This thesis examines and reevaluates the romance genre, specifically the presentation of gender and sexuality in historical romance novels published since 1995. The goal of this project was to defend the romance novel against outdated or inaccurate popular criticisms by closely examining masculinity, femininity, and sexuality within the romance novel. In chapter one, I discuss how the romance heroine and hero embody or subvert normative gender roles. Romance readers value heroes and heroines who possess both masculine and feminine attributes. Heroines have become more independent while heroes have become more sensitive. In chapter two, I analyze sex scenes between the protagonists. By emphasizing open communication, equality, and experimentation, romance novels provide a healthy image of sexuality.
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