| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Chaplin, Sue |
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance |
2019 |
paranormal/fantasy/time-travel romance, Twilight, J. R. Ward, Lara Adrian, family, gender, sex/sexuality, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| González Pérez, Teresa |
La educación de las mujeres en Iberoamérica: análisis histórico |
2019 |
|
| Γραφανάκη, Ρωξάνη |
Γυναίκες και ροζ λογοτεχνία: η περίπτωση των εκδόσεων Άρλεκιν |
2019 |
Harlequin Mills & Boon, feminism, capitalism/business, gender, sex/sexuality |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| Carlos, Giovana Santana |
Fandom e mercado literário: um mapa das mediações das fãs de romance no contexto brasileiro |
2019 |
readers, Brazil, Publishing |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Kendal, Evie |
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series |
2019 |
J. R. Ward, close reading, linguistics, genre definitions, paranormal/fantasy/time-travel romance, readers |
| Béja, Alice |
La new romance et ses nuances. Marché littéraire, sexualité imaginaire et condition féminine |
2019 |
France, erotic romance, sex/sexuality, Fifty Shades, Publishing, m/m romance, fanfiction, readers |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Raineri, Rosalia |
Verde bianco e rosa. Il romanzo 'femminile' e l'educazione sentimentale delle italiane (1911-1946) |
2019 |
Annie Vivanti/Annie Vivanti Chartres, Mura, Luciana Peverelli, Italy, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), linguistics, family |
| Moore, Laura M. |
Sexual Agency, Safe Sex, and Consent Negotiations in Erotic Romance Novels |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse, erotic romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Ali, Kecia |
Sacrifices, Sidekicks, and Scapegoats: Black Characters and White Stories in Nora Roberts’s Romances |
2019 |
Nora Roberts/J. D. Robb, race/ethnicity, death, romantic suspense, paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse, police officers/police forces, authors |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Basu, Soumi Sinha Ray |
The Allure and the Shame of Popular Fiction: An Analysis of Mills & Boon Romances |
2019 |
Harlequin Mills & Boon |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Muryn, Teresa |
Rougir / devenir rouge : l’expression linguistique du langage corporel et ce qu’elle laisse inférer dans un genre textuel |
2019 |
linguistics, emotions, Harlequin Mills & Boon |
| Chaves, Duarte Nuno |
Memoria e Identidade Insular: Religiosidade, Festividades e Turismo nos Arquipélagos da Madeira e Açores |
2019 |
|
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Kraxenberger, Maria |
Erotic Romances: An Emerging Subgenre Succeeding Fifty Shades |
2019 |
erotic romance, Fifty Shades |
| Gardner, Dora Abigail |
Defending the Bodice Ripper |
2019 |
feminism, readers, sex/sexuality, history, rape and/or intimate partner violence/abuse |
| Gerlitz, Laura Michelle |
Judging a Book By Its Cover: Bringing the Digital Humanities into Reader’s Advisory |
2019 |
Harlequin Mills & Boon, paratext, libraries/librarians |
| Williams, Elizabeth W. |
Queering Settler Romance: The Reparative Eugenic Landscape in Nora Strange's Kenyan Novels |
2019 |
Nora K. Strange, sex/sexuality, race/ethnicity, Kenya, Africa, family, science/technology, history, settings, rural romance, rape and/or intimate partner violence/abuse |
| Al Thobaiti, Fatmah |
Afterlife of the Romance Hero: Readers’ Reproduction of Romance |
2019 |
readers, gender, fanfiction, Twilight |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Pérez Casal, Inmaculada |
Antecedents and Development of the Contemporary Romance Novel in English: A Study of the Contribution to the Genre by Rosamunde Pilcher and Lisa Kleypas |
2019 |
feminism, Lisa Kleypas, Rosamunde Pilcher |
| Romera Pintor, Angela Magdalena |
L’enfance dans l’œuvre de Delly |
2019 |
Delly, family |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Cella, Laurie J. C. |
The Personal and the Political in American Working-Class Literature, 1850-1939: Defining the Radical Romance |
2019 |
gender, history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Laura Jean Libbey, sex/sexuality, work, fashion/clothing, social/economic class, socialism and/or communism |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Noone, Kristin |
Succulent Texts: Desire, Outlaws, and Consumption in Popular Romance |
2019 |
food, drink, Suzanne Enoch, pirates and outlaws, Diane Carey, Alexis Hall, historical romance, steampunk, LGBT+ characters, readers and/or authors, community, religion/spirituality, rural romance |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Escolar, Marisa |
Allied Encounters: The Gendered Redemption of World War II Italy |
2019 |
Luciana Peverelli, Italy |
| Rollins, Shannon Marie |
