| Pérez-Gil, María del Mar |
Paraísos imperfectos: Madeira en las novelas de Margaret Rome, Katrina Britt y Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
| Golubov, Nattie |
La promesa de felicidad: la novela rosa y el placer de la lectura afectiva |
2022 |
readers, emotions, happy ending |
| Turner, Ellen; Wadsö Lecaros, Cecilia |
The desert-governess romance: Regency England meets exotic Arabia |
2022 |
sheikh romance, historical romance, settings, Marguerite Kaye, Laura Martin, Lynne Graham, Kate Hewitt, E. M. Hull, work, genre definitions, Harlequin Mills & Boon, paratext |
| LaDousa, Chaise; Davis, Christina P. |
Language, Education, and Identity: Medium in South Asia |
2022 |
|
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Vera-Cazorla, María Jesús |
Canarian culture and identity and their representation in the novels of the FFI2014-53962-P corpus |
2022 |
national identity, Spain, UK, metaphor/symbolism |
| Sheerman, Lucy |
“Place the glass before you, and draw in chalk your own picture”: The Recasting of Jane Eyre |
2022 |
Charlotte Brontë, Beverly Jenkins, Alyssa Cole, race/ethnicity |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Michelson, Anna |
Pushing the boundaries: Erotic romance and the symbolic boundary nexus |
2022 |
genre definitions, erotic romance, authors, sex/sexuality, Fifty Shades, Publishing, fanfiction, sociology |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Nachumi, Nora; Oppenheim, Stephanie |
Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond |
2022 |
|
| Scupham, Hannah Elizabeth |
“Reader, I Married Him”: Readership, Imagination, and Politics of the Marriage Plot in the Nineteenth-Century Novel |
2022 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), readers, Jane Austen, Elizabeth Gaskell, George Eliot |
| Huguley, Piper |
In Search of the Black Historical Hottie: The Sad Situation of the Black Hero in Historical Romance |
2022 |
historical romance, race/ethnicity, gender, Piper Huguley, happy ending, wealth/prosperity |
| O'Brien, Lee |
Telling Gaps and Domestic Tyranny: Georgette Heyer’s Regency Romances |
2022 |
Georgette Heyer, happy ending, family, history, health/medical, sex/sexuality, gender, social/economic class, rape and/or intimate partner violence/abuse, marriage |
| Konle, Leonard; Jannidis, Fotis |
Modeling Plots of Narrative Texts as Temporal Graphs |
2022 |
linguistics |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Herrera, Carolina M. |
Examining the relation between media engagement and developmental outcomes in adolescents and emerging adults: an exploration of engagement with and impact of young adult literature media among youth |
2022 |
readers, psychology, YA/teenage romance, Twilight |
| Hoorenman, Johanna |
Remembering love: Parsons-Yazzie's historical romance novel and the (re)writing of Navajo history |
2022 |
Evangeline Parsons Yazzie, Native American romance, race/ethnicity, settings, United States of America |
| Bazenga, Aline |
Paisaje sociocultural y lingüístico de la isla de Madeira: Visiones anglocéntricas en una muestra de seis novelas rosa |
2022 |
Portugal, UK, Harlequin Mills & Boon, settings, metaphor/symbolism, linguistics |
| Jan, Jariah Mohd; Ujum, Diana Abu |
Negotiating Conflicts amongst Muslim Female Characters in Malay Romance Novels: A Narratological Perspective |
2022 |
Malaysia, Muslim romance, gender |
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Søndberg Spaabæk, Anne Sofie |
The “Infernal” Value of the Gothic: A Reading of Gothicness and Romanceness in Cassandra Clare’s The Infernal Devices |
2022 |
gothic romance, paranormal/fantasy/time-travel romance, Cassandra Clare, genre definitions |
| González de la Rosa, María del Pilar |
Female voices and feminist discourse in some Harlequin/Mills & Boon romances |
2022 |
Harlequin Mills & Boon, feminism, gender |
| Alexander, Camille S. |
“The Realness” in Jasmine Guillory’s Sista Lit Rom Com Novels |
2022 |
Jasmine Guillory, African American romance, rom-com romance, race/ethnicity, ageism |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Introduction to the Special Issue on Black Romance |
2022 |
romance scholarship |
| Wijanarka, Hirmawan |
Cinderella Formula: The Romance Begins |
2022 |
Harlequin Mills & Boon, genre definitions |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Nachumi, Nora; Oppenheim, Stephanie |
Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond |
2022 |
|
| van Halteren, Hans |
Automatic Authorship Investigation |
2022 |
linguistics, Harlequin Mills & Boon, Stephanie Howard |
| Fekete, Maleah |
Confluent Love and the Evolution of Ideal Intimacy: Romance Reading in 1980 and 2016 |
2022 |
readers, sex/sexuality, gender, sociology, love, emotions |
| Konle, Leonard; Jannidis, Fotis |
Modeling Plots of Narrative Texts as Temporal Graphs |
2022 |
linguistics |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Hernandez, Carmen E. |
Romance and Revolution |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, wealth/prosperity, Jane Austen, Fifty Shades, social/economic class, Sylvain Reynard, Erika Wilde, Carly Phillips, rape and/or intimate partner violence/abuse, virginity, Eliza Haywood |
| Burge, Amy; Folie, Sandra |
Girls of Riyadh and Desperate in Dubai: reading and writing romance in the Middle East |
2022 |
chick lit, race/ethnicity, Islam, Rajaa Alsanea, Ameera Al Hakawati, Saudi Arabia, United Arab Emirates, sheikh romance |
| Vera-Cazorla, María Jesús |
La cultura y la identidad canarias y su representación en las novelas del corpus FFI2014-53962-P |
2022 |
national identity, Spain, UK, metaphor/symbolism |
| Jan, Jariah Mohd; Ujum, Diana Abu |
Negotiating Conflicts amongst Muslim Female Characters in Malay Romance Novels: A Narratological Perspective |
2022 |
Malaysia, Muslim romance, gender |
| White, Bonnie |
Freedom, Sincerity, and the Modern Woman in the Interwar Romances of Berta Ruck |
2022 |
Berta Ruck, history, gender, UK, cross-dressing, LGBT+ characters, readers and/or authors, sex/sexuality, fashion/clothing, emotions |
| Burge, Amy |
Beyond Outlander: Annie S. Swan and the Scottish popular romance novel |
2022 |
Annie S. Swan, Scotland, Older and/or precursor texts (may not be "romance" as now defined), Karen Marie Moning, Lynsay Sands, settings |
| Balteskard, Susanna |
Feminism in Romance: How the romance genre has(n't) changed since the 1950s |
2022 |
feminism, Georgette Heyer, Barbara Cartland, Julia Quinn, Peggy Gaddis Dern with many pseudonyms including Perry Lindsay, Charlotte Lamb, Susan Elizabeth Phillips |
| Wood, Andrea |
His Baby Daddy is an Alien?!: Mpreg Fantasies and Queer Reproductive Intimacies in Contemporary M/M Science Fiction Romance |
2022 |
m/m romance, science fiction/futuristic romance, family, health/medical, LGBT+ characters, readers and/or authors, Lyn Gala, Lexi Ander |
| Ramos-García, María Teresa |
Transatlantic definitions of Whiteness in Louise Bergstrom’s Gothic romances in the Canary Islands (1971-1972) |
2022 |
Louise Bergstrom, gothic romance, race/ethnicity |
| Carter, Ellen |
Eating Disorders and Romance |
2022 |
food, drink, health/medical, Jenny B. Jones, Courtney Milan, M. B. Mulhall, Janette Kenny, Katherine Locke |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Introduction to the Special Issue on Black Romance |
2022 |
romance scholarship |
| Selinger, Eric Murphy |
Cant and Canonicity |
2022 |
romance scholarship, trash/literary and or intellectual quality, teaching romance, genre definitions |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Gómez, Sarah Hannah |
Romance Has Broken My Dichotomous Key |
2022 |
readers, trash/literary and or intellectual quality |
| Vivanco, Laura |
Historical Accuracy, Racism, Courtney Milan, and The Duke Who Didn’t Conform to Genre Norms |
2022 |
race/ethnicity, historical romance, authors, Courtney Milan, history, United States of America, UK, humour |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Iché, Virginie; Sorlin, Sandrine |
The Rhetoric of Literary Communication: From Classical English Novels to Contemporary Digital Fiction |
2022 |
|
| Frederick, Rhonda D. |
Evidence of Things Not Seen: Fantastical Blackness in Genre Fictions |
2022 |
Colin Channer, Jamaica, readers, Caribbean, race/ethnicity |
| Belk, Jaime |
