(1998)
Popular Fiction and the Feminine Masquerade
European Journal of English Studies
2.3:343-358
DOI: 10.1080/13825579808574422
Shakespeare
(2000)
"Sweet, Savage Shakespeare
"
Shakespeare without Class: Misappropriations of Cultural Capital
135-151
Topic
(2011)
For Love and Money: The Literary Art of the Harlequin Mills & Boon Romance
Tirril, Penrith:
Humanities-Ebooks
Topic
(2013)
“Who the devil wrote that?”: Intertextuality and Authorial Reputation in Georgette Heyer’s Venetia
Journal of Popular Romance Studies
3.2:
(2013)
Shakespeare in Love: Appropriation of Shakespeare in Popular Romance Novels
PhD,
University of Alabama
Topic
(2014)
‘That’s love for you’: Destabilizing divides and re-imaging subjectivities in the romantic fiction of Eloisa James
Australasian Journal of Popular Culture
3.3:273-284
DOI: 10.1386/ajpc.3.3.273_1
(2020)
Venetia: Georgette Heyer’s Pastoral Romance
Journal of Popular Romance Studies
9:
DOI: 10.70138/YUAX4643
(2020)
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love
Journal of Popular Romance Studies
9:
DOI: 10.70138/ICPI2621
(2021)
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James
Honors Thesis,
Wellesley College