| Bruni, Domenica |
Love, sex, and language: Gender differences in sexual fantasizing and evolutionary evidence from storytelling |
|
evolutionary psychology |
| Rabinowitz, Paula |
Oxford Research Encyclopedia of Literature |
|
|
| Hofstadter, Beatrice K. |
Popular Culture and the Romantic Heroine |
1960 |
Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, Augusta Jane Evans, E. P. Roe, Winston Churchill, E. M. Hull |
| Banti, Anna |
Storia e ragioni del romanzo rosa |
1961 |
Italy |
| Banti, Anna |
Opinioni |
1961 |
|
| Forte, Gioacchino |
I persuasori rosa: sociologia curiosa del rotocalco femminile in Italia |
1966 |
Italy, romances in magazines and newspapers, sociology |
| Sichelschmidt, Gustav |
Hedwig Courths-Mahler. Deutschlands erfolgreichste Autorin. Eine literatursoziologische Studie |
1967 |
Hedwig Courths-Mahler |
| Amorós, Andrés |
Sociología de una novela rosa |
1968 |
Spain, Corín Tellado, sociology |
| Byatt, A. S. |
An Honourable Escape: Georgette Heyer |
1969 |
Georgette Heyer, A. S. Byatt, Baroness Orczy, Jane Austen, social/economic class, fashion/clothing, history |
| Mann, Peter H. |
The Romantic Novel: A Survey of Reading Habits |
1969 |
Harlequin Mills & Boon, readers |
| Greer, Germaine |
The Female Eunuch |
1970 |
fashion/clothing, romances in magazines and newspapers, Georgette Heyer, Barbara Cartland, Lucy Walker, sex/sexuality |
| Díez Borque, José María |
Literatura y cultura de masas: Estudio de la novela subliteraria |
1972 |
Corín Tellado, Spain, gender, social/economic class, linguistics |
| Moore, Maureen |
Romantic love, ecstasy, and deprivation |
1973 |
love, gender, Harlequin Mills & Boon, Violet Winspear, Isobel Chace, pornography, BDSM, religion/spirituality |
| |
Imperialismo y medios masivos de comunicación |
1973 |
|
| Mussell, Kay Johnson |
The World of Modern Gothic Fiction: American Women and Their Social Myths |
1973 |
gothic romance |
| Erhart, Virginia |
Amor, ideología y enmascaramiento en Corín Tellado |
1973 |
Corín Tellado |
| Russ, Joanna |
Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic |
1973 |
gothic romance, genre definitions, settings, Phyllis A. Whitney, Margaret Summerton, Helen Arvonen, Susan Howatch, Anne Maybury, Dorothy Eden, food, drink, fashion/clothing, sex/sexuality, gender |
| Mann, Peter H. |
A New Survey: The Facts About Romantic Fiction |
1974 |
Harlequin Mills & Boon, readers |
| Erhart, Virginia |
Amor, ideología y enmascaramiento en Corín Tellado |
1974 |
Corín Tellado |
| Cecil, Mirabel |
Heroines in Love 1750-1974 |
1974 |
romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined) |
| Acosta, Leonardo |
Penetración cultural imperialista en América Latina: comics y revistas femeninas |
1974 |
|
| Gardiner, Edmond F. |
Annie S. Swan—forerunner of modern popular fiction |
1974 |
Annie S. Swan |
| Anderson, Rachel |
The Purple Heart Throbs: The Sub-Literature of Love |
1974 |
Older and/or precursor texts (may not be "romance" as now defined), trash/literary and or intellectual quality, religion/spirituality, Charlotte M. Yonge, Christian romance, Ruth Lamb, Rhoda Broughton, Rita, pen name of Mrs. Eliza Margaret Humphreys, Ouida, Mary Elizabeth Braddon, Effie Adelaide Rowlands, also known as Madame Albanesi, Margaret Baillie-Saunders, Evelyn Everett-Green, Elinor Glyn, Florence Barclay, Ethel M. Dell, Marie Corelli, Berta Ruck, Kathlyn Rhodes, Robert Hitchens, E. M. Hull, sheikh romance, Elizabeth Hoy, Violet Winspear, Jennifer Ames, Ruby M. Ayres, Netta Muskett, Annie S. Swan, Margaret Pedler, Maysie Greig, Gilbert Frankau, Joan Butler, pen name of R. W. Alexander, Denise Robins, Ursula Bloom, Sophie Cole, medical romance, Lucilla Andrews, Kate Norway/Olive Norton, Julia Davis, settings, food, drink, fashion/clothing |
| Brodbeck, Liselotte |
Roman als Ware: Zur Analyse der Liebesromanhefte |
1974 |
Germany |
| Erhart, Virginia |
Corín Tellado: la Cenicienta en la sociedad de consumo |
1974 |
Corín Tellado, work, ageism, marriage |
| Cabrera Infante, Guillermo |
Una inocente pornógrafa. Manes y desmanes de Corín Tellado |
1975 |
Corín Tellado |
| Cabrera Infante, Guillermo |
O |
1975 |
|
| Mussell, Kay J. |
Beautiful and Damned: The Sexual Woman in Gothic Fiction |
1975 |
United States of America, sex/sexuality, gothic romance, gender, family |
| Erhart, Virginia |
Amor y consumo en las novelas de Corin Tellado |
1976 |
Corín Tellado |
| Cawelti, John G. |
Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture |
1976 |
genre definitions, trash/literary and or intellectual quality |
| Hubert, Karen M. |
Teaching and Writing Popular Fiction: Horror, Adventure, Mystery and Romance in the American Classroom |
1976 |
teaching romance |
| Spinazzola, Vittorio |
Pubblico 1977 |
1977 |
|
| Spinazzola, Vittorio |
Qualche ipotesi sulla narrativa “rosa”. Conversazione con Brunella Gasperini |
1977 |
Brunella Gasperini |
| Sughi, Laura |
Evasione e conformismo nella narrativa rosa |
1977 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Cohn, Jan |
The Romances of Mary Roberts Rinehart: Some Problems in the Study of Popular Culture |
1977 |
Mary Roberts Rinehart, work, marriage, Older and/or precursor texts (may not be "romance" as now defined) |
| Ruggiero, Josephine A.; Weston, Louise C. |
Sex-Role Characterization of Women in "Modern Gothic Novels" |
1977 |
gender, gothic romance, feminism, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury, social/economic class, work, readers |
| Ruggiero, Josephine A.; Weston, Louise C. |
Sex-Role Characterization of Women in "Modern Gothic Novels" |
1977 |
gender, gothic romance, feminism, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury, social/economic class, work, readers |
| Weibel, Kathryn |
Mirror Mirror: Images of Women Reflected in Popular Culture |
1977 |
Harlequin Mills & Boon, gothic romance |
| Robinson, Lillian S. |
Sex, Class, and Culture |
1978 |
historical romance, history, Jane Austen, Georgette Heyer, fashion/clothing, sex/sexuality, social/economic class, gender, trash/literary and or intellectual quality |
| Curiel, Fernando |
Fotonovela rosa, fotonovela roja |
1978 |
Mexico, fotonovela |
| Cawelti, John |
Romance: The Once and Future Queen |
1978 |
Older and/or precursor texts (may not be "romance" as now defined), gothic romance, Harlequin Mills & Boon, Roberta Leigh/Rachel Lindsay, Phyllis A. Whitney |
| Weston, Louise C.; Ruggiero, Josephine A. |
Male-Female Relationships in Best-Selling "Modern Gothic" Novels |
1978 |
gothic romance, romantic suspense, gender, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury |
| Weston, Louise C.; Ruggiero, Josephine A. |
Male-Female Relationships in Best-Selling "Modern Gothic" Novels |
1978 |
gothic romance, romantic suspense, gender, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury |
| Killing, Peter |
Harlequin Enterprises Limited: Case Material of the Western School of Business Administration |
1978 |
Publishing |
| Flora, Cornelia Butler; Flora, Jan L. |
The Fotonovela As a Tool for Class and Cultural Domination |
1978 |
Latin America, Mexico, Brazil, Corín Tellado, sociology, capitalism/business, social/economic class, wealth/prosperity, fotonovela |
| Flora, Cornelia Butler; Flora, Jan L. |
The Fotonovela As a Tool for Class and Cultural Domination |
1978 |
Latin America, Mexico, Brazil, Corín Tellado, sociology, capitalism/business, social/economic class, wealth/prosperity, fotonovela |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Abartis, Caesarea |
The Ugly-Pretty, Dull-Bright, Weak-Strong Girl in the Gothic Mansion |
1979 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), Charlotte Brontë, Daphne du Maurier, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Claudette Nicole |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Snitow, Ann Barr |
Mass Market Romance: Pornography for Women is Different |
1979 |
Harlequin Mills & Boon, readers, gender, virginity, fashion/clothing, food, drink, sex/sexuality, religion/spirituality, settings, work, pornography, Anne Mather |
| Fischer, Heinz-Dietrich; Melnik, Stefan Reinhard |
Entertainment: A Cross-Cultural Examination |
1979 |
|
| Fischer, Heinz-Dietrich; Melnik, Stefan Reinhard |
Entertainment: A Cross-Cultural Examination |
1979 |
|
| Barrett, Caroline |
La femme et la société dans la littérature sentimentale populaire québécoise, 1940-1960 |
1979 |
Canada |
| Fowler, Bridget |
"True to Me Always": An Analysis of Women's Magazine Fiction |
1979 |
romances in magazines and newspapers, social/economic class, readers, Older and/or precursor texts (may not be "romance" as now defined), marriage, work, wealth/prosperity, gender, medical romance, settings, rural romance |
| O'Toole, Patricia |
Paperback Virgins |
1979 |
Barbara Cartland, Janet Dailey, virginity, feminism |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Mann, Peter H. |
Romantic Fiction and Its Readers |
1979 |
readers, Harlequin Mills & Boon, trash/literary and or intellectual quality |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Modleski, Tania |
The Disappearing Act: A Study of Harlequin Romances |
1980 |
Harlequin Mills & Boon, readers, psychology, gender |
| Douglas, Ann |
Soft-Porn Culture: Punishing the Liberated Woman |
1980 |
BDSM, pornography, Harlequin Mills & Boon, feminism, virginity, readers, gender |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Harrison, Rachel |
Women and Romantic Fiction: Subordination and Resistance |
1980 |
readers |
| English Studies Group, 1978–9, The |
Recent Developments in English Studies at the Centre |
1980 |
linguistics, Barbara Cartland, family, settings, social/economic class, gender, capitalism/business |
| Bold, Rudolph |
Trash in the Library |
1980 |
readers, trash/literary and or intellectual quality, Harlequin Mills & Boon |
| Hassencahl, Fran |
Persecutors, Victims and Rescuers in Harlequin Romances |
1980 |
Harlequin Mills & Boon, gender, psychology, work, fashion/clothing, sex/sexuality, family |
| Jensen, Margaret Ann |
Women and Romantic Fiction: A Case Study of Harlequin Enterprises, Romances, and Readers |
1980 |
Harlequin Mills & Boon, readers, capitalism/business, social/economic class, work |
| Tatum, Charles |
Lágrimas, risas y amor: Mexico's Most Popular Romance Comic Book |
1980 |
comics/manga, Mexico |
| Modleski, Tania |
Popular Feminine Narratives: A Study of Romances, Gothics, and Soap Operas |
1980 |
Harlequin Mills & Boon, gothic romance, psychology |
| Bouchard, Pierrette |
Les romans Harlequin et Cie : plus que du rêve |
1980 |
Harlequin Mills & Boon, feminism |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Faust, Beatrice |
Women, Sex and Pornography |
1980 |
rape and/or intimate partner violence/abuse, pornography, sex/sexuality, Rosemary Rogers, Patricia Gallagher, Patricia Matthews, Harlequin Mills & Boon, feminism, gender |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Swaffield, Audrey-Claire |
Paperbacks Promoting Passion! What Is Harlequin Really Presenting? |
1981 |
Harlequin Mills & Boon |
| Mann, Peter H. |
The Romantic Novel and its Readers |
1981 |
trash/literary and or intellectual quality, sex/sexuality, readers |
| Lazzarato, Francesca; Moretti, Valeria |
La fiaba rosa: itinerari di lettura attraverso i romanzi per signorine |
1981 |
fairytales/folktales, Delly, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| McNeil, Helen |
She trembled at his touch |
1981 |
Harlequin Mills & Boon, social/economic class |
| Lazzarato, Francesca; Moretti, Valeria |
La fiaba rosa: itinerari di lettura attraverso i romanzi per signorine |
1981 |
fairytales/folktales, Delly, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Hirschman, Elizabeth C.; Holbrook, Morris B. |
SV - Symbolic Consumer Behavior |
1981 |
|
| Radway, Janice |
The Utopian Impulse in Popular Literature: Gothic Romances and "Feminist" Protest |
1981 |
gothic romance, readers, genre definitions, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, United States of America, gender, feminism, Kathleen Woodiwiss, sex/sexuality |
| Batsleer, Janet |
Pulp in the Pink |
1981 |
trash/literary and or intellectual quality, feminism, capitalism/business, race/ethnicity, Barbara Cartland, social/economic class, gender |
| Mouritsen, Maren M. |
Ye Are Free to Choose: Agency and the Latter-Day Saint Woman |
1981 |
|
| Coste, Didier |
Installments of the Heart: Text Delimitation in Periodical Narrative and Its Consequences |
1981 |
Older and/or precursor texts (may not be "romance" as now defined), Publishing, Spain, translation, Berta Ruck, Hedwig Courths-Mahler, Florence Barclay, Grace Livingston Hill, Rafael Pérez y Pérez, religion/spirituality, Christian romance, marriage, social/economic class |
| Patterson, Janet |
Consuming Passion |
1981 |
Harlequin Mills & Boon, readers |
| Hirschman, Elizabeth C.; Holbrook, Morris B. |
SV - Symbolic Consumer Behavior |
1981 |
|
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Interracial Books for Children Bulletin, |
Romance Series for Young Readers: A Report to Educators and Parents in Concert with the National Education Association |
1981 |
YA/teenage romance, trash/literary and or intellectual quality, gender, race/ethnicity, feminism, social/economic class, disability, work, readers, LGBT+ characters, readers and/or authors, libraries/librarians, United States of America, Harlequin Mills & Boon, Publishing, family, fashion/clothing, teaching romance |
| Arnold, Marilyn |
Pornography, Romance, and the Paradox of Freedom |
1981 |
|
| Mussell, Kay |
Women’s Gothic and Romantic Fiction: A Reference Guide |
1981 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), United States of America, Catharine Maria Sedgwick, Augusta Jane Evans, E. D. E. N. Southworth, Margaret Mitchell, Daphne du Maurier, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Mary Stewart, Phyllis A. Whitney, Rosemary Rogers, Harlequin Mills & Boon, Kathleen Thompson Norris, Grace Livingston Hill, film/movies, readers, romance scholarship |
| Hubbard, Rita Cooper |
Relationship Styles In Popular Romance Fiction: A Fantasy Theme Analysis Of Harlequin Romances, 1950-1979 |
1981 |
Harlequin Mills & Boon, gender, feminism |
| Anderson, Jennifer |
Mills and Boon: love and oppression |
1981 |
Harlequin Mills & Boon |
| Kuznets, Lois; Zarin, Eve |
Sweet Dreams for Sleeping Beauties: Pre-Teen Romances |
1982 |
YA/teenage romance, settings |
| Steiner, Peter; Červenka, Miroslav; Vroon, Ronald |
The Structure of the Literary Process Studies dedicated to the Memory of Felix Vodička |
1982 |
|
| Kuznets, Lois; Zarin, Eve |
Sweet Dreams for Sleeping Beauties: Pre-Teen Romances |
1982 |
YA/teenage romance, settings |
| Steiner, Peter; Červenka, Miroslav; Vroon, Ronald |
The Structure of the Literary Process Studies dedicated to the Memory of Felix Vodička |
1982 |
|
| Steiner, Peter; Červenka, Miroslav; Vroon, Ronald |
The Structure of the Literary Process Studies dedicated to the Memory of Felix Vodička |
1982 |
|
| Fortunati, Vita; Franci, Giovanna |
'Ma c'è sempre un arcobaleno': La 'romantic fiction' di Barbara Cartland |
1982 |
Barbara Cartland |
| Fortunati, Vita; Franci, Giovanna |
'Ma c'è sempre un arcobaleno': La 'romantic fiction' di Barbara Cartland |
1982 |
Barbara Cartland |
| Mussell, Kay |
Preface |
1982 |
gothic romance, United States of America, Publishing |
| Sama, Lisa Mary |
Love's Ardent Writer |
1982 |
Barbara Delinsky |
| Reep, Diana |
The Rescue And Romance: Popular Novels Before World War I |
1982 |
Older and/or precursor texts (may not be "romance" as now defined), United States of America, gender, race/ethnicity, social/economic class |
| Provost, Sylvie |
Avez-vous déjà lu IXE-13, Albert Brien, Guy Verchères…? |
1982 |
dime novels, Canada, readers, social/economic class |
| Margolies, David |
Mills & Boon: guilt without sex |
1982 |
Harlequin Mills & Boon, work, gender, emotions, rape and/or intimate partner violence/abuse |
| Bayer-Berenbaum, Linda |
The Gothic Imagination: Expansion in Gothic Literature and Art |
1982 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance |
| Pozzato, Maria Pia |
Il romanzo rosa |
1982 |
|
| Radway, Janice A. |
The Aesthetic in Mass Culture: Reading the "Popular" Literary Text |
1982 |
gothic romance, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, fashion/clothing |
| Vinson, James; Kirkpatrick, D. L. |
Twentieth Century Romance and Gothic Writers |
1982 |
Jane Aiken Hodge, Effie Adelaide Rowlands, also known as Madame Albanesi, Lucilla Andrews, Jane Arbor, Elizabeth Ashton, Ruby M. Ayres, Faith Baldwin, Florence Barclay, Betty Beaty, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Mary Burchell, pen name of Ida Cook, Barbara Cartland, Catherine Cookson, Marie Corelli, Janet Dailey, Iris Danbury, Ethel M. Dell, Viña Delmar, Joyce Dingwell/Kate Starr, Maud Diver, Daphne du Maurier, Dorothy Eden, Eleanor Farnes, Jeffrey Farnol, Charles Garvice, Roberta Gellis, Elinor Glyn, Maysie Greig, Anne Hampson, Georgette Heyer, Grace Livingston Hill, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Elizabeth Hoy, E. M. Hull, Charlotte Lamb, Roumelia Lane, Roberta Leigh/Rachel Lindsay, Jean S. MacLeod/Catherine Airlie, Anne Mather, Patricia Matthews, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Margaret Mitchell, Netta Muskett, Betty Neels, Kathleen Thompson Norris, Kate Norway/Olive Norton, Baroness Orczy, Margaret Pargeter, Mary Roberts Rinehart, Denise Robins, Rosemary Rogers, Margaret Rome, Berta Ruck, Rafael Sabatini, Sara Seale, Danielle Steel, Mary Stewart, Rebecca Stratton, Essie Summers, Annie S. Swan, Kay Thorpe, Patricia Veryan, Lucy Walker, Margaret Way, Phyllis A. Whitney, Kathleen Winsor, Violet Winspear, Kathleen Woodiwiss, Mary Lutyens/Esther Wyndham |
| Modleski, Tania |
Loving with a Vengeance: Mass‐Produced Fantasies for Women |
1982 |
Harlequin Mills & Boon, gothic romance, gender, psychology, readers, rape and/or intimate partner violence/abuse |
| Vinson, James; Kirkpatrick, D. L. |
Twentieth Century Romance and Gothic Writers |
1982 |
Jane Aiken Hodge, Effie Adelaide Rowlands, also known as Madame Albanesi, Lucilla Andrews, Jane Arbor, Elizabeth Ashton, Ruby M. Ayres, Faith Baldwin, Florence Barclay, Betty Beaty, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Mary Burchell, pen name of Ida Cook, Barbara Cartland, Catherine Cookson, Marie Corelli, Janet Dailey, Iris Danbury, Ethel M. Dell, Viña Delmar, Joyce Dingwell/Kate Starr, Maud Diver, Daphne du Maurier, Dorothy Eden, Eleanor Farnes, Jeffrey Farnol, Charles Garvice, Roberta Gellis, Elinor Glyn, Maysie Greig, Anne Hampson, Georgette Heyer, Grace Livingston Hill, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Elizabeth Hoy, E. M. Hull, Charlotte Lamb, Roumelia Lane, Roberta Leigh/Rachel Lindsay, Jean S. MacLeod/Catherine Airlie, Anne Mather, Patricia Matthews, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Margaret Mitchell, Netta Muskett, Betty Neels, Kathleen Thompson Norris, Kate Norway/Olive Norton, Baroness Orczy, Margaret Pargeter, Mary Roberts Rinehart, Denise Robins, Rosemary Rogers, Margaret Rome, Berta Ruck, Rafael Sabatini, Sara Seale, Danielle Steel, Mary Stewart, Rebecca Stratton, Essie Summers, Annie S. Swan, Kay Thorpe, Patricia Veryan, Lucy Walker, Margaret Way, Phyllis A. Whitney, Kathleen Winsor, Violet Winspear, Kathleen Woodiwiss, Mary Lutyens/Esther Wyndham |