Save Our Love |
2022 |
African American romance, Christian romance, Harlequin Mills & Boon, happy ending |
| Burge, Amy; Folie, Sandra |
Girls of Riyadh and Desperate in Dubai: reading and writing romance in the Middle East |
2022 |
chick lit, race/ethnicity, Islam, Rajaa Alsanea, Ameera Al Hakawati, Saudi Arabia, United Arab Emirates, sheikh romance |
| González de la Rosa, María del Pilar |
Voces femeninas y discurso feminista en algunas novelas de Harlequin/Mills & Boon |
2022 |
Harlequin Mills & Boon, feminism, gender |
| Fanetti, Susan |
Introduction—Popular Romance in the 21st Century: Time to Claim Its Due |
2022 |
romance scholarship, genre definitions, happy ending, Publishing, Fifty Shades |
| Sutton, Denise Hardesty |
Marketing Love: Romance Publishers Mills & Boon and Harlequin Enterprises, 1930–1990 |
2022 |
Harlequin Mills & Boon, Publishing, capitalism/business |
| Tang, Ning |
Reading Online Romance Novels Is Related To Chinese Readers' View of Love |
2022 |
China, readers, love |
| Namysłowska, Karolina |
Romance novels in translation: Focus on defining features of selected texts translated from English into Polish. |
2022 |
Poland, translation, Penny Jordan/Caroline Courtney, Diana Palmer, Sandra Brown, Jude Deveraux |
| de los Heros, Susana |
Language ideologies, landscape and narrative voice in The Wind off the Small Isles |
2022 |
Mary Stewart, linguistics, race/ethnicity, settings |
| Wagner, Wendy |
The “Grandly and Inhospitably Strange” World of Autistic Heroines in Romance Fiction |
2022 |
health/medical, disability, Helen Hoang, Sherry Thomas, Talia Hibbert, gender, community |
| Dandridge, Rita B. |
Vivian Lorraine Stephens: Romance Pioneer |
2022 |
Vivian Stephens, Publishing, race/ethnicity, African American romance, sex/sexuality, Rosalind Welles - pen name of Elsie B. Washington, Amii Lorin, Jayne Ann Krentz/Amanda Quick/Jayne Castle, disability, Harlequin Mills & Boon, United States of America, Sandra Kitt, ageism, authors |
| Moody-Freeman, Julie E. |
Response to Eric Selinger’s “Cant and Canonicity” |
2022 |
romance scholarship, Publishing, race/ethnicity, Brenda Jackson, Rochelle Alers, teaching romance |
| Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
| Russo, Stephanie |
These old shades: Georgette Heyer’s unruly eighteenth century |
2022 |
Georgette Heyer, gender, history, fashion/clothing |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Beyer, Charlotte |
Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour |
2022 |
teaching romance, myth, Bolu Babalola, race/ethnicity |
| Pierini, Francesca |
Critical Approaches to the Modern and Contemporary Anglophone Romance Novel (From A Room with a View to Fifty Shades of Grey) |
2022 |
teaching romance, E. M. Forster, Jennifer Crusie, E. M. Hull, Beverly Jenkins, Alyssa Cole, Fifty Shades, K. J. Charles |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Iché, Virginie; Sorlin, Sandrine |
The Rhetoric of Literary Communication: From Classical English Novels to Contemporary Digital Fiction |
2022 |
|
| Fanetti, Susan |
New Frontiers in Popular Romance: Essays on the Genre in the 21st Century |
2022 |
Diana Gabaldon, India, LGBT+ characters, readers and/or authors, China |
| Parnell, Claire |
Reading and writing Muslim romance on Wattpad |
2022 |
Muslim romance, Publishing |
| Ramos-García, María Teresa |
Definiciones transatlánticas de la raza blanca en las novelas góticas de Louise Bergstrom en Canarias (1971-1972) |
2022 |
Louise Bergstrom, gothic romance, race/ethnicity |
| Allan, Jonathan A. |
Healing Toxic Masculinity in Sweatpants Season by Danielle Allen |
2022 |
Danielle Allen, gender, feminism |
| Fisher, Maryanne L.; Meredith, Tami M. |
Evolutionary and sociocultural themes in cover art on Harlequin romance novels: A temporal analysis |
2022 |
evolutionary psychology, paratext |
| Farooqui, Javaria |
Romance in an Old Bookshop |
2022 |
Pakistan, Publishing, social/economic class, readers |
| Dexl, Carmen; Gerlsbeck, Silvia |
The Male Body in Representation: Returning to Matter |
2022 |
|
| Michelson, Anna |
Redefining the Romance: Classification and Community in a Popular Fiction Genre |
2022 |
genre definitions, sociology, authors, romance and, or as, activism, sex/sexuality, LGBT+ characters, readers and/or authors, race/ethnicity, erotic romance, happy ending, readers, Publishing, fanfiction, Fifty Shades, Suzanne Brockmann, m/m romance, African American romance, Native American romance |
| Farooqui, Javaria |
Romance, Austen, and English-Medium Schooling in Pakistan |
2022 |
Pakistan, readers, historical romance, Jane Austen, social/economic class |
| González-Cruz, María Isabel |
Interdisciplinarity in Romance Fiction |
2022 |
romance scholarship, romance and, or as, activism |
| Golubov, Nattie |
Women Policing Whiteness: Deviance and Surveillance in Contemporary Police Procedural Romance |
2022 |
race/ethnicity, romantic suspense, gender, social/economic class, Catherine Coulter, Marie Force, Kendra Elliot, family, work, community |
| Huguley, Piper |
Her Bodyguard: Sandra Kitt’s The Color of Love as a foundational text for BWWM romance |
2022 |
Sandra Kitt, race/ethnicity, African American romance, police officers/police forces |
| McAlister, Jodi |
Isn’t It Iconic: Canonical Logics and the Romance Genre |
2022 |
romance scholarship |
| Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
| McAlister, Jodi |
Love and listening: the erotics of talk in the popular romance novel |
2022 |
feminism, gender, Jennifer Crusie, Diana Gabaldon, Alissa Johnson, Courtney Milan |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Farooqui, Javaria |
On Loving Popular Fiction in Pakistan |
2022 |
trash/literary and or intellectual quality, genre definitions, Pakistan |
| Pupipat, Apisak; Rungkaew, Titirut; Meeparp, Lampoon |
Judging a Book by its Back Cover: Spoken/Informal Register as Found in Happily-Ever-After Women’s Novel Blurbs |
2022 |
linguistics, paratext |
| Pryde, Jessica P. |
Black Love Matters: Real Talk on Romance, Being Seen, and Happily Ever After |
2022 |
African American romance, race/ethnicity, readers, LGBT+ characters, readers and/or authors, Adriana Herrera, Jasmine Guillory, food, drink, Kosoko Jackson, Christina C. Jones, Publishing |
| Hallett, Hilary A. |
Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood |
2022 |
Elinor Glyn, Older and/or precursor texts (may not be "romance" as now defined) |
| Fenske, Emma K. |
Romancing the New Evangelical Woman |
2022 |
Christian romance, United States of America, religion/spirituality, Francine Rivers, Janette Oke, Karen Kingsbury, gender, health/medical, family, historical romance |
| Golubov, Nattie |
The geopolitics of love: patriotism, homeland and the domestication of violent masculinities in US paramilitary romance fiction |
2022 |
war/armed forces, United States of America, national identity, gender, romantic suspense, Cherry Adair, Maya Banks, Pamela Clare, Kaylea Cross, Elizabeth Dyer, Lori Foster, Cindy Gerard, Elle Kennedy, Lynne Raye Harris, Lisa Marie Rice |
| de los Heros, Susana |
Ideologías lingüísticas, paisaje y voz narrativa en The Wind off the Small Isles |
2022 |
Mary Stewart, linguistics, race/ethnicity, settings |
| Sullivan, Ashleigh Taylor |
From Darcy to Dickheads: Why Do Women Love the Bad Boy? |
2022 |
rape and/or intimate partner violence/abuse, readers, gothic romance, gender, L. J. Shen, sex/sexuality, BDSM, Penelope Douglas, Emily Brontë, Charlotte Brontë, Fifty Shades, Jade West |
| Fisher, Maryanne L.; Meredith, Tami M. |
Evolutionary and sociocultural themes in cover art on Harlequin romance novels: A temporal analysis |
2022 |
evolutionary psychology, paratext |
| Larson, Christine |
Streaming books: confluencers, Kindle Unlimited and the platform imaginary |
2022 |
Publishing, authors |
| Dexl, Carmen; Gerlsbeck, Silvia |
The Male Body in Representation: Returning to Matter |
2022 |
|
| Long, Veronica Lee |
Individuation and the Romance Novel |
2022 |
gender, myth, psychology, love, readers, Jane Austen |
| Sinha, Mona |
Reading Mills and Boon in India From the Post-Colonial to the Millennial Experience |
2022 |
India, Harlequin Mills & Boon, readers, chick lit |
| Lecercle, Jean-Jacques |
Interpellation and Counter-Interpellation in the Novel |
2022 |
readers, Violet Winspear, Jane Austen, trash/literary and or intellectual quality |
| Alberto, Maria |
Original Slash, Romance, and C.S. Pacat’s Captive Prince |
2022 |
C. S. Pacat, fanfiction, Publishing, LGBT+ characters, readers and/or authors, sex/sexuality, rape and/or intimate partner violence/abuse, race/ethnicity |
| Tindall, Natalie T. J. |
Black Romance Authors and Community Cultural Wealth: A Case Study of Brenda Jackson’s Career |
2022 |
Brenda Jackson, race/ethnicity, Publishing, authors, readers, community, African American romance |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Parnell, Jo |
The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions |
2021 |
|
| Adamu, Yusuf M. |
Hausa Prose-Fiction: A Reader |
2021 |
|
| Billekens, Franciska |
The Editor and Translator's Passionate Embrace: Cultural and Linguistic Alterations in Translated Harlequin Category Romance Novels |
2021 |
Harlequin Mills & Boon, paratext, translation, linguistics |
| Whitsitt, Novian |
Northern Nigerian Popular Literature and the Boundaries of Hausa Feminism: The Works of Balaraba Yakubu and Bilkisu Funtuwa |
2021 |
Balaraba Ramat Yakubu, Bilkisu Ahmed Funtuwa, feminism, Nigeria |
| Olkusz, Ksenia |
Stripping The Vampire. Erotic Imaginations and Sexual Fantasies In Paranormal Romances (A Study Of Selected Examples) |
2021 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Moody-Freeman, Julie E. |
African American romance |
2021 |
African American romance, Older and/or precursor texts (may not be "romance" as now defined), race/ethnicity, Publishing, Rosalind Welles - pen name of Elsie B. Washington, Lia Sanders - pen name of Angela Jackson and Sandra Jackson-Opoku, Alyssa Cole |
| Clement, Jennifer |
Loving and giving: realism, emotional hypocrisy and generosity in A Civil Contract |
2021 |
Georgette Heyer, Jane Austen, emotions, gender, social/economic class |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Michelson, Anna |
The politics of happily-ever-after: romance genre fiction as aesthetic public sphere |
2021 |
sociology, romance and, or as, activism, emotions, feminism, readers, authors, fascism/right-wing authoritarianism, United States of America, Casey McQuiston, happy ending, Roni Loren, Sarah MacLean, sex/sexuality, Alyssa Cole, race/ethnicity, Publishing, Courtney Milan, Suzanne Brockmann, health/medical |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Malinowska, Ania |
Global Popular Culture for Local Infrastructures: Migration of Texts and Problems of Transferability (the Polish Case) |
2021 |
translation, Fifty Shades, Poland |
| Ammidown, Steve |
Romance Writers of America Rescind Award for Lakota Genocide Redemption Narrative |
2021 |
authors, race/ethnicity, Christian romance, religion/spirituality, Native American romance |
| Khumwongdee, Yanisa |
Reading and Rewriting Fat Romance: A Study of Twenty-First Century Thai and US Fat Romance Novels |
2021 |
fat, fatness, gender, LGBT+ characters, readers and/or authors |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Murias, Rosana |
In Grey and Pink: The Image of the Bride through the Spanish Postwar Novela Rosa |
2021 |
Spain, fascism/right-wing authoritarianism, marriage, Carlota O'Neill/Laura de Noves, gender, film/movies, history |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Gildersleeve, Jessica |
The Routledge Companion to Australian Literature |
2021 |
|
| Leetsch, Jennifer |
Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds |
2021 |
Chimamanda Adichie, Africa, Nigeria |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Jarmakani, Amira |
Explorations of the "desert passion industry" |
2021 |
sheikh romance, E. M. Hull, settings, race/ethnicity, Linda Conrad, rape and/or intimate partner violence/abuse, gender, war/armed forces |
| Hirst, Holly |
Georgette Heyer and redefining the Gothic romance |
2021 |
gothic romance, Georgette Heyer, romance scholarship, genre definitions |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| McAlister, Jodi |
New Adult Fiction |
2021 |
NA romance, genre definitions, Publishing, readers, contemporary romance, Jamie McGuire, Colleen Hoover, paratext |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Fernández Rodríguez, Carolina |
Nora Roberts’s Boonsboro Empire: Boosting Business through Romance, Invigorating Romance with Affective Capitalism |
2021 |
Nora Roberts/J. D. Robb, capitalism/business, work, metaphor/symbolism |
| Cuthbert, Kate |
The Australian Digital Publishing Bubble, 2012-2016: An Insider Perspective |
2021 |
Australia, Publishing, Harlequin Mills & Boon |
| Novakova, Iva |
Les motifs phraséologiques pour distinguer les genres littéraires. Sur l’exemple des motifs de la communication verbale et non verbale |
2021 |
linguistics |
| Hefner, Brooks E. |
Black Pulp: Genre Fiction in the Shadow of Jim Crow |
2021 |
romances in magazines and newspapers, African American romance, race/ethnicity, gender, Gertrude Schalk |
| Pierre, Zakiya |
Browsing in nuances: Using ethnographic research to design for the experience of browsing. |
2021 |
readers |
| Ramos-García, María T. |
Paranormal romance and urban fantasy |
2021 |
paranormal/fantasy/time-travel romance, happy ending, genre definitions, YA/teenage romance, LGBT+ characters, readers and/or authors, steampunk, erotic romance, romance scholarship, Laurell K. Hamilton, Twilight, J. R. Ward, war/armed forces, race/ethnicity, Nalini Singh |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Naeej, Elham |
Parting the Curtain: The Virgin Heroine and the ‘Westoxified’ Villain in Contemporary Iranian Romance Novels |
2021 |
Iran, virginity, national identity, Fattaneh Haj Seyyed Javadi, Nazi Safavi, Roya Khosronajdi, Parinush Saniee, Simin Shirdel, Maryam Riahi, Homa Puresfahani, gender, Islam, marriage |
| Weimer, Christopher |
Romancing Weird Fiction: Lovecraftian Reinscriptions in Jordan L. Hawk's Whyborne and Griffin |
2021 |
Jordan L. Hawk, m/m romance, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, race/ethnicity |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Kamblé, Jayashree |
Romance in the media |
2021 |
trash/literary and or intellectual quality, genre definitions, paratext, sex/sexuality |
| Jennings, Kathleen |
Heyer … in space! The influence of Georgette Heyer on science fiction |
2021 |
Georgette Heyer, war/armed forces, Patricia Wrede, Tessa Dare |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Boussahba-Bravard, Myriam |
Le roman sentimental Regency, entre continuités et ruptures (2000-2020) |
2021 |
historical romance |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Burge, Amy |
Class and wealth in popular romance fiction |
2021 |
social/economic class, wealth/prosperity, gender, work, race/ethnicity, capitalism/business |
| Philips, Deborah |
Fifty Shades of Romance: The intertextualities of Fifty Shades of Grey |
2021 |
Fifty Shades, Harlequin Mills & Boon, Twilight |
| Parnell, Claire |
Independent Authors’ Dependence on Big Tech: Categorization and Governance of Authors Of Color on Amazon |
2021 |
Publishing, authors, race/ethnicity, African American romance |
| Hunter, Christyna M. |
Cataloging Category Romance Fiction and Librarian and Patron Views on Romance Fiction in Public Libraries |
2021 |
libraries/librarians, Harlequin Mills & Boon |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Allan, Jonathan A. |
Gender and sexuality |
2021 |
gender, sex/sexuality, pornography, LGBT+ characters, readers and/or authors, lesbian romance, m/m romance |
| Abrahamsson, Elin |
Superwomen, Latte Dads and Feminist Alphas: Negotiations on Feminism in Contemporary Swedish Popular Romance Novels |
2021 |
Sweden, feminism, gender, family, work, national identity, Simona Ahrnstedt, Sofia Fritzson, Christina Schiller, Harlequin Mills & Boon, LGBT+ characters, readers and/or authors, social/economic class |
| Pradhan, Anil |
The literary field of queer cultural production in contemporary India: considering popular queer texts via Bourdieu |
2021 |
India, LGBT+ characters, readers and/or authors |
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Hopkins, Lisa |
All’s Well That Ends Well: Shakespearean echoes in Heyer’s Regency novels |
2021 |
Shakespeare, Georgette Heyer |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Arnold-Forster, Agnes |
Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction |
2021 |
Harlequin Mills & Boon, medical romance, work, gender, UK, romance and, or as, activism, social/economic class, readers, authors, romances in magazines and newspapers, Elizabeth Gilzean, Alex Stuart, Hilda Pressley, pseudonym of Hilda Nickson, Marguerite Lees, family, marriage, Betty Neels |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Egilsdatter Sleire, Maria |
“Only I shall taste your body’s joys:” The Erotic Function of Female Corporeality in The Flame and the Flower and Fifty Shades of Grey |
2021 |
Fifty Shades, Kathleen Woodiwiss, pornography, sex/sexuality, virginity, rape and/or intimate partner violence/abuse |
| Dixon, jay |
History of English romance novels, 1621-1975 |
2021 |
UK, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, historical romance |
| Fresno-Calleja, Paloma |
Rugby Romances and the Branding of New Zealand |
2021 |
New Zealand, national identity, race/ethnicity, sport |
| Valovirta, Elina |
Repeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature |
2021 |
sex/sexuality, readers, NA romance, Marie Carnay, Charlotte Stein, Sierra Sparks, Juliana Conners |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Ntelia, Renata Elizabetta |
How Damsels Love: The Transgressive Pleasure of Romance |
2021 |
feminism, love, psychology, gender |
| Herb, Annika |
(Para)normalizing Rape Culture: Possession as Rape in Young Adult Paranormal Romance |
2021 |
rape and/or intimate partner violence/abuse, YA/teenage romance, paranormal/fantasy/time-travel romance |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Šmídová, Monika Markéta |
Five Thousand for Justice: The Use of English Folklore in the Novels of KJ Charles |
2021 |
K. J. Charles, fairytales/folktales, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, historical romance, social/economic class, community, family |
| Allen, Amanda K. |
Young adult romance |
2021 |
YA/teenage romance, genre definitions, readers, Samuel Richardson, romance scholarship, Twilight, LGBT+ characters, readers and/or authors |
| Teo, Hsu-Ming |
Love and romance novels |
2021 |
love, sex/sexuality, history, sociology, feminism, Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, Jane Austen, Charlotte Brontë, religion/spirituality, E. M. Hull, Kathlyn Rhodes, Barbara Cartland, Georgette Heyer, Harlequin Mills & Boon, historical romance, Jennifer Crusie, wealth/prosperity |
| Moolla, F. Fiona |
Her Heart Lies at the Feet of the Mother: Transformations of the Romance Plot in Leila Aboulela’s Minaret |
2021 |
Leila Aboulela, Islam, family, Muslim romance |
| Wilcox, Vanda |
Georgette Heyer, Wellington’s Army and the First World War |
2021 |
Georgette Heyer, war/armed forces, history, gender |
| González-Cruz, María-Isabel |
On the Discoursive Construction of the Spanish Hero in Intercultural Romances |
2021 |
Spain, Harlequin Mills & Boon, national identity, race/ethnicity, love |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Izharuddin, Alicia |
Reading the Digital Muslim Romance |
2021 |
Muslim romance, Malaysia, readers, religion/spirituality, Islam, gender |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Regis, Pamela |
The evolution of the American romance novel |
2021 |
United States of America, Older and/or precursor texts (may not be "romance" as now defined), romance scholarship, Charles Brockden Brown, Sukey Vickery, Catharine Maria Sedgwick, Lydia Maria Child, E. D. E. N. Southworth, Louisa May Alcott, Frances Watkins Harper, race/ethnicity, Onoto Watanna/Winnifred Eaton, Jean Webster, Kathleen Thompson Norris, Viña Delmar, family, Claire Morgan/Patricia Highsmith, LGBT+ characters, readers and/or authors |
| Moreno-Álvarez, Alejandra |
Romance Novels in Postcolonial India: From Mills & Boon to Pageturn’s Red Romance Series |
2021 |
India, Harlequin Mills & Boon, readers |
| Valovirta, Elina |
The Stuff of Which Fairy Tales Are Made: Royal Romance, Ordinariness, and Affectivity in the Literary Market |
2021 |
Publishing, social/economic class, feminism |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Awad, Amal |
Desert dreamings and sheikh-lit |
2021 |
sheikh romance, Jackie Ashenden, Miranda Lee, race/ethnicity |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Hernandez-Knight, Bianca |
Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy |
2021 |
Jane Austen, Georgette Heyer, historical romance, race/ethnicity, trash/literary and or intellectual quality |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Iwicka, Renata |
Manifestations of Male Image in the World's Cultures |
2021 |
|
| Zille, Tom |
Georgette Heyer and the language of the historical novel |
2021 |
Georgette Heyer, linguistics, history, historical romance |
| Kuchta, Estella Carolye |
Imagining Love: Teen Romance Novels and American Teen Relational Capacity |
2021 |
YA/teenage romance, readers, psychology, love |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Kołodziej, Gaja |
Unforgettably in love: uses of the amnesia trope in contemporary romance |
2021 |
contemporary romance, romantic suspense, health/medical, love |
| O'Mahony, Lauren |
Australian romance fiction |
2021 |
Australia, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Rosa Praed, Marie Bjelke Petersen, settings, Emma Darcy, readers, libraries/librarians, chick lit, Anita Heiss, race/ethnicity |
| Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Pierini, Francesca |
“Sharing the Same Soil:” Sally Rooney’s Normal People and the Coming-of-Age Romance |
2021 |
Sally Rooney, romance scholarship |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Ali, Kecia |
Author studies and popular romance fiction |
2021 |
romance scholarship, authors, Nora Roberts/J. D. Robb, Georgette Heyer, Marie Bjelke Petersen, Suzanne Brockmann, Jennifer Crusie |
| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| Toscano, Angela |
Gothic romance |
2021 |
gothic romance, Mary Stewart |
| Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Izharuddin, Alicia |
“Redha tu Ikhlas”: The Social–Textual Significance of Islamic Virtue in Malay Forced Marriage Narratives |
2021 |
marriage, Malaysia, Islam, Fauziah Ashari, readers, religion/spirituality, Muslim romance, rape and/or intimate partner violence/abuse, gender |
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBT+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Sutherland, Kathryn |
‘Where History says little, Fiction may say much’ (Anna Barbauld): the historical novel in women’s hands in the mid-twentieth century |
2021 |
history, Sir Walter Scott, Jane Austen, Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Street, Amy |
Georgette Heyer – guilty pleasures |
2021 |
Georgette Heyer, readers, psychology, race/ethnicity, social/economic class, feminism |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Williams, Mary |
Consent Is Sexy: A Look Into the Influence the ‘Me Too.’ Movement Had On the Romance Genre Through Smart Bitches Trashy Books |
2021 |
sex/sexuality, readers |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality |
| González Cruz, María Isabel |
Constructing the Exotic Other: Paradise Discourse and Environmental Awareness in a Corpus of Popular Romance Fiction Novels |
2021 |
linguistics, Spain, ecocriticism/environmentalism/climate change |
| Crawford, Joseph |
Old-World Heroes and New-World Heroines in Post-Millennial Anglophone Romance Media |
2021 |
sheikh romance, paranormal/fantasy/time-travel romance, Scotland, history, Karen Marie Moning, Olivia Gates, Diana Gabaldon |
| Izharuddin, Alicia |
Counterpublics of care: making space for mediated intimacy and romantic self-making in Malaysia |
2021 |
readers, Malaysia, gender, emotions, marriage, Islam, love |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Perriam, Geraldine |
The not so silly ass: Freddy Standen, his fictional contemporaries and alternative masculinity |
2021 |
Georgette Heyer, gender |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| McGurl, Mark |
Everything and Less: The Novel in the Age of Amazon |
2021 |
Publishing, Fifty Shades, trash/literary and or intellectual quality, capitalism/business |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |