Memory |
2014 |
Spain |
O'Connor, Karen |
Gender and Women's Leadership: A Reference Handbook |
2010 |
|
O'Mahony, Lauren Kate |
In search of feminist romance in Australian 'Chick Lit' |
2015 |
chick lit, Australia, feminism |
O'Mahony, Lauren |
Australian rural romance as feminist romance? |
2014 |
rural romance, gender, feminism, Australia, work, Rachael Treasure, Nicole Alexander, Karly Lane |
O'Mahony, Lauren |
Teaching an Old Dog New Tricks?: Romance, Ethics and Human-Dog Relationships in a Rural Australian Novel |
2014 |
animals, rural romance, Rachael Treasure, Australia, gender, work, death |
O'Mahony, Lauren |
Death and the Australian Rural Romance Novel |
2017 |
rural romance, Australia, death |
O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
O'Mahony, Lauren |
Australian romance fiction |
2021 |
Australia, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Rosa Praed, Marie Bjelke Petersen, settings, Emma Darcy, readers, libraries/librarians, chick lit, Anita Heiss, race/ethnicity |
O'Neil, Kathryn M. |
Women's rhetoric and the romance novel genre |
2016 |
readers, authors, Eloisa James, Mary Jo Putney, Jude Ouvrard, Jackie Williams, gender, race/ethnicity, disability, Stella Eromonsere-Ajanaku |
Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
O'Toole, Patricia |
Paperback Virgins |
1979 |
Barbara Cartland, Janet Dailey, virginity, feminism |
Palmer, Gary B.; Occhi, Debra J. |
Languages of Sentiment: Cultural constructions of emotional substrates |
1999 |
|
Ochoa, Debra J. |
Critiques of the "Novela Rosa": Martín Gaite, Almodóvar, and Etxebarría |
2006 |
Spain, fascism/right-wing authoritarianism, gender |
Ohmann, Richard |
Reading the Romance: Women, Patriarchy, and Popular Literature |
1990 |
teaching romance |
Buttrick, Nicholas; Westgate, Erin C.; Oishi, Shigehiro |
Reading Literary Fiction Is Associated With a More Complex Worldview |
2022 |
psychology, readers, trash/literary and or intellectual quality |
Okamoto, Shigeko; Shibamoto Smith, Janet S. |
Japanese Language, Gender, and Ideology: Cultural Models and Real People |
2004 |
|
OKell, Eleanor Regina |
Hercules as Romantic Hero in Twenty-first-century Historical Fiction |
2020 |
Stephanie Laurens, historical romance, myth |
Oklopčić, Biljana |
Medieval heresy in Croatian historical romances: a case study of Marija Jurić Zagorka’s Plameni inkvizitori |
2016 |
Marija Jurić Zagorka, historical romance, Croatia, religion/spirituality, history, Older and/or precursor texts (may not be "romance" as now defined), trash/literary and or intellectual quality, gender, readers, national identity |
Okome, Onookome |
Reading the Popular: Onitsha Market Romance and the Practice of Everyday Life |
2009 |
Africa |
Newell, Stephanie; Okome, Onookome |
Popular Culture in Africa: The Episteme of the Everyday |
2014 |
|
Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
Olivier, Séverine |
Passionnément, à la folie...: Lecteurs et modes de lecture du roman d'amour contemporain |
2005 |
readers, translation, Publishing |
Olivier, Séverine |
Lecture d'un «mauvais genre»: le «roman sentimental» |
2007 |
genre definitions |
Olivier, Séverine |
«Femme, je vous aime...»? Nora Roberts, une inconnue sortie de l'ombre dans l'univers sentimental" |
2008 |
Nora Roberts/J. D. Robb |
Olivier, Séverine |
Les prémices d'une histoire d'amour ou comment écrire un roman sentimental |
2009 |
Publishing, translation, France, trash/literary and or intellectual quality, emotions |
Olivier, Séverine |
Le roman sentimental. Productions contemporaines et pratiques de lecture |
2009 |
readers, psychology |
Bigey, Magali; Olivier, Séverine |
Ils aiment le roman sentimental et alors? Lecteurs d'un 'mauvais genre', des lecteurs en danger? |
2010 |
feminism, trash/literary and or intellectual quality, readers, rape and/or intimate partner violence/abuse, linguistics |
Olivier, Séverine |
