Popular Fiction and the Feminine Masquerade
European Journal of English Studies
2.3:343-358
DOI: 10.1080/13825579808574422
(1998)
metafiction
Primary tabs
Strange Bedfellows: Subjectivity, Romance, and Hidden Object Video Games
Games and Culture
9.6:417-428
DOI: 10.1177/1555412014544904
(2014)
Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester
Journal of Popular Romance Studies
1.2:
(2011)
Writing the Happy Ever After: An Interview with Anne Gracie
Journal of Popular Romance Studies
4.2:
(2014)
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series
Contemporary Women's Writing
13.2:203–221
DOI: 10.1093/cww/vpaa003
(2019)
Repurposing Fantasy Island: Lani Wendt Young’s Telesā Series and the Politics of Postcolonial Romance
Interventions: International Journal of Postcolonial Studies
25.1:100-117
DOI: 10.1080/1369801X.2022.2054011
(2023)
Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester
Journal of Popular Romance Studies
1.2:
(2011)
Fantasy, fiction, and feminism: a study of feminists reading romance
Master of Arts,
University of Saskatchewan
(2006)
Genre-savvy Protagonists in Queer YA Rom-coms
Journal of Popular Romance Studies
12:
(2023)
Love's $weet Return: The Harlequin Story
Toronto:
The Women's Educational Press
(1984)
Exploring His/Her Library: Reading and Books in Russian Romance
Journal of Popular Romance Studies
9:
(2020)
Creating Identity: The Popular Romance Heroine's Journey to Selfhood and Self-Presentation
:
Indiana University Press
(2023)
Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester
Journal of Popular Romance Studies
1.2:
(2011)
Romancing the Early Franco Regime: the Novelas Románticas of Concha Linares-Becerra and Luisa-María Linares
UC Berkeley: Institute of European Studies: Occasional Papers
Working Paper OP-13:
(2004)
“I’ll Call it Platonic Magic”: Queer Joy, Metafiction, and Aro-Ace Autofictional Selves in Alice Oseman’s Loveless
In Progress: A Graduate Journal of North American Studies
2.1:59-72
DOI: 10.15488/17355
(2024)
LaVyrle Spencer
Teaching American Literature: A Journal of Theory and Practice
2.2/3:1-17
(2008)
A Little Extra Bite: Dis/Ability and Romance in Tanya Huff and Charlaine Harris’s Vampire Fiction
Journal of Popular Romance Studies
1.1:
(2010)
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation
Journal of Popular Romance Studies
2.2:
(2012)
The Romance Novel and Popular Culture during the Early Franco Regime in Spain: Towards the Construction of Other Discourses of Femininity
Journal of Gender Studies
17.3:225-236
DOI: 10.1080/09589230802204258
(2008)
Types and Tropes: History and Moral Agency in Evangelical Inspirational Fiction
Christianity & Literature
69.1:73-90
(2020)
Recreación crítica de la novela rosa en El cuarto de atrás
Romance Notes
27.2:121-126
(1986)
Topic
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation
Journal of Popular Romance Studies
2.2:
(2012)
My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na
Mosaic
47.2:51-66
DOI: 10.1353/mos.2014.0013
(2014)
Topic
Reading the Women’s Sentimental Novel: A Romance
Victorian Popular Fictions Journal
5.1:3-20
DOI: 10.46911/FLWG9098
(2023)
German Writing, American Reading: Women and the Import of Fiction, 1866-1917
Columbus:
Ohio State University Press
(2012)
Topic
Crusie and the Con
Journal of Popular Romance Studies
2.2:
(2012)
For Love and Money: The Literary Art of the Harlequin Mills & Boon Romance
Tirril, Penrith:
Humanities-Ebooks
(2011)
Topic
Tell Me Lies: Lying, Storytelling, and the Romance Novel as Feminist Fiction
Journal of Popular Romance Studies
2.2:
(2012)