| Turner, Ellen |
The Sheik Returns: Imitations and Parodies of the Desert Romance |
2014 |
E. M. Hull, sheikh romance, trash/literary and or intellectual quality, sex/sexuality, Harlequin Mills & Boon, rape and/or intimate partner violence/abuse |
| Trevenen, Claire |
Fifty Shades of “Mommy Porn”: A Post-GFC Renegotiation of Paternal Law |
2014 |
Fifty Shades, gender, family, sex/sexuality, BDSM, capitalism/business, race/ethnicity |
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Greenfeld-Benovitz, Miriam |
The Interactive Romance Community: The Case of "Covers Gone Wild" |
2014 |
community, readers, paratext |
| Roach, Catherine M. |
'Going Native': Aca-Fandom and Deep Participant Observation in Popular Romance Studies |
2014 |
authors, romance scholarship |
| Uparkar, Shilpa |
Desi love stories: Harlequin Mills & Boon’s Indian enterprise |
2014 |
Harlequin Mills & Boon, India, languages |
| Percec, Dana |
Reading the Fantastic Imagination: The Avatars of a Literary Genre |
2014 |
|
| Wilt, Judith |
Women Writers and the Hero of Romance |
2014 |
Older and/or precursor texts (may not be "romance" as now defined), E. M. Hull, gender, Baroness Orczy, Twilight, Fifty Shades |
| Fletcher, Lisa |
Writing the Happy Ever After: An Interview with Anne Gracie |
2014 |
Anne Gracie, trash/literary and or intellectual quality, metafiction, Jane Austen, readers, emotions, family, wealth/prosperity, sex/sexuality, happy ending |
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Selinger, Eric Murphy |
My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na |
2014 |
film/movies, metafiction |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| Fragero Guerra, Carmen |
Auxilio Social en La casa de enfrente (1960) de Carmen de Icaza |
2014 |
Carmen de Icaza, Spain, fascism/right-wing authoritarianism |
| Hartmann, Britta Ulrike |
Island fictions: Castaways and imperialism |
2014 |
settings, islands, Violet Winspear, Margery Hilton, Ginna Gray, Julie Tetel Andresen, Penelope Neri, Donna Simpson, Darlene Marshall, Jill Shalvis, Kandy Shepherd, Tracey Garvis Graves |
| Chivers, Marian |
The Warrior Woman in Contemporary Romance Fiction |
2014 |
war/armed forces, Harlequin Mills & Boon, gender, feminism, paratext, work, romantic suspense, Justine Davis/Justine Dare, Amy J. Fetzer, Katherine Garbera, Meredith Fletcher, Catherine Mann, Debra Webb, community |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| Bellanta, Melissa |
A Masculine Romance: The Sentimental Bloke and Australian Culture in the War-and Early Interwar Years |
2014 |
Australia, gender, love, C. J. Dennis, film/movies |
| Faktorovich, Anna |
The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels |
2014 |
|
| Fragero Guerra, Carmen |
"Soñar la vida": La narrativa de Carmen de Icaza (1936-1960) |
2014 |
Carmen de Icaza, Luisa-María Linares, history, Spain, fascism/right-wing authoritarianism, social/economic class, fashion/clothing, film/movies |
| Armstrong, Jane; Byrski, Liz; Merrick, Helen |
Love works: Reading and writing romance in the twenty-first century |
2014 |
readers, authors |
| Driscoll, Beth |
Genre, Author, Text, Reader: Teaching Nora Roberts’s Spellbound |
2014 |
teaching romance, Nora Roberts/J. D. Robb |
| Graves, Joanne |
Beyond Valentine's Day: The romance novel in the evolving world of publishing |
2014 |
New Zealand, libraries/librarians |
| Tapper, Olivia |
Romance and Innovation in Twenty-First Century Publishing |
2014 |
Publishing, Harlequin Mills & Boon |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| McLennon, Leigh |
Defining Urban Fantasy and Paranormal Romance: Crossing Boundaries of Genre, Media, Self and Other in New Supernatural Worlds |
2014 |
paranormal/fantasy/time-travel romance, genre definitions |
| Στάμου, Εύα |
Η επέλαση της ροζ λογοτεχνίας. Δοκίμιο για την Ευδοκίμηση μιας Μορφής Αφηγηματικού Λόγου |
2014 |
|
| Soler Gallo, Miguel |
El Bien y el Mal: Modelos de conducta femeninos en la novela rosa de los 40 |
2014 |
fascism/right-wing authoritarianism, Spain, gender |
| Taylor, Jessica |
Romance and the Female Gaze Obscuring Gendered Violence in The Twilight Saga |
2014 |
gender, rape and/or intimate partner violence/abuse, Twilight |
| Hague, Euan |
Mass Market Romance Fiction and the Representation of Scotland in the United States |
2014 |
Scotland, United States of America, settings, Terri Brisbin, Blythe Gifford, Susan Fraser King, Margaret Mallory, historical romance, Diana Gabaldon, paranormal/fantasy/time-travel romance, linguistics, history, readers |
| Armstrong, Jane; Byrski, Liz; Merrick, Helen |
Love works: Reading and writing romance in the twenty-first century |
2014 |
readers, authors |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Romances Sentimentais e suas Comunidades de Leitura |
2014 |
Brazil, readers |
| Borgia, Danielle N. |
Twilight: The Glamorization of Abuse, Codependency, and White Privilege |
2014 |
paranormal/fantasy/time-travel romance, Twilight, gender, rape and/or intimate partner violence/abuse, race/ethnicity, religion/spirituality |
| Elliott, Jack |
Patterns and Trends in Harlequin Category Romance |
2014 |
Harlequin Mills & Boon, linguistics, authors |
| Walker, Lisa |
Polar bears and evil scientists: Romance, comedy and climate change |
2014 |
science/technology, romance and, or as, activism, authors, settings, ecocriticism/environmentalism/climate change |
| Bronstein, Carolyn |
The Political Uses of Lesbian Romance Fiction: Reading Patrick Califia’s Macho Sluts as a Response to 1980s Anti-Pornography Feminism |
2014 |
BDSM, LGBT+ characters, readers and/or authors, Patrick Califia |
| Deffenbacher, Kristina |
Rape Myths' Twilight and Women's Paranormal Revenge in Romantic and Urban Fantasy Fiction |
2014 |
rape and/or intimate partner violence/abuse, paranormal/fantasy/time-travel romance, gender, Twilight, Patricia Briggs, Nicole Peeler, Kresley Cole, Larissa Ione, Christine Feehan, J. R. Ward, Dianne Sylvan, Richelle Mead, Karen Marie Moning, Charlaine Harris |
| Hughes, Bill |
Demon Lovers: Embracing the Monster in Paranormal Romance |
2014 |
paranormal/fantasy/time-travel romance, trash/literary and or intellectual quality, YA/teenage romance, gothic romance, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, Alyxandra Harvey, science/technology, gender, Maggie Stiefvater, animals, Julie Kagawa, rural romance, settings, death, Daniel Waters |
| Newell, Stephanie; Okome, Onookome |
Popular Culture in Africa: The Episteme of the Everyday |
2014 |
|
| Neves, Mariana Brasileiro |
ROMANCES DE BOLSO: A novela romântica da Harlequin Books no mercado editorial brasileiro |
2014 |
Harlequin Mills & Boon, Brazil |
| Tang, Yang |
Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace |
2014 |
China, paranormal/fantasy/time-travel romance |
| Warnes, Christopher |
Desired State: Black Economic Empowerment and the South African Popular Romance |
2014 |
Africa, work, race/ethnicity, South Africa, gender |
| Armstrong, Jane; Byrski, Liz; Merrick, Helen |
Love works: Reading and writing romance in the twenty-first century |
2014 |
readers, authors |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Romances Sentimentais e suas Comunidades de Leitura |
2014 |
Brazil, readers |
| Ávila, Debbie Maria |
Conflicting Images of Womanhood in the Novels of Alice Ogando |
2014 |
Alice Ogando writing as Mary Love, Portugal, fascism/right-wing authoritarianism, gender, marriage, family, love |
| Crawford, Joseph |
The Twilight of the Gothic? Vampire Fiction and the Rise of the Paranormal Romance, 1991-2012 |
2014 |
paranormal/fantasy/time-travel romance, genre definitions, Twilight, gothic romance |
| Arthur, Paul Longley; Bode, Katherine |
Advancing Digital Humanities: Research, Methods, Theories |
2014 |
|
| Illouz, Eva |
Hard-Core Romance: Fifty Shades of Grey, Best-Sellers, and Society |
2014 |
Fifty Shades, BDSM |
| Newell, Stephanie; Okome, Onookome |
Popular Culture in Africa: The Episteme of the Everyday |
2014 |
|
| Lozano Sampedro, Mª Teresa |
La culture et le travail de la femme. Une approche comparative entre Delly et Corín Tellado |
2014 |
Delly, Corín Tellado, work, marriage, fairytales/folktales, Older and/or precursor texts (may not be "romance" as now defined) |
| Reid Boyd, Elizabeth |
Romancing feminism: From women’s studies to women’s fiction |
2014 |
feminism, love, readers, Elizabeth Reid Boyd (pen name Eliza Redgold) |
| Dugger, Julie M. |
“I’m a Feminist, But…” Popular Romance in the Women’s Literature Classroom |
2014 |
feminism, teaching romance, readers, Jane Austen, trash/literary and or intellectual quality |
| Slušná, Zuzana |
Paranormal and Religious as Part of Pop Cultural Consumerism |
2014 |
paranormal/fantasy/time-travel romance, religion/spirituality |
| Arthur, Paul Longley; Bode, Katherine |
Advancing Digital Humanities: Research, Methods, Theories |
2014 |
|
| Kania, Richard R. E. |
Pirates and Piracy in American Popular Culture |
2014 |
pirates and outlaws, historical romance, Daphne du Maurier |
| Fordham, Helen |
‘That’s love for you’: Destabilizing divides and re-imaging subjectivities in the romantic fiction of Eloisa James |
2014 |
trash/literary and or intellectual quality, readers, Eloisa James, Shakespeare |
| Burge, Amy |
‘For you are a man and she is a maid’: Performing masculinity in Orientalist medieval and modern popular romance fiction |
2014 |
sheikh romance, Older and/or precursor texts (may not be "romance" as now defined), gender, Harlequin Mills & Boon, settings, fashion/clothing |
| Rani, Mohd. Zariat Abdul |
The Conflict of Love and Islam: The Main Ingredients in the Popular Islamic Novels of Malaysia |
2014 |
Malaysia, Islam, religion/spirituality, Zaid Akhtar, Ilham Hamdani, paratext, Publishing, Muslim romance |
| Morrissey, Katherine |
Fifty Shades of Remix: The Intersecting Pleasures of Commercial and Fan Romances |
2014 |
Fifty Shades, fanfiction |
| Teo, Hsu-Ming |
“We have to learn to love imperially”: Love in Late Colonial and Federation Australian Romance Novels |
2014 |
Australia, Older and/or precursor texts (may not be "romance" as now defined), love, gender, marriage, national identity, Mary Bradford Whiting, UK, race/ethnicity, family, sex/sexuality, rape and/or intimate partner violence/abuse, Broda Reynolds, Mabel Forrest, Marie Bjelke Petersen, Alice Grant Rosman, Rosa Praed, rural romance, settings, work, Ada Cambridge |
| Leith, Murray Stewart; Sim, Duncan |
The Modern Scottish Diaspora: Contemporary Debates and Perspectives |
2014 |
|
| Goşa, Codruţa |
From Fantastic Twilight to Fifty Shades Fanfiction: Not Another Cinderella Story... |
2014 |
Fifty Shades, Twilight, fairytales/folktales, fanfiction |
| O'Mahony, Lauren |
Australian rural romance as feminist romance? |
2014 |
rural romance, gender, feminism, Australia, work, Rachael Treasure, Nicole Alexander, Karly Lane |
| Ebert, Teresa L. |
Hegel's “picture-thinking” as the interpretive logic of the popular |
2014 |
capitalism/business, social/economic class, religion/spirituality, Linda Howard, philosophy, emotions |
| Mayfield, Kerrita K. |
Liminal eRoticism: Emerging Forms of Gender Identity and Performance in e-Romances and Their Feminist Electronic Communities |
2014 |
feminism, Publishing, gender, erotic romance, LGBT+ characters, readers and/or authors, Jeanne Laws, chick lit, Shelly Laurenston, race/ethnicity, paranormal/fantasy/time-travel romance, happy ending, BDSM, m/m romance |
| Petersson, Sara; Söderberg, Daniel |
En berättelse tar form - en studie i hur geometrisk form på bokomslag indikerar populärlitterär genre |
2014 |
paratext |
| Hamlyn, Eleanor |
Reading the Genre Codes in Giorgio Scerbanenco's Hybridised Romanzi Rosa |
2014 |
Giorgio Scerbanenco, romantic suspense |
| Quale, Amy E. |
Pursuit of Empowerment: The Evolution of the Romance Novel and Its Readership in Fifty Shades of Grey |
2014 |
Fifty Shades |
| Leith, Murray Stewart; Sim, Duncan |
The Modern Scottish Diaspora: Contemporary Debates and Perspectives |
2014 |
|
| Novak, Julia |
Nell Gwyn in Contemporary Romance Novels: Biography and the Dictates of 'Genre Literature' |
2014 |
history, historical romance |
| McAlister, Jodi |
‘That complete fusion of spirit as well as body’: Heroines, heroes, desire and compulsory demisexuality in the Harlequin Mills & Boon romance novel |
2014 |
Harlequin Mills & Boon, sex/sexuality, love, gender, Denise Robins, Lynne Graham |
| O'Byrne, Patricia |
Post-War Spanish Women Novelists and the Recuperation of Historical Memory |
2014 |
Spain |
| Greco, Barbara; Pache Carballo, Laura |
Variaciones de lo metarreal en la España de los siglos XX y XXI |
2014 |
|
| Russell, Shannon |
Dangerous Young Men: Themes of Female Sexuality and Masculinity in Paranormal Romance Novels for Young Adults |
2014 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, gender, rape and/or intimate partner violence/abuse |
| Barletta, Sandra A. |
Cougars, Grannies, Evil Stepmothers, and Menopausal Hot Flashers: Roles, Representations of Age, and the Non-traditional Romance Heroine |
2014 |
ageism, Sandra Antonelli/Sandra A. Barletta |
| Petersson, Sara; Söderberg, Daniel |
En berättelse tar form - en studie i hur geometrisk form på bokomslag indikerar populärlitterär genre |
2014 |
paratext |
| O'Mahony, Lauren |
Teaching an Old Dog New Tricks?: Romance, Ethics and Human-Dog Relationships in a Rural Australian Novel |
2014 |
animals, rural romance, Rachael Treasure, Australia, gender, work, death |
| Kamblé, Jayashree |
Making Meaning in Popular Romance Fiction: An Epistemology |
2014 |
war/armed forces, capitalism/business, gender, race/ethnicity, Lisa Kleypas, Nora Roberts/J. D. Robb, genre definitions, Suzanne Brockmann, Gaelen Foley, Diana Gabaldon, Linda Howard, Sherrilyn Kenyon, Johanna Lindsey, Anne Mather, Lindsay McKenna, Judith McNaught, historical romance, paranormal/fantasy/time-travel romance, Susan Elizabeth Phillips, Julia Quinn, Nalini Singh, Violet Winspear, rape and/or intimate partner violence/abuse |
| Iqbal, Kundan |
The impact of romance novels on women's sexual and reproductive health |
2014 |
readers, sex/sexuality |
| Wood, Christine V. |
Tender Heroes and Twilight Lovers: Re-Reading the Romance in Mass-Market Pulp Novels, 1950–1965 |
2014 |
LGBT+ characters, readers and/or authors, gender, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Paula Christian, Ann Bannon, Randy Salem, sex/sexuality |
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Radhika, P. |
Inaugurating a (Feminine) Public: Women’s Romances in Kannada, 1950s–1960s |
2014 |
India, psychology |
| Robertson, Rachel |
‘Driven by Tens’: Obsession and cognitive difference in Toni Jordan’s romantic comedy Addition |
2014 |
disability, Toni Jordan |
| Chess, Shira |
Strange Bedfellows: Subjectivity, Romance, and Hidden Object Video Games |
2014 |
computer/video/digital games, Harlequin Mills & Boon, metafiction, Christen Anne Kelley |
| Pagliassotti, Dru |
Love and the Machine: Technology and Human Relationships in Steampunk Romance and Erotica |
2013 |
steampunk, science/technology, health/medical, sex/sexuality |
| Satoh, Kyoko |
Ideologically Constructed Intimacy: Personal Address in Japanese Romance Novels |
2013 |
Japan, linguistics, love |
| Wu, Yan; Mallan, Kerry; McGillis, Roderick |
(Re)Imagining the World: Children’s Literature’s Response to Changing Times |
2013 |
|
| Travis, Melissa E. |
Assume the Position: Exploring Discipline Relationships |
2013 |
BDSM |
| Fletcher, Lisa |
The Scholarship of Teaching and Learning Popular Romance Studies: What is it, and why does it matter? |
2013 |
teaching romance |
| Goris, An |
Happily Ever After ... And After: Serialization and the Popular Romance Novel |
2013 |
genre definitions, Publishing, community, readers, happy ending, Nora Roberts/J. D. Robb, J. R. Ward, work, family, love |
| Basu, Balaka; Broad, Katherine R.; Hintz, Carrie |
Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers |
2013 |
|
| Hamilton, Cristen |
Vindicating the Historical Romance |
2013 |
historical romance, Sabrina Jeffries, work, Jude Deveraux, Christina Dodd, marriage, Lisa Kleypas, gender, Elizabeth Boyle, happy ending, Laura Lee Guhrke, Cathy Maxwell |
| Schwab, Sandra Martina |
Of Dragons, Knights, and Virgin Maidens: Dragonslaying and Gender Roles from Richard Johnson to Modern Popular Fiction |
2013 |
historical romance, Teresa Medeiros, Gaelen Foley, Stephanie Laurens, metaphor/symbolism, genre definitions, Harlequin Mills & Boon, happy ending, Sandra Schwab, gender, Penelope Williamson, animals, Julia Ross, virginity, romance scholarship |
| Taddeo, Julie Anne |
Corsets of Steel: Steampunk's Reimagining of Victorian Femininity |
2013 |
fashion/clothing, steampunk, feminism, gender, history |
| Nowicka, Katarzyna |
How to Romance the Masses – Problems of Translating Light Romantic Fiction in Poland |
2013 |
translation, Poland, Harlequin Mills & Boon |
| Cabrera, Christine; Ménard, Amy Dana |
'She Exploded into a Million Pieces': A Qualitative and Quantitative Analysis of Orgasms in Contemporary Romance Novels |
2013 |
sex/sexuality, psychology |
| Wu, Yan; Mallan, Kerry; McGillis, Roderick |
(Re)Imagining the World: Children’s Literature’s Response to Changing Times |
2013 |
|
| Harman, Sarah; Jones, Bethan |
Fifty shades of ghey: Snark fandom and the figure of the anti-fan |
2013 |
Fifty Shades, readers, trash/literary and or intellectual quality, BDSM |
| Basu, Balaka; Broad, Katherine R.; Hintz, Carrie |
Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers |
2013 |
|
| Harris, Marlene |
A new breed of romance: romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life |
2013 |
Publishing, authors, libraries/librarians, Sophie Barnes, Bella Andre, Courtney Milan, Mary Jo Putney, Jane Porter, Candis Terry |
| Cabrera, Christine; Ménard, Amy Dana |
'She Exploded into a Million Pieces': A Qualitative and Quantitative Analysis of Orgasms in Contemporary Romance Novels |
2013 |
sex/sexuality, psychology |
| Hirdman, Anja |
'Det ska bli en ära att få tillfredsställa dig!' Ideal manlighet i Harlequinromanen |
2013 |
gender, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O Consumo de Romances e o Universo Feminino: As Práticas de Leitura dos Livros do Coração |
2013 |
readers, Brazil |
| Harman, Sarah; Jones, Bethan |
Fifty shades of ghey: Snark fandom and the figure of the anti-fan |
2013 |
Fifty Shades, readers, trash/literary and or intellectual quality, BDSM |
| Basu, Balaka; Broad, Katherine R.; Hintz, Carrie |
Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers |
2013 |
|
| Woods, Robert H. |
Evangelical Christians and Popular Culture: Pop Goes the Gospel. Volume 2: Literature, Music, Popular Art, and Merchandise |
2013 |
|
| Raw, Laurence |
The Silk Road of Adaptation: Transformations across Disciplines and Cultures |
2013 |
|
| Parra Membrives, Eva |
Trivialidades literarias: Reflexiones en torno a la literatura de entretenimiento |
2013 |
|
| Barr, Elizabeth |
“Who the devil wrote that?”: Intertextuality and Authorial Reputation in Georgette Heyer’s Venetia |
2013 |
Georgette Heyer, trash/literary and or intellectual quality, Shakespeare, religion/spirituality |
| Fragero Guerra, Carmen |
Fifty shades of grey: Una novela popular en España |
2013 |
Fifty Shades, Carmen de Icaza, Spain |
| Fjelkestam, Kristina; Hill, Helena; Tjeder, David |
Kvinnorna gör mannen: maskulinitetskonstruktioner i kvinnors text och bild 1500-2000 |
2013 |
|
| Whyte, Tamara Lynn |
Shakespeare in Love: Appropriation of Shakespeare in Popular Romance Novels |
2013 |
Shakespeare |
| Broad, Katherine R. |
“The Dandelion in the Spring”: Utopia as Romance in Suzanne Collins’s The Hunger Games Trilogy |
2013 |
YA/teenage romance, Suzanne Collins, war/armed forces, family, gender, feminism |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O Consumo de Romances e o Universo Feminino: As Práticas de Leitura dos Livros do Coração |
2013 |
readers, Brazil |
| Frost, Laura |
The Problem with Pleasure: Modernism and Its Discontents |
2013 |
E. M. Hull, trash/literary and or intellectual quality, romance scholarship, sex/sexuality, readers |
| Feng, Jin |
Romancing the Internet: Producing and Consuming Chinese Web Romance |
2013 |
China |
| Fjelkestam, Kristina; Hill, Helena; Tjeder, David |
Kvinnorna gör mannen: maskulinitetskonstruktioner i kvinnors text och bild 1500-2000 |
2013 |
|
| Pylkkänen, Merita |
Didactic Fulfillment and the Popular Romance: Jude Deveraux’s The Mulberry Tree |
2013 |
Jude Deveraux |
| Zeiger, Melissa F. |
"Less Than Perfect": Negotiating Breast Cancer in Popular Romance Novels |
2013 |
health/medical, feminism |
| Levi, Anna |
Delly: la Cenerentola di Versailles : vita di Jeanne Marie Henriette Petitjean de la Rosière |
2013 |
Delly |
| Laquintano, Timothy |
The Legacy of the Vanity Press and Digital Transitions |
2013 |
Publishing, Harlequin Mills & Boon |
| Cheyne, Ria |
Disability Studies Reads the Romance |
2013 |
disability, sex/sexuality, Mary Balogh, historical romance, family |
| Gallon, Kim |
“How Much Can You Read about Interracial Love and Sex without Getting Sore?”: Readers’ Debate over Interracial Relationships in the Baltimore Afro-American |
2013 |
African American romance, romances in magazines and newspapers, race/ethnicity, readers |
| Fjelkestam, Kristina; Hill, Helena; Tjeder, David |
Kvinnorna gör mannen: maskulinitetskonstruktioner i kvinnors text och bild 1500-2000 |
2013 |
|
| Taylor, Jessica Anne |
Write the Book of Your Heart: Career, Passion and Publishing in the Romance Writing Community |
2013 |
authors, Publishing, race/ethnicity, social/economic class, gender, love, work |
| Neal, Lynn S. |
Evangelical Love Stories: The Triumphs and Temptations of Romantic Fiction |
2013 |
Christian romance, Publishing, religion/spirituality, readers, authors, sex/sexuality |
| Ménard, A. Dana |
Note from the Field: Reflecting on Romance Novel Research: Past, Present and Future |
2013 |
sex/sexuality, psychology, romance scholarship |
| Hughes, Bill |
‘Two kinds of romance': Generic Hybridity and Epistemological Uncertainty in Contemporary Paranormal Romance |
2013 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Alyxandra Harvey, Julie Kagawa, science/technology |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O que é o romance ideal? Uma cartografia dos romances mais populares publicados pela Harlequim-Silhouette entre 1977 e 2012 |
2013 |
Brazil, Harlequin Mills & Boon |
| Soler Gallo, Miguel |
La novela romántica falangista femenina de los años cuarenta |
2013 |
Spain, fascism/right-wing authoritarianism |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBT+ characters, readers and/or authors |
| Ross, Marlon B. |
“What’s Love But a Second Hand Emotion?”: Man-on-Man Passion in the Contemporary Black Gay Romance Novel |
2013 |
African American romance, LGBT+ characters, readers and/or authors, race/ethnicity, Larry Duplechan, James Earl Hardy, m/m romance, family, E. Lynn Harris |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A pedagogia social dos romances de amor dos “tempos da vovó” |
2013 |
Brazil, Publishing, readers, gender, social/economic class, Delly, Elinor Glyn, Berta Ruck, Concordia Merrel |
| Walker, Alyssa Chen |
Bringing the Laboratory Dog Home: Elizabeth Stuart Phelps and the Antivivisection Narrative |
2013 |
Elizabeth Stuart Phelps, animals, romance and, or as, activism, Older and/or precursor texts (may not be "romance" as now defined) |
| Cortesi, Taylor D. |
'Traitorous Bodies': Cartesian Dualism in Romance Novels by Susan Johnson and E. L. James |
2013 |
Susan Johnson, Fifty Shades |
| Frederick, Rhonda |
Making Jamaican Love: Colin Channer's Waiting in Vain and Romance-ified Diaspora Identities |
2013 |
national identity, Caribbean, Colin Channer, Jamaica, social/economic class, race/ethnicity, gender, erotic romance |
| Rata, Georgeta |
Linguistic Studies of Human Language |
2013 |
|
| Schell, Heather |
Bringing the Mid-West to the Middle-East: An Analysis of a Harlequin Romance in English and Turkish |
2013 |
translation, Harlequin Mills & Boon, Turkey, Shirley Jump, readers, family, social/economic class, gender |
| Gardner, Jeanne Emerson |
She Got Her Man, but Could She Keep Him? Love and Marriage in American Romance Comics, 1947–1954 |
2013 |
comics/manga, sex/sexuality, history, YA/teenage romance, marriage, United States of America |
| Soedibio, Sari M. R. D.; Djundjung, Jenny M. |
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s |
2013 |
gender, Harlequin Mills & Boon, Nora Roberts/J. D. Robb, Diana Palmer, Penny Jordan/Caroline Courtney, Debbie Macomber, Linda Lael Miller, Robyn Carr |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O que é o romance ideal? Uma cartografia dos romances mais populares publicados pela Harlequim-Silhouette entre 1977 e 2012 |
2013 |
Brazil, Harlequin Mills & Boon |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBT+ characters, readers and/or authors |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A pedagogia social dos romances de amor dos “tempos da vovó” |
2013 |
Brazil, Publishing, readers, gender, social/economic class, Delly, Elinor Glyn, Berta Ruck, Concordia Merrel |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity |
2013 |
readers, psychology |
| Burnett, Hannah Eisler |
Shame game: Romance novels and feminist shame, a mad lib for collective feeling |
2013 |
readers |
| Soedibio, Sari M. R. D.; Djundjung, Jenny M. |
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s |
2013 |
gender, Harlequin Mills & Boon, Nora Roberts/J. D. Robb, Diana Palmer, Penny Jordan/Caroline Courtney, Debbie Macomber, Linda Lael Miller, Robyn Carr |
| Weaver-Zercher, Valerie |
Thrill of the Chaste: the Allure of Amish Romance Novels |
2013 |
Christian romance, United States of America, religion/spirituality, paratext, Publishing, Beverly Lewis, Wanda Brunstetter, Cindy Woodsmall, sex/sexuality, virginity, readers, gender, Helen Reimensnyder Martin, Older and/or precursor texts (may not be "romance" as now defined), Clara Bernice Miller, Cora Gottschalk Welty, rural romance, Ruth Lininger Dobson, Joseph W. Yoder, Janette Oke, settings, happy ending, marriage, family, Linda Byler, race/ethnicity |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBT+ characters, readers and/or authors |
| Moody, Stephanie Lee |
Affecting Genre: Women's Participation with Popular Romance Fiction |
2013 |
readers, teaching romance |
| Nilson, Maria |
From The Flame and the Flower to Fifty Shades of Grey: Sex, Power and Desire in the Romance Novel |
2013 |
Fifty Shades, sex/sexuality, Kathleen Woodiwiss, chick lit, rape and/or intimate partner violence/abuse |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity |
2013 |
readers, psychology |
| Deller, Ruth A.; Smith, Clarissa |
Reading the BDSM romance: Reader responses to Fifty Shades |
2013 |
Fifty Shades, BDSM, readers, trash/literary and or intellectual quality, sex/sexuality |
| Taddeo, Julie Anne; Miller, Cynthia J. |
Steaming Into a Victorian Future: A Steampunk Anthology |
2013 |
|
| Weisser, Susan Ostrov |
The Glass Slipper: Women and Love Stories |
2013 |
love, gender, feminism, Twilight, romance scholarship, Isabel Sharpe, African American romance, race/ethnicity, Harlequin Mills & Boon, pornography |
| Cordell, Sigrid |
Loving in Plain Sight: Amish Romance Novels as Evangelical Gothic |
2013 |
Beverly Lewis, Christian romance, religion/spirituality, gothic romance |
| Fragero Guerra, Carmen |
La técnica narrativa del espejo en Carmen de Icaza (1899-1979) y en Carmen Martín Gaite (1925-2000) |
2013 |
Carmen de Icaza |
| Peinado Rodríguez, Matilde; Anta Félez, José Luis |
Educar para el matrimonio en femenino: modelos y prácticas en la literatura de posguerra |
2013 |
Spain, fascism/right-wing authoritarianism, gender, marriage |
| Vany, Romain |
Les mauvais genres en bibliothèques publiques: quelle place pour le roman sentimental paralittéraire? |
2013 |
libraries/librarians |
| Bradford, Clare |
Monsters: Monstrous Identities in Young Adult Romance |
2013 |
YA/teenage romance, paranormal/fantasy/time-travel romance, race/ethnicity, family |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity |
2013 |
readers, psychology |
| Deller, Ruth A.; Smith, Clarissa |
Reading the BDSM romance: Reader responses to Fifty Shades |
2013 |
Fifty Shades, BDSM, readers, trash/literary and or intellectual quality, sex/sexuality |
| Taddeo, Julie Anne; Miller, Cynthia J. |
Steaming Into a Victorian Future: A Steampunk Anthology |
2013 |
|
| Wu, Yan; Mallan, Kerry; McGillis, Roderick |
(Re)Imagining the World: Children’s Literature’s Response to Changing Times |
2013 |
|
| Vivanco, Laura |
Georgette Heyer: The Nonesuch of Regency Romance |
2013 |
social/economic class, race/ethnicity, Georgette Heyer, history, historical romance |
| Dymock, Alex |
Flogging sexual transgression: Interrogating the costs of the ‘Fifty Shades effect’ |
2013 |
Fifty Shades, chick lit, capitalism/business, sex/sexuality, BDSM |
| Peinado Rodríguez, Matilde; Anta Félez, José Luis |
Educar para el matrimonio en femenino: modelos y prácticas en la literatura de posguerra |
2013 |
Spain, fascism/right-wing authoritarianism, gender, marriage |
| Young, Whitney A. |
Monsters in My Bed: Accounting for the Popularity of Young Adult Paranormal Romances |
2013 |
YA/teenage romance, paranormal/fantasy/time-travel romance, gender, Twilight |
| Flesch, Juliet |
The Wide Brown Land and the Big Smoke: The Setting of Australian Popular Romance |
2012 |
Australia, settings |
| Baldus, Kimberly |
Gossip, Liminality, and Erotic Display: Jennifer Crusie’s Links to Eighteenth-Century Amatory Fiction |
2012 |
Jennifer Crusie, sex/sexuality, Delariver Manley, virginity, pornography, settings, community |
| Fisher, Maryanne L.; Meredith, Tami M. |
The Success behind the Candy-Colored Covers: An Evolutionary Perspective on Romance Novels |
2012 |
evolutionary psychology, paratext |
| Mikals-Adachi, Eileen B. |
Romantic Adventures in Prose: Ren'ai Shõsetsu (Romance Novels) by Yuikawa Kei |
2012 |
Yuikawa Kei, Japan, genre definitions, friendship, chick lit |
| Churchwell, Sarah; Smith, Thomas Ruys |
Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code |
2012 |
|
| Teo, Hsu-Ming |
"Bertrice teaches you about history, and you don't even mind!": History and Revisionist Historiography in Bertrice Small's The Kadin |
2012 |
history, historical romance, Bertrice Small, gender, feminism, readers |
| Allen, Amanda K. |
Charm the Boys, Win the Girls: Power Struggles in Mary Stolz’s Cold War Adolescent Girl Romance Novels |
2012 |
Mary Stolz, YA/teenage romance, trash/literary and or intellectual quality, gender |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Percec, Dana |
Romance: The History of a Genre |
2012 |
|
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| James, Edward; Mendlesohn, Farah |
The Cambridge Companion to Fantasy Literature |
2012 |
|
| Liu, Su-hsen |
The Translation/Mutation of Romantic Love: An Exploration of the Translation History of Modern Romances in Taiwan after 1960 |
2012 |
translation, Taiwan |
| Valeo, Christina A. |
Crusie and the Con |
2012 |
Jennifer Crusie, metafiction, happy ending, readers |
| Innocenti, Daniela C. |
L'amore tradotto. Harlequin vs Harmony e l’evoluzione di un romanzo rosa intraduzione: da Plain Jane MacAllister a Il tempo ritrovato |
2012 |
translation, Harlequin Mills & Boon, Italy, Joan Elliott Pickart |
| Baldys, Emily M. |
Disabled Sexuality, Incorporated: The Compulsions of Popular Romance |
2012 |
disability, sex/sexuality, Pamela Morsi, Billie Green, Peggy Webb, Jennifer Ashley, Colleen McCullough, gender, readers |
| Fisher, Maryanne L.; Meredith, Tami M. |
The Success behind the Candy-Colored Covers: An Evolutionary Perspective on Romance Novels |
2012 |
evolutionary psychology, paratext |
| Dennis, Lesley Erin |
Pornography and Rape Myths in Paranormal Romance Novels |
2012 |
paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse, feminism, readers, sex/sexuality, pornography |
| Selinger, Eric Murphy |
How to Read a Romance Novel (and Fall in Love with Popular Romance) |
2012 |
close reading, trash/literary and or intellectual quality, Laura Kinsale, marriage, Milton, disability, religion/spirituality, love |
| Motte, Warren |
A Walk on the Sheikh Side |
2012 |
sheikh romance, paratext, Harlequin Mills & Boon, Sharon Kendrick, trash/literary and or intellectual quality, animals, metaphor/symbolism |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| Tatlock, Lynne |
German Writing, American Reading: Women and the Import of Fiction, 1866-1917 |
2012 |
Germany, United States of America, translation, gender, work, marriage, fairytales/folktales, family, Publishing, E. Marlitt/Eugenie John, Wilhelmine Heimburg/Bertha Behrens, Fanny Lewald, Wilhelmine von Hillern, Claire von Glümer, Ursula Zöge von Manteuffel, E. Werner/Elisabeth Bürstenbinder, religion/spirituality, Nataly von Eschstruth, metafiction, social/economic class, Charlotte Brontë, E. Juncker, Moritz von Reichenbach/Valeska von Reiswitz, Gräfin von Bethusy-Huc, Golo Raimund/Bertha [Heyn] Frederich, history, national identity, war/armed forces, race/ethnicity, Louisa May Alcott |
| James, Edward; Mendlesohn, Farah |
The Cambridge Companion to Fantasy Literature |
2012 |
|
| Thomas, Glen |
Happy Readers or Sad Ones? Romance Fiction and the Problems of the Media Effects Model |
2012 |
readers, psychology, Anna Campbell, rape and/or intimate partner violence/abuse |
| Veros, Vassiliki |
Scholarship-In-Practice: The Romance Reader and the Public Library |
2012 |
libraries/librarians, trash/literary and or intellectual quality, readers, Australia |
| Goldman, Crystal |
Love in the Stacks: Popular Romance Collection Development in Academic Libraries |
2012 |
libraries/librarians |
| Bigey, Magali |
Romances en séries, amour toujours et marketing |
2012 |
Publishing, France, readers, Harlequin Mills & Boon, paratext |
| Teo, Hsu-Ming |
Desert Passions: Orientalism and Romance Novels |
2012 |
history, sheikh romance, Older and/or precursor texts (may not be "romance" as now defined), race/ethnicity, E. M. Hull, United States of America, historical romance, gender, Islam, sex/sexuality, rape and/or intimate partner violence/abuse |
| Joannou, Maroula |
Women's Writing, Englishness and National and Cultural Identity: The Mobile Woman and the Migrant Voice, 1938-1962 |
2012 |
UK, war/armed forces, Daphne du Maurier, Older and/or precursor texts (may not be "romance" as now defined), Kathleen Winsor, Georgette Heyer, cross-dressing, fashion/clothing |
| Frantz, Sarah S. G. |
"How we love is our soul": Joey W. Hill's BDSM Romance Holding the Cards |
2012 |
Joey W. Hill, BDSM, erotic romance, Ellora's Cave, genre definitions, metafiction |
| Bonelli, María Valentina |
La virgen desollada: la perdida de la virginidad en las novelas de Corín Tellado durante el franquismo |
2012 |
Corín Tellado, sex/sexuality, virginity |
| Brumme, Jenny; Espunya, Anna |
The Translation of Fictive Dialogue |
2012 |
|
| Ndalianis, Angela |
The Horror Sensorium: Media and the Senses |
2012 |
paranormal/fantasy/time-travel romance, Laurell K. Hamilton, Charlaine Harris, Christine Feehan |
| Whyte, Tamara |
"A consummation devoutly to be wished": Shakespeare in Popular Historical Romance Fiction |
2012 |
Shakespeare, Jacquie D'Allessandro, Sabrina Jefferies, Kalen Hughes/Isobel Carr, readers, Eloisa James, Susan Wiggs, Andrea Pickens, Kathryn Caskie, Suzanne Enoch, historical romance, Kasey Michaels, Mary Balogh, Margaret Moore |
| Perkins, Lori |
Fifty Writers on Fifty Shades of Grey |
2012 |
|
| Goris, An |
Loving by the Book: Voice and Romance Authorship |
2012 |
authors, trash/literary and or intellectual quality |
| Salmon, Catherine |
The Pop Culture of Sex: An Evolutionary Window on the Worlds of Pornography and Romance |
2012 |
evolutionary psychology, pornography, gender, feminism |
| Brumme, Jenny; Espunya, Anna |
The Translation of Fictive Dialogue |
2012 |
|
| Valeo, Christina A. |
The Power of Three: Nora Roberts and Serial Magic |
2012 |
Nora Roberts/J. D. Robb, paranormal/fantasy/time-travel romance, religion/spirituality, community, family, love, Paganism/Wicca |
| Böhmová, Petra |
Contemporary American Christian Fiction: Young and Rivers |
2012 |
Francine Rivers, Christian romance |
| Klarich, Morgan L. |
Multiculturalism, Sex, and Powerful Women: The New Romance Novel as the Voice of Neofeminism? |
2012 |
feminism, sex/sexuality, gender, race/ethnicity, United States of America |
| Moore, Kate; Selinger, Eric Murphy |
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation |
2012 |
Jennifer Crusie, readers, metafiction, romance scholarship, sex/sexuality, marriage |
| Wiebe, Laura |
Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings |
2012 |
paranormal/fantasy/time-travel romance, Christine Feehan |
| Spillman, K. Elizabeth |
The "Managing Female" in the Novels of Georgette Heyer |
2012 |
Georgette Heyer, gender, metafiction, marriage |
| Lozano Sampedro, Mª Teresa |
La recepción de Delly en España |
2012 |
|
| Cooper, Katherine; Short, Emma |
The Female Figure in Contemporary Historical Fiction |
2012 |
|
| Moore, Kate; Selinger, Eric Murphy |
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation |
2012 |
Jennifer Crusie, readers, metafiction, romance scholarship, sex/sexuality, marriage |
| Bonciarelli, Sarah |
Reading women’s fiction. Liala’s novels between uniqueness and standardization |
2012 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi, Publishing |
| Veldman-Genz, Carole |
The More the Merrier? Transformations of the Love Triangle Across the Romance |
2012 |
love, Lisa Kleypas, Christina Dodd, Linda Howard, Catherine George, Isabelle Holland, Jude Deveraux, Amanda Scott, Catherine Coulter, Maggie Osborne/Margaret St. George, Karen Ranney, Sandra Brown, Nicole Jordan, LaVyrle Spencer, Penelope Williamson, Susan Elizabeth Phillips, feminism, erotic romance, Emma Holly, Rachel Bo, marriage, Mardi Ballou, Ellora's Cave, Samantha Kane, LGBT+ characters, readers and/or authors |
| Damian-Gaillard, Béatrice |
Prince charmant. Représentations des ressources et des coûts des masculinités dans les romans sentimentaux des collections Harlequin |
2012 |
gender, Harlequin Mills & Boon, sex/sexuality, emotions |
| Kramer, Kyra |
Getting Laid, Getting Old, and Getting Fed: The Cultural Resistance of Jennifer Crusie’s Romance Heroines |
2012 |
Jennifer Crusie, ageism, food, drink, gender, feminism, sex/sexuality, fat, fatness |
| Goşa, Codruţa |
Sex and the Genre: The Role of Sex in Popular Romance |
2012 |
Nora Roberts/J. D. Robb, Sandra Brown, Judith McNaught, sex/sexuality |
| Weaver-Zercher, Valerie |
Tracing the Backstory of Amish Romance Novels |
2012 |
Christian romance, rural romance, Older and/or precursor texts (may not be "romance" as now defined), religion/spirituality, paratext, Helen Reimensnyder Martin, Beverly Lewis, Cora Gottschalk Welty, race/ethnicity, Ruth Lininger Dobson, Joseph W. Yoder, Clara Bernice Miller, Janette Oke, Publishing |
| Zakreski, Patricia |
Tell Me Lies: Lying, Storytelling, and the Romance Novel as Feminist Fiction |
2012 |
Jennifer Crusie, feminism, gender, metafiction |
| Cooper, Katherine; Short, Emma |
The Female Figure in Contemporary Historical Fiction |
2012 |
|
| Dulong, Delphine; Neveu, Erik; Guionnet, Christine |
Boys Don't Cry! Les coûts de la domination masculine |
2012 |
|
| Frantz, Sarah S. G. |
The History of BDSM Fiction and Romance |
2012 |
BDSM, John Preston, sex/sexuality, Fifty Shades, erotic romance, Emma Holly, Joey W. Hill |
| Baum, Thomas |
Working the Skies: Changing Representations of Gendered Work in the Airline Industry, 1930-2011 |
2012 |
work, history, gender, Betty Beaty |
| Kaplan, Deborah |
"Why would any woman want to read such stories?": The Distinctions Between Genre Romances and Slash Fictions |
2012 |
fanfiction, genre definitions, LGBT+ characters, readers and/or authors, Suzanne Brockmann, gender |
| Schwab, Sandra |
“It Is Only with One’s Heart That One Can See Clearly”: The Loss of Sight in Teresa Medeiros’s The Bride and the Beast and Yours until Dawn |
2012 |
disability, Teresa Medeiros, metaphor/symbolism, fairytales/folktales, settings, Charlotte Brontë, myth |
| Vivanco, Laura |
One Ring to Bind Them: Ring Symbolism in Popular Romance Fiction |
2012 |
fashion/clothing, marriage, Lisa Kleypas, Jennifer Crusie, Loretta Chase, Melissa McClone, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Jessica Hart, Dorie Graham, Roslyn Hardy Holcomb, Margot Early, Laura Abbot, sex/sexuality, metaphor/symbolism |
| Şerban, Andreea |
Romancing the Paranormal: A Case Study of J.R. Ward’s The Black Dagger Brotherhood |
2012 |
paranormal/fantasy/time-travel romance, J. R. Ward, LGBT+ characters, readers and/or authors, sex/sexuality |
| Rani, Mohd. Zariat Abdul |
Islam, Romance and Popular Taste in Indonesia: A textual analysis of Ayat ayat cinta by Habiburrahman El-Shirazy and Syahadat cinta by Taufiqurrahman Al-Azizy |
2012 |
Indonesia, Habiburrahman El-Shirazy, Taufiqurrahman Al-Azizy, Islam, religion/spirituality, paratext, film/movies, Publishing, marriage, Muslim romance |
| York, Chris; York, Rafiel |
Comic Books and the Cold War, 1946-1962: Essays on Graphic Treatment of Communism, the Code and Social Concerns |
2012 |
|
| Dulong, Delphine; Neveu, Erik; Guionnet, Christine |
Boys Don't Cry! Les coûts de la domination masculine |
2012 |
|
| Gardner, Jeanne |
Girls Who Sinned in Secret and Paid in Public: Romance Comics, 1949-1954 |
2012 |
comics/manga, sex/sexuality, social/economic class, Publishing, YA/teenage romance, United States of America |
| Harders, Robin |
Borderlands of Desire: Captivity, Romance, and the Revolutionary Power of Love |
2012 |
United States of America, race/ethnicity, history, Samuel Richardson, Jane Austen, E. M. Hull, sheikh romance, Violet Winspear, Michelle Reid, Louise Allen, Elizabeth Vaughn |
| Kroeg, Susan M. |
'Truly Our Contemporary Jane Austen': Thinking Like an Austen Fan about Regency Romances |
2012 |
historical romance |
| Toscano, Angela |
A Parody of Love: the Narrative Uses of Rape in Popular Romance |
2012 |
rape and/or intimate partner violence/abuse, Kathleen Woodiwiss, Carolyn Jewel, Anna Campbell, Catherine Coulter, Anne Stuart, Patricia Gaffney, love |
| Burge, Amy |
Do Knights Still Rescue Damsels in Distress?: Reimagining the Medieval in the Mills & Boon Historical Romance |
2012 |
history, Harlequin Mills & Boon, paratext, social/economic class, religion/spirituality, food, drink, fashion/clothing, sex/sexuality, rape and/or intimate partner violence/abuse, war/armed forces, gender |
| Dascăl, Reghina |
Raj Matriarchs: Women Authors of Anglo-Indian Romance |
2012 |
India, UK, history, Maud Diver, Flora Annie Steel |
| Kaveney, Roz |
Dark fantasy and paranormal romance |
2012 |
paranormal/fantasy/time-travel romance, Charlaine Harris, Laurell K. Hamilton, Twilight |
| Alonso Valero, Encarna |
Corín Tellado y la novela rosa |
2012 |
Corín Tellado, Spain, gender, readers, trash/literary and or intellectual quality |
| Herendeen, Ann |
The Upper-Class Bisexual Top as Romantic Hero: (Pre)dominant in the Social Structure and in the Bedroom |
2012 |
Ann Herendeen, LGBT+ characters, readers and/or authors, wealth/prosperity, social/economic class, BDSM, Jane Austen, historical romance, history, sex/sexuality, gender, Georgette Heyer |
| York, Chris; York, Rafiel |
Comic Books and the Cold War, 1946-1962: Essays on Graphic Treatment of Communism, the Code and Social Concerns |
2012 |
|
| Dulong, Delphine; Neveu, Erik; Guionnet, Christine |
Boys Don't Cry! Les coûts de la domination masculine |
2012 |
|
| Lamprinou, Artemis |
A Study on the Cultural Variations in the Verbalisation of Near-Universal Emotions: Translating Emotions from British English into Greek in Popular Bestseller Romances |
2012 |
translation, Greece |
| Bly, Mary |
On Popular Romance, J. R. Ward, and the Limits of Genre Study |
2012 |
J. R. Ward, fashion/clothing, gender, United States of America, war/armed forces, sex/sexuality, LGBT+ characters, readers and/or authors, Suzanne Brockmann |
| Gardner, Jeanne Emerson |
"Dreams May End, But Love Never Does": Marriage and Materialism in American Romance Comics, 1947-1954 |
2012 |
comics/manga |
| Vivanco, Laura |
Jennifer Crusie's Literary Lingerie |
2012 |
Jennifer Crusie, sex/sexuality, fashion/clothing, metaphor/symbolism |
| Lynch, Katherine E.; Sternglantz, Ruth E.; Barot, Len |
Queering the Romantic Heroine: Where Her Power Lies |
2012 |
LGBT+ characters, readers and/or authors, lesbian romance, Radclyffe Hall, Older and/or precursor texts (may not be "romance" as now defined), Katherine V. Forrest, Radclyffe/Len Barot, Lea Santos, gender, paranormal/fantasy/time-travel romance |
| Burge, Amy |
Desiring the east: a comparative study of Middle English romance and modern popular sheikh romance |
2012 |
sheikh romance, war/armed forces, religion/spirituality, race/ethnicity, gender, fashion/clothing |
| Kamble, Jayashree |
Patriotism, Passion, and PTSD: The Critique of War in Popular Romance Fiction |
2012 |
war/armed forces, United States of America, national identity, disability, Linda Howard, marriage, Gaelen Foley, Suzanne Brockmann, Sherrilyn Kenyon |
| Hayton, Christopher J.; Hayton, Sheila |
The Girls in White: Nurse Images in Early Cold War Era Romance and War Comics |
2012 |
comics/manga, medical romance, work, gender, war/armed forces |