Francophone Perspectives on Romantic Fiction: From the Academic Field to Reader’s Experience |
2012 |
romance scholarship, readers, France, Canada, Harlequin Mills & Boon, Publishing, sex/sexuality, translation |
Olkusz, Ksenia |
Rozbieranie wampira. Erotyczne imaginacje i seksualne fantazje w romansach paranormalnych / metafizycznych (na wybranych przykładach) |
2015 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
Olkusz, Ksenia |
Stripping The Vampire. Erotic Imaginations and Sexual Fantasies In Paranormal Romances (A Study Of Selected Examples) |
2021 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
Wyatt, Neal; Olsen, Georgine; Ramsdell, Kristin; Saricks, Joyce; Welch, Lynne |
Core Collections in Genre Studies: Romance Fiction 101 |
2007 |
libraries/librarians, historical romance, romantic suspense, paranormal/fantasy/time-travel romance, genre definitions |
Omissi, Dominic |
The Mills and Boon memsahibs: women's romantic Indian fiction 1877-1947 |
1995 |
India, settings |
Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
Onega, Susana; Gutleben, Christian |
Refracting the Canon in Contemporary British Literature and Film |
2004 |
|
Opas, Lisa Lena; Tweedie, Fiona |
The Magic Carpet Ride: Reader Involvement in Romantic Fiction |
1999 |
linguistics, Harlequin Mills & Boon, Danielle Steel, historical romance, readers |
Nachumi, Nora; Oppenheim, Stephanie |
Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond |
2022 |
|
Ibarrola-Armendariz, Aitor; Ortiz de Urbina Arruabarrena, Jon |
On the move: Glancing Backwards To Build a Future in English Studies |
2016 |
|
Osborne, Laurie E. |
Romancing the Bard |
1999 |
Shakespeare, historical romance, Georgette Heyer, Joan Wolf, cross-dressing, Edith Layton, Kasey Michaels, Susan Carroll, Loretta Chase, Margaret Evans Porter, Christina Dodd, Deanna James, Mary Balogh, Michelle Martin, gender |
Osborne, Laurie E. |
Harlequin Presents: That '70s Shakespeare and Beyond |
2002 |
Shakespeare, Harlequin Mills & Boon, Janet Dailey, Elizabeth Ashton, Valerie Thian, gender, Jane Donnelly, Kay Thorpe, historical romance, Kasey Michaels, Carole Buck, Judith Arnold, Lynn Kerstan, Publishing |
Osborne, Laurie |
Sweet, Savage Shakespeare |
2000 |
Shakespeare |
Osborne, Gwendolyn E. |
In Search of Women Who Look Like Me: A Brief History of the African-American Romance |
2003 |
African American romance, race/ethnicity, Older and/or precursor texts (may not be "romance" as now defined), Publishing, Eva Rutland, paratext, readers |
Osborne, Gwendolyn E. |
"Women Who Look Like Me": Cultural Identity and Reader Responses to African American Romance Novels |
2004 |
African American romance, race/ethnicity, readers, United States of America, love, sex/sexuality, social/economic class, paratext |
Fasick, Adele M.; Johnston, Margaret; Osler, Ruth |
Lands of Pleasure: Essays on Lillian H. Smith and the Development of Children's Libraries |
1990 |
|
Ouyang, Huining |
Behind the Mask of Coquetry: The Trickster Narrative in Miss Numè of Japan: A Japanese-American Romance |
2003 |
Onoto Watanna/Winnifred Eaton, Older and/or precursor texts (may not be "romance" as now defined), Japan, race/ethnicity |
Owen, Mairead |
Women's Reading of Popular Romantic Fiction: A Case Study in the Mass Media: A Key to the Ideology of Women |
1990 |
readers, Publishing, authors, libraries/librarians, UK |
Owen, Mairead |
Re-inventing romance: Reading popular romantic fiction |
1997 |
readers, paratext, genre definitions, feminism, fairytales/folktales, psychology, sex/sexuality |
Bowring, Joanna; O’Brien, Margaret |
The Art of Romance: Mills & Boon and Harlequin Cover Designs |
2008 |
Harlequin Mills & Boon, paratext |
O’Neill, Maria; Zamorano Llena, Carmen |
The Aesthetics of Ageing: Critical Approaches to Literary Representations of the Ageing Process |
2002 |
|
Birch, David; O’Toole, Michael |
Functions of Style |
1988 |
|
Greco, Barbara; Pache Carballo, Laura |
Variaciones de lo metarreal en la España de los siglos XX y XXI |
2014 |
|
Gómez Morón, Reyes; Padilla Cruz, Manuel; Fernández Amaya, Lucía; Hernández López, María de la O |
Pragmatics Applied to Language Teaching and Learning |
2009 |
|
Pagliassotti, Dru |
Better than Romance? Japanese BL Manga and the Subgenre of Male/Male Romantic Fiction |
2010 |
m/m romance, fanfiction, comics/manga, readers, LGBT+ characters, readers and/or authors |
Levi, Antonia; McHarry, Mark; Pagliassotti, Dru |
Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre |
2010 |
|
Pagliassotti, Dru |
Love and the Machine: Technology and Human Relationships in Steampunk Romance and Erotica |
2013 |
steampunk, science/technology, health/medical, sex/sexuality |
Paige, Lori A. |
The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993 |
2018 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), historical romance |
Paizis, George |
'Reine ou esclave .... ': conflicting images of women in the contemporary 'romantic novel' in France |
1986 |
gender, feminism, readers, France, Publishing |
Paizis, George |
"Putting People First" or the contemporary romantic novel, critical discourse and ideology |
1987 |
|
Paizis, George |
That's Romance |
1987 |
|
Paizis, George |
Love, Ideology and Reality: the popular romantic novel and the reader |
1994 |
|
Paizis, George |
Category Romances: Translation, Realism and Myth |
1998 |
translation, Harlequin Mills & Boon |
Paizis, George |
Love and the Novel: The Poetics and Politics of Romantic Fiction |
1998 |
Publishing, Harlequin Mills & Boon, genre definitions, paratext, settings, happy ending, readers, love |
Paizis, George |
Category Romance in the Era of Globalization: The Story of Harlequin |
2006 |
Harlequin Mills & Boon, Publishing, comics/manga |
Guttman, Anna; Hockx, Michel; Paizis, George |
The Global Literary Field |
2006 |
|
Palewska, Marie |
Féeries orientales : l’Inde chez Delly |
2011 |
Delly, India |
Palmer, Susan |
Romance Fiction and the Avon Ladies |
1996 |
libraries/librarians |
Palmer, Paulina |
Girl Meets Girl: Changing Approaches to the Lesbian Romance |
1998 |
lesbian romance, Isabel Miller, Michelle Martin, Deborah Powell, LGBT+ characters, readers and/or authors, marriage, gender, fairytales/folktales, Jane Austen, romantic suspense, fashion/clothing |
Palmer, Gary B.; Occhi, Debra J. |
Languages of Sentiment: Cultural constructions of emotional substrates |
1999 |
|
Panizza, Letizia; Wood, Sharon |
A History of Women’s Writing in Italy |
2000 |
|
Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
Paradis, Kenneth |
Types and Tropes: History and Moral Agency in Evangelical Inspirational Fiction |
2020 |
Christian romance, Francine Rivers, religion/spirituality, history, United States of America, settings, metafiction, historical romance |
Parameswaran, Radhika E. |
Romance Reading in the Third World: A Postcolonial Intersection of Gender, Ethnicity, and Sexuality |
1994 |
feminism, India, readers, romance scholarship, social/economic class, national identity, gender, sex/sexuality |
Parameswaran, Radhika E. |
Public Images, Private Pleasures: Romance Reading at the Intersection of Gender, Class, and National Identities in Urban India |
1997 |
Harlequin Mills & Boon, India, readers, gender, social/economic class, national identity |
Parameswaran, Radhika |
Western Romance Fiction as English-Language Media in Postcolonial India |
1999 |
Harlequin Mills & Boon, India, readers, social/economic class, libraries/librarians, sex/sexuality, gender, trash/literary and or intellectual quality |
Parameswaran, Radhika |
Reading Fictions of Romance: Gender, Sexuality, and Nationalism in Postcolonial India |
2002 |
India, gender, social/economic class, national identity, sex/sexuality, readers, Publishing, paratext, historical romance, race/ethnicity, marriage, virginity, family |
Pardo Fernández, Rodrigo |
Caleidoscopio hispánico: estudios lingüísticos y literarios |
2010 |
|
Parke, Maggie; Wilson, Natalie |
Theorizing Twilight: Critical Essays on What's at Stake in a Post-Vampire World |
2011 |
|
Parks, Amy Noelle |
The Feminist Possibilities of Heteroglossic Spaces in Contemporary Young Adult Romance Novels |
2023 |
feminism, YA/teenage romance, love, sex/sexuality, Jenny Han, Katie Cotugno, Nicola Yoon, Laura Steven |
Parnell, Jo |
The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions |
2021 |
|
Parnell, Claire |
Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels |
2018 |
Publishing, Harlequin Mills & Boon, gender, sex/sexuality, social/economic class |
McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
Parnell, Claire |
Independent Authors’ Dependence on Big Tech: Categorization and Governance of Authors Of Color on Amazon |
2021 |
Publishing, authors, race/ethnicity, African American romance |
Parnell, Claire |
Reading and writing Muslim romance on Wattpad |
2022 |
Muslim romance, Publishing |
Parnell, Claire |
Algospeak and algo-design in platformed book publishing: Revolutionary creative tactics in digital paratext to circumvent content moderation |
2023 |
Publishing, paratext, LGBT+ characters, readers and/or authors, race/ethnicity, pornography |
Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Live literature in the Philippines: an ethnographic study of #RomanceClass and reading as performance |
2023 |
Philippines, readers, authors, Publishing, Mina V. Esguerra |
McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
Publishing Romance Fiction in the Philippines |
2023 |
Philippines, Publishing, social/economic class, Mina V. Esguerra, wealth/prosperity, Keene Alicante, sex/sexuality, work, LGBT+ characters, readers and/or authors, settings, authors, paratext |
Parra Membrives, Eva |
Trivialidades literarias: Reflexiones en torno a la literatura de entretenimiento |
2013 |
|
Parrish, Berta; Atwood, Karen |
Enticing Readers: The Teen Romance Craze |
1984 |
YA/teenage romance |
McKay, Jade; Parsons, Elizabeth |
Out of Wedlock: The Consummation and Consumption of Marriage in Contemporary Romance Fiction |
2009 |
marriage, Harlequin Mills & Boon, sex/sexuality, virginity, wealth/prosperity, work, feminism, family |
Parv, Valerie |
Healing Writes: Restorying the Authorial Self through Creative Practice: and Birthright, a speculative fiction novel |
2007 |
authors, psychology, Valerie Parv |
Patai, Daphne; Ingram, Angela |
Fantasy and Identity: The Double Life of a Victorian Sexual Radical |
1993 |
gender, paranormal/fantasy/time-travel romance, Irene Clyde, Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors |
Ingram, Angela; Patai, Daphne |
Rediscovering Forgotten Radicals: British Women Writers 1889-1939 |
1993 |
|
Pates, Giuliana |
Reading Practices and Gender Politicization: How do Young Argentinean Women Read Romantic Novels |
2023 |
Argentina, YA/teenage romance |
Pattee, Amy S. |
Reading the Adolescent Romance: Sweet Valley High and the Popular Young Adult Romance Novel |
2011 |
YA/teenage romance |
Patterson, Janet |
Consuming Passion |
1981 |
Harlequin Mills & Boon, readers |
Patthey-Chavez, G. Genevieve; Clare, Lindsay; Youmans, Madeleine |
Watery Passion: The Struggle between Hegemony and Sexual Liberation in Erotic Fiction for Women |
1996 |
metaphor/symbolism, erotic romance, gender, sex/sexuality, linguistics, Shirlee Busbee, Julie Garwood, Roberta Gellis, Johanna Lindsey, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Bertrice Small, Rachel Lee/Sue Civil-Brown, Elizabeth Lowell, Emma Merritt, Fayrene Preston, Kasey Stuart, Linda Turner, virginity, food, drink, war/armed forces, rape and/or intimate partner violence/abuse, work |
Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
Paulvé, Dominique; Guérin, Marie |
Le roman du roman rose |
1994 |
Delly, Max du Veuzit, Berthe Bernage, Magali, pen name of Jeanne Philbert |
Pawling, Christopher |
Popular Fiction and Social Change |
