| Lamprinou, Artemis |
Translated Romances: the Effect of Cultural Textual Norms on the Communication of Emotions |
2011 |
translation, emotions, Greece |
| Lamprinou, Artemis |
A Study on the Cultural Variations in the Verbalisation of Near-Universal Emotions: Translating Emotions from British English into Greek in Popular Bestseller Romances |
2012 |
translation, Greece |
| Lamy, Odile |
La représentation du couple à travers les pages couvertures des romans Harlequin |
1997 |
paratext, Harlequin Mills & Boon, fashion/clothing, settings, metaphor/symbolism, sex/sexuality, emotions |
| Lancashire, Anne |
Venetia: Georgette Heyer’s Pastoral Romance |
2020 |
Georgette Heyer, rural romance, Shakespeare, settings |
| Lancaster, Rosemary |
Fact and Fiction: Alice Williamson’s Monte Carlo |
2020 |
Alice Williamson/A. M. Williamson/Mrs. C. N. Williamson, Older and/or precursor texts (may not be "romance" as now defined) |
| Lancaster, Rosemary |
Women Writing on the French Riviera: Travellers and Trendsetters, 1870-1970 |
2020 |
|
| Lancaster, Guy |
"God loves you nearly as much as I do": Toward a Poetics of Natality in Maureen Bronson's Delta Pearl, a 1989 Harlequin Historical Romance. |
2024 |
trash/literary and or intellectual quality, Maureen Bronson, death, family, philosophy |
| Lancaster, Guy |
‘It had turned them all into voyeurs’: Celebrity as the Antithesis of Community in Molly O’Keefe’s Wild Child |
2025 |
Molly O'Keefe, community, philosophy |
| Lang, Miriam |
Taiwanese Romance: San Mao and Qiong Yao |
2003 |
Taiwan, Qiongyao/Qiong Yao |
| Langeveld, Cornelis H. (Kees) |
Medische missers in doktersromans |
2011 |
medical romance, health/medical |
| Laquintano, Timothy |
The Legacy of the Vanity Press and Digital Transitions |
2013 |
Publishing, Harlequin Mills & Boon |
| Larcombe, Wendy |
Compelling Engagements: Feminism, Rape Law and Romance Fiction |
2005 |
rape and/or intimate partner violence/abuse, feminism, gender |
| Larkin, Brian |
Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities |
1997 |
Nigeria, film/movies, Ado Ahmad, Maryam Sahabi Liman |
| Larrier, Renée |
"Quand la lecture devient passion": Romance Novels and Literacy in Abidjan |
2007 |
Ivory Coast, Africa |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Larson, Christine |
An Economy of Words: Precarity, Solidarity and Innovation in Digital Book Publishing |
2017 |
Publishing, authors, work |
| Larson, Christine |
Open networks, open books: gender, precarity and solidarity in digital publishing |
2019 |
authors, Publishing |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Larson, Christine |
Streaming books: confluencers, Kindle Unlimited and the platform imaginary |
2022 |
Publishing, authors |
| Larson, Christine; Carter, Ashley |
Love is love: Reverse isomorphism and the rise of LGBTQ+ romance publishing |
2023 |
Publishing, LGBTQ+ characters, readers and/or authors |
| Larson, Christine |
Love in the Time of Self-Publishing: How Romance Writers Changed the Rules of Writing and Success |
2024 |
authors, Publishing, United States of America, race/ethnicity, LGBTQ+ characters, readers and/or authors, Nora Roberts/J. D. Robb, Vivian Stephens (also wrote as Angela Vivian with co-author Angela Dew), Rita Clay Estrada, readers, Harlequin Mills & Boon, Brenda Jackson, Shirley Hailstock, Bella Andre, Courtney Milan, LaQuette |
| Larson, Christine |
The labor of love: romance authors and platform solidarity |
2025 |
authors, Publishing |
| Larsson, Lisbeth |
En annan historia: om kvinnors läsning och svensk veckopress |
1989 |
Sweden, romances in magazines and newspapers |
| Lathifah, Naafiatun Nur; Sanjaya, Adjie Aditya |
Political And Economic Ideology In The Production, Distribution, And Consumption Process Of Popular Romance Literature On The Wattpad Application |
2025 |
Indonesia, Hidayatul Fajriyah/Luluk HF, Rahmanida |
| Latva, Otto; Lähdesmäki, Heta; Sonck-Rautio, Kirsi; Uusitalo, Harri |
Arrivals and Departures: The Human Relationship with Changing Biodiversity |
2024 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Lauritzen, Kiara |
Wallpaper Historicism: Chronotopic Regency romance, popular history and British cultural imperialism |
2025 |
historical romance, history, Georgette Heyer |
| Nachbar, Jack; Lause, Kevin |
Popular Culture: An Introductory Text |
1992 |
|
| Lawrence, Kelsey |
No Happy Ending: Leadership Falls Apart at the Romance Writers of America |
2020 |
capitalism/business, authors, race/ethnicity |
| Lawrence, E. E. |
On the problem of oppressive tastes in the public library |
2020 |
libraries/librarians, race/ethnicity, philosophy |
| Lawrence, E. E. |
The trouble with diverse books, part I: on the limits of conceptual analysis for political negotiation in Library & Information Science |
2020 |
libraries/librarians, Publishing, race/ethnicity, sheikh romance, philosophy, LGBTQ+ characters, readers and/or authors |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Lazere, Donald |
American Media and Mass Culture: Left Perspectives |
1987 |
|
| Lazzarato, Francesca; Moretti, Valeria |
La fiaba rosa: itinerari di lettura attraverso i romanzi per signorine |
1981 |
