| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Lemay, Catherine |
La traduction de la scène de sexe dans le roman sentimental érotique: Analyse descriptive et comparative |
2016 |
translation, sex/sexuality, erotic romance, Sylvia Day |
| Silliman, Daniel |
Fictions of Belief: Reading Evangelical Novels in A Secular Age |
2016 |
Christian romance, religion/spirituality, United States of America, Janette Oke, Beverly Lewis, Publishing |
| Maunder, Andrew |
Berta Ruck |
2016 |
Berta Ruck, war/armed forces |
| Barot, Len |
Queer Romance in Twentieth- and Twenty-First-Century America: Snapshots of a Revolution |
2016 |
Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors, lesbian romance, history, Publishing, Sarah Aldridge, Katherine V. Forrest, Isabel Miller, m/m romance, Wallace Hamilton, Marion Zimmer Bradley, Gordon Merrick, Radclyffe/Len Barot, erotic romance |
| Crane, Ralph; Fletcher, Lisa |
The Genre of Islands: Popular Fiction and Performative Geographies |
2016 |
islands, settings, rural romance |
| Soubeyroux, Marie-Hélène; Zapata, Mónica |
Miradas sobre una obra polifacética: Homenaje a Jean Louis Guereña |
2016 |
|
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| Dandridge, Rita B. |
Love Prevailed Despite What American History Said: Agape and Eros in Beverly Jenkins's Night Song and Through the Storm |
2016 |
Beverly Jenkins, love, sex/sexuality, history, gender, race/ethnicity, United States of America, rape and/or intimate partner violence/abuse, family, wealth/prosperity |
| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Kelly, Brendan D. |
Medical romance: love never dies |
2016 |
medical romance |
| Abdullah-Poulos, Layla |
Muslim Love American Style: Islamic-American Hybrid Culture and Native-Born American Black Muslim Romance |
2016 |
religion/spirituality, African American romance, Islam, Muslim romance |
| Herendeen, Ann |
Having it Both Ways; or, Writing from the Third Perspective: The Revolutionary M/M/F Ménage Romance Novel |
2016 |
LGBT+ characters, readers and/or authors, Ann Herendeen, marriage, metafiction, Georgette Heyer |
| Soler Gallo, Miguel |
Novela rosa y fantasía amorosa en la España de los años Cuarenta: análisis de La rival de Julieta de Josefina de la Torre |
2016 |
Spain, fascism/right-wing authoritarianism, Laura de Cominges/Josefina de la Torre, gender |
| Wilson, Nicola |
The Book World: Selling and Distributing British Literature, 1900-1940 |
2016 |
|
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Hernández Guerrero, María José |
Prosumidoras de traducciones: Aproximación al fenómeno de la traducción fan de novela romántica |
2016 |
readers, translation |
| Elliott, Jack |
Vocabulary decay in category romance |
2016 |
linguistics, Harlequin Mills & Boon, authors, Jane Austen |
| Franssen, Thomas; Velthuis, Olav |
Making materiality matter: a sociological analysis of prices on the Dutch fiction book market, 1980–2009 |
2016 |
Publishing, Netherlands, trash/literary and or intellectual quality |
| Piper, Andrew; Portelance, Eva |
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading |
2016 |
linguistics, trash/literary and or intellectual quality |
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| O'Neil, Kathryn M. |
Women's rhetoric and the romance novel genre |
2016 |
readers, authors, Eloisa James, Mary Jo Putney, Jude Ouvrard, Jackie Williams, gender, race/ethnicity, disability, Stella Eromonsere-Ajanaku |
| Sherman, Jen |
Reading Infrastructures in the Contemporary City: A Study of Three Public Libraries in Sydney |
2016 |
libraries/librarians, Australia |
| Burge, Amy |
‘I Will Cut Myself and Smear Blood on the Sheet’: Testing Virginity in Medieval and Modern Orientalist Romance |
2016 |
sex/sexuality, history, Older and/or precursor texts (may not be "romance" as now defined), sheikh romance, gender, Harlequin Mills & Boon, virginity |
| Francis, Conseula |
Flipping the Script: Romancing Zane's Urban Erotica |
2016 |
Zane, sex/sexuality, romance and, or as, activism, race/ethnicity, emotions, marriage, love |
| Markert, John |
Publishing Romance: The History of an Industry, 1940s to the Present |
2016 |
