Lepschy says she will "concentrate on Carolina Invernizio (1851-1916), Annie Vivanti (1868-1942) and Liala (Amaliana Cambiasi Negretti Odescalchi, 1897-1995)", and that "Carolina Invernizio may be seen as an exponent of the romanzo d'appendice (more violent, dramatic and adventurous), Liala of the romanzo rosa (more sentimental and directed towards a happy ending), whilst Annie Vivanti is considered a notch higher (belonging to an Italian canon which neglects Invernizio and Liala), although she too is seen as the creator of romanzi popolari" (177).
Lepschy says she will "concentrate on Carolina Invernizio (1851-1916), Annie Vivanti (1868-1942) and Liala (Amaliana Cambiasi Negretti Odescalchi, 1897-1995)", and that "Carolina Invernizio may be seen as an exponent of the romanzo d'appendice (more violent, dramatic and adventurous), Liala of the romanzo rosa (more sentimental and directed towards a happy ending), whilst Annie Vivanti is considered a notch higher (belonging to an Italian canon which neglects Invernizio and Liala), although she too is seen as the creator of romanzi popolari" (177).