| Glover, Thomasine; Hearvey, Crystal Monay; McCoy, Shuntay; Curtright, Lauren |
Anita Richmond Bunkley |
2000 |
Anita Richmond Bunkley, African American romance |
| Hedrick, Tace |
Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century |
2015 |
race/ethnicity, United States of America |
| Hedrick, Donald; Reynolds, Bryan |
Shakespeare without Class: Misappropriations of Cultural Capital |
2000 |
|
| Heffernan, Joan-Mary |
Women's romantic fiction: a study of three New Zealand Mills and Boon authors |
1992 |
Daphne Clair, Robyn Donald, Susan Napier |
| Hefner, Brooks E. |
Black Pulp: Genre Fiction in the Shadow of Jim Crow |
2021 |
romances in magazines and newspapers, African American romance, race/ethnicity, gender, Gertrude Schalk |
| Heinecken, Dawn |
Changing Ideologies in Romance Fiction |
1999 |
feminism, historical romance, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Laura Kinsale, Kathleen Woodiwiss, gender, sex/sexuality |
| Heiss, Karin |
14 Weeks of Love and Labour: Teaching Regency and Desert Romance to Undergraduate Students |
2015 |
teaching romance, historical romance, sheikh romance, Georgette Heyer, E. M. Hull, Marguerite Kaye, race/ethnicity, film/movies, Publishing |
| Heiss, Karin |
Snow White of the (Un)Dead Reading the Anita Blake: Vampire Hunter Series as Tales of Female Desire |
2020 |
Laurell K. Hamilton, fairytales/folktales, paranormal/fantasy/time-travel romance, sex/sexuality |
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Helgorsky, Françoise |
Harlequin ou la quête du grand amour |
1985 |
Harlequin Mills & Boon, France, readers, love |
| Helgorsky, Françoise |
Harlequin : l'unité dans la diversité et vice-versa |
1987 |
Harlequin Mills & Boon, paratext, settings, work |
| Hellekson, Karen; Busse, Kristina |
Fan Fiction and Fan Communities in the Age of the Internet: New Essays |
2006 |
|
| Heller, Tamar |
Having It All: Consumption and Ideological Tension in an Innovative Romance Novel |
1997 |
|
| Hemmungs Wirtén, Eva |
"They Seek It Here, They Seek It There, They Seek It Everywhere": Looking for the "Global" Book |
1998 |
Harlequin Mills & Boon, translation, Sweden, Sandra Canfield, Doreen Hornsblow as Sally Wentworth, Janice Kaiser, sex/sexuality, national identity |
| Hemmungs Wirtén, Eva |
Global Infatuation: Explorations in Transnational Publishing and Texts: The case of Harlequin Enterprises and Sweden |
1998 |
Sweden, translation, Harlequin Mills & Boon |
| Hemmungs Wirtén, Eva |
Harlequin romances in Swedish: a case study in globalized publishing |
2000 |
translation, Sweden, Harlequin Mills & Boon, Publishing |
| Henderson, Lesley; Kirkpatrick, D. L. |
Twentieth-Century Romance and Historical Writers (2nd edition) |
1990 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), Effie Adelaide Rowlands, also known as Madame Albanesi, Lucilla Andrews, Elizabeth Ashton, Ruby M. Ayres, Faith Baldwin, Florence Barclay, Betty Beaty, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Barbara Taylor Bradford, Sandra Brown, Mary Burchell, pen name of Ida Cook, Barbara Cartland, Catherine Cookson, Marie Corelli, Janet Dailey, Iris Danbury, Barbara Delinsky, Ethel M. Dell, Viña Delmar, Jude Deveraux, Joyce Dingwell/Kate Starr, Maud Diver, Jane Donnelly, Daphne du Maurier, Dorothy Eden, Eleanor Farnes, Jeffrey Farnol, Charles Garvice, Roberta Gellis, Elinor Glyn, Maysie Greig, Anne Hampson, Georgette Heyer, Robert Hitchens, Grace Livingston Hill, Margery Hilton, Jane Aiken Hodge, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Linda Howard, Susan Howatch, Elizabeth Hoy, E. M. Hull, Elizabeth Hunter, Iris Johansen, Susan Johnson, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Charlotte Lamb, Roumelia Lane, Laura Jean Libbey, Roberta Leigh/Rachel Lindsay, Johanna Lindsey, Elizabeth Lowell, Jean S. MacLeod/Catherine Airlie, Anne Mather, Patricia Matthews, Anne Maybury, Colleen McCullough, Judith McNaught, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Fern Michaels, Margaret Mitchell, Netta Muskett, Betty Neels, Kathleen Thompson Norris, Kate Norway/Olive Norton, Baroness Orczy, Diana Palmer, Margaret Pargeter, Mary Renault, Mary Roberts Rinehart, Francine Rivers, Nora Roberts/J. D. Robb, Denise Robins, Rosemary Rogers, Margaret Rome, Berta Ruck, Rafael Sabatini, Kathleen Gilles Seidel, Alexandra Sellers, Anya Seton, Valerie Sherwood, Bertrice Small, LaVyrle Spencer, Danielle Steel, Mary Stewart, Rebecca Stratton, Essie Summers, Annie S. Swan, Kay Thorpe, Patricia Veryan, Lucy Walker, Margaret Way, Anne Weale, Jean Webster, Phyllis A. Whitney, Kathleen Winsor, Violet Winspear, Kathleen Woodiwiss, Mary Lutyens/Esther Wyndham |
| Vasudevan, Aruna; Henderson, Lesley |
Twentieth-Century Romance and Historical Writers (3rd edition) |
1994 |
Effie Adelaide Rowlands, also known as Madame Albanesi, Lucilla Andrews, Ruby M. Ayres, Faith Baldwin, Mary Balogh, Florence Barclay, Sandra Brown, Mary Burchell, pen name of Ida Cook, Shirlee Busbee, Barbara Cartland, Fay Chandos/Jan Tempest, Marie Corelli, Penny Jordan/Caroline Courtney, Janet Dailey, Emma Darcy, Barbara Delinsky, Ethel M. Dell, Jude Deveraux, Robyn Donald, Jeffrey Farnol, Charles Garvice, Roberta Gellis, Elinor Glyn, Maysie Greig, Radclyffe Hall, Anne Hampson, Georgette Heyer, Jane Aiken Hodge, Linda Howard, Elizabeth Hoy, Iris Johansen, Susan Johnson, M. M. Kaye, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Charlotte Lamb, Roberta Leigh/Rachel Lindsay, Johanna Lindsey, Elizabeth Lowell, Jean S. MacLeod/Catherine Airlie, Anne Mather, Patricia Matthews, Lindsay McKenna, Judith McNaught, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Fern Michaels, Linda Lael Miller, Margaret Mitchell, Carole Mortimer, Netta Muskett, Susan Napier, Betty Neels, Kathleen Thompson Norris, Kate Norway/Olive Norton, Baroness Orczy, Diana Palmer, Margaret Pargeter, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Mary Renault, Emilie Richards, Mary Roberts Rinehart, Francine Rivers, Nora Roberts/J. D. Robb, Denise Robins, Rosemary Rogers, Berta Ruck, Kathleen Gilles Seidel, Bertrice Small, LaVyrle Spencer, Mary Stewart, Rebecca Stratton, Essie Summers, Annie S. Swan, Kay Thorpe, Sylvia Thorpe, Karen van der Zee, Patricia Veryan, Lucy Walker, Sheila Walsh, Margaret Way, Anne Weale, Jean Webster, Doreen Hornsblow as Sally Wentworth, Phyllis A. Whitney, Violet Winspear, Sara Wood, Kathleen Woodiwiss, Mary Lutyens/Esther Wyndham |
| Henderson, Courtney R. |
Ladies and Loners: A Comparative Gender Study of the Romance and Popular Western |
2007 |
gender, Johanna Lindsey, Joan Johnston, LGBTQ+ characters, readers and/or authors, settings, race/ethnicity, trash/literary and or intellectual quality, paratext, historical romance |
| Henderson, Aneeka Ayanna |
Veil and Vow: Marriage Matters in Contemporary African American Culture |
2020 |
African American romance, Sandra Kitt, race/ethnicity, marriage |
| Henderson, Aneeka Ayanna |
Popular Romance and Literary Undergrounds |
2024 |
African American romance, Publishing, race/ethnicity |
| Henderson, Alex |
Genre-savvy Protagonists in Queer YA Rom-coms |
2023 |
LGBTQ+ characters, readers and/or authors, rom-com romance, YA/teenage romance, metafiction, Emery Lee, Alice Oseman |
| Hendricks, Margo |
Against Odds: Beverly Jenkins’ Indigo and Black Historical Romance |
2022 |
Beverly Jenkins, historical romance, race/ethnicity, social/economic class, United States of America, African American romance, history |
| Hendricks, Margo |
How a Black Author Found Her Romance History |
2022 |
Margo Hendricks/Elysabeth Grace, Older and/or precursor texts (may not be "romance" as now defined), teaching romance, race/ethnicity, African American romance, readers, Beverly Jenkins, Alyssa Cole, paratext, historical romance, Publishing |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Introduction to the Special Issue on Black Romance |
2022 |
romance scholarship, Sandra Kitt, Brenda Jackson, Beverly Jenkins, Vivian Stephens, Alyssa Cole, Rebekah Weatherspoon, Gwyneth Bolton/Gwendolyn Pough, Rochelle Alers, Margo Hendricks/Elysabeth Grace |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Journal of Popular Romance Studies: Special Issue: Black Romance |
2022 |
African American romance, Sandra Kitt, Brenda Jackson, Beverly Jenkins, Vivian Stephens, Alyssa Cole, Rebekah Weatherspoon, Gwyneth Bolton/Gwendolyn Pough, Rochelle Alers, Margo Hendricks/Elysabeth Grace |
| Hendricks, Margo |
Race and Romance: Coloring the Past |
2022 |
race/ethnicity, Older and/or precursor texts (may not be "romance" as now defined), Heliodorus, Beverly Jenkins, Margo Hendricks/Elysabeth Grace, trash/literary and or intellectual quality, genre definitions |
| Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca |
Reading Romance, Reading Ourselves |
1996 |
readers, feminism, sex/sexuality, trash/literary and or intellectual quality, teaching romance, Harlequin Mills & Boon, rape and/or intimate partner violence/abuse, race/ethnicity, capitalism/business |
| Hennessey, John L. |
History and Speculative Fiction |
2024 |
|
| Herb, Annika |
(Para)normalizing Rape Culture: Possession as Rape in Young Adult Paranormal Romance |
2021 |
rape and/or intimate partner violence/abuse, YA/teenage romance, paranormal/fantasy/time-travel romance |
| Gill, Rosalind; Herdieckerhoff, Elena |
Rewriting The Romance: New Femininities in Chick Lit? |
2006 |
chick lit, gender, feminism, Helen Fielding, sex/sexuality, work |
| Herendeen, Ann |
The Upper-Class Bisexual Top as Romantic Hero: (Pre)dominant in the Social Structure and in the Bedroom |
2012 |
Ann Herendeen, LGBTQ+ characters, readers and/or authors, wealth/prosperity, social/economic class, BDSM, Jane Austen, historical romance, history, sex/sexuality, gender, Georgette Heyer |
| Herendeen, Ann |
Having it Both Ways; or, Writing from the Third Perspective: The Revolutionary M/M/F Ménage Romance Novel |
2016 |
LGBTQ+ characters, readers and/or authors, Ann Herendeen, marriage, metafiction, Georgette Heyer |
| Herman, David |
Creatural Fictions: Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature |
2016 |
|
| Hermes, Joke |
Sexuality in Lesbian Romance Fiction |
1992 |
LGBTQ+ characters, readers and/or authors, Sarah Aldridge, Katherine V. Forrest, Valerie Taylor, Older and/or precursor texts (may not be "romance" as now defined), rape and/or intimate partner violence/abuse, Michelle Martin, readers |
| Hermes, Joke |
Vergnügen oder Aufklärung? Sexualität in lesbischen Liebesromanen? |
1992 |
LGBTQ+ characters, readers and/or authors, Valerie Taylor, Katherine V. Forrest, Older and/or precursor texts (may not be "romance" as now defined) |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Hernandez, Janeth |
Exploring Consent: An Analysis of Consent in Dark Romance and Contemporary Romance Books |
2024 |
dark romance, sex/sexuality, erotic romance |
| Hernandez, Carmen E. |
Romance and Revolution |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, wealth/prosperity, Jane Austen, Fifty Shades, social/economic class, Sylvain Reynard, Erika Wilde, Carly Phillips, rape and/or intimate partner violence/abuse, virginity, Eliza Haywood |
| Hernández Guerrero, María José |
Prosumidoras de traducciones: Aproximación al fenómeno de la traducción fan de novela romántica |
2016 |
readers, translation |
| Gómez Morón, Reyes; Padilla Cruz, Manuel; Fernández Amaya, Lucía; Hernández López, María de la O |
Pragmatics Applied to Language Teaching and Learning |
2009 |
|
| Hernandez-Knight, Bianca |
Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy |
2021 |
Jane Austen, Georgette Heyer, historical romance, race/ethnicity, trash/literary and or intellectual quality |
| Herrera, Carolina M. |
Examining the relation between media engagement and developmental outcomes in adolescents and emerging adults: an exploration of engagement with and impact of young adult literature media among youth |
2022 |
readers, psychology, YA/teenage romance, Twilight |
| Heryanto, Ariel |
Upgraded Piety and Pleasure: The New Middle Class and Islam in Indonesian Popular Culture |
2011 |
Indonesia, Islam, Habiburrahman El-Shirazy |
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Hess, Jonathan M. |
Middlebrow Literature and the Making of German-Jewish Identity |
2010 |
Judaism, Germany, Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers, Ludwig Philippson, Salomon Formstecher, religion/spirituality, Rahel Meyer, family, Marcus Lehmann, George Eliot |
| Hess, Beth B.; Ferree, Myra Marx |
Analyzing Gender: A Handbook of Social Science Research |
1987 |
|
| Hey, Valerie |
The Necessity of Romance |
1983 |
|
| Heying, Sarah M. |
"Sealed With a Kiss on Your Artery": An Archive of Southern Lesbian Desire |
2023 |
LGBTQ+ characters, readers and/or authors, Ann Allen Shockley, libraries/librarians, race/ethnicity |
| Heynderickx, Jasmine |
“It really got to me [...] The movies where the main characters freaked out about being virgins at the age of sixteen”: Narrative Subversion as a Queer Strategy in Loveless |
2024 |
Alice Oseman, LGBTQ+ characters, readers and/or authors, love, sex/sexuality, metafiction, YA/teenage romance |
| Hiergeist, Teresa; Schäfer, Stefanie |
Ladies in Arms: Women, Guns, and Feminisms in Contemporary Popular Culture |
2024 |
feminism |
| Higashi, Sumiko |
Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption |
2017 |
romances in magazines and newspapers |
| Hijazo-Gascón, Alberto |
Cross-Cultural Differences in Conceptualization and their Application in L2 Instruction |
2009 |
linguistics, Corín Tellado, metaphor/symbolism |
| Fjelkestam, Kristina; Hill, Helena; Tjeder, David |
Kvinnorna gör mannen: maskulinitetskonstruktioner i kvinnors text och bild 1500-2000 |
2013 |
|
| Adkins, Denice; Esser, Linda; Velasquez, Diane; Hill, Heather L. |
Romance novels in American public libraries: A study of collection development practices |
2008 |
libraries/librarians, United States of America |
| Hilton, Linda Ann Wheeler |
Half Heaven, Half Heartache: Discovering the Transformative Potential in Women's Popular Fiction |
2000 |
feminism |
| Hinks, John; Armstrong, Catherine |
Book Trade Connections from the Seventeenth to the Twentieth Centuries |
2008 |
|
| Hinnant, Charles H. |
Desire and the Marketplace: A Reading of Kathleen Woodiwiss's The Flame and the Flower |
2003 |
Kathleen Woodiwiss, capitalism/business, rape and/or intimate partner violence/abuse, fashion/clothing |
| Basu, Balaka; Broad, Katherine R.; Hintz, Carrie |
Contemporary Dystopian Fiction for Young Adults: Brave New Teenagers |
2013 |
|
| Hipsky, Martin |
Modernism and the Women’s Popular Romance in Britain, 1885–1925 |
2011 |
Marie Corelli, Ethel M. Dell, E. M. Hull, Mary Ward/Mrs. Humphry Ward, Baroness Orczy, Florence Barclay, Elinor Glyn, Older and/or precursor texts (may not be "romance" as now defined) |
| Hirdman, Anja |
'Det ska bli en ära att få tillfredsställa dig!' Ideal manlighet i Harlequinromanen |
2013 |
gender, Harlequin Mills & Boon |
| Hirdman, Anja |
Speaking through the flesh: Affective encounters, gazes and desire in Harlequin romances |
2016 |
emotions, gender, sex/sexuality, Harlequin Mills & Boon |
| Hirsbrunner, A. R. |
Doomed to become heroines? Identification, women and fiction |
2000 |
psychology, feminism |
| Hirschman, Elizabeth C.; Holbrook, Morris B. |
SV - Symbolic Consumer Behavior |
1981 |
|
| Hirst, Holly |
Georgette Heyer |
2020 |
Georgette Heyer, gothic romance, Daphne du Maurier, Charlotte Brontë, romantic suspense |
| Hirst, Holly |
The Gothic Romance |
2020 |
gothic romance, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, rape and/or intimate partner violence/abuse, gender, readers, Daphne du Maurier, romance scholarship, social/economic class, Catherine Cookson, Christine Marion Fraser, Georgette Heyer |
| Hirst, Holly |
Georgette Heyer and redefining the Gothic romance |
2021 |
gothic romance, Georgette Heyer, romance scholarship, genre definitions |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Hobson, Amanda |
Brothers under Covers: Race and the Paranormal Romance Novel |
2015 |
paranormal/fantasy/time-travel romance, race/ethnicity, Kerrelyn Sparks, J. R. Ward |
| Guttman, Anna; Hockx, Michel; Paizis, George |
The Global Literary Field |
2006 |
|
| Hodgson, Kathleen |
The representation of the female hero in the romantic fiction of Mills & Boon |
2006 |
Harlequin Mills & Boon |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Hofstadter, Beatrice K. |
Popular Culture and the Romantic Heroine |
1960 |
Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, Augusta Jane Evans, E. P. Roe, Winston Churchill, E. M. Hull |
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Hohne, Karen; Wussow, Helen |
A Dialogue of Voices: Feminist Literary Theory and Bakhtin |
1994 |
|
| Hirschman, Elizabeth C.; Holbrook, Morris B. |
SV - Symbolic Consumer Behavior |
1981 |
|
| Holden, Stacy E.; Tabol, Charity |
In Sickness and In Health: Representations of PTSD in Post-9/11 Romance Novels |
2015 |
war/armed forces, health/medical, Harlequin Mills & Boon, United States of America, romance and, or as, activism, Susan Mallery, Karen Templeton, Janice Kay Johnson, disability, psychology |
| Holden, Stacy E. |
Love in the Desert: Images of Arab-American Reconciliation in Contemporary Sheikh Romance Novels |
2015 |
Harlequin Mills & Boon, sheikh romance, United States of America, authors, Islam, Susan Mallery, Sandra Marton, fashion/clothing, Maisey Yates, settings, Lynne Raye Harris, Violet Winspear, Jane Porter |
| Holley, Robert P. |
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries |
2015 |
|
| Hollows, Joanne |
Feminism, Femininity and Popular Culture |
2000 |
romance scholarship |
| Holman, Rebecca H.; Solomon, Michael R. |
NA - Advances in Consumer Research Volume 18 |
1991 |
|
| Holmes, Diana |
Romance and Readership in Twentieth-Century France: Love Stories |
2006 |
history, France, religion/spirituality, Christian romance, Delly, Older and/or precursor texts (may not be "romance" as now defined), genre definitions, gender, readers, Georges Ohnet, Maryan, pen name of Marie Cadiou, Marcelle Tinayre, Colette, Max du Veuzit, Magali, pen name of Jeanne Philbert, Harlequin Mills & Boon, sex/sexuality, lesbian romance, Marine Rambach and Anne Rousseau, LGBTQ+ characters, readers and/or authors |
| Holmes, Diana |
The Comfortable Reader: Romantic Bestsellers and Critical Disdain |
2010 |
France, trash/literary and or intellectual quality, Marc Levy, Anna Gavalda, readers, community, national identity |
| Holmes, Diana |
Plaisirs d'amour: Love and popular fiction in contemporary France |
2022 |
France |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Thompson, Marcella; Koski, Patricia; Holyfield, Lori |
Romance and agency: An argument revisited |
1997 |
romance scholarship, readers, feminism |
| Koski, Patricia; Holyfield, Lori; Thompson, Marcella |
Romance Novels as Women's Myths |
1997 |
myth, emotions |
| Hoorenman, Johanna |
Public Conflicts and Private Treaties in Kathleen Eagle’s Fire and Rain |
2020 |
Kathleen Eagle, Native American romance, race/ethnicity, United States of America, history |
| Hoorenman, Johanna |
Remembering love: Parsons-Yazzie's historical romance novel and the (re)writing of Navajo history |
2022 |
Evangeline Parsons Yazzie, Native American romance, race/ethnicity, settings, United States of America |
| Hopkins, Lisa |
After Austen: Reinventions, Rewritings, Revisitings |
2018 |
|
| Hopkins, Lisa |
Georgette Heyer: What Austen Left Out |
2018 |
Georgette Heyer, Jane Austen, history, war/armed forces, historical romance |
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Hopkins, Lisa |
All’s Well That Ends Well: Shakespearean echoes in Heyer’s Regency novels |
2021 |
Shakespeare, Georgette Heyer |
| Horgheim, Celina |
From Rape to Romance: Sexual Consent Negotiation in Romantic Retellings of the Myth of Persephone |
2023 |
myth, sex/sexuality, rape and/or intimate partner violence/abuse, gender, Rachel Alexander, Ophelia Silk, feminism |
| Horst, Lauren |
Exemplum J. R. Ward, Dark Lover (2005) |
2024 |
J. R. Ward, paranormal/fantasy/time-travel romance |
| Horst, Lauren |
The Romance Novel |
2024 |
romance scholarship, genre definitions |
| Hotz-Davies, Ingrid; Kirchhofer, Anton; Leppänen, Sirpa |
Internet Fictions |
2009 |
|
| Houel, Annik |
L’amant Harlequin |
1990 |
Harlequin Mills & Boon |
| Houel, Annik |
Les chemins de la passion |
1992 |
sex/sexuality, psychology |
| Houel, Annik |
Le roman d’amour et sa lectrice: une si longue passion: l’exemple Harlequin |
1997 |
Harlequin Mills & Boon, readers, love, marriage, history, family, France, feminism, sex/sexuality, happy ending, fashion/clothing, gender, family |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Howlett, Peter; Morgan, Mary S. |
How Well Do Facts Travel? The Dissemination of Reliable Knowledge |
2011 |
|
| Hua, Shaoqi; Xiao, Chengli |
What shapes a parasocial relationship in RVGs? The effects of avatar images, avatar identification, and romantic jealousy among potential, casual, and core players |
2023 |
computer/video/digital games |
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Hubbard, Rita Cooper |
Relationship Styles In Popular Romance Fiction: A Fantasy Theme Analysis Of Harlequin Romances, 1950-1979 |
1981 |
Harlequin Mills & Boon, gender, feminism |
| Hubbard, Rita C. |
The Changing-Unchanging Heroines and Heroes of Harlequin Romances, 1950-1979 |
1983 |
Harlequin Mills & Boon, gender, authors, Elizabeth Hoy, Roumelia Lane, Elizabeth Hunter |
| Hubbard, Rita C. |
Relationship Styles in Popular Romance Novels, 1950-1983 |
1985 |
Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, gender, Roumelia Lane, Elizabeth Hunter, Elaine Raco Chase, Harlequin Mills & Boon |
| Hubbard, Rita C. |
Magic and Transformation: Relationships in Popular Romance Novels, 1950 to the 1980s |
1992 |
Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, gender, Roumelia Lane, Elizabeth Hunter, Elaine Raco Chase, Harlequin Mills & Boon |
| Hubert, Karen M. |
Teaching and Writing Popular Fiction: Horror, Adventure, Mystery and Romance in the American Classroom |
1976 |
teaching romance |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| Hughes, Helen Muriel |
Changes in Historical Romance, 1890s to the 1980s: The Development of the Genre from Stanley Weyman to Georgette Heyer and her Successors |
1988 |
historical romance, Georgette Heyer |
| Hughes, Helen |
The Historical Romance |
1993 |
historical romance, history, Georgette Heyer, Sir Arthur Conan Doyle, Stanley Weyman, Rafael Sabatini, Jeffrey Farnol, Barbara Cartland, social/economic class, UK, national identity, gender, A. E. W. Mason, Baroness Orczy, readers, Older and/or precursor texts (may not be "romance" as now defined), Mira Stables, Rowena Tenet |
| Hughes, Bill |
‘Two kinds of romance': Generic Hybridity and Epistemological Uncertainty in Contemporary Paranormal Romance |
2013 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Alyxandra Harvey, Julie Kagawa, science/technology |
| Hughes, Bill |
Demon Lovers: Embracing the Monster in Paranormal Romance |
2014 |
paranormal/fantasy/time-travel romance, trash/literary and or intellectual quality, YA/teenage romance, gothic romance, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, Alyxandra Harvey, science/technology, gender, Maggie Stiefvater, animals, Julie Kagawa, rural romance, settings, death, Daniel Waters |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Hughes, Bill |
Genre Mutation in Young Adult Gothic: The Dialectics of Dystopia and Romance in Holly Black's The Coldest Girl in Coldtown |
2021 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance, capitalism/business, Holly Black |
| Huguley, Piper |
Her Bodyguard: Sandra Kitt’s The Color of Love as a foundational text for BWWM romance |
2022 |
Sandra Kitt, race/ethnicity, African American romance, police officers/police forces |
| Huguley, Piper |
In Search of the Black Historical Hottie: The Sad Situation of the Black Hero in Historical Romance |
2022 |
historical romance, race/ethnicity, gender, Piper Huguley, happy ending, wealth/prosperity |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Willinsky, John; Hunniford, R. Mark |
Reading the Romance Younger: The Mirrors and Fears of a Preparatory Literature |
1993 |
Canada, YA/teenage romance, readers, gender |
| Hunter, Christyna M. |
Cataloging Category Romance Fiction and Librarian and Patron Views on Romance Fiction in Public Libraries |
2021 |
libraries/librarians, Harlequin Mills & Boon |
| Davisson, Amber; Hunting, Kyra |
From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires |
2023 |
Julia Quinn, film/movies, sex/sexuality, rape and/or intimate partner violence/abuse, pornography, race/ethnicity |
| Huntwork, Mary M. |
Why Girls Flock to Sweet Valley High |
1990 |
YA/teenage romance, readers |
| Huq, Maimuna |
From Piety to Romance: Islam-Oriented Texts in Bangladesh |
1999 |
Islam, religion/spirituality, Bangladesh |
| Hurley, Frances K. |
In the Words of Girls: The Reading of Adolescent Romance Fiction |
1999 |
YA/teenage romance, readers, gender |
| Hurst, Rochelle |
The Barrister’s Bedmate: Harlequin Mills & Boon and the Bridget Jones Debate |
2009 |
chick lit, feminism, Helen Fielding, Harlequin Mills & Boon |
| Hutter, Verena |
Fire, Savannah, and Passion: The New Africa Novel and the Construction of White Femininity |
2023 |
Africa, Germany, history, historical romance, race/ethnicity, Patricia Mennen, Leah Bach, gender |
| Hutton-Jarvis, C. A. |
The educational potential of romantic fiction |
1998 |
readers, teaching romance |
| Hyejin, O |
원본 없는 판타지 : 페미니스트 시각으로 읽는 한국 현대문화사 |
2020 |
Harlequin Mills & Boon, readers, Korea |
| Ibarrola-Armendariz, Aitor; Ortiz de Urbina Arruabarrena, Jon |
On the move: Glancing Backwards To Build a Future in English Studies |
2016 |
|
| Iché, Virginie; Sorlin, Sandrine |
The Rhetoric of Literary Communication: From Classical English Novels to Contemporary Digital Fiction |
2022 |
|
| Hashim, Ruzy Suliza; Idrus, Mohd Muzhafar |
Unblessed Be Thy Milk: Filial Obedience, Repentance, and Forgiveness in Malay Popular Fiction |
2024 |
Malaysia, family, Fauziah Ashari, Rissa Ahdiya, Sophilea, Islam |
| Iesué, Renata |
Romance and Reality: Popular Writing by Nigerian Women |
1990 |
Nigeria |
| Illouz, Eva |
Hard-Core Romance: Fifty Shades of Grey, Best-Sellers, and Society |
2014 |
Fifty Shades, BDSM |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Imperitura, Lorenzo |
The Forgotten Queer Utopia |
2024 |
Irene Clyde, LGBTQ+ characters, readers and/or authors, Older and/or precursor texts (may not be "romance" as now defined), science fiction/futuristic romance, paranormal/fantasy/time-travel romance, gender |
| Inge, M. Thomas; Hall, Dennis |
The Greenwood Guide to American Popular Culture: Volume Four (Pulps and Dime Novels through Young Adult Fiction) |
2002 |
|
| Patai, Daphne; Ingram, Angela |
Fantasy and Identity: The Double Life of a Victorian Sexual Radical |
1993 |
gender, paranormal/fantasy/time-travel romance, Irene Clyde, Older and/or precursor texts (may not be "romance" as now defined), LGBTQ+ characters, readers and/or authors |
| Ingram, Angela; Patai, Daphne |
Rediscovering Forgotten Radicals: British Women Writers 1889-1939 |
1993 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Innocenti, Daniela C. |
L'amore tradotto. Harlequin vs Harmony e l’evoluzione di un romanzo rosa intraduzione: da Plain Jane MacAllister a Il tempo ritrovato |
2012 |
translation, Harlequin Mills & Boon, Italy, Joan Elliott Pickart |
| Intan, Tania |
Formula Romance Dalam Perfect Romance Karya Indah Hanaco: Kajian Sastra Feminis |
2020 |
Indah Hanaco, genre definitions, feminism, family, Indonesia |
| Interracial Books for Children Bulletin, |
Romance Series for Young Readers: A Report to Educators and Parents in Concert with the National Education Association |
1981 |
YA/teenage romance, trash/literary and or intellectual quality, gender, race/ethnicity, feminism, social/economic class, disability, work, readers, LGBTQ+ characters, readers and/or authors, libraries/librarians, United States of America, Harlequin Mills & Boon, Publishing, family, fashion/clothing, teaching romance |
| Iqbal, Kundan |
The impact of romance novels on women's sexual and reproductive health |
2014 |
readers, sex/sexuality, health/medical |
| Burge, Amy; McAlister, Jodi; Ireland, Charlotte |
“Prince Charming with an Erection”: The Sensational Pleasures of the Bonkbuster |
2024 |
bonkbuster, Jilly Cooper, Jackie Collins, Shirley Conran, Judith Krantz |
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Irons, Glenwood |
Gender, Language, and Myth: Essays on Popular Narrative |
1992 |
|
| Irvine, Janice M. |
Sexual Cultures and the Construction of Adolescent Identities |
1994 |
|
| Ivanski, Chantelle |
Judging a Book by Its Author's Gender |
2019 |
trash/literary and or intellectual quality, gender |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Iwai, Gaku |
Wartime Ideology in 'The Thimble': A Comparative Study of Popular Wartime Romance and the Anti-romance of D. H. Lawrence |
2015 |
war/armed forces, Berta Ruck, gender, UK, national identity |
| Iwicka, Renata |
Manifestations of Male Image in the World's Cultures |
2021 |
|
| Izharuddin, Alicia |
Sweet Surrender: The Ethno-Religious Spaces of Malay Romance |
2020 |
Malaysia, religion/spirituality |
| Izharuddin, Alicia |
Counterpublics of care: making space for mediated intimacy and romantic self-making in Malaysia |
2021 |
readers, Malaysia, gender, emotions, marriage, Islam, love |
| Izharuddin, Alicia |
Reading the Digital Muslim Romance |
2021 |
Muslim romance, Malaysia, readers, religion/spirituality, Islam, gender |
| Izharuddin, Alicia |
“Redha tu Ikhlas”: The Social–Textual Significance of Islamic Virtue in Malay Forced Marriage Narratives |
2021 |
marriage, Malaysia, Islam, Fauziah Ashari, readers, religion/spirituality, Muslim romance, rape and/or intimate partner violence/abuse, gender |
| Jackson, Stevi |
Women and Heterosexual Love: Complicity, Resistance and Change |
1995 |
love, feminism, emotions, psychology, readers |
| Jackson, Nicole M. |
Finding Queer Black Women in Romance. Finding Bits and Pieces of Me. |
2022 |
Nicole M. Jackson/Katrina Jackson/Brandy Bush, LGBTQ+ characters, readers and/or authors, African American romance, Rebekah Weatherspoon, Alyssa Cole, Ann Allen Shockley |
| Jackson, Nicole M. |
Freedom’s Epilogue: Love as Freedom in Alyssa Cole’s Historical Novellas |
2022 |
Alyssa Cole, historical romance, history, race/ethnicity, African American romance, United States of America, emotions, love, family, community, marriage, LGBTQ+ characters, readers and/or authors, happy ending |
| Jackson, Elaine |
Riding the tosh horse: women writers of popular romance between the wars |
2005 |
E. M. Hull, Berta Ruck, Marguerite Jervis/Oliver Sandys |
| Jackson, Elaine |
Sievier’s Monthly (1909): Pseudonyms and Readership in Early Twentieth Century Popular Fiction |
2008 |
Marguerite Jervis/Oliver Sandys, Publishing, Older and/or precursor texts (may not be "romance" as now defined) |
| Jackson, Cia |
Harlequin Romance: The Power of Parody and Subversion |
2017 |
Harlequin Mills & Boon |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Jagodzinski, Mallory |
Of Bustles and Breeches: Cross-dressing Romance Novel Heroines and the Performance of Gender Ideology |
2010 |
cross-dressing, gender, Celeste Bradley, Eloisa James, Pam Rosenthal, fashion/clothing, sex/sexuality |
| Jagodzinski, Mallory |
Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century |
2015 |
Theresa Romain, Meredith Duran, Courtney Milan, race/ethnicity, historical romance, gender, disability, United States of America, history, rape and/or intimate partner violence/abuse |
| Gale, Jody; James, Eloisa |
The Official Essex Sisters Companion Guide |
2016 |
|
| James, Edward; Mendlesohn, Farah |
The Cambridge Companion to Fantasy Literature |
2012 |
|
| Thomas, Glen; James, Bridie |
The Romance Industry: A Study of Reading and Writing Romance |
2006 |
authors, readers |
| Jan, Jariah Mohd; Ujum, Diana Abu |
Negotiating Conflicts amongst Muslim Female Characters in Malay Romance Novels: A Narratological Perspective |
2022 |
Malaysia, Muslim romance, gender |
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Konle, Leonard; Jannidis, Fotis |
Modeling Plots of Narrative Texts as Temporal Graphs |
2022 |
linguistics |
| Jansen, Annie |
Rethinking romance: An argument for adding the genre to the popular shelf |
2020 |
libraries/librarians, Helen Hoang, Jasmine Guillory, Sonali Dev, race/ethnicity, Uzma Jalaluddin |
| Janzen, Moira J. |
Georgette Heyer's Regency romances: serious literature or popular fiction? |
1994 |
Georgette Heyer, trash/literary and or intellectual quality |
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Jarmakani, Amira |
“The Sheik Who Loved Me”: Romancing the War on Terror |
2010 |
sheikh romance, United States of America, war/armed forces, feminism, capitalism/business, race/ethnicity, Islam, gender, metaphor/symbolism |
| Jarmakani, Amira |
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances |
2011 |
sheikh romance, race/ethnicity, sex/sexuality, paratext, fashion/clothing, United States of America, readers, Islam, Spain, religion/spirituality |
| Jarmakani, Amira |
An Imperialist Love Story: Desert Romances and the War on Terror |
2015 |
sheikh romance, war/armed forces, United States of America, race/ethnicity, Islam, E. M. Hull, gender, marriage, rape and/or intimate partner violence/abuse |
| Jarmakani, Amira |
On Eligible Princes: The medieval modernity of sheikh romance |
2020 |
sheikh romance |
| Jarmakani, Amira |
Desert Is Just Another Word for Freedom |
2021 |
sheikh romance |
| Jarmakani, Amira |
Explorations of the "desert passion industry" |
2021 |
sheikh romance, E. M. Hull, settings, race/ethnicity, Linda Conrad, rape and/or intimate partner violence/abuse, gender, war/armed forces |
| Jarvis, Christine A. |
Desirable Reading: The Relationship between Women Students' Lives and their Reading Practices |
2003 |
readers, teaching romance, gender, Islam, sex/sexuality, UK |
| Jarvis, Christine |
Romancing the Curriculum: Empowerment through Popular Culture |
1995 |
teaching romance, readers |
| Jarvis, Christine |
Love Changes Everything: The Transformative Potential of Popular Romantic Fiction |
1999 |
teaching romance, readers, feminism, Harlequin Mills & Boon, gender, sex/sexuality, marriage, rape and/or intimate partner violence/abuse, social/economic class, wealth/prosperity, race/ethnicity, Charlotte Brontë, China, UK |
| Jarvis, Christine |
Hungry Heroines: The Exploration of a "Generative Theme" in Romantic Fiction |
2000 |
|
| Jarvis, Christine |
Using Fiction for Transformation |
2006 |
teaching romance, feminism, gender, readers |
| Bettinotti, Julia; Jeannesson, Gaëlle; Truel, Marie-Françoise |
Séries, suites et redites en culture médiatique |
2002 |
sheikh romance, E. M. Hull, Johanna Lindsey, trash/literary and or intellectual quality |
| Jenkins, Beverly |
A Short History of African American Romance |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Frances Watkins Harper, romances in magazines and newspapers, African American romance, Publishing, Beverly Jenkins |
| Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca |
Reading Romance, Reading Ourselves |
1996 |
readers, feminism, sex/sexuality, trash/literary and or intellectual quality, teaching romance, Harlequin Mills & Boon, rape and/or intimate partner violence/abuse, race/ethnicity, capitalism/business |
| Jennings, Kathleen |
Heyer … in space! The influence of Georgette Heyer on science fiction |
2021 |
Georgette Heyer, war/armed forces, Patricia Wrede, Tessa Dare |
| Jensen, Margaret Ann |
Women and Romantic Fiction: A Case Study of Harlequin Enterprises, Romances, and Readers |
1980 |
Harlequin Mills & Boon, readers, capitalism/business, social/economic class, work |
| Jensen, Margaret Ann |
Love's $weet Return: The Harlequin Story |
1984 |
Harlequin Mills & Boon, metafiction, readers, Publishing, virginity, sex/sexuality, paratext, work, authors, gender, happy ending, settings, race/ethnicity, social/economic class, rape and/or intimate partner violence/abuse, food, drink, fashion/clothing, love, marriage, feminism |
| Brooker, Will; Jermyn, Deborah |
The Audience Studies Reader |
2002 |
|
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Joannou, Maroula |
Women's Writing, Englishness and National and Cultural Identity: The Mobile Woman and the Migrant Voice, 1938-1962 |
2012 |
UK, war/armed forces, Daphne du Maurier, Older and/or precursor texts (may not be "romance" as now defined), Kathleen Winsor, Georgette Heyer, cross-dressing, fashion/clothing |
| Jocks, Yvonne Annette |
Adventure and Virtue: Alternating Emphasis in the Popular Romance Tradition |
1988 |
Older and/or precursor texts (may not be "romance" as now defined) |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, Older and/or precursor texts (may not be "romance" as now defined), historical romance, pirates and outlaws |
| Johnson, Naomi Ruth |
Consuming Desires: A Feminist Analysis of Bestselling Teen Romance Novels |
2007 |
YA/teenage romance, capitalism/business, fashion/clothing, gender, sex/sexuality, Publishing |
| Johnson, Naomi R. |
Consuming Desires: Consumption, Romance, and Sexuality in Best-Selling Teen Romance Novels |
2010 |
YA/teenage romance, Publishing, capitalism/business, fashion/clothing, gender, sex/sexuality |
| Johnson, Jacqueline Elizabeth |
Labors of Love: Black Women, Cultural Production, and the Romance Genre |
2024 |
Rebekah Weatherspoon, Nicole M. Jackson/Katrina Jackson/Brandy Bush, African American romance, race/ethnicity, capitalism/business, wealth/prosperity, work |
| Johnson, Jacqueline E. |
Lusting out loud: racialized aurality, podcast intimacy, and the uses of thirst |
2024 |
race/ethnicity, happy ending, sex/sexuality |
| Johnson, Heather |
Yorkshire English in Georgette Heyer's The Unknown Ajax |
2017 |
languages, Georgette Heyer, historical romance |
| Johnson, Emily D. |
Exploring His/Her Library: Reading and Books in Russian Romance |
2020 |
Russia, metafiction, authors, Harlequin Mills & Boon, Galina Kulikova, Natal’ia Mironova, Publishing, socialism and/or communism, trash/literary and or intellectual quality, race/ethnicity, rape and/or intimate partner violence/abuse |
| Schurman, Lydia Cushman; Johnson, Deidre |
Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America |
2002 |
|
| Allen, Margaret; Blackburn, Jean; Johnson, Carol; King, Margaret; Mackinnon, Alison |
All Her Labours: Embroidering the Framework |
1984 |
|
| Johnson, Brian |
Weird Bedfellows: H. P. Lovecraft, m/m Romance, and the New Queer Families of Jordan L. Hawk's Whyborne & Griffin Series |
2022 |
Jordan L. Hawk, m/m romance, paranormal/fantasy/time-travel romance, LGBTQ+ characters, readers and/or authors |
| Piatti-Farnell, Lorna; Johnson-Hunt, Nancy |
Vampires and Desire: Blood, Sex, and Ritual in Paranormal Romance and Urban Fantasy Fiction |
2023 |
paranormal/fantasy/time-travel romance |
| Johnson-Kurek, Rosemary E. |
"I Am Not a Bimbo": Persona, Promotion, and the Fabulous Fabio |
1999 |
Fabio Lanzoni, also known as Fabio, paratext |
| Johnson-Kurek, Rosemary E. |
Leading Us into Temptation: The Language of Sex and the Power of Love |
1999 |
Harlequin Mills & Boon, feminism, sex/sexuality, erotic romance, linguistics, gender, virginity, rape and/or intimate partner violence/abuse, Abra Taylor, Candace Schuler, Lori Foster, Jennifer Crusie |
| Kaler, Anne K.; Johnson-Kurek, Rosemary E. |
Romantic Conventions |
1999 |
|
| Johnson-Woods, Toni |
Pulp: A Collector's Book of Australian Pulp Fiction Covers |
2004 |
paratext |
| Johnson-Woods, Toni |
'Adventures of a Squatter': A Colonial Male Romance |
2010 |
LGBTQ+ characters, readers and/or authors, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), m/m romance, Australia |
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| Fasick, Adele M.; Johnston, Margaret; Osler, Ruth |
Lands of Pleasure: Essays on Lillian H. Smith and the Development of Children's Libraries |
1990 |
|
| Harris, Alana; Jones, Timothy Willem |
Love and Romance in Britain, 1918-1970 |
2015 |
|
| Harman, Sarah; Jones, Bethan |
Fifty shades of ghey: Snark fandom and the figure of the anti-fan |
2013 |
Fifty Shades, readers, trash/literary and or intellectual quality, BDSM |
| Jones, Ann Rosalind |
Mills & Boon meets feminism |
1986 |
feminism, Harlequin Mills & Boon, work, social/economic class, gender, sex/sexuality |
| Jones, Amanda |
Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt |
2019 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance, romantic suspense, feminism, Charlotte Brontë, gender, marriage, family, Wilkie Collins, health/medical, Mary Elizabeth Braddon, India |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Jossart, Deborah A. |
Transforming the fairytale: a diachronic study of utopias of popular romance |
2004 |
fairytales/folktales |
| Joyal, Amanda |
From Victorian literature to the romance novel: Disability and the courtship plot |
2012 |
disability, Older and/or precursor texts (may not be "romance" as now defined), Charlotte Brontë, Dinah Craik, gender, Teresa Medeiros, Brenda Novak, Catherine Anderson, Erin McCarthy |
| Juhasz, Suzanne |
Texts to Grow On: Reading Women’s Romance Fiction |
1988 |
genre definitions, psychology, readers, gender, love |
| Juhasz, Suzanne |
Reading from the Heart: Women, Literature, and the Search for True Love |
1994 |
readers, psychology, Older and/or precursor texts (may not be "romance" as now defined), Jane Austen, Emily Brontë, Charlotte Brontë, Louisa May Alcott, Gloria Naylor, Isabel Miller, Valerie Taylor, lesbian romance |
| Juhasz, Suzanne |
Lesbian Romance Fiction and the Plotting of Desire: Narrative Theory, Lesbian Identity, and Reading Practice |
1998 |
lesbian romance, LGBTQ+ characters, readers and/or authors, Sarah Aldridge, readers, gender, psychology, work, love, sex/sexuality, family |
| Jumelais, Yann |
De Delly à Dailey : les obstacles dans le roman sentimental |
1990 |
Delly, Janet Dailey, genre definitions |
| Jurilla, Patricia May Bantug |
Tagalog bestsellers and the history of the book in the Philippines |
2006 |
Philippines, Publishing, Older and/or precursor texts (may not be "romance" as now defined) |
| Jurilla, Patricia May Bantug |
Tagalog Bestsellers of the Twentieth Century: A History of the Book in the Philippines |
2008 |
Philippines |
| Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
| K., Nikohl; Lennard, John |
A Reader's Companion to A Civil Campaign by Lois McMaster Bujold, Compiled and Presented to Her by Members of the Official LMB Mailing-List to Celebrate the Silver Anniversary of Shards of Honor 1986–2011 |
2011 |
Lois McMaster Bujold, Georgette Heyer, science fiction/futuristic romance |
| Kahn, Laurie |
Love Between the Covers |
2015 |
authors, Jennifer Crusie, Eloisa James, Beverly Jenkins, Radclyffe/Len Barot |
| Kaler, Anne K. |
Conventions of Captivity in Romance Novels |
1999 |
sheikh romance, religion/spirituality, settings, E. M. Hull, sex/sexuality, rape and/or intimate partner violence/abuse |
| Kaler, Anne K. |
Hero, Heroine, or HERA: A New Name for an Old Problem |
1999 |
linguistics |
| Kaler, Anne K. |
Introduction: Conventions of the Romance Genre |
1999 |
trash/literary and or intellectual quality |
| Kaler, Anne K.; Johnson-Kurek, Rosemary E. |
Romantic Conventions |
1999 |
|
| Rapp, Adrian; Dodgen, Lynda; Kaler, Anne K. |
A Romance Writer Gets Away with Murder |
2000 |
Sandra Brown, romantic suspense, death |
| Kaler, Anne K. |
Dysfunctional Detectives and Romantic P.I.s: Impediments to the Happy Marriage of Mystery and Romance |
2000 |
romantic suspense, gender |
| Kalisch, Philip A.; Kalisch, Beatrice J. |
The Changing Image of the Nurse |
1987 |
medical romance, Mary Roberts Rinehart, work |
| Kalisch, Philip A.; Kalisch, Beatrice J. |
The Changing Image of the Nurse |
1987 |
medical romance, Mary Roberts Rinehart, work |
| Kraaykamp, Gerbert; Kalmijn, Matthijs |
Een stille liefde. Over de lezeressen van romantische lectuur |
1995 |
readers, social/economic class, Netherlands |
| Kamble, Jayashree |
Female Enfranchisement and the Popular Romance: Employing an Indian Perspective |
2007 |
India, readers, gender, feminism, marriage, Linda Howard, Nora Roberts/J. D. Robb, Kim Lawrence, Lisa Kleypas, fashion/clothing, sex/sexuality, virginity |
| Kamble, Jayashree |
Uncovering and Recovering the Popular Romance Novel |
2008 |
capitalism/business, war/armed forces, sex/sexuality, paratext, readers, India, historical romance, trash/literary and or intellectual quality, happy ending, Stephanie Laurens |
| Kamble, Jayashree |
Patriotism, Passion, and PTSD: The Critique of War in Popular Romance Fiction |
2012 |
war/armed forces, United States of America, national identity, disability, Linda Howard, marriage, Gaelen Foley, Suzanne Brockmann, Sherrilyn Kenyon |
| Kamblé, Jayashree |
Making Meaning in Popular Romance Fiction: An Epistemology |
2014 |
war/armed forces, capitalism/business, gender, race/ethnicity, Lisa Kleypas, Nora Roberts/J. D. Robb, genre definitions, Suzanne Brockmann, Gaelen Foley, Diana Gabaldon, Linda Howard, Sherrilyn Kenyon, Johanna Lindsey, Anne Mather, Lindsay McKenna, Judith McNaught, historical romance, paranormal/fantasy/time-travel romance, Susan Elizabeth Phillips, Julia Quinn, Nalini Singh, Violet Winspear, rape and/or intimate partner violence/abuse |
| Kamblé, Jayashree |
Branding a Genre: A Brief Transatlantic History of Romance Novel Cover Art |
2016 |
paratext, Harlequin Mills & Boon, historical romance, trash/literary and or intellectual quality |
| Kamble, Jayashree |
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, capitalism/business, romantic suspense |
| Kamblé, Jayashree |
When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy |
2020 |
Sherry Thomas, China, war/armed forces, race/ethnicity, historical romance, UK, gender, national identity, family |