The growing importance of Bletchley Park in the cultural memory of Britain’s Second World War – its deployment by political and media commentators as a symbol of British exceptionalism – has been noted by historians. Such is its ubiquity, the Bletchley story has been featured in Hollywood blockbusters, television dramas and documentaries, and its luminaries – most notably Alan Turing – have become household names. With this, the Bletchley Park narrative has contributed to and been shaped by wider wartime mythologies – not least ‘the people’s war’ and conflict as a vehicle for progressive social change, particularly regarding women. One of the latest manifestations of this has been a spate of historical romance fictions, often with a feminist yet also socially conservative reading of the war and the institution. This represents a hugely popular, yet thus far critically neglected body of work and readership which directly speaks to the folk understanding of intelligence work.
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