1984 |
|
Peabody, Rebecca |
Kara Walker: American Romance in Black and White |
2016 |
historical romance, race/ethnicity, sex/sexuality, Barbara Ferry Johnson |
Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
Pearce, Lynne; Stacey, Jackie |
Romance Revisited |
1995 |
|
Stacey, Jackie; Pearce, Lynne |
The Heart of the Matter: Feminists Revisit the Romance |
1995 |
feminism |
Pearce, Lynne; Wisker, Gina |
Fatal Attractions: Rescripting Romance in Contemporary Literature and Film |
1998 |
|
Pearce, Lynne |
Popular Romance and Its Readers |
2004 |
Jeanette Winterson, food, drink, settings, psychology, Violet Winspear, readers, sex/sexuality |
Pearce, Lynne |
Romance Writing |
2007 |
love, Jane Rule, LGBT+ characters, readers and/or authors, Ann Bannon, Margaret Mitchell, Daphne du Maurier, Jeanette Winterson |
Pearce, Lynne |
Romance and Repetition: Testing the Limits of Love |
2011 |
love, psychology, philosophy |
Pearce, Elizabeth Florence |
Reading the Lesbian Romance: Re-imagining Love, Sex, Relationships, and Community |
2004 |
lesbian romance |
Haddon, Jenny; Pearson, Diane |
Fabulous at Fifty: Recollections of the Romantic Novelists' Association 1960-2010 |
2010 |
authors, Lucilla Andrews, Mary Burchell, pen name of Ida Cook, Barbara Cartland, Netta Muskett, Denise Robins, Mary Stewart, Alex Stuart, Sylvia Thorpe, Joanna Trollope, Sheila Walsh, Anne Weale |
Peaty, Gwyneth |
Rock Hard: Gargoyles in Contemporary Gothic Romance |
2015 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America, Christine Warren, Lisa Blackwood, Sally Painter, Marjorie M. Liu, Danielle Monsch |
Mazzarella, Sharon R.; Pecora, Norma Odom |
Growing Up Girls: Popular Culture and the Construction of Identity |
1999 |
|
Pecora, Norma |
Identity by Design: The Corporate Construction of Teen Romance Novels |
1999 |
YA/teenage romance, fashion/clothing, sex/sexuality, rape and/or intimate partner violence/abuse, food, drink, LGBT+ characters, readers and/or authors, race/ethnicity |
Muram, David; Rosenthal, Ted L.; Tolley, Elizabeth A.; Peeler, Molly M.; Pitts, Bridget |
Teenage Pregnancy: Dating and Sexual Attitudes |
1992 |
readers, sex/sexuality, race/ethnicity |
Peinado Rodríguez, Matilde; Anta Félez, José Luis |
Educar para el matrimonio en femenino: modelos y prácticas en la literatura de posguerra |
2013 |
Spain, fascism/right-wing authoritarianism, gender, marriage |
Snyman, Maritha; Penzhorn, Cecilia |
Leser en Konteks: ’n resepsiestudie oor Afrikaanse romanselesers |
2011 |
readers, South Africa |
Péquignot, Bruno |
Le rêve ou l'ordure. Du Roman sentimental et de ce qu'en disent certains. |
1988 |
trash/literary and or intellectual quality |
Péquignot, Bruno |
Le roman sentimental, un objet pour quelle sociologie? |
1990 |
sociology |
Péquignot, Bruno |
La relation amoureuse: analyse sociologique du roman sentimental moderne |
1991 |
sociology, France, Publishing, love, sex/sexuality, readers |
Péquignot, Bruno |
Les femmes dans le roman sentimental moderne |
1991 |
France, Delly, Harlequin Mills & Boon, religion/spirituality, Barbara Cartland, work, sex/sexuality, marriage, family |
Péquignot, Bruno |
Eau de rose et air du temps |
1993 |
|
Péquignot, Bruno |
Le sentimental e(s)t le populaire |
1997 |
|
Percec, Dana |
“The Pink Ghetto”. The Avatars of Romantic Fiction |
2011 |
Older and/or precursor texts (may not be "romance" as now defined), historical romance, Jane Austen |
Percec, Dana |
Romance: The History of a Genre |
2012 |
|
Percec, Dana |
Reading the Fantastic Imagination: The Avatars of a Literary Genre |
2014 |
|
Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
Pérez, María Mercedes |
Es la historia de un amor: la edición de novelas románticas en el mercado de habla hispana |
2009 |
Publishing |
Pérez Casal, Inmaculada |
Love in Times of Crisis: An Approach to Contemporary Romance Novels in Spain |
2016 |
Spain, Publishing, Older and/or precursor texts (may not be "romance" as now defined) |
Pérez Casal, Inmaculada |
Mass-market romance and the question of genre: N. Sparks, E. L. James and D. Gabaldon |
2018 |
Diana Gabaldon, Fifty Shades, Nicholas Sparks, genre definitions, film/movies |
Pérez Casal, Inmaculada |
The Romance Novel as Bildungsroman in the Works of Rosamunde Pilcher and Lisa Kleypas |
2018 |
gender, Rosamunde Pilcher, Lisa Kleypas, historical romance |
Pérez Casal, Inmaculada |
Antecedents and Development of the Contemporary Romance Novel in English: A Study of the Contribution to the Genre by Rosamunde Pilcher and Lisa Kleypas |
2019 |
feminism, Lisa Kleypas, Rosamunde Pilcher |
Pérez Casal, Inmaculada |
“There’s Something Charming about a Man with an Accent, Isn’t There?”: The Representation of Otherness in Three Novels by Lisa Kleypas |
2020 |
Lisa Kleypas, race/ethnicity, historical romance, languages, social/economic class, UK |
Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
Pérez-Casal, Inmaculada |
Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series |
2020 |
Lisa Kleypas, capitalism/business, historical romance, United States of America, UK, national identity, social/economic class |
Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
Pérez-Casal, Inmaculada |
La novela rosa o romántica: pasado, presente y futuro |
2022 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), romance and, or as, activism, romance scholarship |
Pérez-Casal, Inmaculada |
Popular romance novels: past, present and future |
2022 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), romance and, or as, activism, romance scholarship |
Pérez-Fernández, Irene |
Black British love matters: Asserting the transformative power of love in Bolu Babalola’s Love in Colour: Mythical Tales Around the World Retold |
2024 |
Bolu Babalola, race/ethnicity, UK, myth |
Pérez-Gil, María del Mar |
Exoticism, Ethnocentrism, and Englishness in Popular Romance Fiction: Constructing the European Other |
2018 |
Spain, national identity, UK, race/ethnicity, islands, Harlequin Mills & Boon |
Pérez-Gil, María del Mar |
Representations of Nation and Spanish Masculinity in Popular Romance Novels: The Alpha Male as “Other” |
2019 |
Spain, gender, national identity, Harlequin Mills & Boon, UK |
Pérez-Gil, María del Mar |
Britannia’s Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s–1970s) |
2020 |
national identity, race/ethnicity, UK, history, Violet Winspear, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Kay Thorpe, Greece, Spain, Jean S. MacLeod/Catherine Airlie, gender, feminism |
Pérez-Gil, María del Mar |
Imperfect paradise: Madeira in the novels of Margaret Rome, Katrina Britt, and Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
Pérez-Gil, María del Mar |
Mass Tourism, Ecocriticism, and Mills & Boon Romances (1970s-1980s) |
2022 |
Harlequin Mills & Boon, settings, history, Doreen Hornsblow as Sally Wentworth, Spain, Greece, Margaret Rome, Elizabeth Hunter, Violet Winspear, rural romance, Ethel Connell as Katrina Britt, Kay Thorpe, Iris Danbury, ecocriticism/environmentalism/climate change |
Pérez-Gil, María del Mar |
Paraísos imperfectos: Madeira en las novelas de Margaret Rome, Katrina Britt y Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
Perkins, Lori |
Fifty Writers on Fifty Shades of Grey |
2012 |
|
Perriam, Geraldine |
The not so silly ass: Freddy Standen, his fictional contemporaries and alternative masculinity |
2021 |
Georgette Heyer, gender |
Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
Perrin-Naffakh, Anne-Marie |
Amours - toujours : l'écriture clichée dans le roman sentimental |
1998 |
Harlequin Mills & Boon |
Perrot, Jean |
Les métamorphoses du conte |
2004 |
|
Rashid, Hussein; Petersen, Kristian |
The Bloomsbury Handbook of Muslims and Popular Culture |
2023 |
|
Petersson, Sara; Söderberg, Daniel |
En berättelse tar form - en studie i hur geometrisk form på bokomslag indikerar populärlitterär genre |
2014 |
paratext |
Petrović, Janja |
Breaking the stereotype – romance novel today |
2023 |
genre definitions, gender, Mariana Zapata, Abby Jimenez, Christina Lauren, Emily Henry, Colleen Hoover |
Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
Philadelphoff-Puren, Nina |
The Mark of Refusal: Sexual Violence and the Politics of Recontextualization |
2004 |
rape and/or intimate partner violence/abuse, Charlotte Lamb |
Philadelphoff-Puren, Nina |
Contextualising Consent: The Problem of Rape and Romance |
2005 |
rape and/or intimate partner violence/abuse, Charlotte Lamb |
Philips, Deborah |
Marketing Moonshine |
1985 |
|
Philips, Deborah |
Mills and Boon: The Marketing of Moonshine |
1990 |
Harlequin Mills & Boon, Publishing, paratext |
Philips, Deborah; Tomlinson, Alan |
Homeward Bound: Leisure, popular culture and consumer capitalism |
1992 |
capitalism/business, Harlequin Mills & Boon, war/armed forces, work, gender |
Philips, Deborah; Haywood, Ian |
Brave New Causes: Women in British Postwar Fictions |
1998 |
social/economic class, settings, national identity, work, marriage, medical romance, history, UK, Harlequin Mills & Boon |
Philips, Deborah |
The Empire of Romance: Love in a Postcolonial Climate |
2011 |
Harlequin Mills & Boon, UK, race/ethnicity, Pamela Kent, Juliet Shore/Anne Vinton, Jean Herbert, settings, work, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Africa, medical romance |
Philips, Deborah |
In defence of reading (and watching) trash: Feminists reading the romance |
2020 |
romance scholarship, feminism |
Philips, Deborah |
Fifty Shades of Romance: The intertextualities of Fifty Shades of Grey |
2021 |
Fifty Shades, Harlequin Mills & Boon, Twilight |
Phillips, Kristen |
Women and Erotic Fiction: Critical Essays on Genres, Markets & Readers |
2015 |
|
Phipps, Catherine |
Sex, race and power: colonial and interracial sexuality in the French Empire in Morocco, 1912-1956 |
2023 |
history, Morocco, sheikh romance, sex/sexuality, race/ethnicity |
Phipps, Catherine |
‘The Machine for Showing Desire’: Desert Romance Fiction and Knowing Sexual Desire |
2023 |
sheikh romance, history, race/ethnicity, sex/sexuality, E. M. Hull, Leonard Noel Barker writing as L. Noel |
Phumithammarat, Nanphatchaon |
The Cultural Politics of Chinese-Thai Identities in Ethnic Romance Novels by Female Authors |
2023 |
Thailand, race/ethnicity, China |
Piatti-Farnell, Lorna; Brien, Donna Lee |
New Directions in 21st Century Gothic: The Gothic Compass |
2015 |
|
Pierini, Francesca |
Olive Skin, Chocolate Eyes: The Legacy of The Sheik on Descriptive Patterns of the Italian Romantic Hero in Harlequin Short Contemporaries |
2020 |
Italy, national identity, Harlequin Mills & Boon, race/ethnicity, gender, E. M. Hull, metaphor/symbolism, animals |
Pierini, Francesca |
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love |
2020 |
Italy, history, Shakespeare, Marina Fiorato, Anne Fortier, work, race/ethnicity |
Pierini, Francesca |
“Sharing the Same Soil:” Sally Rooney’s Normal People and the Coming-of-Age Romance |
2021 |
Sally Rooney, romance scholarship |
Pierini, Francesca |
Critical Approaches to the Modern and Contemporary Anglophone Romance Novel (From A Room with a View to Fifty Shades of Grey) |
2022 |
teaching romance, E. M. Forster, Jennifer Crusie, E. M. Hull, Beverly Jenkins, Alyssa Cole, Fifty Shades, K. J. Charles |
Pierini, Francesca |
Romance and Metagenre: A Response to Burkhard Niederhoff |
2022 |
romance scholarship, E. M. Forster, happy ending |
Pierini, Francesca |
“Roma” spelled backwards: love and heterotopic space in contemporary romance novels set in Italy |
2022 |
Italy, settings |
Pierini, Francesca |
Literary Fiction from the Perspective of Romance: Normal People |
2023 |
Sally Rooney |
Pierini, Francesca |
Towards a Regime of Authenticity. Reading A Room with a View through the Lens of Contemporary Romance Scholarship |
2023 |
E. M. Forster, Older and/or precursor texts (may not be "romance" as now defined), Italy, marriage, emotions, happy ending, trash/literary and or intellectual quality |
Pierre, Zakiya |
Browsing in nuances: Using ethnographic research to design for the experience of browsing. |
2021 |
readers |
Pierre-Robertson, Petronetta |
Literature as an Agent of Change |
2021 |
Caribbean, rape and/or intimate partner violence/abuse, Petra Pierre-Robertson |
Pifarré, Alexandra-Flora; Rutigliano-Daspet, Sandrine |
Re- Répéter - Répétitions |
2010 |
|
Garciano, Shylyn G.; Cuevas, Gloria Con-ui; Geraldizo-Pabriga, Maria Gemma; Macabodbod, Saira Jay J.; Yu, Jaciah Mae B.; Pinote, Ma. Jezan A. |
Romance-Themed Novels: Influenced on Relationship Satisfaction |
2023 |
readers, psychology |
Piper, Andrew; Portelance, Eva |
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading |
2016 |
linguistics, trash/literary and or intellectual quality |
Muram, David; Rosenthal, Ted L.; Tolley, Elizabeth A.; Peeler, Molly M.; Pitts, Bridget |
Teenage Pregnancy: Dating and Sexual Attitudes |
1992 |
readers, sex/sexuality, race/ethnicity |
Po-Yu, Rick Wei |
“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter |
2018 |
Georgette Heyer, history, feminism, historical romance |
Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
Legallois, Dominique; Charnois, Thierry; Poibeau, Thierry |
Repérer les clichés dans les romans sentimentaux grâce à la méthode des ‘motifs’ |
2016 |
trash/literary and or intellectual quality, Harlequin Mills & Boon, linguistics |
Pokrywka, Rafał |
Temperaturen des Begehrens als konventionelle Metaphern im Hard-Core-Liebesroman |
2015 |
metaphor/symbolism, Sylvia Day, Fifty Shades, sex/sexuality |
Pollak, Richard |
What's in a Pseudonym? Romance Slaves of Harlequin |
1992 |
Harlequin Mills & Boon, Publishing, authors |
Rosier, Laurence; Pollet, Marie-Christine |
Les mauvais genres en classe de français?: Retour sur la question. |
2007 |
|
White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
Popova, Milena |
Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction |
2018 |
fanfiction, sex/sexuality, marriage, emotions |
Popova, Milena |
Sexual Consent |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse |
Pöppel, Hubert |
Las reinas de la novela rosa en España y Alemania: Corín Tellado y Hedwig Courths-Mahler |
2014 |
Germany, Spain, Corín Tellado, Hedwig Courths-Mahler, trash/literary and or intellectual quality |
Piper, Andrew; Portelance, Eva |
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading |
2016 |
linguistics, trash/literary and or intellectual quality |
Porter, David |
Internet Culture |
1997 |
|
Portut, Vanessa |
Évolution du roman sentimental contemporain en France: diversité et spécificité des collections chez Harlequin |
2001 |
Harlequin Mills & Boon, France |
Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
Posti, Piia K |
‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen |
2024 |
race/ethnicity, history, historical romance, Julia Quinn |
Postma, Kathlene |
American Women Readers Encounter Turkey in the Shadow of Popular Romance |
1999 |
United States of America, Greece, Turkey, national identity, Older and/or precursor texts (may not be "romance" as now defined), Demetra Vaka, race/ethnicity |
Potter, Jane Elizabeth |
Boys in khaki, girls in print: women's literary responses to the great war, 1914-1918 |
1998 |
war/armed forces, national identity |
Potter, Jane |
"A great purifier": The Great War in Women's Romances and Memoirs 1914-1918 |
1997 |
war/armed forces, Berta Ruck, Ruby M. Ayres |
Potter, Jane |
Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War 1914-1918 |
2005 |
war/armed forces, Ruby M. Ayres, Berta Ruck, Mary Ward/Mrs. Humphry Ward, Florence Barclay, disability, gender, social/economic class, paratext, Bessie Marchant, Janet Laing, Marie Belloc Lowndes, religion/spirituality, national identity |