fairytales/folktales, Delly, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Ahmed, Iman; Brose, Michael-Zane; Dengs, Lara; Elfering, Lucie; John, Elena; Kalcker, Mira; Kronenberg, Alice; Küllenberg, Charmaine; Le Donne, Laura; Nazik, Alican; Neisen, Lena; Özdal, Öznur Zeynep; Schneemann, Hanna; Steven, Antonia; Bøglund Strand, Julie |
A “Messy Complexity”? On Coming-Out, Identity Formation, and Community in Queer YA Romance Novels |
2025 |
YA/young adult/teenage/new adult/NA romance, LGBTQ+ characters, readers and/or authors, community, Becky Albertalli, Kacen Callender, Casey McQuiston |
| Leavenworth, Maria Lindgren |
Lover Revamped: Sexualities and Romance in the Black Dagger Brotherhood and Slash Fan Fiction |
2009 |
fanfiction, J. R. Ward, paranormal/fantasy/time-travel romance, gender |
| Lecercle, Jean-Jacques |
Interpellation and Counter-Interpellation in the Novel |
2022 |
readers, Violet Winspear, Jane Austen, trash/literary and or intellectual quality |
| Ledford-Miller, Linda |
Gender and Genre Bending: The Futuristic Detective Fiction of J.D. Robb |
2011 |
Nora Roberts/J. D. Robb, romantic suspense, science fiction/futuristic romance, genre definitions |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Lee, Linda J. |
Guilty Pleasures: Reading Romance Novels as Reworked Fairy Tales |
2008 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Christine Feehan, sex/sexuality |
| Lee, Amy |
Forming a Local Identity: Romance Novels in Hong Kong |
2007 |
Hong Kong |
| Leedy, Helen |
The Portrayal of Women in Romance Novels |
1985 |
Rosemary Rogers, Kathleen Woodiwiss |
| Leenstra, Lisa |
Covers of Lovers: A Multimodal Comparison of the Front Covers of Romance Novels in 2011 and 2021 |
2023 |
paratext |
| Leetsch, Jennifer |
Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds |
2021 |
Chimamanda Adichie, Africa, Nigeria |
| Legallois, Dominique; Charnois, Thierry; Poibeau, Thierry |
Repérer les clichés dans les romans sentimentaux grâce à la méthode des ‘motifs’ |
2016 |
trash/literary and or intellectual quality, Harlequin Mills & Boon, linguistics |
| Leith, Murray Stewart; Sim, Duncan |
The Modern Scottish Diaspora: Contemporary Debates and Perspectives |
2014 |
|
| Lemay, Catherine |
La traduction de la scène de sexe dans le roman sentimental érotique: Analyse descriptive et comparative |
2016 |
translation, sex/sexuality, erotic romance, Sylvia Day |
| Lencevičienė, Lina |
Selected Problems of Translation of the Romance Genre: Analysis of Barbara Cartland's Romance Novel Bewitched Translation into Lithuanian |
2011 |
Barbara Cartland, translation, paratext, linguistics |
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Lennard, John |
Of Modern Dragons and other essays on Genre Fiction |
2007 |
Nora Roberts/J. D. Robb, romantic suspense, paranormal/fantasy/time-travel romance, genre definitions, gender, sex/sexuality, rape and/or intimate partner violence/abuse, science fiction/futuristic romance |
| Lennard, John |
Of Sex and Faerie: Further essays on Genre Fiction |
2010 |
sex/sexuality, paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse |
| K., Nikohl; Lennard, John |
A Reader's Companion to A Civil Campaign by Lois McMaster Bujold, Compiled and Presented to Her by Members of the Official LMB Mailing-List to Celebrate the Silver Anniversary of Shards of Honor 1986–2011 |
2011 |
Lois McMaster Bujold, Georgette Heyer, science fiction/futuristic romance |
| Harrod, Mary; Leonard, Suzanne; Negra, Diane |
Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture |
2022 |
|
| Leonzini, Alexandra |
“All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age |
2018 |
paranormal/fantasy/time-travel romance, sex/sexuality, pornography |
| Hotz-Davies, Ingrid; Kirchhofer, Anton; Leppänen, Sirpa |
Internet Fictions |
2009 |
|
| Lepschy, Anna Laura |
The Popular Novel, 1850-1920 |
2000 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Lessard, Victoria |
Marketing Desire: The "Normative/Other" Male Body and the "Pure" White Female Body on the Cover Art of Cassie Edwards' Savage Dream (1990), Savage Persuasion (1991), and Savage Mists (1992) |
2017 |
Cassie Edwards, Native American romance, paratext, race/ethnicity, historical romance |
| Letourneux, Matthieu |
« La petite pâquerette était morte ». Sérialités éditoriales et réception de l’œuvre de Delly |
2011 |
Delly |
| Levi, Antonia; McHarry, Mark; Pagliassotti, Dru |
Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre |
2010 |
|
| Levi, Anna |
Delly: la Cenerentola di Versailles : vita di Jeanne Marie Henriette Petitjean de la Rosière |
2013 |
Delly |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Levina, Mariia |
Readers of Mass Literature, 1994-2000: From Paternalism to Individualism? |
2003 |
Russia, Publishing, readers |
| Levy, Bronwen |
Up From Under, or On Not Marrying the Racist Aussie Boss: Strategies for Reading Romantic Fiction |
1987 |
feminism, social/economic class, romance scholarship, Australia, race/ethnicity, Harlequin Mills & Boon, Margaret Way |
| Cruz, Jon; Lewis, Justin |
Viewing, Reading, Listening: Audiences and Cultural Reception |
1994 |
|
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| Liang, William Tham Wai |
Paper & Text: The Trials and Trade of Malaysian Literature |
2020 |
|
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Lienhard, Alissa |
“I’ll Call it Platonic Magic”: Queer Joy, Metafiction, and Aro-Ace Autofictional Selves in Alice Oseman’s Loveless |
2024 |
Alice Oseman, LGBTQ+ characters, readers and/or authors, metafiction, YA/young adult/teenage/new adult/NA romance, sex/sexuality |
| Liffen, Jane |
"A very Glamorized Picture, that": Images of Scottish Female Herring Workers on Romance Novel Covers |
2008 |
paratext, psychology, work |
| Light, Alison |
Returning to Manderley – Romance Fiction, Female Sexuality and Class |
1984 |
Daphne du Maurier, readers, psychology, social/economic class, sex/sexuality, UK |
| Light, Alison |
Preface (to the third edition) |
1994 |
history, genre definitions, gender, trash/literary and or intellectual quality |
| Limond, Verity |
‘The door is open to everyone’: The public libraries of Gozo |
2023 |
libraries/librarians, Malta, Harlequin Mills & Boon |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Lin, Fang-mei |
Social Change and Romantic Ideology: The Impact of the Publishing Industry, Family Organization, and Gender Roles on the Reception and Interpretation of Romance Fiction in Taiwan, 1960-1990 |
1992 |
love, family, Publishing, Taiwan |
| Lin, Fang-mei |
性別化東方主義 : 女性沙漠羅曼史的重層東方想像 = Gendering orientalism: women's desert romance and the multiplicity of oriental imagination |
2016 |
sheikh romance, translation, Taiwan |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| Linares, Trinidad |
Getting Love Out of the Margins: Race, Disability, Sexuality, and the Idea of a Happy After for Marginalized People |
2025 |
disability, race/ethnicity, sex/sexuality |
| Lind, Rebecca Ann |
Race/Gender/Media: Considering Diversity Across Audiences, Content, and Producers |
2004 |
|
| Lindfors, Bernth |
Romances for the Office Worker: Aubrey Kalitera and Malawi's White-Collar Reading Public |
1993 |
Malawi, Africa, Publishing, metafiction |
| Lindqvist, Yvonne |
Översättning som social praktik: Toni Morrison och Harlequinserien Passion på svenska |
2002 |
Harlequin Mills & Boon, linguistics, translation |
| Darian-Smith, Kate; Grimshaw, Patricia; Lindsey, Kiera; Mcintyre, Stuart |
Exploring the British World: Identity, Cultural Production, Institutions |
2004 |
|
| Lindström Kruse, Miranda |
Pinsamma läsningar: En affektteoretisk studie av #SpicyBooks på TikTok |
2022 |
readers, libraries/librarians |
| Linke, Gabriele |
Contemporary Mass Market Romances as National and International Culture: A Comparative Study of Mills & Boon and Harlequin Romances |
1997 |
Harlequin Mills & Boon, United States of America, UK, national identity, race/ethnicity |
| Linke, Gabriele |
Local Color in Contemporary Harlequin and Silhouette Romances: Popular Imagery of the American South and West |
1997 |
United States of America, settings, Harlequin Mills & Boon |
| Linke, Gabriele |
Visions and Versions of Parenthood in British and American Series Romances |
2000 |
family |
| Linke, Gabriele |
Populärliteratur als kulturelles Gedächtnis: Eine vergleichende Studie zu zeitgenössischen britischen und amerikanischen popular romances der Verlagsgruppe Harlequin Mills & Boon |
2003 |
Harlequin Mills & Boon |
| Linz, Cathie; Bouricius, Ann; Byrnes, Carole |
Exploring the World of Romance Novels |
1995 |
libraries/librarians, paranormal/fantasy/time-travel romance, Publishing, paratext, race/ethnicity, trash/literary and or intellectual quality |
| Charles, John; Linz, Cathie |
Romancing Your Readers: How Public Libraries Can Become More Romance Reader Friendly |
2005 |
libraries/librarians, emotions, paratext |
| Litton, Joyce A. |
Double Date to Double Love: Female Sex Roles in Teen Romances |
1987 |
YA/young adult/teenage/new adult/NA romance, gender |
| Litton, Joyce A. |
Sunfire Historical Romances |
1991 |
YA/young adult/teenage/new adult/NA romance, historical romance |
| Litton, Joyce A. |
The Wild West, Floods, Wars and Boys: Sunfire Historical Romances for Young Adults |
1991 |
YA/young adult/teenage/new adult/NA romance, historical romance |
| Litton, Joyce A. |
From Seventeenth Summer to Miss Teen Sweet Valley: Female and Male Sex Roles in Teen Romances, 1942-91 |
1994 |
YA/young adult/teenage/new adult/NA romance, gender, Rosamond du Jardin, Betty Cavanna, Maureen Daly, family |
| Litton, Joyce A. |
Dreams, Guys, Lies, and Occasionally Books: The Young Women of the Freshman Dorm Series |
1995 |
YA/young adult/teenage/new adult/NA romance |
| Liu, Su-hsen |
The Translation/Mutation of Romantic Love: An Exploration of the Translation History of Modern Romances in Taiwan after 1960 |
2012 |
translation, Taiwan |
| Liu, Su-hsen |
Modern Female Gothic and Its Translation in Taiwan: Based on a Case Study of the Chinese Translation of Mistress of Mellyn |
2013 |
Taiwan, translation, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance |
| Livingston, Eric |
The Textuality of Pleasure |
2006 |
close reading, readers, trash/literary and or intellectual quality, Gina Wilkins |
| Bettinotti, Julia; Lizé, Claude |
Les stratégies de dévalorisation de la littérature populaire: l’exemple du roman Harlequin |