| Bédard-Cazabon, Hélène; Bettinotti, Julia; Provost, Christiane |
Harlequin: Quand l'amour est une guerre |
1983 |
Harlequin Mills & Boon, Janet Dailey, Anne Hampson, Charlotte Lamb, Anne Mather, Violet Winspear, gender, love |
| Fleenor, Juliann E. |
The Female Gothic |
1983 |
|
| Browne, Ray B.; Fishwick, Marshall W. |
The Hero in Transition |
1983 |
|
| Browne, Ray B.; Fishwick, Marshall W. |
The Hero in Transition |
1983 |
|
| Radway, Janice A. |
Women Read the Romance: The Interaction of Text and Context |
1983 |
readers, psychology, gender |
| Beauman, Nicola |
A Very Great Profession: The Woman’s Novel 1914-39 |
1983 |
Ruby M. Ayres, Ethel M. Dell, Elinor Glyn, E. M. Hull, history |
| Kaye, Marilyn Janice |
The nature of didacticism as related to romance and sexuality in young adult novels 1965-1978 |
1983 |
YA/teenage romance |
| Bowman, Barbara |
Victoria Holt's Gothic Romances: A Structuralist Inquiry |
1983 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance |
| Timson, Beth S. |
The Drug Store Novel: Popular Romantic Fiction and the Mainstream Tradition |
1983 |
gothic romance, Jane Austen, Martha Finley, United States of America, gender |
| Veibæk, Eva |
Gift dig og bliv lykkelig: romantikkens kærlighedsmyte og triviallitteraturen |
1983 |
|
| Antonel, Emanuela |
Attraverso "il rosa" : un'avventura nel sentimento |
1983 |
|
| Boulet, Yvan |
Ces petits romans si agréables à lire |
1983 |
Harlequin Mills & Boon, Anne Mather, linguistics, trash/literary and or intellectual quality |
| Hazen, Helen |
Endless Rapture: Rape, Romance, and the Female Imagination |
1983 |
rape and/or intimate partner violence/abuse, feminism, Lolah Burford |
| Greenwood, Alice |
Language Stereotypes in Mass Market Romances |
1983 |
linguistics |
| Guiley, Rosemary |
Love Lines: The Romance Reader's Guide to Printed Pleasures |
1983 |
Publishing, rape and/or intimate partner violence/abuse, sex/sexuality, Roberta Gellis, Bertrice Small, Jude Deveraux, paratext |
| Azorín Fernández, María Dolores |
La obra novelística de Rafael Pérez y Pérez |
1983 |
Rafael Pérez y Pérez |
| Ruggiero, Josephine A.; Weston, Louise C. |
Conflicting Images of Women in Romance Novels |
1983 |
gothic romance, historical romance, gender, readers |
| Hey, Valerie |
The Necessity of Romance |
1983 |
|
| Mussell, Kay J. |
"But Why Do They Read Those Things?": The Female Audience and the Gothic Novel |
1983 |
gothic romance, readers |
| Bédard-Cazabon, Hélène; Bettinotti, Julia; Provost, Christiane |
Harlequin: Quand l'amour est une guerre |
1983 |
Harlequin Mills & Boon, Janet Dailey, Anne Hampson, Charlotte Lamb, Anne Mather, Violet Winspear, gender, love |
| Nobert, Margo |
Le titre comme séduction dans le roman Harlequin: une lecture sociosémiotique |
1983 |
Harlequin Mills & Boon, paratext, linguistics, metaphor/symbolism, animals, settings, gender |
| Hubbard, Rita C. |
The Changing-Unchanging Heroines and Heroes of Harlequin Romances, 1950-1979 |
1983 |
Harlequin Mills & Boon, gender, authors, Elizabeth Hoy, Roumelia Lane, Elizabeth Hunter |
| Ruggiero, Josephine A.; Weston, Louise C. |
Conflicting Images of Women in Romance Novels |
1983 |
gothic romance, historical romance, gender, readers |
| Bédard-Cazabon, Hélène; Bettinotti, Julia; Provost, Christiane |
Harlequin: Quand l'amour est une guerre |
1983 |
Harlequin Mills & Boon, Janet Dailey, Anne Hampson, Charlotte Lamb, Anne Mather, Violet Winspear, gender, love |
| Marchand, Jacques |
Harlequin et Colombine : l’industrie plafonne, l’amour aussi |
1983 |
Harlequin Mills & Boon, Publishing, settings, readers |
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Light, Alison |
Returning to Manderley – Romance Fiction, Female Sexuality and Class |
1984 |
Daphne du Maurier, readers, psychology, social/economic class, sex/sexuality, UK |
| Parrish, Berta; Atwood, Karen |
Enticing Readers: The Teen Romance Craze |
1984 |
YA/teenage romance |
| Creed, Barbara |
The women's romance as sexual fantasy: 'Mills & Boon' |
1984 |
Harlequin Mills & Boon |
| Toth, Emily |
Who'll Take Romance? |
1984 |
feminism, rape and/or intimate partner violence/abuse, Emily Toth |
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Jensen, Margaret Ann |
Love's $weet Return: The Harlequin Story |
1984 |
Harlequin Mills & Boon, metafiction, readers, Publishing, virginity, sex/sexuality, paratext, work, authors, gender, happy ending, settings, race/ethnicity, social/economic class, rape and/or intimate partner violence/abuse, food, drink, fashion/clothing, love, marriage, feminism |
| Markert, John |
Beyond Gatekeepers: Romance Publishing and the Production of Culture |
1984 |
Publishing |
| Parrish, Berta; Atwood, Karen |
Enticing Readers: The Teen Romance Craze |
1984 |
YA/teenage romance |
| Mussell, Kay |
Fantasy and Reconciliation: Contemporary Formulas of Women’s Romance Fiction |
1984 |
Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Roberta Gellis, Anya Seton, Georgette Heyer, Barbara Cartland, feminism, romantic suspense, historical romance, gender, sex/sexuality, marriage, Older and/or precursor texts (may not be "romance" as now defined), erotic romance, readers, romance scholarship, Harlequin Mills & Boon, gothic romance, Jane Austen, history, settings, social/economic class, UK, United States of America, fairytales/folktales, family, Charlotte Brontë, psychology |
| Rihoit, Catherine |
Regards de femmes |
1984 |
Harlequin Mills & Boon, readers |
| Coste, Didier |
Le genre du roman rose et la dissidence amoureuse |
1984 |
|
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Christian, Linda Kathryn |
Becoming a Woman through Romance: Adolescent Novels and the Ideology of Femininity |
1984 |
YA/teenage romance, gender |
| Kirkland, Catherine Elisabeth |
For The Love Of It: Women Writers And The Popular Romance |
1984 |
authors, work, Publishing, feminism, trash/literary and or intellectual quality |
| Lugan-Dardigna, Anne-Marie |
Presse du cœur et roman rose: la quête de l'amour vrai ou comment se trouver un maître |
1984 |
gender, religion/spirituality, love |
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Coles, Claire D.; Shamp, M. Johnna |
Some Sexual, Personality, and Demographic Characteristics of Women Readers of Erotic Romances |
1984 |
readers, erotic romance, sex/sexuality, pornography |
| Radway, Janice A. |
Reading the Romance: Women, Patriarchy, and Popular Literature |
1984 |
Publishing, feminism, readers, genre definitions, marriage, psychology, gender |
| Aiken Hodge, Jane |
The Private World of Georgette Heyer |
1984 |
Georgette Heyer |
| Pawling, Christopher |
Popular Fiction and Social Change |
1984 |
|
| Bédard-Cazabon, Hélène; Provost, Christiane |
"Un subtil parfum de mensonge": essai d'analyse d'un corpus de romans harlequin |
1984 |
Harlequin Mills & Boon |
| Coles, Claire D.; Shamp, M. Johnna |
Some Sexual, Personality, and Demographic Characteristics of Women Readers of Erotic Romances |
1984 |
readers, erotic romance, sex/sexuality, pornography |
| Drakulić-Ilić, Slavenka |
Smrtni grijesi feminizma. Ogledi u mudologiji |
1984 |
readers, sex/sexuality, trash/literary and or intellectual quality, socialism and/or communism |
| Brunt, Rosalind |
A Career in Love: The Romantic World of Barbara Cartland |
1984 |
Barbara Cartland, social/economic class, gender, religion/spirituality, Ethel M. Dell, Elinor Glyn, virginity |
| Bédard-Cazabon, Hélène; Provost, Christiane |
"Un subtil parfum de mensonge": essai d'analyse d'un corpus de romans harlequin |
1984 |
Harlequin Mills & Boon |
| Dubrûle, Marie-Andrée |
Systèmes narratifs et systèmes de valeurs dans le roman sentimental paralittéraire |
1984 |
|
| Altus, Marilyn |
Sugar-coated Pills |
1984 |
|
| Radway, Janice A. |
Interpretive Communities And Variable Literacies: The Functions Of Romance Reading |
1984 |
readers, linguistics |
| Moretto, Shirley; Weidenburner, Kathleen |
We’ll Take Romance! |
1984 |
libraries/librarians |
| Baticle, Yveline |
Delly: autopsie du roman rose |
1984 |
Delly, social/economic class, settings, linguistics |
| Worpole, Ken |
Reading by Numbers: Contemporary Publishing & Popular Fiction |
1984 |
Publishing, UK, Harlequin Mills & Boon, trash/literary and or intellectual quality, feminism, romances in magazines and newspapers |
| Coste, Didier |
Conformité et narrativité: travail de reproduction idéologique et discours du changement d'après quelques romans de Rafael Pérez y Pérez |
1984 |
Rafael Pérez y Pérez |
| Moretto, Shirley; Weidenburner, Kathleen |
We’ll Take Romance! |
1984 |
libraries/librarians |
| Fallon, Eileen |
Words of Love: A Complete Guide to Romance Fiction |
1984 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), trash/literary and or intellectual quality, historical romance, history, authors, Publishing, Georgette Heyer, Kathleen Woodiwiss, gothic romance |
| Coward, Rosalind |
Female Desire: Women’s Sexuality Today |
1984 |
gender, feminism, psychology |