Publishing, Harlequin Mills & Boon, historical romance, erotic romance, m/m romance, lesbian romance, gothic romance, romantic suspense, African American romance, paranormal/fantasy/time-travel romance, Avon, Ellora's Cave, LGBT+ characters, readers and/or authors, BDSM, paratext |
| Gleason, William A.; Selinger, Eric Murphy |
Romance Fiction and American Culture: Love as the Practice of Freedom? |
2016 |
|
| Egan, Jesi |
Cultural Futurity and the Politics of Recovery: Mary Renault's Ambivalent Romances |
2016 |
Mary Renault, romance and, or as, activism, genre definitions, sex/sexuality, UK, national identity, health/medical, trash/literary and or intellectual quality, gender, emotions, modernism, LGBT+ characters, readers and/or authors |
| Allan, Jonathan A. |
The Purity of His Maleness: Masculinity in Popular Romance Novels |
2016 |
gender, virginity, Harlequin Mills & Boon |
| Cothran, Casey A.; Cannon, Mercy |
New Perspectives on Detective Fiction: Mystery Magnified |
2016 |
|
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Oklopčić, Biljana |
Medieval heresy in Croatian historical romances: a case study of Marija Jurić Zagorka’s Plameni inkvizitori |
2016 |
Marija Jurić Zagorka, historical romance, Croatia, religion/spirituality, history, Older and/or precursor texts (may not be "romance" as now defined), trash/literary and or intellectual quality, gender, readers, national identity |
| Mogin-Martin, Roselyne |
La revolución sexual de Corín Tellado |
2016 |
Corín Tellado, Spain, fascism/right-wing authoritarianism, sex/sexuality |
| Franssen, Thomas; Velthuis, Olav |
Making materiality matter: a sociological analysis of prices on the Dutch fiction book market, 1980–2009 |
2016 |
Publishing, Netherlands, trash/literary and or intellectual quality |
| Bartlett, Lexey A. |
Review of Love Between the Covers by Laurie Kahn (Blueberry Hill Productions, 2015) |
2016 |
readers, romance scholarship, teaching romance, Beverly Jenkins, Eloisa James, Radclyffe/Len Barot, Susan Donovan, Celeste Bradley |
| Piper, Andrew; Portelance, Eva |
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading |
2016 |
linguistics, trash/literary and or intellectual quality |
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| Morrissey, Katherine |
Romance Networks: Aspiration & Desire in Today’s Digital Culture |
2016 |
fanfiction, Publishing, readers, genre definitions, Fifty Shades, Twilight, sex/sexuality, love, pornography, Harlequin Mills & Boon, erotic romance |
| McAlister, Jodi |
Between Pleasure and Pain: The Textual Politics of the Hymen |
2016 |
history, sex/sexuality, virginity |
| Teo, Hsu-Ming |
Orientalism, Freedom, and Feminism in Popular Culture |
2016 |
United States of America, Islam, history, E. M. Hull, historical romance, sheikh romance, sex/sexuality, gender, feminism, work, race/ethnicity, Barbara Faith, Elizabeth Mayne, Dana Marton, romantic suspense, war/armed forces, national identity |
| Allen, Amanda K. |
“Dear Miss Daly”: 1940s Fan Letters to Maureen Daly and the Age-Grading and Gendering of Seventeenth Summer |
2016 |
YA/teenage romance, readers, Maureen Daly, gender, libraries/librarians, genre definitions, war/armed forces |
| Frankel, Valerie Estelle |
Adoring Outlander: Essays on Fandom, Genre and the Female Audience |
2016 |
|
| Gleason, William A.; Selinger, Eric Murphy |
Romance Fiction and American Culture: Love as the Practice of Freedom? |
2016 |
|
| Cothran, Casey A.; Cannon, Mercy |
New Perspectives on Detective Fiction: Mystery Magnified |
2016 |
|
| Serafine, Amelia |
"He Filled My Heart with Doubt": The Southern Belle's Love and Duty in the Civil War |
2016 |
history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Augusta Jane Evans, death, war/armed forces, religion/spirituality, gender, Edward Bulwer-Lytton, readers |
| Lin, Fang-mei |
性別化東方主義 : 女性沙漠羅曼史的重層東方想像 = Gendering orientalism: women's desert romance and the multiplicity of oriental imagination |
2016 |
sheikh romance, translation, Taiwan |
| Gelder, Ken |
New Directions in Popular Fiction: Genre, Distribution, Reproduction |
2016 |
|
| Teo, Hsu-Ming |
Imperial Affairs: The British Empire and the Romantic Novel, 1890-1939 |
2016 |
Older and/or precursor texts (may not be "romance" as now defined), UK, history, national identity, Harlequin Mills & Boon, Australia, Canada, New Zealand, Africa, India, E. M. Hull, race/ethnicity, gender, sheikh romance, Nora K. Strange, settings, Rosa Praed, Mary Gaunt, Gertrude Page, Florence Riddell, Flora Annie Steel, Ouida, Marie Corelli, Kathlyn Rhodes, Joan Conquest, Mrs F. E. Penny, Maud Diver, Alice Perrin, Alice Eustace, rural romance |
| Young, Erin S. |
Saving China: The Transformative Power of Whiteness in Elizabeth Lowell's Jade Island and Katherine Stone's Pearl Moon |
2016 |
race/ethnicity, China, Elizabeth Lowell, Katherine Stone, capitalism/business, national identity, work, family, love, United States of America, wealth/prosperity, settings, romantic suspense |
| Roach, Catherine M. |
Happily Ever After: The Romance Story in Popular Culture |
2016 |
authors, religion/spirituality, love, sex/sexuality, Beverly Jenkins, gender, rape and/or intimate partner violence/abuse, genre definitions, BDSM, J. R. Ward, readers, LGBT+ characters, readers and/or authors, happy ending, romance scholarship, marriage, pornography, Publishing, feminism |
| Sandbakken, Asta Margrethe |
Feeling Men: Masculinity, Sexuality, and Emotion in the Contemporary Romance |
2016 |
sex/sexuality, gender, Nora Roberts/J. D. Robb, Susan Elizabeth Phillips, emotions |
| McAlister, Jodi |
“You and I are humans, and there is something complicated between us”: Untamed and queering the heterosexual historical romance |
2016 |
Anna Cowan, gender, historical romance, Georgette Heyer, readers, cross-dressing, fashion/clothing, LGBT+ characters, readers and/or authors |
| Derbyshire, Val |
Why Read Mills & Boon Romances? |
2016 |
Harlequin Mills & Boon, trash/literary and or intellectual quality, settings, Penny Jordan/Caroline Courtney, romance and, or as, activism, rape and/or intimate partner violence/abuse, feminism |
| Kamblé, Jayashree |
Branding a Genre: A Brief Transatlantic History of Romance Novel Cover Art |
2016 |
paratext, Harlequin Mills & Boon, historical romance, trash/literary and or intellectual quality |
| Matthews, Amy T. |
Entangled: the exegetical process of a romance writer |
2016 |
authors, feminism, genre definitions, trash/literary and or intellectual quality |
| Moody, Stephanie |
Identification, Affect, and Escape: Theorizing Popular Romance Reading |
2016 |
readers, emotions, Jennifer Crusie, J. R. Ward, Judith McNaught, Susan Elizabeth Phillips, Teresa Medeiros, sex/sexuality, race/ethnicity, gender |
| Thomas, Patrick; Takayoshi, Pamela |
Literacy in Practice: Writing in Private, Public and Working Lives |
2016 |
|
| González Cruz, María Isabel |
Conciencia Sociolingüística e Hispanismos en un Corpus de Novela Rosa Inglesa |
2017 |
Spain, languages, Harlequin Mills & Boon, linguistics |
| Malloy, Audrey Miles |
Remnants of the Bodice Ripper: How Consent is Characterized in Heterosexual and Lesbian Erotic Romance Novels |
2017 |
gender, sex/sexuality, lesbian romance, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Turner, Katherine |
Daphne Du Maurier's Mary Anne: Rewriting the Regency Romance as Feminist History |
2017 |
history, Daphne du Maurier |
| Jackson, Cia |
Harlequin Romance: The Power of Parody and Subversion |
2017 |
Harlequin Mills & Boon |
| Pyrhönen, Heta |
Love under Threat: The Emotional Valences of the Twilight Saga |
2017 |
Twilight, emotions, love, happy ending |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Johnson, Heather |
Yorkshire English in Georgette Heyer's The Unknown Ajax |
2017 |
languages, Georgette Heyer, historical romance |
| Markert, John |
God is Love: The Christian Romance Market |
2017 |
Christian romance, Publishing, sex/sexuality |
| Engelking, Tama Lea |
Reading the Romance with Colette in ‘La Lune de pluie' |
2017 |
Colette |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Malinowska, Anna |
Paternal Structures of the Romance |
2017 |
family, love, gender |
| Whalen, Kacey |
A Consumption of Gay Men: Navigating the Shifting Boundaries of M/M Romantic Readership |
2017 |
m/m romance, readers, gender, sex/sexuality, K. J. Charles, LGBT+ characters, readers and/or authors |
| Clasen, Tricia |
Masculinity and Romantic Myth in Contemporary YA Romance |
2017 |
gender, love, YA/teenage romance |
| González Cruz, María Isabel |
Exploring the dynamics of English/Spanish codeswitching in a written corpus |
2017 |
languages, Spain, Harlequin Mills & Boon, linguistics |
| Khuankaew, Sasinee |
Femininity and Masculinity in Twenty-First Century Thai Romantic Fictions |
2017 |
gender, Thailand, sex/sexuality, Buddhism |
| Nilson, Maria |
Kärlek i kyligt klimat: Om nordisk romance |
2017 |
Sweden, Norway, Simona Ahrnstedt, Natalie Normann, national identity, gender, sex/sexuality |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Achieng’, Okang’a Nancy |
A Cosmopolitan National Romance: A Study of In Dependence by Sarah Ladipo Manyika |
2017 |
Sarah Ladipo Manyika, Nigeria, trash/literary and or intellectual quality, Africa, race/ethnicity, gender |
| Fragero Guerra, Carmen |
Del azul al rosa: la narrativa de Carmen de Icaza (1936-1960) |
2017 |
Carmen de Icaza, Luisa-María Linares, Spain, fascism/right-wing authoritarianism |
| Cheyne, Ria |
Disability Studies Reads the Romance: Sexuality, Prejudice, and the Happily-Ever-After in the Work of Mary Balogh |
2017 |
disability, sex/sexuality, Mary Balogh, historical romance |
| Veros, Vassiliki |
Keepers: Marking the Value of the Books on my Shelves |
2017 |
readers, trash/literary and or intellectual quality |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Lessard, Victoria |
Marketing Desire: The "Normative/Other" Male Body and the "Pure" White Female Body on the Cover Art of Cassie Edwards' Savage Dream (1990), Savage Persuasion (1991), and Savage Mists (1992) |
2017 |
Cassie Edwards, Native American romance, paratext, race/ethnicity, historical romance |
| Bigey, Magali |
Réflexions sur l’amour et analyse de réception : La rencontre amoureuse dans les romans sériels et au prisme du lectorat |
2017 |
|
| Soler Gallo, Miguel |
El juego amoroso en la novela rosa española femenina de los años cuarenta |
2017 |
Spain, love, fascism/right-wing authoritarianism, gender, family, marriage, history |
| Golubov, Nattie |
El amor en tiempos neoliberales: apuntes críticos sobre la novela rosa contemporánea |
2017 |
trash/literary and or intellectual quality, Loretta Chase, gender, genre definitions, readers, feminism, Publishing, Jennifer Crusie |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Arimbi, Diah Ariani |
Women in Indonesian Popular Fiction: Romance, Beauty, and Identity Politics in Metropop Novels |
2017 |
Indonesia, settings, languages, gender, fashion/clothing, marriage |
| Golubov, Nattie |
Reading the Romance Writer as an Author-Entrepreneur |
2017 |
authors, work, race/ethnicity, readers |
| Ali, Kecia |
Troubleshooting Post-9/11 America: Religion, Racism, and Stereotypes in Suzanne Brockmann’s Into the Night and Gone Too Far |
2017 |
Suzanne Brockmann, religion/spirituality, race/ethnicity, United States of America, war/armed forces, Islam, sheikh romance, gender, marriage |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Soler Gallo, Miguel |
El ideal de masculinidad en la novela romántica falangista: análisis de Una mujer de veinte años de Mercedes Ballesteros |
2017 |
SylviaVisconti/Mercedes Ballesteros Gaibrois, Spain, fascism/right-wing authoritarianism, gender, war/armed forces, history, Rosa María Aranda, Elena Puerto/Mercedes Formica |
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Higashi, Sumiko |
Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption |
2017 |
romances in magazines and newspapers |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Kamble, Jayashree |
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, capitalism/business, romantic suspense |
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Ali, Kecia |
Human in Death: Morality and Mortality in J. D. Robb's Novels |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, family, community, race/ethnicity, work, gender, romantic suspense, police officers/police forces |
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Larson, Christine |
An Economy of Words: Precarity, Solidarity and Innovation in Digital Book Publishing |
2017 |
Publishing, authors, work |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Keegan, Faye |
‘Snob Value’: Gender and Literary Value in Mary Stewart |
2017 |
Mary Stewart, romantic suspense, trash/literary and or intellectual quality, gender, authors |
| Arvanitaki, Eirini |
Postmillennial femininities in the popular romance novel |
2017 |
feminism, gender, Harlequin Mills & Boon |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| English, Jessica |
Reading the Romance: Through the Eyes of a Millenial Feminist |
2017 |
feminism, readers |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| Bianchi, Diana |
I gentiluomini si prendono per la gola: cibo e identità nei romanzi di Georgette Heyer |
2017 |
Georgette Heyer, historical romance |
| Elliott, Jack |
Whole genre sequencing |
2017 |
genre definitions, Harlequin Mills & Boon, authors, linguistics |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Nilson, Maria |
Nådens tuttar : Om skönheter, odjur och den frälsande kvinnokroppen i modern romance |
2017 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Fifty Shades, Twilight, sex/sexuality |
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| O'Mahony, Lauren |
Death and the Australian Rural Romance Novel |
2017 |
rural romance, Australia, death |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Teo, Hsu-Ming |
The Popular Culture of Romantic Love in Australia |
2017 |
|
| Capps, Stephanie Carol |
What You Read and What You Believe: Genre Exposure and Beliefs about Relationships |
2017 |
readers, gender, sex/sexuality, psychology, love |
| Betz, Phyllis M. |
Katherine V. Forrest: A Critical Appreciation |
2017 |
lesbian romance, Katherine V. Forrest, Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors |
| McLennon, Leigh |
Contemporary vampire genre fiction: ethical feeding and the posthuman vampire in urban fantasy and paranormal romance |
2017 |
paranormal/fantasy/time-travel romance |
| Gifford, James |
Mary Stewart’s Greek Novels: Hellenism, Orientalism and the Cultural Politics of Pulp Presentation |
2017 |
Mary Stewart, Greece, gender, romantic suspense, national identity |
| Regan, Lisa |
Women and the 'War Machine' in the Desert Romances of E. M. Hull and Rosita Forbes |
2017 |
E. M. Hull, UK, war/armed forces, national identity |
| Krueger, Kate |
The Woman at Home in the World: Annie Swan's Lady Doctor and the Problem of the Fin de Siècle Working Woman |
2017 |
Annie S. Swan |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Vivanco, Laura |
A Place “We All Dream About”: Greece in Mills & Boon Romances |
2017 |
Greece, race/ethnicity, Harlequin Mills & Boon, sex/sexuality, science/technology, myth |
| Dyhouse, Carol |
Hearthrobs: A History of Women and Desire |
2017 |
gender, sex/sexuality, Charles Garvice, E. M. Hull, Georgette Heyer, Barbara Cartland, race/ethnicity |
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Bhasin, Neeta |
Romancing the 'Illegal' Immigrant |
2018 |
Serena Bell, race/ethnicity, United States of America, social/economic class, gender, sex/sexuality, languages, readers |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Villar-Argáiz, Pilar |
Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards |
2018 |
Ireland, historical romance, Karen Robards, UK, race/ethnicity, gender, cross-dressing, settings, rape and/or intimate partner violence/abuse, sex/sexuality |
| Gehrhardt, Marjorie |
Losing Face, Finding Love? The Fate of Facially Disfigured Soldiers in Narratives of the First World War |
2018 |
war/armed forces, disability, health/medical |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Parnell, Claire |
Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels |
2018 |
Publishing, Harlequin Mills & Boon, gender, sex/sexuality, social/economic class |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Lozano Sampedro, Mª Teresa |
Pour une typologie de la marginalité dans les romans de Delly: la fonction de la femme |
2018 |
Delly, religion/spirituality, gender, social/economic class |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| González Cruz, María-Isabel |
Hispanismos en el discurso romántico de Harlequin y Mills & Boon. Ámbitos temáticos y funciones socio-pragmáticas |
2018 |
languages, islands, Spain, Harlequin Mills & Boon, linguistics |
| Vera-Cazorla, María Jesús |
Cultural symbols, myth and identity in four 20th-century English popular romance fiction novels set in Tenerife |
2018 |
Spain, Harlequin Mills & Boon, settings, family |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Killeen, Jarlath |
Nora Roberts: the Power of Love |
2018 |
Nora Roberts/J. D. Robb, love |
| Vitackova, Martina |
Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp |
2018 |
Sophia Kapp, race/ethnicity, sex/sexuality, Africa, South Africa |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, Older and/or precursor texts (may not be "romance" as now defined), historical romance, pirates and outlaws |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
| Kollman, Kathleen W. Taylor |
Contemporary Paranormal Romance: Theories and Development of the Genre’s Feminism (Or Lack Thereof) |
2018 |
paranormal/fantasy/time-travel romance, feminism, gender |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| González de la Rosa, María del Pilar |
Intersections of Inner and Outer Journeys in Contemporary Popular Romance Fiction Novels |
2018 |
settings, Harlequin Mills & Boon |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Pérez-Gil, María del Mar |
Exoticism, Ethnocentrism, and Englishness in Popular Romance Fiction: Constructing the European Other |
2018 |
Spain, national identity, UK, race/ethnicity, islands, Harlequin Mills & Boon |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Harris, Racheal |
Really Romantic? Pirates in Romantic Fiction |
2018 |
pirates and outlaws, sex/sexuality, historical romance, rape and/or intimate partner violence/abuse, virginity |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Ramsdell, Kristin |
Encyclopedia of Romance Fiction |
2018 |
Publishing, paranormal/fantasy/time-travel romance, comics/manga, Christian romance, marriage, Jane Austen, Charlotte Brontë, Emily Brontë, Barbara Cartland, Janet Dailey, Daphne du Maurier, Ethel M. Dell, erotic romance, feminism, science fiction/futuristic romance, Elinor Glyn, Margaret Mitchell, Harlequin Mills & Boon, Georgette Heyer, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, historical romance, E. M. Hull, romance scholarship, LGBT+ characters, readers and/or authors, libraries/librarians, romantic suspense, Samuel Richardson, rape and/or intimate partner violence/abuse, Nora Roberts/J. D. Robb, Bertrice Small, Mary Stewart, translation, Patricia Veryan, Phyllis A. Whitney, Kathleen Winsor, Kathleen Woodiwiss, race/ethnicity |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Popova, Milena |
Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction |
2018 |
fanfiction, sex/sexuality, marriage, emotions |
| Gómez Gray, Alana |
Lectura, paraliteratura y mujeres en España: de la novela rosa a cincuenta sombras |
2018 |
romance scholarship, Spain, Publishing, history, Fifty Shades, readers |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Roberts, Gillian |
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel |
2018 |
|
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Chelton, Mary K. |
Searching for Birth Parents or Adopted Children: Finding without Seeking in Romance Novels |
2018 |
family |
| Fernández Rodríguez, Carolina |
Del cuento de hadas a la novela romántica: Una visión de la sub/literatura como gimnasio mental y laboratorio de sub/versión cultural |
2018 |
trash/literary and or intellectual quality, Nora Roberts/J. D. Robb, feminism, readers, sex/sexuality, psychology, romance and, or as, activism, fairytales/folktales |
| Pérez Casal, Inmaculada |
Mass-market romance and the question of genre: N. Sparks, E. L. James and D. Gabaldon |
2018 |
Diana Gabaldon, Fifty Shades, Nicholas Sparks, genre definitions, film/movies |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Pérez Casal, Inmaculada |
The Romance Novel as Bildungsroman in the Works of Rosamunde Pilcher and Lisa Kleypas |
2018 |
gender, Rosamunde Pilcher, Lisa Kleypas, historical romance |
| Hopkins, Lisa |
After Austen: Reinventions, Rewritings, Revisitings |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Paige, Lori A. |
The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993 |
2018 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), historical romance |
| Güvendi Yalçın, Elif |
The Transformation of Romance Novels Based on the Theories of Sociologist Anthony Giddens |
2018 |
sociology, gender, love, marriage, Kathleen Woodiwiss, Jayne Ann Krentz/Amanda Quick/Jayne Castle, rape and/or intimate partner violence/abuse, historical romance |
| Gillis, Stacy |
Manners, Money, and Marriage: Austen, Heyer, and the Literary Genealogy of the Regency Romance |
2018 |
Jane Austen, Georgette Heyer, Older and/or precursor texts (may not be "romance" as now defined), gender, sex/sexuality, social/economic class, history, trash/literary and or intellectual quality, marriage, historical romance |
| Suwanban, Pauline |
From Exhalation to Transformation: The Female Body in the Orientalist Romance |
2018 |
E. M. Hull, gender, sex/sexuality, race/ethnicity |
| Rudisill, Kristen |
Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
2018 |
India, readers, Publishing, national identity, Harlequin Mills & Boon, family |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Taylor, Jessica |
Animating Creative Selves: Pen Names as Property in the Careers of Canadian and American Romance Writers |
2018 |
authors, Publishing, work |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Abrahamsson, Elin |
Enahanda läsning: En queer tolkning av romancegenren |
2018 |
Fifty Shades, Twilight, Sweden, readers, sex/sexuality, feminism, gender, trash/literary and or intellectual quality, LGBT+ characters, readers and/or authors |
| Keen, Suzanne |
Probable Impossibilities: Historical Romance Readers Talk Back |
2018 |
Diana Gabaldon, readers, history |
| Hopkins, Lisa |
Georgette Heyer: What Austen Left Out |
2018 |
Georgette Heyer, Jane Austen, history, war/armed forces, historical romance |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Po-Yu, Rick Wei |
“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter |
2018 |
Georgette Heyer, history, feminism, historical romance |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| McAlister, Jodi |
The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838-1860 |
2018 |
Australia, love, Older and/or precursor texts (may not be "romance" as now defined), history, national identity |
| Kitchen, Veronica |
Veterans and Military Masculinity in Popular Romance Fiction |
2018 |
war/armed forces, gender, disability |
| Bird, Paul |
Issues of Socioeconomic Class in Barbara Cartland’s A Duel of Hearts and Catherine Cookson’s The Menagerie |
2018 |
social/economic class, Barbara Cartland, Catherine Cookson |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Neville, Lucy |
Girls Who Like Boys Who Like Boys: Women and Gay Male Pornography and Erotica |
2018 |
pornography, m/m romance, sex/sexuality, LGBT+ characters, readers and/or authors |
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Glennemeier, Jaelyn |
“And he was an Arab!:” Imperial Femininity and Pleasure in E. M. Hull's 1919 Desert Romance, The Sheik |
2018 |
E. M. Hull, race/ethnicity, history, rape and/or intimate partner violence/abuse |
| Leonzini, Alexandra |
“All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age |
2018 |
paranormal/fantasy/time-travel romance, sex/sexuality, pornography |
| Gehrmann, Susanne |
Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa |
2018 |
Publishing, Africa, chick lit |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Lowery, Karalyne |
The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity |
2018 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Gillingham, Erica |
Representations of same-sex relationships between female characters in all-ages comics: Princess Princess Ever After and Lumberjanes |
2018 |
comics/manga, LGBT+ characters, readers and/or authors |
| Blouin, Michael J. |
Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 |
2018 |
family, social/economic class, work, capitalism/business |
| Vani, Christina |
Immortal Words: The Language and Style of the Contemporary Italian Undead-Romance Novel |
2018 |
paranormal/fantasy/time-travel romance, Italy |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |