| Charles, John; Mosley, Shelley |
Romance Today: An A-to-Z Guide to Contemporary American Romance Writers |
2007 |
Shana Abé, Cherry Adair, Catherine Anderson, Judith Arnold, Adele Ashworth, Patti Berg, Elizabeth Bevarly, Rosanne Bittner, Stephanie Bond, Elizabeth Boyle, Pamela Britton, Suzanne Brockmann, Connie Brockway, Lisa Cach, Laurie Schnebly Campbell, Susannah Carleton, Liz Carlyle, Emily Carmichael, Maureen Child, Jennifer Crusie, Claudia Dain, Geralyn Dawson, Eileen Dreyer/Kathleen Korbel, Alice Duncan, Elisabeth Fairchild, Diane Farr, Colleen Faulkner, Jo Ann Ferguson, Christine Flynn, Gaelen Foley, Gwynne Forster, Lori Foster, Roz Denny Fox, Barbara Freethy, Judith E. French, Patricia Gaffney, Lisa Gardner, Roberta Gellis, Tess Gerritsen, Rachel Gibson, Elizabeth Grayson, Jennifer Greene/Jeanne Grant/Jessica Massey/Alison Hart, Leigh Greenwood, Shirley Hailstock, Robin Lee Hatcher, Lorraine Heath, Candice Hern, Sandra Hill, Vicki Hinze, Kate Huntington, Eloisa James, Susan Johnson, Nicole Jordan, Julie Kenner, Lynn Kerstan, April Kihlstrom, Sandra Kitt, Patricia Knoll, Betina Krahn, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Susan Krinard, Leslie LaFoy, Jill Marie Landis, Cathie Linz, Merline Lovelace, Katie MacAlister, Debbie Macomber, Annette Mahon, Sandra Marton, Amanda McCabe, Judi McCoy, May McGoldrick, Teresa Medeiros, Linda Lael Miller, Mary Alice Monroe, Brenda Novak, Janeen O'Kerry, Kayla Perrin, Carly Phillips, Susan Elizabeth Phillips, Lisa Plumley, Mary Jo Putney, Tara Taylor Quinn, Francis Ray, Jaclyn Reding, Emilie Richards, Evelyn Richardson, Nora Roberts/J. D. Robb, Lauren Royal, Ruth Wind/Barbara Samuel/Barbara O'Neal, Regina Scott, Kathryn Shay, Christina Skye, Bertrice Small, Tina St. John, Deb Stover, Sharon Swann, Vicki Lewis Thompson, Jane Toombs, Pat Warren, Sherri WhiteFeather, Susan Wiggs, Rebecca York |
| Charlton, Michael |
Till Death Do Us Part: Romancing the Stone, Death Becomes Her, and the Romance Genre |
2020 |
film/movies |
| Legallois, Dominique; Charnois, Thierry; Poibeau, Thierry |
Repérer les clichés dans les romans sentimentaux grâce à la méthode des ‘motifs’ |
2016 |
trash/literary and or intellectual quality, Harlequin Mills & Boon, linguistics |
| Chaves, Duarte Nuno |
Memoria e Identidade Insular: Religiosidade, Festividades e Turismo nos Arquipélagos da Madeira e Açores |
2019 |
|
| Chawla, Gitanjali; Mittal, Sangeeta |
Indian Popular Fiction: Redefining the Canon |
2022 |
|
| Chelton, Mary K. |
Unrestricted Body Parts and Predictable Bliss: The Audience Appeal of Formula Romances |
1991 |
libraries/librarians, trash/literary and or intellectual quality, sex/sexuality, fashion/clothing |
| Chelton, Mary K. |
Readers' Advisory: There Seem to be More SEALs in Romance Fiction than in the US Navy, and if so, Why Does it Matter? |
2015 |
war/armed forces, libraries/librarians, gender, romantic suspense |
| Chelton, Mary K. |
Searching for Birth Parents or Adopted Children: Finding without Seeking in Romance Novels |
2018 |
family |
| Chen, Su-may Sheih |
The Emotional Healing Efficacy of Romance Fiction for Undergraduates with Love-related Emotional Disturbance Problems: An Exploratory Research |
2014 |
readers, psychology |
| Chen, Eva Y. I. |
Forms of Pleasure in the Reading of Popular Romance: Psychic and Cultural Dimensions |
2007 |
readers, emotions, feminism, psychology |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Cherniak, Mariia |
Russian Romantic Fiction |
2005 |
Russia, socialism and/or communism, Harlequin Mills & Boon |
| Chess, Shira |
Strange Bedfellows: Subjectivity, Romance, and Hidden Object Video Games |
2014 |
computer/video/digital games, Harlequin Mills & Boon, metafiction, Christen Anne Kelley |
| Chevigny, Bell Gale; Laguardia, Gari |
Reinventing the Americas: Comparative Studies of Literature of the United States and Spanish America |
1986 |
|
| Cheyne, Ria |
Disability Studies Reads the Romance |
2013 |
disability, sex/sexuality, Mary Balogh, historical romance, family |
| Cheyne, Ria |
Disability Studies Reads the Romance: Sexuality, Prejudice, and the Happily-Ever-After in the Work of Mary Balogh |
2017 |
disability, sex/sexuality, Mary Balogh, historical romance |
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Cheyne, Ria |
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction |
2019 |
disability, emotions, Julia Quinn, family, Barbara McMahon, Christina Dodd, Barbara Delinsky, Mary Balogh |
| Chivers, Marian |
The Warrior Woman in Contemporary Romance Fiction |
2014 |
war/armed forces, Harlequin Mills & Boon, gender, feminism, paratext, work, romantic suspense, Justine Davis/Justine Dare, Amy J. Fetzer, Katherine Garbera, Meredith Fletcher, Catherine Mann, Debra Webb, community |
| Chivers, Marian; Speed, Lesley; Tasker, Meg |
The warrior woman in Harlequin’s Bombshell Athena Force series |
2014 |
Harlequin Mills & Boon, romantic suspense, war/armed forces, gender |
| Cho, Hyerim; Adkins, Denice; da Silva Santos, Diogenes; Long, Alicia K. |
Platform, Visuals, and Sound: Webtoon’s Immersive Romance Reading Engagement |
2024 |
comics/manga, readers |
| Chopra, Radhika |
Wanted Men: Imaging the Hero in Popular Romantic Fiction |
1995 |
gender |
| Chopra, Radhika |
Whose Face Do I See?: Anonymity and Authorship in Popular Romances |
1998 |
authors |
| Chow, Karen |
Popular Sexual Knowledges and Women’s Agency in 1920s England: Marie Stopes’s Married Love and E.M. Hull’s The Sheik |
1999 |
sex/sexuality, E. M. Hull, health/medical, history, fashion/clothing |
| Choyke, Kelly L. |
The Power of Popular Romance Culture: Community, Fandom, and Sexual Politics |
2019 |
feminism, community, readers |
| Christian, Linda Kathryn |
Becoming a Woman through Romance: Adolescent Novels and the Ideology of Femininity |
1984 |
YA/teenage romance, gender |
| Christian-Smith, Linda K. |
Gender, Popular Culture, and Curriculum - Adolescent Romance Novels as Gender Text |
1987 |
YA/teenage romance, gender |
| Roman, Leslie G.; Christian-Smith, Linda K.; Ellsworth, Elizabeth |
Becoming Feminine: The Politics of Popular Culture |
1988 |
|
| Christian-Smith, Linda K. |
Girl's Romance Novel Reading and What to Do about It |
1988 |
readers |
| Christian-Smith, Linda K. |
Romancing the girl: adolescent romance novels and the construction of femininity |
1988 |
YA/teenage romance |
| Christian-Smith, Linda K. |
Becoming a Woman Through Romance |
1990 |
YA/teenage romance, feminism, Publishing, United States of America, gender, social/economic class, readers, race/ethnicity |
| Christian-Smith, Linda K. |
Sweet Dreams: Gender and Desire in Teen Romance Novels |
1993 |
YA/teenage romance, gender |
| Christian-Smith, Linda K. |
Texts of Desire: Essays on Fiction, Femininity and Schooling |
1993 |
|
| Christian-Smith, Linda K. |
Voices of Resistance: Young Women Readers of Romance Fiction |
1993 |
YA/teenage romance, social/economic class, race/ethnicity, gender, United States of America, readers, work, Publishing |
| Christian-Smith, Linda K. |
Young Women and Their Dream Lovers: Sexuality in Adolescent Fiction |
1994 |
YA/teenage romance, sex/sexuality |
| Christopherson, Neal |
Accommodation and Resistance in Religious Fiction: Family Structures and Gender Roles |
1999 |
Christian romance, YA/teenage romance, gender, sociology, family, work |
| Churchwell, Sarah; Smith, Thomas Ruys |
Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code |
2012 |
|
| Patthey-Chavez, G. Genevieve; Clare, Lindsay; Youmans, Madeleine |
Watery Passion: The Struggle between Hegemony and Sexual Liberation in Erotic Fiction for Women |
1996 |
metaphor/symbolism, erotic romance, gender, sex/sexuality, linguistics, Shirlee Busbee, Julie Garwood, Roberta Gellis, Johanna Lindsey, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Bertrice Small, Rachel Lee/Sue Civil-Brown, Elizabeth Lowell, Emma Merritt, Fayrene Preston, Kasey Stuart, Linda Turner, virginity, food, drink, war/armed forces, rape and/or intimate partner violence/abuse, work |
| Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca |
Reading Romance, Reading Ourselves |
1996 |
readers, feminism, sex/sexuality, trash/literary and or intellectual quality, teaching romance, Harlequin Mills & Boon, rape and/or intimate partner violence/abuse, race/ethnicity, capitalism/business |
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Clasen, Tricia |
Masculinity and Romantic Myth in Contemporary YA Romance |
2017 |
gender, love, YA/teenage romance |
| Clawson, Laura |
Covering genres: romance, science-fiction/fantasy, pleasure, and respectability |
1998 |
trash/literary and or intellectual quality |
| Clawson, Laura |
Cowboys and Schoolteachers: Gender in Romance Novels, Secular and Christian |
2005 |
Christian romance, family, gender, United States of America, work, sex/sexuality, religion/spirituality, sociology |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Clement, Jennifer |
Loving and giving: realism, emotional hypocrisy and generosity in A Civil Contract |
2021 |
Georgette Heyer, Jane Austen, emotions, gender, social/economic class |
| Close, Lisa |
Functional analysis of the contemporary folkloric vampire |
2008 |
Nora Roberts/J. D. Robb |
| Coddington, Lynn |
Romance and Power: Writing Romance Novels as a Practice of Critical Literacy |
1997 |
|
| Coddington, Lynn |
Wavering Between Worlds: Feminist Influences in the Romance Genre |
1997 |
trash/literary and or intellectual quality, feminism, Barbara McMahon, Ruth Wind/Barbara Samuel/Barbara O'Neal, gender, emotions, Jennifer Crusie |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Cohn, Jan |
The Romances of Mary Roberts Rinehart: Some Problems in the Study of Popular Culture |
1977 |
Mary Roberts Rinehart, work, marriage, Older and/or precursor texts (may not be "romance" as now defined) |
| Cohn, Jan |
Romance and the Erotics of Property: Mass-Market Fiction for Women |
1988 |
Older and/or precursor texts (may not be "romance" as now defined), wealth/prosperity, capitalism/business, gender, marriage, Jane Austen, Charlotte Brontë, May Agnes Fleming, Harlequin Mills & Boon |
| Cole, Lauryn |
Fat and Fabulous: The Power of Contemporary Romance as a Site of Anti-Oppression Work |
2023 |
fat, fatness, Jennifer Crusie, Talia Hibbert |
| Cole, Elizabeth |
Authors on The Sheik: A conversation with Liz Fielding |
2020 |
Liz Fielding, sheikh romance, E. M. Hull |
| Coles, Claire D.; Shamp, M. Johnna |
Some Sexual, Personality, and Demographic Characteristics of Women Readers of Erotic Romances |
1984 |
readers, erotic romance, sex/sexuality, pornography |
| Colmenero, Laura E. |
The social construction of gender as represented in popular fiction, 1990-1997 |
1999 |
Johanna Lindsey, gender |
| Tirkkonen-Condit, Sonja; Condit, Stephen |
Empirical Studies in Translation and Linguistics |
1989 |
|
| Conley, Willow M.; Grinnell, Natalie |
The Queer Temporality of Gail Carriger’s Parasol Protectorate |
2023 |
Gail Carriger, paranormal/fantasy/time-travel romance, LGBTQ+ characters, readers and/or authors, steampunk, gender, family |
| Constans, Ellen |
Cri du coeur, cri du corps dans les romans de Delly |
1990 |
Delly, religion/spirituality, sex/sexuality, Christian romance |
| Constans, Ellen |
Le roman sentimental: actes du colloque des 14-15-16 mars 1989 à la Faculté des lettres de Limoges, volume 1 |
1990 |
|
| Constans, Ellen |
Le roman sentimental: actes du colloque des 14-15-16 mars 1989 à la Faculté des lettres de Limoges, Volume 2 |
1991 |
|
| Constans, Ellen |
Roman sentimental, roman d’amour: Amour...toujours... |
1991 |
|
| Constans, Ellen |
Du bon chic-bon genre dans un mauvais genre: le roman d’amour de Delly |
1992 |
Delly |
| Constans, Ellen; Vareille, Jean-Claude |
Crime et châtiment dans le roman populaire de langue française du XIXe siècle: actes du colloque international de mai 1992 à Limoges |
1994 |
|
| Constans, Ellen |
Cri du Coeur, cri du corps, dans les romans de Delly |
1995 |
Delly, religion/spirituality, sex/sexuality |
| Constans, Ellen |
Du bon chic-bon genre dans un mauvais genre: le roman d’amour de Delly |
1995 |
Delly, religion/spirituality |
| Constans, Ellen |
Du roman sentimental au roman d'amour: qu'en est-il du déclassement? |
1997 |
trash/literary and or intellectual quality |
| Constans, Ellen |
Parlez-moi d’amour: Le roman sentimental. Des romans grecs aux collections de l’an 2000 |
1999 |
romance scholarship, Older and/or precursor texts (may not be "romance" as now defined), Publishing, France |
| Constans, Ellen |
Ouvrières des lettres: Les Romancières dans la production de la littérature de masse de la première moitié du XXe siècle |
2008 |
France, Older and/or precursor texts (may not be "romance" as now defined), Publishing |
| Constans, Ellen |
Images de la femme dans le roman sentimental |
2009 |
love, Older and/or precursor texts (may not be "romance" as now defined), gender, marriage, Delly, religion/spirituality, Georges Ohnet, Christian romance |
| Constans, Ellen |
La censure du roman sentimental en France ou le refoulement des mauvais genres |
2009 |
trash/literary and or intellectual quality, Older and/or precursor texts (may not be "romance" as now defined), France, readers, religion/spirituality, Christian romance, love, history, feminism, romance scholarship |
| Constans, Ellen |
Roman sentimental, roman d'amour: Amour ... toujours |
2009 |
genre definitions |
| Constans, Ellen |
Le premier Delly ou comment l’idéologie subvertit le récit amoureux |
2011 |
Delly |
| Cook, Nancy |
Home on the Range: Montana Romances and Geographies of Hope |
2009 |
settings, United States of America, rural romance, Tami Hoag, LGBTQ+ characters, readers and/or authors, work, community, animals |
| Cook, Jon |
Fictional Fathers |
1988 |
psychology, Harlequin Mills & Boon, gender, sex/sexuality, wealth/prosperity |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBTQ+ characters, readers and/or authors |
| Cook-Lynn, Elizabeth |
American Indian Intellectualism and the New Indian Story |
1996 |
Native American romance, Kathleen Eagle |
| Cooper, Katherine; Short, Emma |
The Female Figure in Contemporary Historical Fiction |
2012 |
|
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Copy, Christine |
C’est une femme qui vous parle: à propos de quelques caractéristiques du discours rapporté dans les romans sentimentaux de la collection Harlequin en anglais |
2015 |
Harlequin Mills & Boon, linguistics, paratext, gender |
| Coquillat, Michelle |
Romans d’amour |
1988 |
Harlequin Mills & Boon, France, Delly, gender |
| Corbin, Joanie |
Lady Guimauve ou la (re)fabrication de l’auteur populaire |
2007 |
Barbara Cartland |
| Corbin, Joanie |
La représentation de l’adolescente dans une collection de romans à grande diffusion |
2009 |
YA/teenage romance, gender |
| Cordell, Sigrid |
Loving in Plain Sight: Amish Romance Novels as Evangelical Gothic |
2013 |
Beverly Lewis, Christian romance, religion/spirituality, gothic romance |
| Corderot, Didier |
Biblioteca Rocío" (1937-1939) o las virtudes de la novela rosa durante la Guerra Civil española |
2015 |
Spain, fascism/right-wing authoritarianism, Christian romance, France, translation, history, Publishing, Delly, Magali, pen name of Jeanne Philbert |
| Winks, Robin W.; Corrigan, Maureen |
Mystery and Suspense Writers: The Literature of Crime, Detection, and Espionage, Volume 2 |
1998 |
|
| Cortesi, Taylor D. |
'Traitorous Bodies': Cartesian Dualism in Romance Novels by Susan Johnson and E. L. James |
2013 |
Susan Johnson, Fifty Shades |
| Costas Rodríguez, Jenaro |
Ad amicam amicissime scripta: homenaje a la profesora María José López de Ayala y Genovés (Volumen II) |
2005 |
|
| Coste, Didier |
Installments of the Heart: Text Delimitation in Periodical Narrative and Its Consequences |
1981 |
Older and/or precursor texts (may not be "romance" as now defined), Publishing, Spain, translation, Berta Ruck, Hedwig Courths-Mahler, Florence Barclay, Grace Livingston Hill, Rafael Pérez y Pérez, religion/spirituality, Christian romance, marriage, social/economic class |
| Coste, Didier |
Conformité et narrativité: travail de reproduction idéologique et discours du changement d'après quelques romans de Rafael Pérez y Pérez |
1984 |
Rafael Pérez y Pérez |
| Coste, Didier |
Le genre du roman rose et la dissidence amoureuse |
1984 |
|
| Coste, Didier; Zéraffa, Michel |
Le récit amoureux: Colloque de Cerisy-la-Salle |
1984 |
|
| Coste, Didier |
A los principios de la novela rosa: dos novelas de Pérez y Pérez |
1986 |
Rafael Pérez y Pérez, Older and/or precursor texts (may not be "romance" as now defined), Spain |
| Coste, Didier |
La littérarité du roman rose: ses mécanismes, ses raisons, ses conséquences |
1986 |
linguistics, trash/literary and or intellectual quality |
| Cothran, Casey A.; Cannon, Mercy |
New Perspectives on Detective Fiction: Mystery Magnified |
2016 |
|
| Coulibaly, Isaïe Biton |
Les nouvelles reines d'Adoras |
2006 |
Africa, Yeveny Bomou/Bomou Karidja, Koussoh Mélika/Hélène Soungalo Diomandé, K. Fatym/Kaba Fanta, Amani N'Guessan/Nathalie Amani N'Guessan épouse Gbalou |
| Coward, Rosalind |
Female Desire: Women’s Sexuality Today |
1984 |
gender, feminism, psychology |
| Cox, Anthony; Fisher, Maryanne |
The Texas Billionaire's Pregnant Bride: An Evolutionary Interpretation of Romance Fiction Titles |
2009 |
evolutionary psychology, Harlequin Mills & Boon, work, family, social/economic class |
| Fisher, Maryanne; Cox, Anthony |
Man Change Thyself: Hero Versus Heroine Development in Harlequin Romance Novels |
2010 |
evolutionary psychology, gender, Harlequin Mills & Boon |
| Craddock, Louise |
Bridget Jones's Little Red Dress: Chicklit, mass-market popular romance and feminism |
2004 |
chick lit, Melissa Senate, Harlequin Mills & Boon |
| Crane, Ralph; Fletcher, Lisa |
The Genre of Islands: Popular Fiction and Performative Geographies |
2016 |
islands, settings, rural romance |
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Crane, Megan |
Stacy Holden’s ‘Love in the Desert’: An Author’s Response |
2015 |
sheikh romance, race/ethnicity, Scotland, Greece, gender, Harlequin Mills & Boon |
| Crane, Lynda L. |
Romance Novel Readers: in Search of Feminist Change? |
1994 |
feminism, gender, sex/sexuality, readers |
| Cranny-Francis, Anne |
Feminist Fiction: Feminist Uses of Generic Fiction |
1990 |
feminism, Charlotte Brontë, Emily Brontë, race/ethnicity, capitalism/business, wealth/prosperity, Sarah James |
| Crawford, Mary |
Rethinking the Romance: Teaching the Content and Function of Gender Stereotypes in the Psychology of Women Course |
1994 |
psychology, teaching romance, Harlequin Mills & Boon, gender |
| Crawford, Joseph |
The Twilight of the Gothic? Vampire Fiction and the Rise of the Paranormal Romance, 1991-2012 |
2014 |
paranormal/fantasy/time-travel romance, genre definitions, Twilight, gothic romance |
| Crawford, Joseph |
Old-World Heroes and New-World Heroines in Post-Millennial Anglophone Romance Media |
2021 |
sheikh romance, paranormal/fantasy/time-travel romance, Scotland, history, Karen Marie Moning, Olivia Gates, Diana Gabaldon |
| Crawford, Joseph |
From Romantic Gothic to Gothic Romance, With a Little Help from Twilight |
2024 |
teaching romance |
| Creed, Barbara |
The women's romance as sexual fantasy: 'Mills & Boon' |
1984 |
Harlequin Mills & Boon |
| Creed, Barbara |
Media Matrix: Sexing the New Reality |
2003 |
Harlequin Mills & Boon |
| Crisp, Thomas |
From Romance to Magical Realism: Limits and Possibilities in Gay Adolescent Fiction |
2009 |
LGBTQ+ characters, readers and/or authors, YA/teenage romance |
| Crusie Smith, Jennifer |
Romancing Reality: The Power of Romance to Reinforce and Re-vision the Real |
1997 |
readers, fashion/clothing, trash/literary and or intellectual quality, marriage, Jennifer Crusie, sex/sexuality, evolutionary psychology |
| Crusie Smith, Jennifer |
The Romantic Suspense Mystery |
1998 |
romantic suspense, genre definitions, settings, Older and/or precursor texts (may not be "romance" as now defined), gothic romance, Horace Walpole, Ann Radcliffe, Jane Austen, Emily Brontë, Charlotte Brontë, Wilkie Collins, death, Mary Roberts Rinehart, Mabel Seeley, Dorothy MacCardle, Georgette Heyer, Vera Caspary, Daphne du Maurier, Mary Stewart, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Mary Higgins Clark, family, Eileen Dreyer/Kathleen Korbel |
| Crusie Smith, Jennifer |
This Is Not Your Mother's Cinderella: The Romance Novel as Feminist Fairy Tale |
1999 |
feminism, fairytales/folktales, JoAnn Ross, family, sex/sexuality, gender, rape and/or intimate partner violence/abuse |
| Cruz, Jon; Lewis, Justin |
Viewing, Reading, Listening: Audiences and Cultural Reception |
1994 |
|
| Cruz-Bibb, Rosanna |
Patriarchy, Feminism, and The Space Between: The Production and Consumption of Feminism in Romance Novels |
2022 |
feminism, readers, authors, Publishing, race/ethnicity, happy ending |
| Arriaga Flórez, Mercedes; Cruzado Rodríguez, Ángeles; González de Sande, Estela; González de Sande, Mercedes |
Escritoras y figuras femeninas (literatura en castellano) |
2009 |
|
| Cudjoe, Selwyn Reginald |
Caribbean Women Writers: Essays from the First International Conference |
1990 |
Caribbean |
| Garciano, Shylyn G.; Cuevas, Gloria Con-ui; Geraldizo-Pabriga, Maria Gemma; Macabodbod, Saira Jay J.; Yu, Jaciah Mae B.; Pinote, Ma. Jezan A. |
Romance-Themed Novels: Influenced on Relationship Satisfaction |
2023 |
readers, psychology |
| Cunha, Maria Teresa Santos |
Armadilhas da sedução: os romances de M. Delly |
1999 |
Delly, Older and/or precursor texts (may not be "romance" as now defined) |
| Cunha, Maria Teresa Santos |
Para ler e educar-se: a ciculacao das novelas de Corin Tellado no sul do Brasil (1965-1975) |
2009 |
Corín Tellado, Brazil, emotions |
| Sceats, Sarah; Cunningham, Gail |
Image & Power: Women in Fiction in the Twentieth Century |
1996 |
|
| Curiel, Fernando |
Fotonovela rosa, fotonovela roja |
1978 |
Mexico, fotonovela |
| Curthoys, Ned; Ganguly, Debjani |
Edward Said: The Legacy of a Public Intellectual |
2007 |
|
| Curthoys, Ann; Docker, John |
Popular Romance in the Postmodern Age. And an Unknown Australian Author |
1990 |
Edwina Shore, trash/literary and or intellectual quality, Harlequin Mills & Boon |
| Glover, Thomasine; Hearvey, Crystal Monay; McCoy, Shuntay; Curtright, Lauren |
Anita Richmond Bunkley |
2000 |
Anita Richmond Bunkley, African American romance |
| Cuthbert, Kate |
The Australian Digital Publishing Bubble, 2012-2016: An Insider Perspective |
2021 |
Australia, Publishing, Harlequin Mills & Boon |
| Cuthbert van der Veer, Kate |
Cover story: developing methodologies for the analysis of book titles and book covers |
2023 |
paratext, Australia, rural romance, settings |
| Czyba, Lucette |
Les enjeux de la lecture de Delly |
1990 |
Delly, fairytales/folktales |
| Bianchi, Diana; D'Arcangelo, Adele |
Translating History or Romance? Historical Romantic Fiction and Its Translation in a Globalised Market |
2015 |
translation, historical romance, Diana Gabaldon, trash/literary and or intellectual quality, genre definitions, Christian romance, Italy, Scotland |
| Cho, Hyerim; Adkins, Denice; da Silva Santos, Diogenes; Long, Alicia K. |
Platform, Visuals, and Sound: Webtoon’s Immersive Romance Reading Engagement |
2024 |
comics/manga, readers |
| Bryce, Jane; Dako, Kari |
Textual Deviancy and Cultural Syncretism: Romantic Fiction as a Subversive Strain in Black Women's Writing |
1993 |
Valerie Belgrave, race/ethnicity |
| Dalsgaard, Inger H. |
Consumed by Romance: Narration, Branding, and Participation in the Digital Marketplace |
2009 |
readers |
| Daly, Brenda O. |
Laughing WITH, or Laughing AT the Young-Adult Romance |
1989 |
YA/teenage romance, food, drink, health/medical, gender, social/economic class, work |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Damian-Gaillard, Béatrice |
Les romans sentimentaux des collections Harlequin: quelle(s) figure(s) de l’amoureux? Quel(s) modèle(s) de relation(s) amoureuse(s)? |
2011 |
Harlequin Mills & Boon, sex/sexuality, gender |
| Damian-Gaillard, Béatrice |
Prince charmant. Représentations des ressources et des coûts des masculinités dans les romans sentimentaux des collections Harlequin |
2012 |
gender, Harlequin Mills & Boon, sex/sexuality, emotions |
| Dandridge, Rita B. |
African American Women's Historical Romances: Race and Gender Revisited |
2003 |
African American romance, race/ethnicity, gender, Beverly Jenkins, Shirley Hailstock, historical romance, sex/sexuality |
| Dandridge, Rita B. |
The Race, Gender, Romance Connection: A Black Feminist Reading of African American Women's Historical Romances |
2003 |
historical romance, African American romance, feminism, race/ethnicity, gender, Beverly Jenkins, Shirley Hailstock, Roberta Gayle, history, sex/sexuality, United States of America |
| Dandridge, Rita B. |
Black Women's Activism: Reading African American Women's Historical Romances |
2004 |
historical romance, African American romance, romance and, or as, activism, United States of America, race/ethnicity, Anita Richmond Bunkley, Beverly Jenkins, Shirley Hailstock, Francine Craft, Gay G. Gunn, gender, history, sex/sexuality |
| Dandridge, Rita B. |
The African American Historical Romance: An Interview with Beverly Jenkins |
2010 |
historical romance, African American romance, Beverly Jenkins, race/ethnicity, romance and, or as, activism |
| Dandridge, Rita B. |
Love Prevailed Despite What American History Said: Agape and Eros in Beverly Jenkins's Night Song and Through the Storm |
2016 |
Beverly Jenkins, love, sex/sexuality, history, gender, race/ethnicity, United States of America, rape and/or intimate partner violence/abuse, family, wealth/prosperity |
| Dandridge, Rita B. |
Vivian Lorraine Stephens: Romance Pioneer |
2022 |
Vivian Stephens, Publishing, race/ethnicity, African American romance, sex/sexuality, Rosalind Welles - pen name of Elsie B. Washington, Amii Lorin, Jayne Ann Krentz/Amanda Quick/Jayne Castle, disability, Harlequin Mills & Boon, United States of America, Sandra Kitt, ageism, authors |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Daniels, Mary Heather |
I Don't Read It for the Sex: Romance Readers and Identity Management |
1998 |
readers, feminism |
| Dannenberg, Hilary P. |
Nadine Gordimer’s The Pickup and the Desert Romance Tradition in Post/Colonial Anglophone Fiction. |
2008 |
E. M. Hull |
| Darbyshire, Peter |
Romancing the World: Harlequin Romances, the Capitalist Dream, and the Conquest of Europe and Asia |
2000 |
Harlequin Mills & Boon, capitalism/business, Publishing, Poland, Germany, United States of America, socialism and/or communism, wealth/prosperity, work, Japan, France |
| Darbyshire, Peter |
The Politics of Love: Harlequin Romances and the Christian Right |
2002 |
sex/sexuality, Christian romance, Harlequin Mills & Boon, gender, United States of America, feminism, work, family, readers, religion/spirituality, capitalism/business |
| Darian-Smith, Kate; Grimshaw, Patricia; Lindsey, Kiera; Mcintyre, Stuart |
Exploring the British World: Identity, Cultural Production, Institutions |
2004 |
|
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Dascăl, Reghina |
Raj Matriarchs: Women Authors of Anglo-Indian Romance |
2012 |
India, UK, history, Maud Diver, Flora Annie Steel |
| Datta, Sreepurna |
"A holiday that could be whatever anyone wanted it to be": The Indian American Holiday Season in Sonya Lalli's A Holly Jolly Diwali |
2025 |
Sonya Lalli |
| Daud, Kathrina Mohd |
In response to Harlequin: Global legacy, local agency |
2021 |
Harlequin Mills & Boon, Africa, China, Japan, India, Malaysia, Nigeria |
| Davidge, Helen |
Data science: Georgette Heyer’s historical novels and her readers |
2021 |
Georgette Heyer, linguistics, readers |
| Batsleer, Janet; Davies, Tony; O'Rourke, Rebecca; Weedon, Chris |
Rewriting English: Cultural Politics of Gender and Class |
1985 |
genre definitions, gender, capitalism/business, feminism, Florence Barclay, E. M. Hull, history, Barbara Cartland, Catherine Cookson, social/economic class, race/ethnicity, UK, sex/sexuality, fashion/clothing |
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Davis, Storme G. |
Nora Roberts: descendant of Jane Austen and Charlotte Brontë? |
2008 |
Nora Roberts/J. D. Robb |
| Davis, Sara N. |
Values and the Romance Novel: Journeys of the Reader |
2005 |
readers, psychology, teaching romance |
| Davis, Mary Louise |
Romances and the Modern Ms.: a Study of Contemporary (Line) Romances, 1980-1984 |
1986 |
paratext, gender, readers, work, sex/sexuality |
| LaDousa, Chaise; Davis, Christina P. |
Language, Education, and Identity: Medium in South Asia |
2022 |
|
| Brunet, Peyton; Davis, Blair |
Comic Book Women: Characters, Creators, and Culture in the Golden Age |
2022 |
comics/manga, African American romance, LGBTQ+ characters, readers and/or authors |
| Davisson, Amber; Hunting, Kyra |
From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires |
2023 |
Julia Quinn, film/movies, sex/sexuality, rape and/or intimate partner violence/abuse, pornography, race/ethnicity |
| Day, Sara K. |
Reimagining Forever...: The Marriage Plot in Recent Young Adult Literature |
2020 |
YA/teenage romance, marriage |
| Day, Gary; Bloom, Clive |
Perspectives on Pornography: Sexuality in Film and Literature |
1988 |
|
| De Donato, Gigliola; Gazzola Stacchini, Vanna |
I best seller del ventennio: Il regime e il libro di massa |
1991 |
|
| Prayuana, Ratu; De Ferras, Rayhan Romombe; Ramadhan, Fitra Wahyu |
The Rules of Romance Manifested in the Textual Structure of the Novel Fireside |
2023 |
Susan Wiggs |
| de Geest, Dirk; Goris, An |
Constrained Writing, Creative Writing: The Case of Handbooks for Writing Romances |
2010 |
authors, trash/literary and or intellectual quality, Publishing, readers, genre definitions, rape and/or intimate partner violence/abuse |
| De Groot, Jerome |
The Historical Novel |
2010 |
historical romance, Georgette Heyer, Catherine Cookson, Barbara Cartland, Harlequin Mills & Boon |
| de Jesús, Melinda L. |
"Two’s Company, Three’s a Crowd?": Reading Interracial Romance in Contemporary Asian American Young Adult Fiction |
2001 |
YA/teenage romance, race/ethnicity, United States of America, LGBTQ+ characters, readers and/or authors, Haemi Balgassi, Kate Emberg, Lois-Ann Yamanaka |
| Saint-Jacques, Denis; de la Garde, Roger |
Les pratiques culturelles de grande consommation. Le marché francophone |
1992 |
|
| de los Heros, Susana |
Ideologías lingüísticas, paisaje y voz narrativa en The Wind off the Small Isles |
2022 |
Mary Stewart, linguistics, race/ethnicity, settings |
| de los Heros, Susana |
Language ideologies, landscape and narrative voice in The Wind off the Small Isles |
2022 |
Mary Stewart, linguistics, race/ethnicity, settings |
| De Silva Miguel, Donna |
Love conquers all: the rhetoric, culture, and appeal of the contemporary romance novel, and coming to terms with coming out of the closet |
2002 |
|
| Deal, Clare H. |
Throbb[ing] with a consciousness of a knowledge that appalled her’: Embodiment and Female Subjectivity in the Desert Romance |
2015 |
E. M. Hull, sheikh romance, feminism, sex/sexuality, gender, rape and/or intimate partner violence/abuse |
| Dean, John; Gabilliet, Jean-Paul |
European Readings of American Popular Culture |
1996 |
|
| Deane, Katie |
Romance Self-Publishing and UK Legal Deposit |
2024 |
Publishing, libraries/librarians |
| DeBlase, Gina |
Acknowledging agency while accommodating romance: Girls negotiating meaning in literacy transactions |
2003 |
readers, gender, social/economic class |
| Deffenbacher, Kristina |
Rape Myths' Twilight and Women's Paranormal Revenge in Romantic and Urban Fantasy Fiction |
2014 |
rape and/or intimate partner violence/abuse, paranormal/fantasy/time-travel romance, gender, Twilight, Patricia Briggs, Nicole Peeler, Kresley Cole, Larissa Ione, Christine Feehan, J. R. Ward, Dianne Sylvan, Richelle Mead, Karen Marie Moning, Charlaine Harris |
| Quiroga Fernández de Soto, Alejandro; del Arco Blanco, Miguel Ángel |
Soldados de Dios y apóstoles de la patria: Las derechas españolas en la Europa de entreguerras |
2010 |
|
| Del Grosso Destreri, Luigi; Brodesco, Alberto; Giovanetti, Silvia; Zanatta, Sara |
Una galassia rosa: Ricerche sulla letteratura femminile di consumo |
2009 |
|
| Delamoir, Jeanette |
Marie Bjelke Petersen's 'virile story': Jewelled Nights, gender instability, and the bush |
2003 |
cross-dressing, Marie Bjelke Petersen, Australia, LGBTQ+ characters, readers and/or authors, trash/literary and or intellectual quality, Publishing, settings, fashion/clothing, film/movies, religion/spirituality, gender, social/economic class, rape and/or intimate partner violence/abuse |
| Delany, Samuel R. |
The Gestation of Genres: Literature, Fiction, Romance, Science Fiction, Fantasy ... |
1987 |
genre definitions, Publishing |
| Deller, Ruth A.; Smith, Clarissa |
Reading the BDSM romance: Reader responses to Fifty Shades |
2013 |
Fifty Shades, BDSM, readers, trash/literary and or intellectual quality, sex/sexuality |
| Delpech, Jeanine |
Le cas Delly |
2019 |
Delly |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Deng, Yiwei |
The Aesthetic form of Childhood Sweetheart: I Love You, None of Your Business |
2022 |
China, emotions |
| Dennis, Lesley Erin |
Pornography and Rape Myths in Paranormal Romance Novels |
2012 |
paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse, feminism, readers, sex/sexuality, pornography |
| Deputter, Barbara Anne |
Les romans Harlequin, leur contenu et leurs lectrices québécoises |
1992 |
Harlequin Mills & Boon, Canada, readers |
| Derbyshire, Valerie Grace |
“Do you think I haven’t paid for what I did?”: Rape in the Mills & Boon Romantic Novels of Penny Jordan |
2023 |
rape and/or intimate partner violence/abuse, Penny Jordan/Caroline Courtney, history, Harlequin Mills & Boon |
| Derbyshire, Val |
Why Read Mills & Boon Romances? |
2016 |
Harlequin Mills & Boon, trash/literary and or intellectual quality, settings, Penny Jordan/Caroline Courtney, romance and, or as, activism, rape and/or intimate partner violence/abuse, feminism |
| des Rivières, Marie-José |
Le mariage ou la réconciliation comme mauvais genre |
1992 |
trash/literary and or intellectual quality |
| Bettinotti, Julia; Bleton, Paul; des Rivières, Marie-José; Saint-Jacques, Denis |
Lecture paralittéraire québécoise : les femmes et le travail de 1945 à aujourd’hui |
1994 |
Canada, Harlequin Mills & Boon |
| Saint-Jacques, Denis; Bettinotti, Julia; des Rivières, Marie-José; Bleton, Paul; Savoie, Chantal |
Femmes de rêve au travail : les femmes et le travail dans les productions écrites de grande consommation, au Québec, de 1945 à aujourd'hui |
1998 |
Canada, work, gender, Delly, Barbara Cartland, Harlequin Mills & Boon, Charlotte Lamb, Janet Dailey |
| Bettinotti, Julia; des Rivières, Marie-José |
Un élargissement du canon littéraire : le cas du roman d'amour |
2000 |
romance scholarship, feminism, readers |
| Saint-Jacques, Denis; des Rivières, Marie-José |
Le féminisme problématique d’un roman d’amour, Anne Mérival |
2011 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, work, marriage, war/armed forces, Canada, trash/literary and or intellectual quality, Delly, religion/spirituality, romances in magazines and newspapers |
| Desai, Gaurav |
Teaching the African Novel |
2009 |
|
| Desmet, Christy; Sawyer, Robert |
Shakespeare and Appropriation |
1999 |
|
| DeVries, Susan; Dunlop, Margaret; Goopy, Suzanne; Moyle, Wendy; Sutherland‐Lockhart, Diane |
Discipline and passion: meaning, masochism and mythology in popular medical romances |
1995 |
medical romance, history, work, emotions, sex/sexuality, health/medical, death, family, settings, gender, BDSM, Harlequin Mills & Boon |
| Dexl, Carmen; Gerlsbeck, Silvia |
The Male Body in Representation: Returning to Matter |
2022 |
|
| Di Leo, Jeffrey |
The Speed of Publishing |
2020 |
Publishing, Alexa Riley, I. T. Lucas |
| Diamond, Geneva |
Medievalism and the Courtship Plot in Julie Garwood's Popular Romance Novels |
2015 |
Julie Garwood, historical romance, gender, romantic suspense |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Dickson, Beth |
Annie S. Swan and O. Douglas: Legacies of the Kailyard |
1997 |
Annie S. Swan, O. Douglas/Anna Buchan |
| Diekman, Amanda B.; McDonald, Mary; Gardner, Wendi L. |
Love means never having to be careful: The relationship between reading romance novels and safe sex behavior |
2000 |
psychology, sex/sexuality, readers |
| Díez Borque, José María |
Literatura y cultura de masas: Estudio de la novela subliteraria |
1972 |
Corín Tellado, Spain, gender, social/economic class, linguistics |
| Dillon, George L. |
The Genres Speak; Using Large Corpora to Profile Generic Registers |
2007 |
linguistics, Harlequin Mills & Boon, sex/sexuality |
| DiVisconte, Jessica |
The Recession and Its Effect on the Romance Genre |
2009 |
Publishing |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Dixon, Peter; Bortolussi, Marisa |
Readers' Knowledge of Popular Genre |
2009 |
psychology, genre definitions, readers, emotions |
| Dixon, jay |
Fantasy Unlimited: the World of Mills and Boon |
1987 |
Harlequin Mills & Boon |
| Dixon, jay |
The Romance Fiction of Mills & Boon 1909-1990s |
1999 |
Harlequin Mills & Boon, rural romance, settings, marriage, gender, feminism, war/armed forces, work, love, Publishing, sex/sexuality, rape and/or intimate partner violence/abuse |
| Dixon, jay |
The Depiction of Masculinity and Nationality in The Sheik |
2020 |
E. M. Hull, gender, race/ethnicity, UK, Scotland |
| Dixon, jay |
History of English romance novels, 1621-1975 |
2021 |
UK, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, historical romance |
| Soedibio, Sari M. R. D.; Djundjung, Jenny M. |
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s |
2013 |
gender, Harlequin Mills & Boon, Nora Roberts/J. D. Robb, Diana Palmer, Penny Jordan/Caroline Courtney, Debbie Macomber, Linda Lael Miller, Robyn Carr |
| Curthoys, Ann; Docker, John |
Popular Romance in the Postmodern Age. And an Unknown Australian Author |
1990 |
Edwina Shore, trash/literary and or intellectual quality, Harlequin Mills & Boon |
| Rapp, Adrian; Dodgen, Lynda; Kaler, Anne K. |
A Romance Writer Gets Away with Murder |
2000 |
Sandra Brown, romantic suspense, death |
| Doğan Yıldız, Alpay |
Popüler Türk Romanları ( 1930-1950): Kerime Nadir, Esat Mahmut Karakurt, Muazzez Tahsin Berkand |
2010 |
Turkey, Older and/or precursor texts (may not be "romance" as now defined), Kerime Nadir, Muazzez Tahsin Berkand |
| Donalson, Tara A. |
The Parody of Romance |
2005 |
Christian romance, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Douglas, Ann |
Soft-Porn Culture: Punishing the Liberated Woman |
1980 |
BDSM, pornography, Harlequin Mills & Boon, feminism, virginity, readers, gender |
| Downey, Kristin |
Irony, Ideology, and Resistance: The Amazing Double Life of Harlequin Presents |
2005 |
Harlequin Mills & Boon, marriage, family, sex/sexuality, readers, gender, national identity, race/ethnicity |
| Doyle, Marsha Vanderford |
The Rhetoric of Romance: A Fantasy Theme Analysis of Barbara Cartland Novels |
1985 |
Barbara Cartland, gender, religion/spirituality, love |
| Drakulić-Ilić, Slavenka |
Smrtni grijesi feminizma. Ogledi u mudologiji |
1984 |
readers, sex/sexuality, trash/literary and or intellectual quality, socialism and/or communism |
| Drayton, Arthur D.; Ajayi-Soyinka, Omofolabo; Ukpokodu, I. Peter |
African Literatures at the Millennium |
2007 |
|
| Dreimane, Jana |
Authors, Publishers and Readers of Popular Literature in Latvia in the Late 1980s and Early 1990s |
2015 |
Latvia, Publishing, readers, translation, Hedwig Courths-Mahler, Ethel M. Dell, trash/literary and or intellectual quality, socialism and/or communism |
| Drescher, Horst W.; Hagemann, Susanne |
Scotland to Slovenia: European Identities and Transcultural Communication. Proceedings of the Fourth International Scottish Studies Symposium |
1996 |
|
| Drew, Bernard A. |
100 Most Popular African American Authors: Biographical Sketches and Bibliographies |
2007 |
African American romance, Rochelle Alers, Tina McElroy Ansa, Leslie Esdaile Banks, Angela Benson, Michele Andrea Bowen, Connie Briscoe, Anita Richmond Bunkley, Aisha Ford, Gwynne Forster, Sharon Ewell Foster, Patricia Haley, E. Lynn Harris, Donna Hill, Brenda Jackson, Beverly Jenkins, Sandra Kitt, Felicia Mason, Evelyn Palfrey, Francis Ray, Kimberla Lawson Ruby, Eboni Snoe, Chassie L. West, Alice Wootson, Courtni Wright, Frank Yerby, Zane |
| Driscoll, Catherine |
One True Pairing: The Romance of Pornography and the Pornography of Romance |
2006 |
fanfiction, pornography, sex/sexuality, gender |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim |
Women, Akubras and Ereaders: Romance Fiction and Australian Publishing |
2011 |
Australia, Publishing, rural romance, Harlequin Mills & Boon |
| Driscoll, Beth |
Genre, Author, Text, Reader: Teaching Nora Roberts’s Spellbound |
2014 |
teaching romance, Nora Roberts/J. D. Robb |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Driscoll, Beth |
Book Blogs as Tastemakers |
2019 |
readers |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Driscoll, Beth; Wilkins, Kim |
Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries |
2023 |
Australia, Publishing |
| Dryden, Therese Michelle |
Bachelor Dad on Her Doorstep |
2011 |
Harlequin Mills & Boon, authors, love, Georgette Heyer, Daphne du Maurier, Jane Austen, Charlotte Brontë, Michelle Douglas |
| Dryden, Therese |
The Valentine Wars |
2019 |
feminism, family, Susan Elizabeth Phillips, Nora Roberts/J. D. Robb, Rachel Gibson, Robyn Carr, Marie Force, Kristan Higgins, Ruthie Knox, Bella Andre, Grace Burrowes, Sharon Sala, Michelle Douglas |
| Dryden, Therese |
The single-mother and the law: romance novels making room for female voices in patriarchal spaces |
2022 |
family, Robyn Carr |
| Dubino, Jeanne |
The Cinderella Complex: Romance Fiction, Patriarchy, and Capitalism |
1993 |
capitalism/business, readers, work, gender |
| Dubrûle, Marie-Andrée |
Systèmes narratifs et systèmes de valeurs dans le roman sentimental paralittéraire |
1984 |
|
| Dubrûle, Marie-Andrée |
Le cas Harlequin : la mise à l’épreuve du sujet femme : une analyse des procédés narratifs et littéraires |
1986 |
Harlequin Mills & Boon, Janet Dailey, gender, feminism |
| Ducoulombier, Martine |
La comédie romantique – un genre mal-aimé? |
2005 |
film/movies, Africa |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Grobbelaar, Madalena; Reid Boyd, Elizabeth; Dudek, Debra |
Contemporary Love Studies in the Arts and Humanities: What's Love Got To Do With It? |
2023 |
|
| Duder, C. J. D. |
Love and the Lions: The Image of White Settlement in Kenya in Popular Fiction, 1919-1939 |
1991 |
Kenya, UK, national identity, history, race/ethnicity, Florence Riddell, Nora K. Strange, trash/literary and or intellectual quality, fascism/right-wing authoritarianism |
| Dudovitz, Resa L. |
The Myth of Superwoman: Women's Bestsellers in France and the United States |
1990 |
France, United States of America, historical romance, Harlequin Mills & Boon |
| Dugger, Julie M. |
“I’m a Feminist, But…” Popular Romance in the Women’s Literature Classroom |
2014 |
feminism, teaching romance, readers, Jane Austen, trash/literary and or intellectual quality |
| Dulong, Delphine; Neveu, Erik; Guionnet, Christine |
Boys Don't Cry! Les coûts de la domination masculine |
2012 |
|