Este volumen supone una contribución relevante a la extensión del conocimiento existente sobre la actuación de la censura durante el franquismo en lo que se refiere a la producción de nuestras escritoras.
See in particular Chapter 2, "El discurso de la novela rosa de autora en la narrativa española de mediados del siglo XX. La transgresión del canon oficial." Most of the chapter discusses Carmen Kurtz's Al lado del hombre (1961) whose protagonists engage in an adulterous affair and which therefore fell foul of Franco's censors. I'm not sure you could really call it a romance, and Montejo Gurruchaga outlines the ways in which it departs from the model which would have been accepted by the censors.
See in particular Chapter 2, "El discurso de la novela rosa de autora en la narrativa española de mediados del siglo XX. La transgresión del canon oficial." Most of the chapter discusses Carmen Kurtz's Al lado del hombre (1961) whose protagonists engage in an adulterous affair and which therefore fell foul of Franco's censors. I'm not sure you could really call it a romance, and Montejo Gurruchaga outlines the ways in which it departs from the model which would have been accepted by the censors.