| Taylor, Jessica |
Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada |
2018 |
Canada, authors, national identity, Kate Bridges, settings, Publishing, Harlequin Mills & Boon, race/ethnicity, historical romance, history |
| Taylor, Jessica |
Animating Creative Selves: Pen Names as Property in the Careers of Canadian and American Romance Writers |
2018 |
authors, Publishing, work |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Keen, Suzanne |
Probable Impossibilities: Historical Romance Readers Talk Back |
2018 |
Diana Gabaldon, readers, history |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Po-Yu, Rick Wei |
“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter |
2018 |
Georgette Heyer, history, feminism, historical romance |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| McAlister, Jodi |
The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838-1860 |
2018 |
Australia, love, Older and/or precursor texts (may not be "romance" as now defined), history, national identity |
| Kitchen, Veronica |
Veterans and Military Masculinity in Popular Romance Fiction |
2018 |
war/armed forces, gender, disability |
| Bird, Paul |
Issues of Socioeconomic Class in Barbara Cartland’s A Duel of Hearts and Catherine Cookson’s The Menagerie |
2018 |
social/economic class, Barbara Cartland, Catherine Cookson |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Gehrmann, Susanne |
Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa |
2018 |
Publishing, Africa, chick lit |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Popova, Milena |
Sexual Consent |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse |
| Bazenga, Aline |
Turismo e Romance na Literatura Popular Cor-de-rosa Tendo por Cenário a Ilha da Madeira |
2019 |
Portugal, languages, Harlequin Mills & Boon, settings |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Chaplin, Sue |
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance |
2019 |
paranormal/fantasy/time-travel romance, Twilight, J. R. Ward, Lara Adrian, family, gender, sex/sexuality, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Gruner, Elisabeth Rose |
Constructing the Adolescent Reader in Contemporary Young Adult Fiction |
2019 |
YA/teenage romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Sagun, Karryl Kim Abella |
Book Mavens of Manila: an interpretative phenomenological analysis of contemporary niche publishers in the Philippines |
2019 |
Philippines, Publishing, Mina V. Esguerra |
| Arvanitaki, Eirini |
Gender in Recent Romance Novels: A Third Wave Feminist Mills and Boon Love Affair? |
2019 |
gender, feminism, love, Jane Porter, Leah Ashton, Kate Hewitt, Natalie Anderson, work, sex/sexuality |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Kendal, Evie |
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series |
2019 |
J. R. Ward, close reading, linguistics, genre definitions, paranormal/fantasy/time-travel romance, readers |
| Béja, Alice |
La new romance et ses nuances. Marché littéraire, sexualité imaginaire et condition féminine |
2019 |
France, erotic romance, sex/sexuality, Fifty Shades, Publishing, m/m romance, fanfiction, readers |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Toscano, Angela |
The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature |
2019 |
trash/literary and or intellectual quality, genre definitions, readers, Jennifer Crusie, happy ending |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Cheyne, Ria |
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction |
2019 |
disability, emotions, Julia Quinn, family, Barbara McMahon, Christina Dodd, Barbara Delinsky, Mary Balogh |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Choyke, Kelly L. |
The Power of Popular Romance Culture: Community, Fandom, and Sexual Politics |
2019 |
feminism, community, readers |
| Valovirta, Elina |
No Ordinary Love: The Romantic Formula of Stepsibling Erotica |
2019 |
NA romance, erotic romance, family |
| Moore, Laura M. |
Sexual Agency, Safe Sex, and Consent Negotiations in Erotic Romance Novels |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse, erotic romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Ali, Kecia |
Sacrifices, Sidekicks, and Scapegoats: Black Characters and White Stories in Nora Roberts’s Romances |
2019 |
Nora Roberts/J. D. Robb, race/ethnicity, death, romantic suspense, paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse, police officers/police forces, authors |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Basu, Soumi Sinha Ray |
The Allure and the Shame of Popular Fiction: An Analysis of Mills & Boon Romances |
2019 |
Harlequin Mills & Boon |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Muryn, Teresa |
Rougir / devenir rouge : l’expression linguistique du langage corporel et ce qu’elle laisse inférer dans un genre textuel |
2019 |
linguistics, emotions, Harlequin Mills & Boon |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Ivanski, Chantelle |
Judging a Book by Its Author's Gender |
2019 |
trash/literary and or intellectual quality, gender |
| Al Thobaiti, Fatmah |
Afterlife of the Romance Hero: Readers’ Reproduction of Romance |
2019 |
readers, gender, fanfiction, Twilight |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Nikbakht, H. |
Female Agency in the Harlequin Romance Formula: developments within the timeframe of second wave feminism |
2019 |
Harlequin Mills & Boon, feminism, family, work, sex/sexuality, gender, Carole Mortimer, Roberta Leigh/Rachel Lindsay, virginity, rape and/or intimate partner violence/abuse, health/medical, marriage |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Romera Pintor, Angela Magdalena |
L’enfance dans l’œuvre de Delly |
2019 |
Delly, family |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Jones, Amanda |
Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt |
2019 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance, romantic suspense, feminism, Charlotte Brontë, gender, marriage, family, Wilkie Collins, health/medical, Mary Elizabeth Braddon, India |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| González Cruz, María Isabel |
Viaje y romance en Canarias: el discurso del paraíso en dos novelas publicadas en los Estados Unidos |
2019 |
Spain, Nancy Kennedy, settings |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| González Pérez, Teresa |
La educación de las mujeres en Iberoamérica: análisis histórico |
2019 |
|
| Γραφανάκη, Ρωξάνη |
Γυναίκες και ροζ λογοτεχνία: η περίπτωση των εκδόσεων Άρλεκιν |
2019 |
Harlequin Mills & Boon, feminism, capitalism/business, gender, sex/sexuality |
| Delpech, Jeanine |
Le cas Delly |
2019 |
Delly |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Carlos, Giovana Santana |
Fandom e mercado literário: um mapa das mediações das fãs de romance no contexto brasileiro |
2019 |
readers, Brazil, Publishing |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Golubov, Nattie |
La promesa utópica del final feliz |
2019 |
genre definitions, happy ending |
| Veros, Vassiliki |
Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups |
2019 |
libraries/librarians, trash/literary and or intellectual quality, readers |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Larson, Christine |
Open networks, open books: gender, precarity and solidarity in digital publishing |
2019 |
authors, Publishing |
| Reitemeier, Rebecca |
Romance Novels and Higher Education |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, readers, psychology, teaching romance |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Raineri, Rosalia |
Verde bianco e rosa. Il romanzo 'femminile' e l'educazione sentimentale delle italiane (1911-1946) |
2019 |
Annie Vivanti/Annie Vivanti Chartres, Mura, Luciana Peverelli, Italy, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), linguistics, family |
| Driscoll, Beth |
Book Blogs as Tastemakers |
2019 |
readers |
| Pérez-Gil, María del Mar |
Representations of Nation and Spanish Masculinity in Popular Romance Novels: The Alpha Male as “Other” |
2019 |
Spain, gender, national identity, Harlequin Mills & Boon, UK |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Brouillette, Sarah |
Romance Work |
2019 |
Publishing, readers, capitalism/business |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Fresno-Calleja, Paloma |
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series |
2019 |
Lani Wendt Young, chick lit, Samoa, metafiction, YA/teenage romance, race/ethnicity, feminism, food, drink, metaphor/symbolism, family, wealth/prosperity, national identity, sex/sexuality, rape and/or intimate partner violence/abuse |
| Chaves, Duarte Nuno |
Memoria e Identidade Insular: Religiosidade, Festividades e Turismo nos Arquipélagos da Madeira e Açores |
2019 |
|
| Fernández Rodríguez, Carolina |
Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality |
2019 |
Guam, United States of America, race/ethnicity, Paula Quinene, Cathy Sablan Gault, islands, history, romance and, or as, activism, languages, religion/spirituality, war/armed forces, historical romance |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Kraxenberger, Maria |
Erotic Romances: An Emerging Subgenre Succeeding Fifty Shades |
2019 |
erotic romance, Fifty Shades |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Gardner, Dora Abigail |
Defending the Bodice Ripper |
2019 |
feminism, readers, sex/sexuality, history, rape and/or intimate partner violence/abuse |
| Gerlitz, Laura Michelle |
Judging a Book By Its Cover: Bringing the Digital Humanities into Reader’s Advisory |
2019 |
Harlequin Mills & Boon, paratext, libraries/librarians |
| Williams, Elizabeth W. |
Queering Settler Romance: The Reparative Eugenic Landscape in Nora Strange's Kenyan Novels |
2019 |
Nora K. Strange, sex/sexuality, race/ethnicity, Kenya, Africa, family, science/technology, history, settings, rural romance, rape and/or intimate partner violence/abuse |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Cella, Laurie J. C. |
The Personal and the Political in American Working-Class Literature, 1850-1939: Defining the Radical Romance |
2019 |
gender, history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Laura Jean Libbey, sex/sexuality, work, fashion/clothing, social/economic class, socialism and/or communism |
| Pérez Casal, Inmaculada |
Antecedents and Development of the Contemporary Romance Novel in English: A Study of the Contribution to the Genre by Rosamunde Pilcher and Lisa Kleypas |
2019 |
feminism, Lisa Kleypas, Rosamunde Pilcher |
| Sule, Sani |
Exploring the Benefit and Significance of Reading Hausa Popular Romance Genre: A Thematic Analysis |
2019 |
Nigeria, readers |
| Escolar, Marisa |
Allied Encounters: The Gendered Redemption of World War II Italy |
2019 |
Luciana Peverelli, Italy |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Noone, Kristin |
Succulent Texts: Desire, Outlaws, and Consumption in Popular Romance |
2019 |
food, drink, Suzanne Enoch, pirates and outlaws, Diane Carey, Alexis Hall, historical romance, steampunk, LGBT+ characters, readers and/or authors, community, religion/spirituality, rural romance |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Rollins, Shannon Marie |
Crafting women’s narratives: the material impact of twenty-first century romance fiction on contemporary steampunk dress |
2019 |
steampunk, fashion/clothing, gender, Gail Carriger, feminism, race/ethnicity, Adrienne Kress |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Dryden, Therese |
The Valentine Wars |
2019 |
feminism, family, Susan Elizabeth Phillips, Nora Roberts/J. D. Robb, Rachel Gibson, Robyn Carr, Marie Force, Kristan Higgins, Ruthie Knox, Bella Andre, Grace Burrowes, Sharon Sala, Michelle Douglas |
| Çamoğlu, Dikmen Yakalı |
Re/Presenting Gender and Love |
2019 |
|
| Ujma, Alicja |
One Author, Two Pen Names. A Stylometric Analysis of Novels by Nora Roberts/J.D. Robb |
2019 |
linguistics, Nora Roberts/J. D. Robb, translation |
| Kerr, Ashley Elizabeth |
Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels |
2019 |
history, race/ethnicity, Argentina, science/technology, national identity, historical romance |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Billekens, Franciska |
Never Mind Me When There’s You: The Submission Of The Heroine In Young Adult Supernatural Romance Fiction |
2019 |
YA/teenage romance, gender, paranormal/fantasy/time-travel romance |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Intan, Tania |
Formula Romance Dalam Perfect Romance Karya Indah Hanaco: Kajian Sastra Feminis |
2020 |
Indah Hanaco, genre definitions, feminism, family, Indonesia |
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Wheeler, Duncan |
Following Franco: Spanish culture and politics in transition, 1962–92 |
2020 |
Spain, fascism/right-wing authoritarianism, Corín Tellado |
| Violi, Patrizia |
Breve storia della letteratura rosa |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Carolina Invernizio, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi, Publishing, Harlequin Mills & Boon, romances in magazines and newspapers, Fifty Shades, fanfiction |
| Fragero Guerra, Carmen |
Carmen de Icaza: la imagen de identidad femenina durante el primer franquismo (1936-1949) |
2020 |
Carmen de Icaza, fascism/right-wing authoritarianism, Spain, gender |
| Lancashire, Anne |
Venetia: Georgette Heyer’s Pastoral Romance |
2020 |
Georgette Heyer, rural romance, Shakespeare, settings |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Habermann, Ina; Krug, Christian |
And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales |
2020 |
|
| Ramos-García, María T. |
Representations of Otherness in Paranormal Romance: Race and Wealth in Nalini Singh and J. R. Ward |
2020 |
Nalini Singh, J. R. Ward, paranormal/fantasy/time-travel romance, race/ethnicity, United States of America, capitalism/business |
| Kamblé, Jayashree |
When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy |
2020 |
Sherry Thomas, China, war/armed forces, race/ethnicity, historical romance, UK, gender, national identity, family |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Riseman, Noah |
Intimatopias and the queering of Australian war fiction |
2020 |
Australia, history, war/armed forces, m/m romance, LGBT+ characters, readers and/or authors |
| Nowacki, Dariusz |
Access Paths: On Popular Women’s Literature and Criticism |
2020 |
romance scholarship |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Day, Sara K. |
Reimagining Forever...: The Marriage Plot in Recent Young Adult Literature |
2020 |
YA/teenage romance, marriage |
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Pérez Casal, Inmaculada |
“There’s Something Charming about a Man with an Accent, Isn’t There?”: The Representation of Otherness in Three Novels by Lisa Kleypas |
2020 |
Lisa Kleypas, race/ethnicity, historical romance, languages, social/economic class, UK |
| Lawrence, E. E. |
On the problem of oppressive tastes in the public library |
2020 |
libraries/librarians, race/ethnicity, philosophy |
| Cassiday, Julie A. |
A World Without Safe Words: Fifty Shades of Russian Grey |
2020 |
Russia, Alisa Klever/Tatiana Vedenska, Fifty Shades, BDSM, national identity, romantic suspense, rape and/or intimate partner violence/abuse, sex/sexuality |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Bloom, Clive |
The Palgrave Handbook of Contemporary Gothic |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Duvezin-Caubet, Caroline |
Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century |
2020 |
m/m romance, K. J. Charles, Cat Sebastian, Georgette Heyer, happy ending, LGBT+ characters, readers and/or authors, historical romance, gender, race/ethnicity, Publishing, family |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Johnson, Emily D. |
Exploring His/Her Library: Reading and Books in Russian Romance |
2020 |
Russia, metafiction, authors, Harlequin Mills & Boon, Galina Kulikova, Natal’ia Mironova, Publishing, socialism and/or communism, trash/literary and or intellectual quality, race/ethnicity, rape and/or intimate partner violence/abuse |
| González Cruz, María Isabel |
Hacia un glosario de hispanismos en un corpus de novela rosa inglesa contemporánea |
2020 |
linguistics, Harlequin Mills & Boon |
| Bhat, Shilpa Daithota |
Diasporic Inquiries into South Asian Women’s Narratives: Alien Domiciles |
2020 |
|
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Franck, Kaja |
Growing Pains of the Teenage Werewolf: Young Adult Literature and the Metaphorical Wolf |
2020 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Maggie Stiefvater, animals, fairytales/folktales, Twilight |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Di Leo, Jeffrey |
The Speed of Publishing |
2020 |
Publishing, Alexa Riley, I. T. Lucas |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Nickel, Eleanor Hersey |
Christian Popular Culture from The Chronicles of Narnia to Duck Dynasty |
2020 |
Christian romance, Francine Rivers, sex/sexuality, feminism, fairytales/folktales |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Pierini, Francesca |
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love |
2020 |
Italy, history, Shakespeare, Marina Fiorato, Anne Fortier, work, race/ethnicity |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Reed, Eleanor |
Romance in Woman’s Weekly and Woman’s Weekly as Romance, 1918–39 |
2020 |
romances in magazines and newspapers, social/economic class, UK, readers, work |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Lawrence, E. E. |
The trouble with diverse books, part I: on the limits of conceptual analysis for political negotiation in Library & Information Science |
2020 |
libraries/librarians, Publishing, race/ethnicity, sheikh romance, philosophy, LGBT+ characters, readers and/or authors |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Birthisel, Jessica |
The Good, the Bad, and the Kinky: Erotic Romance Writing in a Post-Fifty Shades of Grey Landscape |
2020 |
erotic romance, Fifty Shades, authors, sex/sexuality, Publishing, BDSM |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| Teo, Hsu-Ming |
Cultural Authenticity, the Family, and East Asian American Romance Novels |
2020 |
race/ethnicity, Asia, China, authors, Publishing, United States of America, family, Jade Lee, Jeannie Lin, Onoto Watanna/Winnifred Eaton, Older and/or precursor texts (may not be "romance" as now defined), historical romance, history, love, Elizabeth Lowell, Marie Donovan, Dorien Kelly, Vicki Essex, Camy Tang, Christian romance, Ruby Lang, Jennifer Lewis, Helen Hoang, Courtney Milan |
| Allan, Jonathan A. |
Mourning and Sentimental Heroism in Maureen Child's Lost in Sensation |
2020 |
Maureen Child, gender, happy ending, death, metaphor/symbolism, emotions |
| Mäkelä, Veera |
"World Turned Upside Down": The Role of Revolutions in Maya Rodale's Regency-Set Romances |
2020 |
Maya Rodale, United States of America, UK, historical romance, social/economic class, gender, race/ethnicity, emotions, feminism |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Salter, Anastasia |
Plundered Hearts: Infocom, Romance, and the History of Feminist Game Design |
2020 |
computer/video/digital games, pirates and outlaws, fashion/clothing, feminism |
| Cole, Elizabeth |
Authors on The Sheik: A conversation with Liz Fielding |
2020 |
Liz Fielding, sheikh romance, E. M. Hull |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| Vivanco, Laura |
Faith, Love, Hope and Popular Romance Fiction |
2020 |
religion/spirituality, love, death, authors, readers, romance and, or as, activism, Lindsay Evans, health/medical, psychology, Piper Huguley, race/ethnicity, Publishing, romance scholarship, Rose Lerner, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, LGBT+ characters, readers and/or authors, Alyssa Cole, wealth/prosperity, emotions, metaphor/symbolism, Carola Dunn, Georgette Heyer, Lisa Kleypas, Meljean Brook, Elizabeth Hoyt, Justine Davis/Justine Dare, Suleikha Snyder, Nora Roberts/J. D. Robb, rape and/or intimate partner violence/abuse, community, happy ending |
| Burke, Nicola |
Mills and Fur: Feminism and Femininity in the Supernatural Romance |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), fairytales/folktales, YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, animals, food, drink, gender, Jackson Pearce, Ivy Devlin, Sarah Blakley-Cartwright, Maggie Stiefvater |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Lancaster, Rosemary |
Fact and Fiction: Alice Williamson’s Monte Carlo |
2020 |
Alice Williamson/A. M. Williamson/Mrs. C. N. Williamson, Older and/or precursor texts (may not be "romance" as now defined) |
| Romera Pintor, Angela Magdalena |
Maryan (1847-1927) et le déclassement du roman sentimental |
2020 |
Maryan, pen name of Marie Cadiou, Older and/or precursor texts (may not be "romance" as now defined) |
| Magenya, Sheena Gimase |
Reading between the lines: A review of Dark Juices and Afrodisiacs: Erotic Diaries Vol 1 |
2020 |
Africa, LGBT+ characters, readers and/or authors, sex/sexuality, feminism, race/ethnicity |
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Alexi, Sarah |
Girl, woman, spinster—‘desire, fear, ridicule’: the feminine and the failed in twentieth-century Australian women’s writing |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Louise Mack, Australia, national identity, Mabel Forrest |
| Pérez-Gil, María del Mar |
Britannia’s Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s–1970s) |
2020 |
national identity, race/ethnicity, UK, history, Violet Winspear, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Kay Thorpe, Greece, Spain, Jean S. MacLeod/Catherine Airlie, gender, feminism |
| Taylor, Jessica |
Garçon Manqué: A Queer Rereading (of) The Sheik |
2020 |
E. M. Hull, Radclyffe Hall, gender, LGBT+ characters, readers and/or authors, sex/sexuality, readers, fashion/clothing, race/ethnicity |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Pérez-Casal, Inmaculada |
Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series |
2020 |
Lisa Kleypas, capitalism/business, historical romance, United States of America, UK, national identity, social/economic class |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| McAlister, Jodi |
The Consummate Virgin: Female Virginity Loss and Love in Anglophone Popular Literatures |
2020 |
sex/sexuality, love, virginity, history, romance scholarship, historical romance, rape and/or intimate partner violence/abuse, Harlequin Mills & Boon, Twilight, Fifty Shades, race/ethnicity, Kathleen Woodiwiss, Catherine Coulter, Loretta Chase, Teresa Medeiros, Julia Quinn, Lisa Kleypas, Stephanie Laurens, Courtney Milan, Johanna Lindsey, Denise Robins, Sophie Cole, Louise Gerard, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, national identity, UK, readers |
| Veros, Vassiliki |
What the Librarians Did: The Marginalisation of Romance Fiction Through the Practices of Public Librarianship |
2020 |
libraries/librarians, Australia |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Ayres, Brenda |
"A Necessary Madness": PTSD in Mary Balogh's Survivors' Club Novels |
2020 |
Mary Balogh, disability, war/armed forces, death |
| Folie, Sandra |
The Ethnic Labelling of a Genre Gone Global: A Distant Comparison of African-American and African Chick Lit |
2020 |
chick lit, Africa, South Africa, Kenya, race/ethnicity |
| Charlton, Michael |
Till Death Do Us Part: Romancing the Stone, Death Becomes Her, and the Romance Genre |
2020 |
film/movies |
| Lozano Sampedro, Mª Teresa |
Las clases sociales y el poder económico en la obra de Delly: la mujer y su triunfo sobre la opresión |
2020 |
Delly, social/economic class, wealth/prosperity, gender |
| Burge, Amy |
Introduction to the special issue on The Sheik |
2020 |
sheikh romance, E. M. Hull |
| Jansen, Annie |
Rethinking romance: An argument for adding the genre to the popular shelf |
2020 |
libraries/librarians, Helen Hoang, Jasmine Guillory, Sonali Dev, race/ethnicity, Uzma Jalaluddin |
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Liang, William Tham Wai |
Paper & Text: The Trials and Trade of Malaysian Literature |
2020 |
|
| Bazenga, Aline |
Language Awareness in Four Romances Set on the Island of Madeira |
2020 |
linguistics, languages, Portugal, Harlequin Mills & Boon |
| Izharuddin, Alicia |
Sweet Surrender: The Ethno-Religious Spaces of Malay Romance |
2020 |
Malaysia, religion/spirituality |
| Pierini, Francesca |
Olive Skin, Chocolate Eyes: The Legacy of The Sheik on Descriptive Patterns of the Italian Romantic Hero in Harlequin Short Contemporaries |
2020 |
Italy, national identity, Harlequin Mills & Boon, race/ethnicity, gender, E. M. Hull, metaphor/symbolism, animals |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Moreno-Álvarez, Alejandra |
India, Heat, Dust, and Tea? Alienness and Marketability in Ruth Prawer Jhabvala and Nicole C. Vosseler |
2020 |
India, trash/literary and or intellectual quality, Nicole C. Vosseler, Ruth Prawer Jhabvala, happy ending, race/ethnicity |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Veros, Vassiliki |
The selective tradition, the role of romance fiction donations, and public library practices in New South Wales, Australia |
2020 |
Australia, libraries/librarians |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |