J. R. Ward
(2019)
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance
Gothic Studies
21.1:10-27
DOI: 10.3366/gothic.2019.0004
(2014)
Rape Myths' Twilight and Women's Paranormal Revenge in Romantic and Urban Fantasy Fiction
Journal of Popular Culture
47.5:923-936
DOI: 10.1111/jpcu.12179
(2021)
“Romance Itself is Political”: The Power of the Popular Romance Novel and its Attempts at Feminism
Honors Thesis,
University of North Carolina-Chapel Hill
(2013)
Happily Ever After ... And After: Serialization and the Popular Romance Novel
Americana: The Journal of American Popular Culture (1900-present)
12.1:
(2019)
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series
Colloquy: Text, Theory, Critique
38:20-43
DOI: 10.26180/5df1974e1cb20
(2009)
Lover Revamped: Sexualities and Romance in the Black Dagger Brotherhood and Slash Fan Fiction
Extrapolation: A Journal of Science Fiction and Fantasy
50.3:442-462
DOI: 10.3828/extr.2009.50.3.5
(2016)
Identification, Affect, and Escape: Theorizing Popular Romance Reading
Pedagogy
16.1:105-123
DOI: 10.1215/15314200-3158669
(2010)
Getting a Good Man to Love: Popular Romance Fiction and the Problem of Patriarchy
Journal of Popular Romance Studies
1.1:
(2016)
Happily Ever After: The Romance Story in Popular Culture
Bloomington, Indiana:
Indiana University Press