| Delpech, Jeanine |
Le cas Delly |
2019 |
Delly |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Golubov, Nattie |
La promesa utópica del final feliz |
2019 |
genre definitions, happy ending |
| Gruner, Elisabeth Rose |
Constructing the Adolescent Reader in Contemporary Young Adult Fiction |
2019 |
YA/teenage romance |
| Sagun, Karryl Kim Abella |
Book Mavens of Manila: an interpretative phenomenological analysis of contemporary niche publishers in the Philippines |
2019 |
Philippines, Publishing, Mina V. Esguerra |
| Arvanitaki, Eirini |
Gender in Recent Romance Novels: A Third Wave Feminist Mills and Boon Love Affair? |
2019 |
gender, feminism, love, Jane Porter, Leah Ashton, Kate Hewitt, Natalie Anderson, work, sex/sexuality |
| Veros, Vassiliki |
Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups |
2019 |
libraries/librarians, trash/literary and or intellectual quality, readers |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| Toscano, Angela |
The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature |
2019 |
trash/literary and or intellectual quality, genre definitions, readers, Jennifer Crusie, happy ending |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Larson, Christine |
Open networks, open books: gender, precarity and solidarity in digital publishing |
2019 |
authors, Publishing |
| Reitemeier, Rebecca |
Romance Novels and Higher Education |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, readers, psychology, teaching romance |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Cheyne, Ria |
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction |
2019 |
disability, emotions, Julia Quinn, family, Barbara McMahon, Christina Dodd, Barbara Delinsky, Mary Balogh |
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Choyke, Kelly L. |
The Power of Popular Romance Culture: Community, Fandom, and Sexual Politics |
2019 |
feminism, community, readers |
| Valovirta, Elina |
No Ordinary Love: The Romantic Formula of Stepsibling Erotica |
2019 |
NA romance, erotic romance, family |
| Driscoll, Beth |
Book Blogs as Tastemakers |
2019 |
readers |
| Pérez-Gil, María del Mar |
Representations of Nation and Spanish Masculinity in Popular Romance Novels: The Alpha Male as “Other” |
2019 |
Spain, gender, national identity, Harlequin Mills & Boon, UK |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Brouillette, Sarah |
Romance Work |
2019 |
Publishing, readers, capitalism/business |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Fresno-Calleja, Paloma |
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series |
2019 |
Lani Wendt Young, chick lit, Samoa, metafiction, YA/teenage romance, race/ethnicity, feminism, food, drink, metaphor/symbolism, family, wealth/prosperity, national identity, sex/sexuality, rape and/or intimate partner violence/abuse |
| Fernández Rodríguez, Carolina |
Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality |
2019 |
Guam, United States of America, race/ethnicity, Paula Quinene, Cathy Sablan Gault, islands, history, romance and, or as, activism, languages, religion/spirituality, war/armed forces, historical romance |
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Ivanski, Chantelle |
Judging a Book by Its Author's Gender |
2019 |
trash/literary and or intellectual quality, gender |
| Sule, Sani |
Exploring the Benefit and Significance of Reading Hausa Popular Romance Genre: A Thematic Analysis |
2019 |
Nigeria, readers |
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Nikbakht, H. |
Female Agency in the Harlequin Romance Formula: developments within the timeframe of second wave feminism |
2019 |
Harlequin Mills & Boon, feminism, family, work, sex/sexuality, gender, Carole Mortimer, Roberta Leigh/Rachel Lindsay, virginity, rape and/or intimate partner violence/abuse, health/medical, marriage |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| González Pérez, Teresa |
La educación de las mujeres en Iberoamérica: análisis histórico |
2019 |
|
| Γραφανάκη, Ρωξάνη |
Γυναίκες και ροζ λογοτεχνία: η περίπτωση των εκδόσεων Άρλεκιν |
2019 |
Harlequin Mills & Boon, feminism, capitalism/business, gender, sex/sexuality |
| Kerr, Ashley Elizabeth |
Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels |
2019 |
history, race/ethnicity, Argentina, science/technology, national identity, historical romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Carlos, Giovana Santana |
Fandom e mercado literário: um mapa das mediações das fãs de romance no contexto brasileiro |
2019 |
readers, Brazil, Publishing |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Chaplin, Sue |
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance |
2019 |
paranormal/fantasy/time-travel romance, Twilight, J. R. Ward, Lara Adrian, family, gender, sex/sexuality, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Leonzini, Alexandra |
“All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age |
2018 |
paranormal/fantasy/time-travel romance, sex/sexuality, pornography |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| McAlister, Jodi |
“Feelings Like the Women in Books”: Declarations of Love in Australian Romance Novels, 1859–1891 |
2018 |
Older and/or precursor texts (may not be "romance" as now defined), Australia, love, history, national identity, marriage |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Kingston, Elizabeth |
History's Been Hijacked: How To Combat White Supremacy Through Popular Literature |
2018 |
historical romance, race/ethnicity, history, Elizabeth Kingston, Publishing, UK, social/economic class |
| Kramp, Michael |
Jane Austen and Masculinity |
2018 |
|
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Abdullah-Poulos, Layla |
The Stable Muslim Love Triangle - Triangular Desire in African American Muslim Romance Fiction |
2018 |
Islam, African American romance, United States of America, religion/spirituality, race/ethnicity, marriage, Muslim romance |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Sequeiros, Paula |
“Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison |
2018 |
readers, Portugal |
| Rabanal, Hayley |
Courting convivencia: Hispano-Arab identity and Spanish women’s Orientalism in the Franco regime’s years of “unbearable solitude” (1946–1950) |
2018 |
Spain, fascism/right-wing authoritarianism, race/ethnicity, religion/spirituality, sheikh romance, María Adela Durango, Ana Marcela García, María del Pilar Carré, Lía Ramos, E. M. Hull, history, Morocco, Carmen de Icaza, Egypt, rape and/or intimate partner violence/abuse, gender |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Sanna, Antonio |
Pirates in History and Popular Culture |
2018 |
pirates and outlaws, historical romance |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| McAlister, Jodi |
Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction |
2018 |
genre definitions, YA/teenage romance |
| [Sigroha], Suman |
Gendered Migrations and Literary Narratives: Writing Communities in South Asian Diaspora |
2018 |
authors, work, family, gender, Publishing |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Ali, Kecia |
Romance Fiction in the Archives |
2018 |
authors, romance scholarship, Nora Roberts/J. D. Robb, race/ethnicity, gender, Publishing, sex/sexuality, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Hallock, Jennifer |
History Ever After: Fabricated Historical Chronotopes in Romance Genre Fiction |
2018 |
historical romance, history, Publishing, race/ethnicity, Jennifer Hallock, UK, settings, social/economic class, Jane Austen, Georgette Heyer, Alyssa Cole, readers, United States of America |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Taylor, Jessica |
Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada |
2018 |
Canada, authors, national identity, Kate Bridges, settings, Publishing, Harlequin Mills & Boon, race/ethnicity, historical romance, history |
| Bhasin, Neeta |
Romancing the 'Illegal' Immigrant |
2018 |
Serena Bell, race/ethnicity, United States of America, social/economic class, gender, sex/sexuality, languages, readers |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Villar-Argáiz, Pilar |
Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards |
2018 |
Ireland, historical romance, Karen Robards, UK, race/ethnicity, gender, cross-dressing, settings, rape and/or intimate partner violence/abuse, sex/sexuality |
| Gehrhardt, Marjorie |
Losing Face, Finding Love? The Fate of Facially Disfigured Soldiers in Narratives of the First World War |
2018 |
war/armed forces, disability, health/medical |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Parnell, Claire |
Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels |
2018 |
Publishing, Harlequin Mills & Boon, gender, sex/sexuality, social/economic class |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Lozano Sampedro, Mª Teresa |
Pour une typologie de la marginalité dans les romans de Delly: la fonction de la femme |
2018 |
Delly, religion/spirituality, gender, social/economic class |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| González Cruz, María-Isabel |
Hispanismos en el discurso romántico de Harlequin y Mills & Boon. Ámbitos temáticos y funciones socio-pragmáticas |
2018 |
languages, islands, Spain, Harlequin Mills & Boon, linguistics |
| Vera-Cazorla, María Jesús |
Cultural symbols, myth and identity in four 20th-century English popular romance fiction novels set in Tenerife |
2018 |
Spain, Harlequin Mills & Boon, settings, family |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Vitackova, Martina |
Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp |
2018 |
Sophia Kapp, race/ethnicity, sex/sexuality, Africa, South Africa |
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
| Kollman, Kathleen W. Taylor |
Contemporary Paranormal Romance: Theories and Development of the Genre’s Feminism (Or Lack Thereof) |
2018 |
paranormal/fantasy/time-travel romance, feminism, gender |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Killeen, Jarlath |
Nora Roberts: the Power of Love |
2018 |
Nora Roberts/J. D. Robb, love |
| Pérez-Gil, María del Mar |
Exoticism, Ethnocentrism, and Englishness in Popular Romance Fiction: Constructing the European Other |
2018 |
Spain, national identity, UK, race/ethnicity, islands, Harlequin Mills & Boon |
| Ramsdell, Kristin |
Encyclopedia of Romance Fiction |
2018 |
Publishing, paranormal/fantasy/time-travel romance, comics/manga, Christian romance, marriage, Jane Austen, Charlotte Brontë, Emily Brontë, Barbara Cartland, Janet Dailey, Daphne du Maurier, Ethel M. Dell, erotic romance, feminism, science fiction/futuristic romance, Elinor Glyn, Margaret Mitchell, Harlequin Mills & Boon, Georgette Heyer, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, historical romance, E. M. Hull, romance scholarship, LGBT+ characters, readers and/or authors, libraries/librarians, romantic suspense, Samuel Richardson, rape and/or intimate partner violence/abuse, Nora Roberts/J. D. Robb, Bertrice Small, Mary Stewart, translation, Patricia Veryan, Phyllis A. Whitney, Kathleen Winsor, Kathleen Woodiwiss, race/ethnicity |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, Older and/or precursor texts (may not be "romance" as now defined), historical romance, pirates and outlaws |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Roberts, Gillian |
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel |
2018 |
|
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| González de la Rosa, María del Pilar |
Intersections of Inner and Outer Journeys in Contemporary Popular Romance Fiction Novels |
2018 |
settings, Harlequin Mills & Boon |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Popova, Milena |
Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction |
2018 |
fanfiction, sex/sexuality, marriage, emotions |
| Gómez Gray, Alana |
Lectura, paraliteratura y mujeres en España: de la novela rosa a cincuenta sombras |
2018 |
romance scholarship, Spain, Publishing, history, Fifty Shades, readers |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Chelton, Mary K. |
Searching for Birth Parents or Adopted Children: Finding without Seeking in Romance Novels |
2018 |
family |
| Hopkins, Lisa |
After Austen: Reinventions, Rewritings, Revisitings |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Pérez Casal, Inmaculada |
Mass-market romance and the question of genre: N. Sparks, E. L. James and D. Gabaldon |
2018 |
Diana Gabaldon, Fifty Shades, Nicholas Sparks, genre definitions, film/movies |
| Paige, Lori A. |
The Gothic Romance Wave: A Critical History of the Mass Market Novels, 1960-1993 |
2018 |
gothic romance, Older and/or precursor texts (may not be "romance" as now defined), historical romance |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Güvendi Yalçın, Elif |
The Transformation of Romance Novels Based on the Theories of Sociologist Anthony Giddens |
2018 |
sociology, gender, love, marriage, Kathleen Woodiwiss, Jayne Ann Krentz/Amanda Quick/Jayne Castle, rape and/or intimate partner violence/abuse, historical romance |
| Harris, Racheal |
Really Romantic? Pirates in Romantic Fiction |
2018 |
pirates and outlaws, sex/sexuality, historical romance, rape and/or intimate partner violence/abuse, virginity |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Abrahamsson, Elin |
Enahanda läsning: En queer tolkning av romancegenren |
2018 |
Fifty Shades, Twilight, Sweden, readers, sex/sexuality, feminism, gender, trash/literary and or intellectual quality, LGBT+ characters, readers and/or authors |
| Suwanban, Pauline |
From Exhalation to Transformation: The Female Body in the Orientalist Romance |
2018 |
E. M. Hull, gender, sex/sexuality, race/ethnicity |
| Rudisill, Kristen |
Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
2018 |
India, readers, Publishing, national identity, Harlequin Mills & Boon, family |
| Fernández Rodríguez, Carolina |
Del cuento de hadas a la novela romántica: Una visión de la sub/literatura como gimnasio mental y laboratorio de sub/versión cultural |
2018 |
trash/literary and or intellectual quality, Nora Roberts/J. D. Robb, feminism, readers, sex/sexuality, psychology, romance and, or as, activism, fairytales/folktales |
| Taylor, Jessica |
Animating Creative Selves: Pen Names as Property in the Careers of Canadian and American Romance Writers |
2018 |
authors, Publishing, work |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Pérez Casal, Inmaculada |
The Romance Novel as Bildungsroman in the Works of Rosamunde Pilcher and Lisa Kleypas |
2018 |
gender, Rosamunde Pilcher, Lisa Kleypas, historical romance |
| Keen, Suzanne |
Probable Impossibilities: Historical Romance Readers Talk Back |
2018 |
Diana Gabaldon, readers, history |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Neville, Lucy |
Girls Who Like Boys Who Like Boys: Women and Gay Male Pornography and Erotica |
2018 |
pornography, m/m romance, sex/sexuality, LGBT+ characters, readers and/or authors |
| Po-Yu, Rick Wei |
“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter |
2018 |
Georgette Heyer, history, feminism, historical romance |
| Gillis, Stacy |
Manners, Money, and Marriage: Austen, Heyer, and the Literary Genealogy of the Regency Romance |
2018 |
Jane Austen, Georgette Heyer, Older and/or precursor texts (may not be "romance" as now defined), gender, sex/sexuality, social/economic class, history, trash/literary and or intellectual quality, marriage, historical romance |
| McAlister, Jodi |
The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838-1860 |
2018 |
Australia, love, Older and/or precursor texts (may not be "romance" as now defined), history, national identity |
| Kitchen, Veronica |
Veterans and Military Masculinity in Popular Romance Fiction |
2018 |
war/armed forces, gender, disability |
| Bird, Paul |
Issues of Socioeconomic Class in Barbara Cartland’s A Duel of Hearts and Catherine Cookson’s The Menagerie |
2018 |
social/economic class, Barbara Cartland, Catherine Cookson |
| White, Bonnie; Pope, Johnathan H. |
Spinsters, war widows, and wounded soldiers: the Great War novels of Berta Ruck |
2018 |
Berta Ruck, war/armed forces, gender, disability, marriage |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Glennemeier, Jaelyn |
“And he was an Arab!:” Imperial Femininity and Pleasure in E. M. Hull's 1919 Desert Romance, The Sheik |
2018 |
E. M. Hull, race/ethnicity, history, rape and/or intimate partner violence/abuse |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Hopkins, Lisa |
Georgette Heyer: What Austen Left Out |
2018 |
Georgette Heyer, Jane Austen, history, war/armed forces, historical romance |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Gehrmann, Susanne |
Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa |
2018 |
Publishing, Africa, chick lit |
| Blouin, Michael J. |
Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 |
2018 |
family, social/economic class, work, capitalism/business |
| Vani, Christina |
Immortal Words: The Language and Style of the Contemporary Italian Undead-Romance Novel |
2018 |
paranormal/fantasy/time-travel romance, Italy |
| Lowery, Karalyne |
The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity |
2018 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Gillingham, Erica |
Representations of same-sex relationships between female characters in all-ages comics: Princess Princess Ever After and Lumberjanes |
2018 |
comics/manga, LGBT+ characters, readers and/or authors |
| Nilson, Maria |
Nådens tuttar : Om skönheter, odjur och den frälsande kvinnokroppen i modern romance |
2017 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Fifty Shades, Twilight, sex/sexuality |
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Teo, Hsu-Ming |
The Popular Culture of Romantic Love in Australia |
2017 |
|
| Capps, Stephanie Carol |
What You Read and What You Believe: Genre Exposure and Beliefs about Relationships |
2017 |
readers, gender, sex/sexuality, psychology, love |
| O'Mahony, Lauren |
Death and the Australian Rural Romance Novel |
2017 |
rural romance, Australia, death |
| Betz, Phyllis M. |
Katherine V. Forrest: A Critical Appreciation |
2017 |
lesbian romance, Katherine V. Forrest, Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors |
| McLennon, Leigh |
Contemporary vampire genre fiction: ethical feeding and the posthuman vampire in urban fantasy and paranormal romance |
2017 |
paranormal/fantasy/time-travel romance |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Dyhouse, Carol |
Hearthrobs: A History of Women and Desire |
2017 |
gender, sex/sexuality, Charles Garvice, E. M. Hull, Georgette Heyer, Barbara Cartland, race/ethnicity |
| Regan, Lisa |
Women and the 'War Machine' in the Desert Romances of E. M. Hull and Rosita Forbes |
2017 |
E. M. Hull, UK, war/armed forces, national identity |
| Krueger, Kate |
The Woman at Home in the World: Annie Swan's Lady Doctor and the Problem of the Fin de Siècle Working Woman |
2017 |
Annie S. Swan |
| Malloy, Audrey Miles |
Remnants of the Bodice Ripper: How Consent is Characterized in Heterosexual and Lesbian Erotic Romance Novels |
2017 |
gender, sex/sexuality, lesbian romance, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| González Cruz, María Isabel |
Conciencia Sociolingüística e Hispanismos en un Corpus de Novela Rosa Inglesa |
2017 |
Spain, languages, Harlequin Mills & Boon, linguistics |
| Turner, Katherine |
Daphne Du Maurier's Mary Anne: Rewriting the Regency Romance as Feminist History |
2017 |
history, Daphne du Maurier |
| Gifford, James |
Mary Stewart’s Greek Novels: Hellenism, Orientalism and the Cultural Politics of Pulp Presentation |
2017 |
Mary Stewart, Greece, gender, romantic suspense, national identity |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Vivanco, Laura |
A Place “We All Dream About”: Greece in Mills & Boon Romances |
2017 |
Greece, race/ethnicity, Harlequin Mills & Boon, sex/sexuality, science/technology, myth |
| Johnson, Heather |
Yorkshire English in Georgette Heyer's The Unknown Ajax |
2017 |
languages, Georgette Heyer, historical romance |
| Markert, John |
God is Love: The Christian Romance Market |
2017 |
Christian romance, Publishing, sex/sexuality |
| Engelking, Tama Lea |
Reading the Romance with Colette in ‘La Lune de pluie' |
2017 |
Colette |
| Whalen, Kacey |
A Consumption of Gay Men: Navigating the Shifting Boundaries of M/M Romantic Readership |
2017 |
m/m romance, readers, gender, sex/sexuality, K. J. Charles, LGBT+ characters, readers and/or authors |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Jackson, Cia |
Harlequin Romance: The Power of Parody and Subversion |
2017 |
Harlequin Mills & Boon |
| Malinowska, Anna |
Paternal Structures of the Romance |
2017 |
family, love, gender |
| Pyrhönen, Heta |
Love under Threat: The Emotional Valences of the Twilight Saga |
2017 |
Twilight, emotions, love, happy ending |
| Fragero Guerra, Carmen |
Del azul al rosa: la narrativa de Carmen de Icaza (1936-1960) |
2017 |
Carmen de Icaza, Luisa-María Linares, Spain, fascism/right-wing authoritarianism |
| Achieng’, Okang’a Nancy |
A Cosmopolitan National Romance: A Study of In Dependence by Sarah Ladipo Manyika |
2017 |
Sarah Ladipo Manyika, Nigeria, trash/literary and or intellectual quality, Africa, race/ethnicity, gender |
| González Cruz, María Isabel |
Exploring the dynamics of English/Spanish codeswitching in a written corpus |
2017 |
languages, Spain, Harlequin Mills & Boon, linguistics |
| Khuankaew, Sasinee |
Femininity and Masculinity in Twenty-First Century Thai Romantic Fictions |
2017 |
gender, Thailand, sex/sexuality, Buddhism |
| Nilson, Maria |
Kärlek i kyligt klimat: Om nordisk romance |
2017 |
Sweden, Norway, Simona Ahrnstedt, Natalie Normann, national identity, gender, sex/sexuality |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Lessard, Victoria |
Marketing Desire: The "Normative/Other" Male Body and the "Pure" White Female Body on the Cover Art of Cassie Edwards' Savage Dream (1990), Savage Persuasion (1991), and Savage Mists (1992) |
2017 |
Cassie Edwards, Native American romance, paratext, race/ethnicity, historical romance |
| Veros, Vassiliki |
Keepers: Marking the Value of the Books on my Shelves |
2017 |
readers, trash/literary and or intellectual quality |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Clasen, Tricia |
Masculinity and Romantic Myth in Contemporary YA Romance |
2017 |
gender, love, YA/teenage romance |
| Golubov, Nattie |
El amor en tiempos neoliberales: apuntes críticos sobre la novela rosa contemporánea |
2017 |
trash/literary and or intellectual quality, Loretta Chase, gender, genre definitions, readers, feminism, Publishing, Jennifer Crusie |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Cheyne, Ria |
Disability Studies Reads the Romance: Sexuality, Prejudice, and the Happily-Ever-After in the Work of Mary Balogh |
2017 |
disability, sex/sexuality, Mary Balogh, historical romance |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Golubov, Nattie |
Reading the Romance Writer as an Author-Entrepreneur |
2017 |
authors, work, race/ethnicity, readers |