From the abstract:
This paper [...] asserts that the presence of rape functions as a parodic parallel to the violence of falling in love. Divided into three types, the rape scene occurs as a result of the way the hero perceives the heroine and appropriates her identity. These types are: the Rape of Mistaken Identity, the Rape of Possession, and the Rape of Coercion or "Forced Seduction." Each performs a version of the epistemological and ontological questions that arise from an encounter with the Other.