| Coste, Didier; Zéraffa, Michel |
Le récit amoureux: Colloque de Cerisy-la-Salle |
1984 |
|
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Coste, Didier; Zéraffa, Michel |
Le récit amoureux: Colloque de Cerisy-la-Salle |
1984 |
|
| Bordoni, Carlo |
Il romanzo senza qualità: sociologia del nuovo rosa |
1984 |
sociology |
| Barrett, Caroline |
Qui a peur des petits romans à l’eau de rose? |
1984 |
readers |
| Harris, Patricia Marie |
The rhetorical vision of courtship in Harlequin Romances: a fantasy theme analysis |
1985 |
Harlequin Mills & Boon |
| Hubbard, Rita C. |
Relationship Styles in Popular Romance Novels, 1950-1983 |
1985 |
Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, gender, Roumelia Lane, Elizabeth Hunter, Elaine Raco Chase, Harlequin Mills & Boon |
| Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
| Valverde, Mariana |
Sex, Power and Pleasure |
1985 |
pornography, sex/sexuality, gender, BDSM, wealth/prosperity, lesbian romance, Jane Rule, marriage, LGBT+ characters, readers and/or authors |
| Russ, Joanna |
Pornography By Women For Women, With Love |
1985 |
fanfiction, m/m romance, pornography, readers, gender, sex/sexuality, rape and/or intimate partner violence/abuse, science fiction/futuristic romance |
| Carmichael, Lynne Patricia |
A romantic past : a study of historical romance as a form of recreational fiction in public libraries |
1985 |
historical romance, libraries/librarians |
| Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
| Doyle, Marsha Vanderford |
The Rhetoric of Romance: A Fantasy Theme Analysis of Barbara Cartland Novels |
1985 |
Barbara Cartland, gender, religion/spirituality, love |
| Mann, Peter H. |
Romantic Fiction and Its Readership |
1985 |
readers, genre definitions |
| Rabine, Leslie W. |
Romance in the Age of Electronics: Harlequin Enterprises |
1985 |
Harlequin Mills & Boon, work, Charlotte Brontë, emotions, Publishing, authors |
| Neuman, Susan B. |
The Uses of Reading Mass-Produced Romance Fiction |
1985 |
readers, Sue Byfield, Harlequin Mills & Boon |
| Thurston, Carol M. |
Popular Historical Romances: Agent for Social Change? An Exploration of Methodologies |
1985 |
historical romance, sex/sexuality, gender |
| Rabine, Leslie W. |
Reading the Romantic Heroine: Text, History, Ideology |
1985 |
Harlequin Mills & Boon, work, Charlotte Brontë, emotions, Publishing, authors |
| Sutton, Roger |
Librarians and the Paperback Romance: Trying to Do the Right Thing |
1985 |
libraries/librarians, YA/teenage romance, sex/sexuality, trash/literary and or intellectual quality |
| Helgorsky, Françoise |
Harlequin ou la quête du grand amour |
1985 |
Harlequin Mills & Boon, France, readers, love |
| Markert, John |
Romance Publishing and the Production of Culture |
1985 |
Publishing, Harlequin Mills & Boon, United States of America, sex/sexuality, historical romance, Kathleen Woodiwiss |
| Russ, Joanna |
Magic Mommas, Trembling Sisters, Puritans & Perverts: Femininst Essays |
1985 |
|
| Kundin, Susan G. |
Romance versus Reality: A Look at YA Romantic Fiction |
1985 |
YA/teenage romance |
| Philips, Deborah |
Marketing Moonshine |
1985 |
|
| Leedy, Helen |
The Portrayal of Women in Romance Novels |
1985 |
Rosemary Rogers, Kathleen Woodiwiss |
| Stieg, Margaret F. |
Indian Romances: Tracts for the Times |
1985 |
Older and/or precursor texts (may not be "romance" as now defined), India, settings, race/ethnicity, gender, UK |
| Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
| Rose, Suzanna |
Is Romance Dysfunctional? |
1985 |
sex/sexuality, gender, psychology, fairytales/folktales, readers |
| Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
| Woodruff, Juliette |
A spate of words, full of sound & fury, signifying nothing: or, How to read in Harlequin |
1985 |
gothic romance, Harlequin Mills & Boon, historical romance, Barbara Cartland, Georgette Heyer, marriage |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Franco, Jean |
The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative |
1986 |
social/economic class, Corín Tellado, Harlequin Mills & Boon, Anne Mather, gender, work, wealth/prosperity, Mexico |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Roger, Isabel M. |
Recreación crítica de la novela rosa en El cuarto de atrás |
1986 |
metafiction |
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Franco, Jean |
Plotting Women: Popular Narratives for Women in the United States and in Latin America |
1986 |
Anne Mather, gender, Harlequin Mills & Boon, Mexico |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Galateria, Daria |
Erotismo e buona creanza in Georgette Heyer |
1986 |
Georgette Heyer |
| Dubrûle, Marie-Andrée |
Le cas Harlequin : la mise à l’épreuve du sujet femme : une analyse des procédés narratifs et littéraires |
1986 |
Harlequin Mills & Boon, Janet Dailey, gender, feminism |
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Geib, Aleta Esther |
Changing heroes: depictions of the male sex role in category romance novels, 1976-1983 |
1986 |
sex/sexuality, gender |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Bleton, Paul; Bonaccorsi, Robert |
Cahiers pour la littérature populaire. Recherches québécoises |
1986 |
|
| Pozzato, Maria Pia |
Letteratura popolare e livelli di qualità. Un confronto fra Georgette Heyer e Barbara Cartland |
1986 |
Georgette Heyer, Barbara Cartland, trash/literary and or intellectual quality |
| Riche, Martha Farnsworth |
Why Romance Novels Are Like the Rustbelt |
1986 |
readers, Publishing |
| Bettinotti, Julia; Lizé, Claude |
Les stratégies de dévalorisation de la littérature populaire: l’exemple du roman Harlequin |
1986 |
Harlequin Mills & Boon |
| |
Les Productions populaires en Espagne, 1850-1920 |
1986 |
|
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Guise, René; Neuschäfer, Hans-Jörg |
Richesses du roman populaire: actes du colloque international de Pont-à-Mousson, octobre 1983 |
1986 |
|
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Bleton, Paul; Bonaccorsi, Robert |
Cahiers pour la littérature populaire. Recherches québécoises |
1986 |
|
| Coste, Didier |
A los principios de la novela rosa: dos novelas de Pérez y Pérez |
1986 |
Rafael Pérez y Pérez, Older and/or precursor texts (may not be "romance" as now defined), Spain |
| Méndez, José Luis |
The Novels of Corín Tellado |
1986 |
Corín Tellado |
| Lam, Maylyn |
Reading the sweet dream: adolescent girls and romance fiction |
1986 |
readers |
| Radford, Jean |
Introduction |
1986 |
trash/literary and or intellectual quality, romance scholarship, genre definitions, Older and/or precursor texts (may not be "romance" as now defined), socialism and/or communism, feminism, readers |
| Bettinotti, Julia; Lizé, Claude |
Les stratégies de dévalorisation de la littérature populaire: l’exemple du roman Harlequin |
1986 |
Harlequin Mills & Boon |
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Guise, René; Neuschäfer, Hans-Jörg |
Richesses du roman populaire: actes du colloque international de Pont-à-Mousson, octobre 1983 |
1986 |
|
| Radford, Jean |
The Progress of Romance: The Politics of Popular Fiction |
1986 |
|
| Williamson, Margaret |
The Greek romance |
1986 |
Older and/or precursor texts (may not be "romance" as now defined), Chariton, Xenophon of Ephesus, Achilles Tatius, Longus, Heliodorus, love, rural romance |
| Graner, Marcel |
La série rose |
1986 |
sociology |
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Wilson, Elizabeth Suzanne |
Women creating men: the history of the hero in contemporary category romance fiction since the 1950s |
1986 |
gender |
| Cadet, Christiane |
Roman sentimental ou histoire de sentiments |
1986 |
France, Publishing, teaching romance |
| Jones, Ann Rosalind |
Mills & Boon meets feminism |
1986 |
feminism, Harlequin Mills & Boon, work, social/economic class, gender, sex/sexuality |
| Coste, Didier |
La littérarité du roman rose: ses mécanismes, ses raisons, ses conséquences |
1986 |
linguistics, trash/literary and or intellectual quality |
| Alberts, J. K. |
The Role of Couples' Conversations in Relational Development: A Content Analysis of Courtship Talk in Harlequin Romance Novels |
1986 |
psychology, linguistics, Harlequin Mills & Boon |
| Modleski, Tania |
Studies in Entertainment: Critical Approaches to Mass Culture |
1986 |
|
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Paizis, George |
'Reine ou esclave .... ': conflicting images of women in the contemporary 'romantic novel' in France |
1986 |
gender, feminism, readers, France, Publishing |
| Sterk, Helen Mae |
Functioning fictions: the adjustment rhetoric of Silhouette romance novels |
1986 |
readers, gender |
| Noizet, Pascale |
La coopération interprétative dans le roman d'amour populaire de la langue française de 1880 à nos jours |
1986 |
|
| Davis, Mary Louise |
Romances and the Modern Ms.: a Study of Contemporary (Line) Romances, 1980-1984 |
1986 |
paratext, gender, readers, work, sex/sexuality |
| Bruttini, Adriano; Marucci, Franco |
La performance del testo: atti del VII Congresso Nazionale dell'Associazione Italiana di Anglistica (A.I.A.), Siena, 2-4 Novembre 1984 |
1986 |
|
| Chevigny, Bell Gale; Laguardia, Gari |
Reinventing the Americas: Comparative Studies of Literature of the United States and Spanish America |
1986 |
|
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Tatlock, Kristen Doris |
Raised on romance: a cultural study of romance fiction |
1986 |
|