Barr, Elizabeth
(2013)
“Who the devil wrote that?”: Intertextuality and Authorial Reputation in Georgette Heyer’s Venetia
Journal of Popular Romance Studies
3.2:
Shakespeare
Belsey, Catherine
(1998)
Popular Fiction and the Feminine Masquerade
European Journal of English Studies
2.3:343-358
Fordham, Helen
(2014)
‘That’s love for you’: Destabilizing divides and re-imaging subjectivities in the romantic fiction of Eloisa James
Australasian Journal of Popular Culture
3.3:273-284
Lancashire, Anne
(2020)
Venetia: Georgette Heyer’s Pastoral Romance
Journal of Popular Romance Studies
9:
Pierini, Francesca
(2020)
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love
Journal of Popular Romance Studies
9:
Selinger, Margaret
(2021)
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James
Honors Thesis,
Wellesley College
Vivanco, Laura
(2011)
For Love and Money: The Literary Art of the Harlequin Mills & Boon Romance
Tirril, Penrith:
Humanities-Ebooks
Topic
Whyte, Tamara Lynn
(2013)
Shakespeare in Love: Appropriation of Shakespeare in Popular Romance Novels
PhD,
University of Alabama
Topic