1986 |
Harlequin Mills & Boon |
| Lohmann, Jennifer |
'Beauty and the Beast' Themes in Romance Novels |
2006 |
fairytales/folktales |
| Lois, Jennifer; Gregson, Joanna |
Sneers and Leers: Romance Writers and Gendered Sexual Stigma |
2015 |
authors, sex/sexuality, gender, sociology |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Long, Veronica Lee |
Individuation and the Romance Novel |
2022 |
gender, myth, psychology, love, readers, Jane Austen |
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| Long, Bridget L. |
Romance novels: women's motivation for readership and effects of reading |
2006 |
readers |
| Long, Bridget L. |
Women's Romance Novel Readership: Motivations, Expectations, and Relationship Satisfaction |
2007 |
readers |
| Cho, Hyerim; Adkins, Denice; da Silva Santos, Diogenes; Long, Alicia K. |
Platform, Visuals, and Sound: Webtoon’s Immersive Romance Reading Engagement |
2024 |
comics/manga, readers |
| Cho, Hyerim; Adkins, Denice; Long, Alicia K.; da Silva Santos, Diogenes |
Webtoon Romance Reading and New Ways to Look at Genre Reading |
2025 |
comics/manga, readers, libraries/librarians |
| López, Francisca |
Mito y discurso en la novela femenina de posguerra en España |
1995 |
Spain, fascism/right-wing authoritarianism, Carmen de Icaza |
| López-Maestre, María D. |
'Man the hunter': A critical reading of hunt-based conceptual metaphors of love and sexual desire |
2015 |
metaphor/symbolism, gender, animals, love, linguistics, Harlequin Mills & Boon |
| Sánchez Calle, Pilar; Malcolm, David; López-Peláez Casellas, Jesús |
Masquerades: Disguise in Literature in English from the Middle Ages to the Present |
2004 |
|
| Loranger, Caroline |
Parcours amoureux et économiques dans le roman sentimental publié par les éditions Édouard Garand |
2022 |
Canada, Older and/or precursor texts (may not be "romance" as now defined) |
| Lorinc, John |
Romance Language: How Harlequin Became Synonymous with Romance and then Translated that Success Around the World |
1994 |
Harlequin Mills & Boon |
| Losano, Antonia |
Sneaking It In at the End: Teaching Popular Romance in the Liberal Arts Classroom |
2015 |
teaching romance, Georgette Heyer, Susan Elizabeth Phillips, E. M. Hull, Nora Roberts/J. D. Robb, Jennifer Crusie |
| Lovell, Stephen; Menzel, Birgit |
Reading for Entertainment in Contemporary Russia: Post-Soviet Popular Literature in Historical Perspective |
2005 |
|
| Lovelock, K |
"If you're in the mood": femininity and romance in a New Zealand rural town |
1995 |
New Zealand, readers |
| Lövgren, Karin |
Farlig lockelse - tonårsflickors läsning av romantikböcker |
1991 |
readers |
| Ganetz, Hillevi; Lövgren, Karin |
Om unga kvinnor: identitet, kultur och livsvillkor |
1991 |
|
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Lowery, Karalyne |
The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity |
2018 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America |
| Lozano Sampedro, Mª Teresa |
La réception de Delly en Espagne et en Amérique Latine |
2011 |
Delly, Spain |
| Lozano Sampedro, Mª Teresa |
La recepción de Delly en España |
2012 |
|
| Lozano Sampedro, Mª Teresa |
La culture et le travail de la femme. Une approche comparative entre Delly et Corín Tellado |
2014 |
Delly, Corín Tellado, work, marriage, fairytales/folktales, Older and/or precursor texts (may not be "romance" as now defined) |
| Lozano Sampedro, Mª Teresa |
Pour une typologie de la marginalité dans les romans de Delly: la fonction de la femme |
2018 |
Delly, religion/spirituality, gender, social/economic class |
| Lozano Sampedro, Mª Teresa |
Las clases sociales y el poder económico en la obra de Delly: la mujer y su triunfo sobre la opresión |
2020 |
Delly, social/economic class, wealth/prosperity, gender |
| Lugan-Dardigna, Anne-Marie |
Presse du cœur et roman rose: la quête de l'amour vrai ou comment se trouver un maître |
1984 |
gender, religion/spirituality, love |
| Lukas, Iwan; Muarifuddin,; Azi, Rahmawati |
Formula Romance dalam Roman Mes Amis Mes Amours Karya Marc Lévy |
2024 |
Marc Levy |
| Luneau, Marie-Pier |
« Tant d’amour à donner »: Le biographique, l’œuvre, et la figure de l’auteur Harlequin |
2008 |
authors, Harlequin Mills & Boon, paratext, family, work |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
D’amour et d’or pur. Les impératifs matérialistes du bonheur amoureux dans le roman sentimental québécois de l’après-guerre |
2022 |
dime novels, Canada, wealth/prosperity |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
L’amour comme un roman. Le roman sentimental au Québec d’hier à aujourd’hui |
2022 |
Canada, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, sociology, love, marriage, sex/sexuality |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Une littérature qui refuse de se laisser parler d’amour ? Les romans québécois et l’expression de la passion avant 1960 |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Canada, love, dime novels, wealth/prosperity, family |
| Luneau, Marie-Pier; Warren, Jean-Philippe; Boivin, Karol'Ann; Bérubé, Harold |
Amour à 10 sous: Le roman sentimental québécois de l'après-guerre |
2023 |
Older and/or precursor texts (may not be "romance" as now defined), Canada, dime novels |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Le temps des fascicules: Entre pratiques périodiques et pratiques livresques |
2023 |
paratext, dime novels, Canada |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Affaires et sentiments : la figure de l’homme d’affaires dans le roman sentimental québécois de l’après-guerre |
2024 |
wealth/prosperity, capitalism/business, Canada |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Love Stories Now and Then: A History of Les romans d'amour |
2024 |
Canada, Older and/or precursor texts (may not be "romance" as now defined), sociology, love, marriage, sex/sexuality, history, Philippe Aubert de Gaspé Jr., Joseph Doutre, metafiction, Pierre-Joseph-Olivier Chauveau, social/economic class, religion/spirituality, race/ethnicity, Rosanna Leprohon, Ernest Choquette, family, Virginie Dussault, Albertine Laperle-Bernier, dime novels, Harlequin Mills & Boon, YA/young adult/teenage/new adult/NA romance, chick lit, Marie-Claude Bussières-Tremblay, Micheline Perron, rape and/or intimate partner violence/abuse, Raymond Plante, Bertrand Gauthier, LGBTQ+ characters, readers and/or authors, chick lit, Suzanne Roy, Chloé Duval, BDSM |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Exoticism Without Cosmopolitanism: The Quebec Romance Novel of the 1940s and 1950s |
2025 |
Canada, settings, race/ethnicity, social/economic class |
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Luther, Amy Victoria |
Men reading fiction: A study of the relationship between reader, (con)text, consumption and gender identity. |
2010 |
gender, readers, pornography |
| Lutz, Deborah |
Heidegger, the Erotics of Ontology, and the Mass-Market Romance |
2003 |
love, death, philosophy |
| Lutz, Deborah |
The Dangerous Lover and the Erotics of Failure: Nineteenth-century Byronism and the Contemporary Romance |
2004 |
Older and/or precursor texts (may not be "romance" as now defined), love, historical romance, death, philosophy |
| Lutz, Deborah |
The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative |
2006 |
love, death, philosophy, Older and/or precursor texts (may not be "romance" as now defined), historical romance, Rosemary Rogers, Daphne du Maurier, E. M. Hull, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Georgette Heyer, Emily Brontë, Charlotte Brontë, Samuel Richardson |
| Lutz, Deborah |
The Haunted Space of the Mind: The Revival of the Gothic Romance in the Twenty-First Century |
2007 |
gothic romance, settings, Evelyn Rogers |
| Lynch, Katherine E.; Sternglantz, Ruth E.; Barot, Len |
Queering the Romantic Heroine: Where Her Power Lies |
2012 |
LGBTQ+ characters, readers and/or authors, lesbian romance, Radclyffe Hall, Older and/or precursor texts (may not be "romance" as now defined), Katherine V. Forrest, Radclyffe/Len Barot, Lea Santos, gender, paranormal/fantasy/time-travel romance |
| Mabee, Norma Augusta |
La novela rosa de Corín Tellado: Desorden, conflicto y escape de la ectopia |
1993 |
Corín Tellado |
| Garciano, Shylyn G.; Cuevas, Gloria Con-ui; Geraldizo-Pabriga, Maria Gemma; Macabodbod, Saira Jay J.; Yu, Jaciah Mae B.; Pinote, Ma. Jezan A. |
Romance-Themed Novels: Influenced on Relationship Satisfaction |
2023 |
readers, psychology |
| Macdonald, Andrew; Macdonald, Gina; Sheridan, Mary Ann |
Shape-shifting: Images of Native Americans in Recent Popular Fiction |
2000 |
Native American romance, race/ethnicity |
| Macdonald, Andrew; Macdonald, Gina; Sheridan, Mary Ann |
Shape-shifting: Images of Native Americans in Recent Popular Fiction |
2000 |
Native American romance, race/ethnicity |
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Gifford, Douglas; Macmillan, Dorothy |
A History of Scottish Women’s Writing |
1997 |
|
| Maddox, Lucy |
Beyond Trembling Manhood and Heaving Bosoms Gender and Sexuality in the Historical Romance Novel |
2011 |
gender, sex/sexuality |
| Magenya, Sheena Gimase |
Reading between the lines: A review of Dark Juices and Afrodisiacs: Erotic Diaries Vol 1 |
2020 |
Africa, LGBTQ+ characters, readers and/or authors, sex/sexuality, feminism, race/ethnicity |
| Maher, Jennifer |
Ripping the Bodice: Eating, Reading, and Revolt |
2001 |
food, drink, romance scholarship, feminism, readers, fat, fatness |
| Mahony, Jane; Patten, Eve |
‘Breaking away’: Beatrice Grimshaw and the commercial woman writer |
2016 |
Beatrice Grimshaw, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon |
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Mäkelä, Veera |
"World Turned Upside Down": The Role of Revolutions in Maya Rodale's Regency-Set Romances |
2020 |
Maya Rodale, United States of America, UK, historical romance, social/economic class, gender, race/ethnicity, emotions, feminism |
| Mäkelä, Veera |
Reading Response in Mary Balogh: A Critical Engagement |
2021 |
Mary Balogh, romance scholarship, gender, sex/sexuality |
| Makinen, Merja |
Feminist Popular Fiction |
2001 |
feminism, romance scholarship, Susan Napier, work, sex/sexuality, gender, Lisa Shapiro, LGBTQ+ characters, readers and/or authors, love, family |
| Sánchez Calle, Pilar; Malcolm, David; López-Peláez Casellas, Jesús |
Masquerades: Disguise in Literature in English from the Middle Ages to the Present |
2004 |
|
| Malinowska, Anna |
Paternal Structures of the Romance |
2017 |
family, love, gender |
| Malinowska, Ania |
Global Popular Culture for Local Infrastructures: Migration of Texts and Problems of Transferability (the Polish Case) |
2021 |
translation, Fifty Shades, Poland |
| Wu, Yan; Mallan, Kerry; McGillis, Roderick |
(Re)Imagining the World: Children’s Literature’s Response to Changing Times |
2013 |
|
| Malloy, Audrey Miles |
Remnants of the Bodice Ripper: How Consent is Characterized in Heterosexual and Lesbian Erotic Romance Novels |
2017 |
gender, sex/sexuality, lesbian romance, rape and/or intimate partner violence/abuse, LGBTQ+ characters, readers and/or authors |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Mangat, T. K. |
The surgeon in popular fiction - The Mills and Boon doctor-nurse romance |
1998 |
Harlequin Mills & Boon, medical romance |
| Mann, Peter H. |
The Romantic Novel: A Survey of Reading Habits |
1969 |
Harlequin Mills & Boon, readers |
| Mann, Peter H. |
A New Survey: The Facts About Romantic Fiction |
1974 |
Harlequin Mills & Boon, readers |
| Mann, Peter H. |
Romantic Fiction and Its Readers |
1979 |
readers, Harlequin Mills & Boon, trash/literary and or intellectual quality |
| Mann, Peter H. |
The Romantic Novel and its Readers |
1981 |
trash/literary and or intellectual quality, sex/sexuality, readers |
| Mann, Peter H. |
Romantic Fiction and Its Readership |
1985 |
readers, genre definitions |
| Stinson, Emmett; Mannion, Aaron |
The Return of Print?: Contemporary Australian Publishing |
2016 |
|
| Manzano Badía, Benjamín |
Carmen de Icaza, una apología pequeño-burguesa y conservadora de la familia |
2000 |
Carmen de Icaza, family, Spain, fascism/right-wing authoritarianism, work, gender, marriage, feminism, religion/spirituality, wealth/prosperity, social/economic class, capitalism/business |
| Mao, Douglas; Walkowitz, Rebecca L. |
Bad Modernisms |
2006 |
|
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity |
2013 |
readers, psychology |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
How Exposure to Literary Genres Relates to Attitudes Toward Gender Roles and Sexual Behavior |
2015 |
psychology, readers, sex/sexuality, gender |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Marchand, Jacques |
Harlequin et Colombine : l’industrie plafonne, l’amour aussi |
1983 |
Harlequin Mills & Boon, Publishing, settings, readers |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Margolies, David |
Mills & Boon: guilt without sex |
1982 |
Harlequin Mills & Boon, work, gender, emotions, rape and/or intimate partner violence/abuse |
| Margolis, Harriet |
Feminist Irony or Poisonous FANTASY?: Category Romance and the Conscious Reader |
1992 |
readers, feminism |
| Margolis, Harriet |
The Lover's Value(s): Women's Romance Novels in an Exchange-Based Society |
1995 |
feminism, readers |
| Margolis, Harriet |
A Childe in Love, Or Is It Just Fantasy? The Values of Women's Genres |
1997 |
Emma Darcy, emotions, work, family, love |
| Margolis, Ann |
In Defense of Romantic Fiction |
2009 |
Publishing, genre definitions |
| Markasović, Valentina |
Challenging Gender Stereotypes in Holly Black’s The Folk of the Air Trilogy |
2023 |
Holly Black, paranormal/fantasy/time-travel romance, YA/young adult/teenage/new adult/NA romance, gender |
| Markert, John |
Beyond Gatekeepers: Romance Publishing and the Production of Culture |
1984 |
Publishing |
| Markert, John |
Romance Publishing and the Production of Culture |
1985 |
Publishing, Harlequin Mills & Boon, United States of America, sex/sexuality, historical romance, Kathleen Woodiwiss |
| Markert, John |
The publishing decision: Managerial policy and its effect on editorial decision making—The case of romance publishing |
1987 |
Publishing |
| Markert, John |
Publishing Romance: The History of an Industry, 1940s to the Present |
2016 |
Publishing, Harlequin Mills & Boon, historical romance, erotic romance, m/m romance, lesbian romance, gothic romance, romantic suspense, African American romance, paranormal/fantasy/time-travel romance, Avon, Ellora's Cave, LGBTQ+ characters, readers and/or authors, BDSM, paratext |
| Markert, John |
God is Love: The Christian Romance Market |
2017 |
Christian romance, Publishing, sex/sexuality |
| Markert, John |
Publishing the romance novel |
2021 |
Publishing, Harlequin Mills & Boon, United States of America, historical romance, Kathleen Woodiwiss, contemporary romance |
| Markova, M. V. |
Georgette Heyer, history, and historical fiction. |
2024 |
Georgette Heyer, history, historical romance |
| Marks, Pamela |
The Good Provider in Romance Novels |
1999 |
marriage, wealth/prosperity, emotions, history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, disability, sex/sexuality, work |
| Martens, Debra |
Weaving Alliances: Selected Papers Presented For The Canadian Women's Studies Association at the 1991 and 1992 Learned Societies Conferences |
1993 |
|
| Martín, Sara; Santaulària, M. Isabel |
Detoxing Masculinity in Anglophone Literature and Culture: In Search of Good Men |
2024 |
|
| Martin, Michèle |
Communication et médias de masse : culture, domination et opposition |
1991 |
romance scholarship, Harlequin Mills & Boon, feminism, gender, rape and/or intimate partner violence/abuse |
| Martin, Darcy |
'Womanhood Reinvented: Eve Dallas, Protagonist in J. D. Robb's "In Death" Series |
2003 |
Nora Roberts/J. D. Robb, feminism, science fiction/futuristic romance, gender, work, rape and/or intimate partner violence/abuse, marriage, community |
| Martín Coloma, Ricardo |
On Activist Mothers and Gentrifying Lovers: From the Legacy of the Civil Rights Movement to the Model-Minority Myth in the Caribbean Romance Novel |
2025 |
race/ethnicity, social/economic class, United States of America, capitalism/business, family, Xochitl González, romance and, or as, activism |
| Martínez Garrido, Elisa |
Bildungsroman y crítica de género: Novela rosa y narrativa de mujeres |
2000 |
Italy, Older and/or precursor texts (may not be "romance" as now defined), gender, love, fairytales/folktales |
| Zaragoza Ninet, Gora; Martínez Sierra, Juan José; Cerezo Merchán, Beatriz; Richart Marset, Mabel |
Traducción, género y censura en la literatura y en los medios de comunicación |
2018 |
|
| Martínez-Falquina, Silvia |
Historical Reparation, Emotional Justice: The Navajo Long Walk in Evangeline Parsons Yazzie’s Her Land, Her Love |
2024 |
Evangeline Parsons Yazzie, Native American romance, United States of America, historical romance, race/ethnicity |
| Martínez de la Hidalga, Fernando |
La novela popular en España (vol 1.) |
2000 |
|
| Martínez de la Hidalga, Fernando |
La novela popular en España (2) |
2001 |
|
| Bruttini, Adriano; Marucci, Franco |
La performance del testo: atti del VII Congresso Nazionale dell'Associazione Italiana di Anglistica (A.I.A.), Siena, 2-4 Novembre 1984 |
1986 |
|
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Mason, Gillian |
Rosemary Rogers |
2008 |
Rosemary Rogers, historical romance, rape and/or intimate partner violence/abuse, sex/sexuality, erotic romance, BDSM |
| Masteller, Jean Carwile |
Romancing the Reader: From Laura Jean Libbey to Harlequin Romance and Beyond |
1996 |
Older and/or precursor texts (may not be "romance" as now defined), Laura Jean Libbey, romances in magazines and newspapers, Publishing, work, social/economic class, Harlequin Mills & Boon, sex/sexuality, Jayne Ann Krentz/Amanda Quick/Jayne Castle, metafiction |
| Matelski, Elizabeth |
"I'm Not the Only Lesbian Who Wears a Skirt": Lesbian Romance Fiction and Identity in Post-World War II America |
2016 |
LGBTQ+ characters, readers and/or authors, fashion/clothing, United States of America, gender, Older and/or precursor texts (may not be "romance" as now defined), history, metafiction, Claire Morgan/Patricia Highsmith, lesbian romance, Valerie Taylor, Ann Bannon, Rita Mae Brown |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Mathis, Gilles |
Le cliché |
1998 |
|
| Matter, Laura Sewell |
Pursuing the Great Bad Novelist |
2007 |
Charles Garvice, trash/literary and or intellectual quality, Older and/or precursor texts (may not be "romance" as now defined) |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Matthews, Amy T. |
Entangled: the exegetical process of a romance writer |
2016 |
authors, feminism, genre definitions, trash/literary and or intellectual quality |
| Matthews, Amy T. |
The hopeful romantic |
2016 |
feminism, authors |
| Matthews, Amy; Ashman, Justina; Heffernan, Millie; Hogan, Payton; Guy, Abby; Stewart, Harrison; Stanley, Kathleen; Cothren, Alex; Duffield, Elizabeth |
Editorial: Degrees of Love and Trope Actually |
2025 |
romance scholarship |
| Matthews, Amy; Cothren, Alex; Hennessy, Rachel |
Happily ever after in the age of climate crisis: The argument for “cli-ro” |
2025 |
ecocriticism/environmentalism/climate change, Sally Rooney, Rachel Griffin, Aya de León, romance and, or as, activism |
| Maunder, Andrew |
Berta Ruck |
2016 |
Berta Ruck, war/armed forces |
| Maunder, Andrew |
British Literature of World War I: The Short Story and the Novella |
2016 |
|
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives (2nd edition) |
2025 |
|
| Mayfield, Kerrita K. |
Liminal eRoticism: Emerging Forms of Gender Identity and Performance in e-Romances and Their Feminist Electronic Communities |
2014 |
feminism, Publishing, gender, erotic romance, LGBTQ+ characters, readers and/or authors, Jeanne Laws, chick lit, Shelly Laurenston, race/ethnicity, paranormal/fantasy/time-travel romance, happy ending, BDSM, m/m romance |
| Mayhew, Lilybeth M. |
The series romance: the changing representation of gender relationships within a popular genre |
1994 |
Harlequin Mills & Boon, gender, readers, feminism, trash/literary and or intellectual quality, genre definitions, psychology, pornography, sex/sexuality, work, Connie Rinehold, Elda Minger, JoAnn Ross |
| Maynard, Lee Anna |
LaVyrle Spencer |
2008 |
LaVyrle Spencer, historical romance, metafiction, race/ethnicity, food, drink, disability, war/armed forces, rape and/or intimate partner violence/abuse, family, death, settings |
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| Mazzarella, Sharon R.; Pecora, Norma Odom |
Growing Up Girls: Popular Culture and the Construction of Identity |
1999 |
|
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| McAleer, Joseph |
Popular Literature and Reading Habits in Britain, 1914-1950 |
1989 |
readers, Publishing, UK, Harlequin Mills & Boon |
| McAleer, Joseph |
Scenes from Love and Marriage: Mills and Boon and the Popular Publishing Industry in Britain, 1908-1950 |
1990 |
Publishing, Harlequin Mills & Boon, romances in magazines and newspapers, Mary Burchell, pen name of Ida Cook, Jean S. MacLeod/Catherine Airlie, Barbara Cartland, virginity, marriage, family, social/economic class |
| McAleer, Joseph |
Popular Reading and Publishing in Britain, 1914-1950 |
1992 |
Harlequin Mills & Boon, Publishing, libraries/librarians, romances in magazines and newspapers, Mary Burchell, pen name of Ida Cook, Jean S. MacLeod/Catherine Airlie, Sara Seale, Louise Gerard, Barbara Cartland, virginity, sex/sexuality, family, social/economic class |
| McAleer, Joseph |
Passion's Fortune: The Story of Mills & Boon |
1999 |
Harlequin Mills & Boon, Publishing, UK, Betty Beaty, Mary Burchell, pen name of Ida Cook, Elizabeth Carfrae, Fay Chandos/Jan Tempest, Sophie Cole, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Iris Danbury, Joyce Dingwell/Kate Starr, Constance M. Evans, Eleanor Farnes, Louise Gerard, Elizabeth Gilzean, romances in magazines and newspapers, Roberta Leigh/Rachel Lindsay, libraries/librarians, Jean S. MacLeod/Catherine Airlie, Phyllis Matthewman, medical romance, sex/sexuality, work, marriage, race/ethnicity, happy ending, family, religion/spirituality, readers, Marjorie Moore, Betty Neels, Valerie K. Nelson, Kate Norway/Olive Norton, Denise Robins, Sara Seale, Juliet Shore/Anne Vinton, gender, Alex Stuart, Essie Summers, Joan Sutherland, Anne Weale, Hilary Wilde, Violet Winspear, Mary Lutyens/Esther Wyndham, Ireland |
| McAleer, Joseph |
Love, Romance, and the National Health Service |
2011 |
Harlequin Mills & Boon, UK, medical romance, health/medical, work, Elizabeth Gilzean, Marjorie Moore, Fay Chandos/Jan Tempest, Kate Norway/Olive Norton, Jean S. MacLeod/Catherine Airlie, Juliet Shore/Anne Vinton, Valerie K. Nelson, Alex Stuart, Joan Blair, Betty Beaty, Ireland, Marguerite Lees, Norrey Ford, Anne Lorraine, Mary Burchell, pen name of Ida Cook |
| McAlister, Jodi Ann |
Romancing the Virgin: Female Virginity Loss and Love in Popular Literature in the West |
2015 |
love, sex/sexuality, gender, Twilight, Fifty Shades, Harlequin Mills & Boon, virginity |
| McAlister, Jodi |
‘That complete fusion of spirit as well as body’: Heroines, heroes, desire and compulsory demisexuality in the Harlequin Mills & Boon romance novel |
2014 |
Harlequin Mills & Boon, sex/sexuality, love, gender, Denise Robins, Lynne Graham |
| McAlister, Jodi |
Breaking the Hard Limits: Romance, Pornography, and the Question of Genre in the Fifty Shades Trilogy |
2015 |
Fifty Shades, pornography, E. M. Hull, sex/sexuality |
| McAlister, Jodi |
Between Pleasure and Pain: The Textual Politics of the Hymen |
2016 |
history, sex/sexuality, virginity |
| McAlister, Jodi |
Traveling Through Time and Genre: Are the Outlander Books Romance Novels? |
2016 |
Diana Gabaldon, genre definitions |
| McAlister, Jodi |
“You and I are humans, and there is something complicated between us”: Untamed and queering the heterosexual historical romance |
2016 |
Anna Cowan, gender, historical romance, Georgette Heyer, readers, cross-dressing, fashion/clothing, LGBTQ+ characters, readers and/or authors |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| McAlister, Jodi |
Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction |
2018 |
genre definitions, YA/young adult/teenage/new adult/NA romance |
| McAlister, Jodi |
The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838-1860 |
2018 |
Australia, love, Older and/or precursor texts (may not be "romance" as now defined), history, national identity |
| McAlister, Jodi |
“Feelings Like the Women in Books”: Declarations of Love in Australian Romance Novels, 1859–1891 |
2018 |
Older and/or precursor texts (may not be "romance" as now defined), Australia, love, history, national identity, marriage |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBTQ+ characters, readers and/or authors, sex/sexuality |
| McAlister, Jodi |
The Consummate Virgin: Female Virginity Loss and Love in Anglophone Popular Literatures |
2020 |
sex/sexuality, love, virginity, history, romance scholarship, historical romance, rape and/or intimate partner violence/abuse, Harlequin Mills & Boon, Twilight, Fifty Shades, race/ethnicity, Kathleen Woodiwiss, Catherine Coulter, Loretta Chase, Teresa Medeiros, Julia Quinn, Lisa Kleypas, Stephanie Laurens, Courtney Milan, Johanna Lindsey, Denise Robins, Sophie Cole, Louise Gerard, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, national identity, UK, readers |
| McAlister, Jodi |
Erotic romance |
2021 |
erotic romance, genre definitions, Fifty Shades, sex/sexuality, Sylvia Day, happy ending, Older and/or precursor texts (may not be "romance" as now defined), John Cleland, Publishing, fanfiction, Alisha Rai, Harlequin Mills & Boon |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |