(2019)
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love
Khazar Journal of Humanities and Social Sciences
22.2:71-82
Julia Quinn
(2022)
Feminism in Romance: How the romance genre has(n't) changed since the 1950s
Bachelor thesis,
Norwegian University of Science and Technology
(2019)
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction
Liverpool:
Liverpool University Press
(2023)
From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires
Journal of Popular Television
11.1:7-25
DOI: 10.1386/jptv_00090_1
(2019)
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love
Khazar Journal of Humanities and Social Sciences
22.2:71-82
(2022)
Reading historical popular romance in 21st-century Pakistan
PhD thesis,
University of Tasmania
(2021)
Bridgerton Uncovered: Exploring the Scandalous, Salacious Gender Roles of Season One
:
Self-published
Topic
(2024)
Adapting Bridgerton: Essays on the Netflix Show in Context
Jefferson, North Carolina:
McFarland
Topic
(2023)
From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires
Journal of Popular Television
11.1:7-25
DOI: 10.1386/jptv_00090_1
(2014)
Making Meaning in Popular Romance Fiction: An Epistemology
New York:
Palgrave Macmillan
Topic
(2024)
The Genre of Rape: Women’s Popular Literature and Contemporary Representations of Sexual Violence
PhD,
University of Michigan
(2020)
The Consummate Virgin: Female Virginity Loss and Love in Anglophone Popular Literatures
Cham, Switzerland:
Palgrave Macmillan
Topic
(2024)
Jane Austen’s Influence on Contemporary Romance Novels
Honours Dissertation,
Universidad de Zaragoza
(2024)
Untranslatability in Regency Romances: Explicitation or Implicitation?
British and American Studies
30:233-241
DOI: 10.35923/BAS.30.21