Crafting women’s narratives: the material impact of twenty-first century romance fiction on contemporary steampunk dress |
2019 |
steampunk, fashion/clothing, gender, Gail Carriger, feminism, race/ethnicity, Adrienne Kress |
| Jones, Amanda |
Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt |
2019 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance, romantic suspense, feminism, Charlotte Brontë, gender, marriage, family, Wilkie Collins, health/medical, Mary Elizabeth Braddon, India |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| González Cruz, María Isabel |
Viaje y romance en Canarias: el discurso del paraíso en dos novelas publicadas en los Estados Unidos |
2019 |
Spain, Nancy Kennedy, settings |
| Dryden, Therese |
The Valentine Wars |
2019 |
feminism, family, Susan Elizabeth Phillips, Nora Roberts/J. D. Robb, Rachel Gibson, Robyn Carr, Marie Force, Kristan Higgins, Ruthie Knox, Bella Andre, Grace Burrowes, Sharon Sala, Michelle Douglas |
| Delpech, Jeanine |
Le cas Delly |
2019 |
Delly |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Ujma, Alicja |
One Author, Two Pen Names. A Stylometric Analysis of Novels by Nora Roberts/J.D. Robb |
2019 |
linguistics, Nora Roberts/J. D. Robb, translation |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Golubov, Nattie |
La promesa utópica del final feliz |
2019 |
genre definitions, happy ending |
| Çamoğlu, Dikmen Yakalı |
Re/Presenting Gender and Love |
2019 |
|
| Billekens, Franciska |
Never Mind Me When There’s You: The Submission Of The Heroine In Young Adult Supernatural Romance Fiction |
2019 |
YA/teenage romance, gender, paranormal/fantasy/time-travel romance |
| Veros, Vassiliki |
Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups |
2019 |
libraries/librarians, trash/literary and or intellectual quality, readers |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Killeen, Jarlath |
Nora Roberts: the Power of Love |
2018 |
Nora Roberts/J. D. Robb, love |
| Popova, Milena |
Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction |
2018 |
fanfiction, sex/sexuality, marriage, emotions |
| Gómez Gray, Alana |
Lectura, paraliteratura y mujeres en España: de la novela rosa a cincuenta sombras |
2018 |
romance scholarship, Spain, Publishing, history, Fifty Shades, readers |
| Ramsdell, Kristin |
Encyclopedia of Romance Fiction |
2018 |
Publishing, paranormal/fantasy/time-travel romance, comics/manga, Christian romance, marriage, Jane Austen, Charlotte Brontë, Emily Brontë, Barbara Cartland, Janet Dailey, Daphne du Maurier, Ethel M. Dell, erotic romance, feminism, science fiction/futuristic romance, Elinor Glyn, Margaret Mitchell, Harlequin Mills & Boon, Georgette Heyer, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, historical romance, E. M. Hull, romance scholarship, LGBT+ characters, readers and/or authors, libraries/librarians, romantic suspense, Samuel Richardson, rape and/or intimate partner violence/abuse, Nora Roberts/J. D. Robb, Bertrice Small, Mary Stewart, translation, Patricia Veryan, Phyllis A. Whitney, Kathleen Winsor, Kathleen Woodiwiss, race/ethnicity |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, Older and/or precursor texts (may not be "romance" as now defined), historical romance, pirates and outlaws |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Chelton, Mary K. |
Searching for Birth Parents or Adopted Children: Finding without Seeking in Romance Novels |
2018 |
family |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Roberts, Gillian |
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel |
2018 |
|
| Pérez Casal, Inmaculada |
Mass-market romance and the question of genre: N. Sparks, E. L. James and D. Gabaldon |
2018 |
Diana Gabaldon, Fifty Shades, Nicholas Sparks, genre definitions, film/movies |
| González de la Rosa, María del Pilar |
Intersections of Inner and Outer Journeys in Contemporary Popular Romance Fiction Novels |
2018 |
settings, Harlequin Mills & Boon |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Hopkins, Lisa |
After Austen: Reinventions, Rewritings, Revisitings |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Suwanban, Pauline |
From Exhalation to Transformation: The Female Body in the Orientalist Romance |
2018 |
E. M. Hull, gender, sex/sexuality, race/ethnicity |
| Rudisill, Kristen |
Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
2018 |
India, readers, Publishing, national identity, Harlequin Mills & Boon, family |
| Paige, Lori A. |
The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993 |
2018 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), historical romance |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Güvendi Yalçın, Elif |
The Transformation of Romance Novels Based on the Theories of Sociologist Anthony Giddens |
2018 |
sociology, gender, love, marriage, Kathleen Woodiwiss, Jayne Ann Krentz/Amanda Quick/Jayne Castle, rape and/or intimate partner violence/abuse, historical romance |
| Harris, Racheal |
Really Romantic? Pirates in Romantic Fiction |
2018 |
pirates and outlaws, sex/sexuality, historical romance, rape and/or intimate partner violence/abuse, virginity |
| Taylor, Jessica |
Animating Creative Selves: Pen Names as Property in the Careers of Canadian and American Romance Writers |
2018 |
authors, Publishing, work |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Keen, Suzanne |
Probable Impossibilities: Historical Romance Readers Talk Back |
2018 |
Diana Gabaldon, readers, history |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Abrahamsson, Elin |
Enahanda läsning: En queer tolkning av romancegenren |
2018 |
Fifty Shades, Twilight, Sweden, readers, sex/sexuality, feminism, gender, trash/literary and or intellectual quality, LGBT+ characters, readers and/or authors |
| Po-Yu, Rick Wei |
“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter |
2018 |
Georgette Heyer, history, feminism, historical romance |
| Fernández Rodríguez, Carolina |
Del cuento de hadas a la novela romántica: Una visión de la sub/literatura como gimnasio mental y laboratorio de sub/versión cultural |
2018 |
trash/literary and or intellectual quality, Nora Roberts/J. D. Robb, feminism, readers, sex/sexuality, psychology, romance and, or as, activism, fairytales/folktales |
| McAlister, Jodi |
The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838-1860 |
2018 |
Australia, love, Older and/or precursor texts (may not be "romance" as now defined), history, national identity |
| Kitchen, Veronica |
Veterans and Military Masculinity in Popular Romance Fiction |
2018 |
war/armed forces, gender, disability |
| Bird, Paul |
Issues of Socioeconomic Class in Barbara Cartland’s A Duel of Hearts and Catherine Cookson’s The Menagerie |
2018 |
social/economic class, Barbara Cartland, Catherine Cookson |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Pérez Casal, Inmaculada |
The Romance Novel as Bildungsroman in the Works of Rosamunde Pilcher and Lisa Kleypas |
2018 |
gender, Rosamunde Pilcher, Lisa Kleypas, historical romance |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Neville, Lucy |
Girls Who Like Boys Who Like Boys: Women and Gay Male Pornography and Erotica |
2018 |
pornography, m/m romance, sex/sexuality, LGBT+ characters, readers and/or authors |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Gillis, Stacy |
Manners, Money, and Marriage: Austen, Heyer, and the Literary Genealogy of the Regency Romance |
2018 |
Jane Austen, Georgette Heyer, Older and/or precursor texts (may not be "romance" as now defined), gender, sex/sexuality, social/economic class, history, trash/literary and or intellectual quality, marriage, historical romance |
| Gehrmann, Susanne |
Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa |
2018 |
Publishing, Africa, chick lit |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Glennemeier, Jaelyn |
“And he was an Arab!:” Imperial Femininity and Pleasure in E. M. Hull's 1919 Desert Romance, The Sheik |
2018 |
E. M. Hull, race/ethnicity, history, rape and/or intimate partner violence/abuse |
| Lowery, Karalyne |
The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity |
2018 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Gillingham, Erica |
Representations of same-sex relationships between female characters in all-ages comics: Princess Princess Ever After and Lumberjanes |
2018 |
comics/manga, LGBT+ characters, readers and/or authors |
| Hopkins, Lisa |
Georgette Heyer: What Austen Left Out |
2018 |
Georgette Heyer, Jane Austen, history, war/armed forces, historical romance |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Blouin, Michael J. |
Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 |
2018 |
family, social/economic class, work, capitalism/business |
| Vani, Christina |
Immortal Words: The Language and Style of the Contemporary Italian Undead-Romance Novel |
2018 |
paranormal/fantasy/time-travel romance, Italy |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| McAlister, Jodi |
“Feelings Like the Women in Books”: Declarations of Love in Australian Romance Novels, 1859–1891 |
2018 |
Older and/or precursor texts (may not be "romance" as now defined), Australia, love, history, national identity, marriage |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Kingston, Elizabeth |
History's Been Hijacked: How To Combat White Supremacy Through Popular Literature |
2018 |
historical romance, race/ethnicity, history, Elizabeth Kingston, Publishing, UK, social/economic class |
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Abdullah-Poulos, Layla |
The Stable Muslim Love Triangle - Triangular Desire in African American Muslim Romance Fiction |
2018 |
Islam, African American romance, United States of America, religion/spirituality, race/ethnicity, marriage, Muslim romance |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Sequeiros, Paula |
“Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison |
2018 |
readers, Portugal |
| Rabanal, Hayley |
Courting convivencia: Hispano-Arab identity and Spanish women’s Orientalism in the Franco regime’s years of “unbearable solitude” (1946–1950) |
2018 |
Spain, fascism/right-wing authoritarianism, race/ethnicity, religion/spirituality, sheikh romance, María Adela Durango, Ana Marcela García, María del Pilar Carré, Lía Ramos, E. M. Hull, history, Morocco, Carmen de Icaza, Egypt, rape and/or intimate partner violence/abuse, gender |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Leonzini, Alexandra |
“All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age |
2018 |
paranormal/fantasy/time-travel romance, sex/sexuality, pornography |
| McAlister, Jodi |
Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction |
2018 |
genre definitions, YA/teenage romance |
| [Sigroha], Suman |
Gendered Migrations and Literary Narratives: Writing Communities in South Asian Diaspora |
2018 |
authors, work, family, gender, Publishing |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Ali, Kecia |
Romance Fiction in the Archives |
2018 |
authors, romance scholarship, Nora Roberts/J. D. Robb, race/ethnicity, gender, Publishing, sex/sexuality, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Hallock, Jennifer |
History Ever After: Fabricated Historical Chronotopes in Romance Genre Fiction |
2018 |
historical romance, history, Publishing, race/ethnicity, Jennifer Hallock, UK, settings, social/economic class, Jane Austen, Georgette Heyer, Alyssa Cole, readers, United States of America |
| Kramp, Michael |
Jane Austen and Masculinity |
2018 |
|
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Bhasin, Neeta |
Romancing the 'Illegal' Immigrant |
2018 |
Serena Bell, race/ethnicity, United States of America, social/economic class, gender, sex/sexuality, languages, readers |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Villar-Argáiz, Pilar |
Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards |
2018 |
Ireland, historical romance, Karen Robards, UK, race/ethnicity, gender, cross-dressing, settings, rape and/or intimate partner violence/abuse, sex/sexuality |
| Gehrhardt, Marjorie |
Losing Face, Finding Love? The Fate of Facially Disfigured Soldiers in Narratives of the First World War |
2018 |
war/armed forces, disability, health/medical |
| Sanna, Antonio |
Pirates in History and Popular Culture |
2018 |
pirates and outlaws, historical romance |
| Parnell, Claire |
Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels |
2018 |
Publishing, Harlequin Mills & Boon, gender, sex/sexuality, social/economic class |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Lozano Sampedro, Mª Teresa |
Pour une typologie de la marginalité dans les romans de Delly: la fonction de la femme |
2018 |
Delly, religion/spirituality, gender, social/economic class |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Taylor, Jessica |
Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada |
2018 |
Canada, authors, national identity, Kate Bridges, settings, Publishing, Harlequin Mills & Boon, race/ethnicity, historical romance, history |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| González Cruz, María-Isabel |
Hispanismos en el discurso romántico de Harlequin y Mills & Boon. Ámbitos temáticos y funciones socio-pragmáticas |
2018 |
languages, islands, Spain, Harlequin Mills & Boon, linguistics |
| Vera-Cazorla, María Jesús |
Cultural symbols, myth and identity in four 20th-century English popular romance fiction novels set in Tenerife |
2018 |
Spain, Harlequin Mills & Boon, settings, family |
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Vitackova, Martina |
Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp |
2018 |
Sophia Kapp, race/ethnicity, sex/sexuality, Africa, South Africa |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
| Kollman, Kathleen W. Taylor |
Contemporary Paranormal Romance: Theories and Development of the Genre’s Feminism (Or Lack Thereof) |
2018 |
paranormal/fantasy/time-travel romance, feminism, gender |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Pérez-Gil, María del Mar |
Exoticism, Ethnocentrism, and Englishness in Popular Romance Fiction: Constructing the European Other |
2018 |
Spain, national identity, UK, race/ethnicity, islands, Harlequin Mills & Boon |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Achieng’, Okang’a Nancy |
A Cosmopolitan National Romance: A Study of In Dependence by Sarah Ladipo Manyika |
2017 |
Sarah Ladipo Manyika, Nigeria, trash/literary and or intellectual quality, Africa, race/ethnicity, gender |
| Veros, Vassiliki |
Keepers: Marking the Value of the Books on my Shelves |
2017 |
readers, trash/literary and or intellectual quality |
| Fragero Guerra, Carmen |
Del azul al rosa: la narrativa de Carmen de Icaza (1936-1960) |
2017 |
Carmen de Icaza, Luisa-María Linares, Spain, fascism/right-wing authoritarianism |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Lessard, Victoria |
Marketing Desire: The "Normative/Other" Male Body and the "Pure" White Female Body on the Cover Art of Cassie Edwards' Savage Dream (1990), Savage Persuasion (1991), and Savage Mists (1992) |
2017 |
Cassie Edwards, Native American romance, paratext, race/ethnicity, historical romance |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Clasen, Tricia |
Masculinity and Romantic Myth in Contemporary YA Romance |
2017 |
gender, love, YA/teenage romance |
| Golubov, Nattie |
El amor en tiempos neoliberales: apuntes críticos sobre la novela rosa contemporánea |
2017 |
trash/literary and or intellectual quality, Loretta Chase, gender, genre definitions, readers, feminism, Publishing, Jennifer Crusie |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Golubov, Nattie |
Reading the Romance Writer as an Author-Entrepreneur |
2017 |
authors, work, race/ethnicity, readers |
| Ali, Kecia |
Troubleshooting Post-9/11 America: Religion, Racism, and Stereotypes in Suzanne Brockmann’s Into the Night and Gone Too Far |
2017 |
Suzanne Brockmann, religion/spirituality, race/ethnicity, United States of America, war/armed forces, Islam, sheikh romance, gender, marriage |
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Cheyne, Ria |
Disability Studies Reads the Romance: Sexuality, Prejudice, and the Happily-Ever-After in the Work of Mary Balogh |
2017 |
disability, sex/sexuality, Mary Balogh, historical romance |
| Soler Gallo, Miguel |
El ideal de masculinidad en la novela romántica falangista: análisis de Una mujer de veinte años de Mercedes Ballesteros |
2017 |
SylviaVisconti/Mercedes Ballesteros Gaibrois, Spain, fascism/right-wing authoritarianism, gender, war/armed forces, history, Rosa María Aranda, Elena Puerto/Mercedes Formica |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Higashi, Sumiko |
Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption |
2017 |
romances in magazines and newspapers |
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Kamble, Jayashree |
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, capitalism/business, romantic suspense |
| Bigey, Magali |
Réflexions sur l’amour et analyse de réception : La rencontre amoureuse dans les romans sériels et au prisme du lectorat |
2017 |
|
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Soler Gallo, Miguel |
El juego amoroso en la novela rosa española femenina de los años cuarenta |
2017 |
Spain, love, fascism/right-wing authoritarianism, gender, family, marriage, history |
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Keegan, Faye |
‘Snob Value’: Gender and Literary Value in Mary Stewart |
2017 |
Mary Stewart, romantic suspense, trash/literary and or intellectual quality, gender, authors |
| Arvanitaki, Eirini |
Postmillennial femininities in the popular romance novel |
2017 |
feminism, gender, Harlequin Mills & Boon |
| Ali, Kecia |
Human in Death: Morality and Mortality in J. D. Robb's Novels |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, family, community, race/ethnicity, work, gender, romantic suspense, police officers/police forces |
| Larson, Christine |
An Economy of Words: Precarity, Solidarity and Innovation in Digital Book Publishing |
2017 |
Publishing, authors, work |
| Arimbi, Diah Ariani |
Women in Indonesian Popular Fiction: Romance, Beauty, and Identity Politics in Metropop Novels |
2017 |
Indonesia, settings, languages, gender, fashion/clothing, marriage |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Bianchi, Diana |
I gentiluomini si prendono per la gola: cibo e identità nei romanzi di Georgette Heyer |
2017 |
Georgette Heyer, historical romance |
| Elliott, Jack |
Whole genre sequencing |
2017 |
genre definitions, Harlequin Mills & Boon, authors, linguistics |
| English, Jessica |
Reading the Romance: Through the Eyes of a Millenial Feminist |
2017 |
feminism, readers |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Nilson, Maria |
Nådens tuttar : Om skönheter, odjur och den frälsande kvinnokroppen i modern romance |
2017 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Fifty Shades, Twilight, sex/sexuality |
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| O'Mahony, Lauren |
Death and the Australian Rural Romance Novel |
2017 |
rural romance, Australia, death |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Teo, Hsu-Ming |
The Popular Culture of Romantic Love in Australia |
2017 |
|
| Capps, Stephanie Carol |
What You Read and What You Believe: Genre Exposure and Beliefs about Relationships |
2017 |
readers, gender, sex/sexuality, psychology, love |