| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Riseman, Noah |
Intimatopias and the queering of Australian war fiction |
2020 |
Australia, history, war/armed forces, m/m romance, LGBT+ characters, readers and/or authors |
| Nowacki, Dariusz |
Access Paths: On Popular Women’s Literature and Criticism |
2020 |
romance scholarship |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Lawrence, E. E. |
On the problem of oppressive tastes in the public library |
2020 |
libraries/librarians, race/ethnicity, philosophy |
| Cassiday, Julie A. |
A World Without Safe Words: Fifty Shades of Russian Grey |
2020 |
Russia, Alisa Klever/Tatiana Vedenska, Fifty Shades, BDSM, national identity, romantic suspense, rape and/or intimate partner violence/abuse, sex/sexuality |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Bloom, Clive |
The Palgrave Handbook of Contemporary Gothic |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Franck, Kaja |
Growing Pains of the Teenage Werewolf: Young Adult Literature and the Metaphorical Wolf |
2020 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Maggie Stiefvater, animals, fairytales/folktales, Twilight |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Duvezin-Caubet, Caroline |
Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century |
2020 |
m/m romance, K. J. Charles, Cat Sebastian, Georgette Heyer, happy ending, LGBT+ characters, readers and/or authors, historical romance, gender, race/ethnicity, Publishing, family |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Johnson, Emily D. |
Exploring His/Her Library: Reading and Books in Russian Romance |
2020 |
Russia, metafiction, authors, Harlequin Mills & Boon, Galina Kulikova, Natal’ia Mironova, Publishing, socialism and/or communism, trash/literary and or intellectual quality, race/ethnicity, rape and/or intimate partner violence/abuse |
| González Cruz, María Isabel |
Hacia un glosario de hispanismos en un corpus de novela rosa inglesa contemporánea |
2020 |
linguistics, Harlequin Mills & Boon |
| Bhat, Shilpa Daithota |
Diasporic Inquiries into South Asian Women’s Narratives: Alien Domiciles |
2020 |
|
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Di Leo, Jeffrey |
The Speed of Publishing |
2020 |
Publishing, Alexa Riley, I. T. Lucas |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Nickel, Eleanor Hersey |
Christian Popular Culture from The Chronicles of Narnia to Duck Dynasty |
2020 |
Christian romance, Francine Rivers, sex/sexuality, feminism, fairytales/folktales |
| Birthisel, Jessica |
The Good, the Bad, and the Kinky: Erotic Romance Writing in a Post-Fifty Shades of Grey Landscape |
2020 |
erotic romance, Fifty Shades, authors, sex/sexuality, Publishing, BDSM |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| Pierini, Francesca |
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love |
2020 |
Italy, history, Shakespeare, Marina Fiorato, Anne Fortier, work, race/ethnicity |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| Mäkelä, Veera |
"World Turned Upside Down": The Role of Revolutions in Maya Rodale's Regency-Set Romances |
2020 |
Maya Rodale, United States of America, UK, historical romance, social/economic class, gender, race/ethnicity, emotions, feminism |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Reed, Eleanor |
Romance in Woman’s Weekly and Woman’s Weekly as Romance, 1918–39 |
2020 |
romances in magazines and newspapers, social/economic class, UK, readers, work |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Ramsdell, Kristin |
Libraries and popular romance fiction |
2021 |
libraries/librarians |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Arnold-Forster, Agnes |
Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction |
2021 |
Harlequin Mills & Boon, medical romance, work, gender, UK, romance and, or as, activism, social/economic class, readers, authors, romances in magazines and newspapers, Elizabeth Gilzean, Alex Stuart, Hilda Pressley, pseudonym of Hilda Nickson, Marguerite Lees, family, marriage, Betty Neels |
| Romney, Rebecca |
The Romance Novel in English: A Survey in Rare Books, 1769-1999 |
2021 |
Publishing, Older and/or precursor texts (may not be "romance" as now defined), work, Harlequin Mills & Boon, historical romance, Christian romance, gothic romance, romantic suspense, paranormal/fantasy/time-travel romance, YA/teenage romance, African American romance, LGBT+ characters, readers and/or authors, Frances Brooke, Canada, Elizabeth Inchbald, Frances Burney, Sydney Owenson, national identity, Ireland, Ouida, May Agnes Fleming, Laura Jean Libbey, Emma Wolf, religion/spirituality, Judaism, Pauline Hopkins, Onoto Watanna/Winnifred Eaton, Japan, Elinor Glyn, Louise Gerard, Barbara Cartland, Laura Lou Brookman, Kathleen Thompson Norris, romances in magazines and newspapers, Elizabeth Carfrae, Frances Shelley Wees, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Jean S. MacLeod/Catherine Airlie, Alice Lent Covert, Joyce Dingwell/Kate Starr, Australia, Faith Baldwin, Mary Renault, medical romance, Mary Burchell, pen name of Ida Cook, Juliet Shore/Anne Vinton, Della Field, pseudonym of Fanny Howe, Janet Dailey, Lydia Maria Child, Charlotte M. Yonge, Mary Johnston, Susa Young Gates, Kathleen Woodiwiss, Rosemary Rogers, June Lund Shiplett, paratext, Jayne Ann Krentz/Amanda Quick/Jayne Castle, science fiction/futuristic romance, Valerie Belgrave, Caribbean, Beverly Jenkins, Jane Austen, Susan Ferrier, Georgette Heyer, Amii Lorin, Nora Roberts/J. D. Robb, Marisa de Zavala/Ana Lisa de Leon/Rachel Scott/Celina Rios Mullan, Sandra Kitt, Maureen Wartski, Augusta Jane Evans, Florence Barclay, Ethel M. Dell, Janette Oke, Beverly Lewis, Charlotte Brontë, Harriet Lewis, Virginia Coffman, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Mary Stewart, Daoma Winston, Chelsea Quinn Yarbro, Rita Clay Estrada, Lori Herter, Jean Webster, Robin McKinley, Tracy West/Joyce McGill/Chassie West, Marie G. Lee, race/ethnicity, Paula Christian, Isabel Miller, Gordon Merrick, Ann Allen Shockley, Vincent Virga, Nancy Garden, Katherine V. Forrest, Loretta Chase, Brenda Jackson |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBT+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Whitsitt, Novian |
Northern Nigerian Popular Literature and the Boundaries of Hausa Feminism: The Works of Balaraba Yakubu and Bilkisu Funtuwa |
2021 |
Balaraba Ramat Yakubu, Bilkisu Ahmed Funtuwa, feminism, Nigeria |
| Olkusz, Ksenia |
Stripping The Vampire. Erotic Imaginations and Sexual Fantasies In Paranormal Romances (A Study Of Selected Examples) |
2021 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Ntelia, Renata Elizabetta |
How Damsels Love: The Transgressive Pleasure of Romance |
2021 |
feminism, love, psychology, gender |
| Herb, Annika |
(Para)normalizing Rape Culture: Possession as Rape in Young Adult Paranormal Romance |
2021 |
rape and/or intimate partner violence/abuse, YA/teenage romance, paranormal/fantasy/time-travel romance |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Zibrak, Arielle |
Avidly Reads Guilty Pleasures |
2021 |
readers, sex/sexuality, historical romance, gender, Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, E. D. E. N. Southworth, Rosemary Rogers, Jill Marie Landis, fairytales/folktales, feminism |
| Moody-Freeman, Julie E. |
African American romance |
2021 |
African American romance, Older and/or precursor texts (may not be "romance" as now defined), race/ethnicity, Publishing, Rosalind Welles - pen name of Elsie B. Washington, Lia Sanders - pen name of Angela Jackson and Sandra Jackson-Opoku, Alyssa Cole |
| Clement, Jennifer |
Loving and giving: realism, emotional hypocrisy and generosity in A Civil Contract |
2021 |
Georgette Heyer, Jane Austen, emotions, gender, social/economic class |
| Moolla, F. Fiona |
Her Heart Lies at the Feet of the Mother: Transformations of the Romance Plot in Leila Aboulela’s Minaret |
2021 |
Leila Aboulela, Islam, family, Muslim romance |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Malinowska, Ania |
Global Popular Culture for Local Infrastructures: Migration of Texts and Problems of Transferability (the Polish Case) |
2021 |
translation, Fifty Shades, Poland |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Izharuddin, Alicia |
Reading the Digital Muslim Romance |
2021 |
Muslim romance, Malaysia, readers, religion/spirituality, Islam, gender |
| Parnell, Jo |
The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions |
2021 |
|
| Adamu, Yusuf M. |
Hausa Prose-Fiction: A Reader |
2021 |
|
| Billekens, Franciska |
The Editor and Translator's Passionate Embrace: Cultural and Linguistic Alterations in Translated Harlequin Category Romance Novels |
2021 |
Harlequin Mills & Boon, paratext, translation, linguistics |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Murias, Rosana |
In Grey and Pink: The Image of the Bride through the Spanish Postwar Novela Rosa |
2021 |
Spain, fascism/right-wing authoritarianism, marriage, Carlota O'Neill/Laura de Noves, gender, film/movies, history |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Awad, Amal |
Desert dreamings and sheikh-lit |
2021 |
sheikh romance, Jackie Ashenden, Miranda Lee, race/ethnicity |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Jarmakani, Amira |
Explorations of the "desert passion industry" |
2021 |
sheikh romance, E. M. Hull, settings, race/ethnicity, Linda Conrad, rape and/or intimate partner violence/abuse, gender, war/armed forces |
| Hirst, Holly |
Georgette Heyer and redefining the Gothic romance |
2021 |
gothic romance, Georgette Heyer, romance scholarship, genre definitions |
| Hernandez-Knight, Bianca |
Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy |
2021 |
Jane Austen, Georgette Heyer, historical romance, race/ethnicity, trash/literary and or intellectual quality |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Fernández Rodríguez, Carolina |
Nora Roberts’s Boonsboro Empire: Boosting Business through Romance, Invigorating Romance with Affective Capitalism |
2021 |
Nora Roberts/J. D. Robb, capitalism/business, work, metaphor/symbolism |
| Cuthbert, Kate |
The Australian Digital Publishing Bubble, 2012-2016: An Insider Perspective |
2021 |
Australia, Publishing, Harlequin Mills & Boon |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Khumwongdee, Yanisa |
Reading and Rewriting Fat Romance: A Study of Twenty-First Century Thai and US Fat Romance Novels |
2021 |
fat, fatness, gender, LGBT+ characters, readers and/or authors |
| Ramos-García, María T. |
Paranormal romance and urban fantasy |
2021 |
paranormal/fantasy/time-travel romance, happy ending, genre definitions, YA/teenage romance, LGBT+ characters, readers and/or authors, steampunk, erotic romance, romance scholarship, Laurell K. Hamilton, Twilight, J. R. Ward, war/armed forces, race/ethnicity, Nalini Singh |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Gildersleeve, Jessica |
The Routledge Companion to Australian Literature |
2021 |
|
| Leetsch, Jennifer |
Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds |
2021 |
Chimamanda Adichie, Africa, Nigeria |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Kamblé, Jayashree |
Romance in the media |
2021 |
trash/literary and or intellectual quality, genre definitions, paratext, sex/sexuality |
| Jennings, Kathleen |
Heyer … in space! The influence of Georgette Heyer on science fiction |
2021 |
Georgette Heyer, war/armed forces, Patricia Wrede, Tessa Dare |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Pierini, Francesca |
“Sharing the Same Soil:” Sally Rooney’s Normal People and the Coming-of-Age Romance |
2021 |
Sally Rooney, romance scholarship |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| McAlister, Jodi |
New Adult Fiction |
2021 |
NA romance, genre definitions, Publishing, readers, contemporary romance, Jamie McGuire, Colleen Hoover, paratext |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Burge, Amy |
Class and wealth in popular romance fiction |
2021 |
social/economic class, wealth/prosperity, gender, work, race/ethnicity, capitalism/business |
| Philips, Deborah |
Fifty Shades of Romance: The intertextualities of Fifty Shades of Grey |
2021 |
Fifty Shades, Harlequin Mills & Boon, Twilight |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Hefner, Brooks E. |
Black Pulp: Genre Fiction in the Shadow of Jim Crow |
2021 |
romances in magazines and newspapers, African American romance, race/ethnicity, gender, Gertrude Schalk |
| Pierre, Zakiya |
Browsing in nuances: Using ethnographic research to design for the experience of browsing. |
2021 |
readers |
| Allan, Jonathan A. |
Gender and sexuality |
2021 |
gender, sex/sexuality, pornography, LGBT+ characters, readers and/or authors, lesbian romance, m/m romance |
| Izharuddin, Alicia |
“Redha tu Ikhlas”: The Social–Textual Significance of Islamic Virtue in Malay Forced Marriage Narratives |
2021 |
marriage, Malaysia, Islam, Fauziah Ashari, readers, religion/spirituality, Muslim romance, rape and/or intimate partner violence/abuse, gender |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Hopkins, Lisa |
All’s Well That Ends Well: Shakespearean echoes in Heyer’s Regency novels |
2021 |
Shakespeare, Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Dixon, jay |
History of English romance novels, 1621-1975 |
2021 |
UK, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, historical romance |
| Fresno-Calleja, Paloma |
Rugby Romances and the Branding of New Zealand |
2021 |
New Zealand, national identity, race/ethnicity, sport |
| Valovirta, Elina |
Repeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature |
2021 |
sex/sexuality, readers, NA romance, Marie Carnay, Charlotte Stein, Sierra Sparks, Juliana Conners |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Allen, Amanda K. |
Young adult romance |
2021 |
YA/teenage romance, genre definitions, readers, Samuel Richardson, romance scholarship, Twilight, LGBT+ characters, readers and/or authors |
| Teo, Hsu-Ming |
Love and romance novels |
2021 |
love, sex/sexuality, history, sociology, feminism, Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, Jane Austen, Charlotte Brontë, religion/spirituality, E. M. Hull, Kathlyn Rhodes, Barbara Cartland, Georgette Heyer, Harlequin Mills & Boon, historical romance, Jennifer Crusie, wealth/prosperity |
| Izharuddin, Alicia |
Counterpublics of care: making space for mediated intimacy and romantic self-making in Malaysia |
2021 |
readers, Malaysia, gender, emotions, marriage, Islam, love |
| Wilcox, Vanda |
Georgette Heyer, Wellington’s Army and the First World War |
2021 |
Georgette Heyer, war/armed forces, history, gender |
| González-Cruz, María-Isabel |
On the Discoursive Construction of the Spanish Hero in Intercultural Romances |
2021 |
Spain, Harlequin Mills & Boon, national identity, race/ethnicity, love |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Egilsdatter Sleire, Maria |
“Only I shall taste your body’s joys:” The Erotic Function of Female Corporeality in The Flame and the Flower and Fifty Shades of Grey |
2021 |
Fifty Shades, Kathleen Woodiwiss, pornography, sex/sexuality, virginity, rape and/or intimate partner violence/abuse |
| Regis, Pamela |
The evolution of the American romance novel |
2021 |
United States of America, Older and/or precursor texts (may not be "romance" as now defined), romance scholarship, Charles Brockden Brown, Sukey Vickery, Catharine Maria Sedgwick, Lydia Maria Child, E. D. E. N. Southworth, Louisa May Alcott, Frances Watkins Harper, race/ethnicity, Onoto Watanna/Winnifred Eaton, Jean Webster, Kathleen Thompson Norris, Viña Delmar, family, Claire Morgan/Patricia Highsmith, LGBT+ characters, readers and/or authors |
| Moreno-Álvarez, Alejandra |
Romance Novels in Postcolonial India: From Mills & Boon to Pageturn’s Red Romance Series |
2021 |
India, Harlequin Mills & Boon, readers |
| Valovirta, Elina |
The Stuff of Which Fairy Tales Are Made: Royal Romance, Ordinariness, and Affectivity in the Literary Market |
2021 |
Publishing, social/economic class, feminism |
| Kiyawa, Haruna Alkasim |
Female Readers as Literary Critics: Reading Experiences of Kano Market Romance Fiction |
2021 |
Nigeria, readers |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Mäkelä, Veera |
Reading Response in Mary Balogh: A Critical Engagement |
2021 |
Mary Balogh, romance scholarship, gender, sex/sexuality |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Šmídová, Monika Markéta |
Five Thousand for Justice: The Use of English Folklore in the Novels of KJ Charles |
2021 |
K. J. Charles, fairytales/folktales, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, historical romance, social/economic class, community, family |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Zille, Tom |
Georgette Heyer and the language of the historical novel |
2021 |
Georgette Heyer, linguistics, history, historical romance |
| Kuchta, Estella Carolye |
Imagining Love: Teen Romance Novels and American Teen Relational Capacity |
2021 |
YA/teenage romance, readers, psychology, love |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| O'Mahony, Lauren |
Australian romance fiction |
2021 |
Australia, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Rosa Praed, Marie Bjelke Petersen, settings, Emma Darcy, readers, libraries/librarians, chick lit, Anita Heiss, race/ethnicity |
| Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Ngoshi, Hazel Tafadzwa |
Repression, Literary Dissent and the Paradox of Censorship in Zimbabwe |
2021 |
Zimbabwe, romance and, or as, activism, Africa |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Iwicka, Renata |
Manifestations of Male Image in the World's Cultures |
2021 |
|
| Ali, Kecia |
Author studies and popular romance fiction |
2021 |
romance scholarship, authors, Nora Roberts/J. D. Robb, Georgette Heyer, Marie Bjelke Petersen, Suzanne Brockmann, Jennifer Crusie |
| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Kołodziej, Gaja |
Unforgettably in love: uses of the amnesia trope in contemporary romance |
2021 |
contemporary romance, romantic suspense, health/medical, love |
| Toscano, Angela |
Gothic romance |
2021 |
gothic romance, Mary Stewart |
| Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| McGurl, Mark |
Unspeakable Conventionality: The Perversity of the Kindle |
2021 |
Publishing, capitalism/business, trash/literary and or intellectual quality, readers, sex/sexuality, BDSM, Fifty Shades, erotic romance, LGBT+ characters, readers and/or authors, genre definitions, fanfiction |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Sutherland, Kathryn |
‘Where History says little, Fiction may say much’ (Anna Barbauld): the historical novel in women’s hands in the mid-twentieth century |
2021 |
history, Sir Walter Scott, Jane Austen, Georgette Heyer |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Street, Amy |
Georgette Heyer – guilty pleasures |
2021 |
Georgette Heyer, readers, psychology, race/ethnicity, social/economic class, feminism |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Michelson, Anna |
The politics of happily-ever-after: romance genre fiction as aesthetic public sphere |
2021 |
sociology, romance and, or as, activism, emotions, feminism, readers, authors, fascism/right-wing authoritarianism, United States of America, Casey McQuiston, happy ending, Roni Loren, Sarah MacLean, sex/sexuality, Alyssa Cole, race/ethnicity, Publishing, Courtney Milan, Suzanne Brockmann, health/medical |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| González Cruz, María Isabel |
Constructing the Exotic Other: Paradise Discourse and Environmental Awareness in a Corpus of Popular Romance Fiction Novels |
2021 |
linguistics, Spain, ecocriticism/environmentalism/climate change |
| Crawford, Joseph |
Old-World Heroes and New-World Heroines in Post-Millennial Anglophone Romance Media |
2021 |
sheikh romance, paranormal/fantasy/time-travel romance, Scotland, history, Karen Marie Moning, Olivia Gates, Diana Gabaldon |
| Ammidown, Steve |
Romance Writers of America Rescind Award for Lakota Genocide Redemption Narrative |
2021 |
authors, race/ethnicity, Christian romance, religion/spirituality, Native American romance |
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBT+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Perriam, Geraldine |
The not so silly ass: Freddy Standen, his fictional contemporaries and alternative masculinity |
2021 |
Georgette Heyer, gender |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Davidge, Helen |
Data science: Georgette Heyer’s historical novels and her readers |
2021 |
Georgette Heyer, linguistics, readers |
| Hughes, Bill |
Genre Mutation in Young Adult Gothic: The Dialectics of Dystopia and Romance in Holly Black's The Coldest Girl in Coldtown |
2021 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance, capitalism/business, Holly Black |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Williams, Mary |
Consent Is Sexy: A Look Into the Influence the ‘Me Too.’ Movement Had On the Romance Genre Through Smart Bitches Trashy Books |
2021 |
sex/sexuality, readers |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality |
| Jarmakani, Amira |
Desert Is Just Another Word for Freedom |
2021 |
sheikh romance |
| Novakova, Iva |
Les motifs phraséologiques pour distinguer les genres littéraires. Sur l’exemple des motifs de la communication verbale et non verbale |
2021 |
linguistics |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| McAlister, Jodi |
Erotic romance |
2021 |
erotic romance, genre definitions, Fifty Shades, sex/sexuality, Sylvia Day, happy ending, Older and/or precursor texts (may not be "romance" as now defined), John Cleland, Publishing, fanfiction, Alisha Rai, Harlequin Mills & Boon |
| Young, Erin S. |
Race, ethnicity, and whiteness |
2021 |
race/ethnicity, Mary Balogh |
| George, Laura J. |
Judith Taverner as dandy-in-training in Georgette Heyer’s Regency Buck |
2021 |
Georgette Heyer, historical romance, fashion/clothing, cross-dressing, gender |
| Naeej, Elham |
Parting the Curtain: The Virgin Heroine and the ‘Westoxified’ Villain in Contemporary Iranian Romance Novels |
2021 |
Iran, virginity, national identity, Fattaneh Haj Seyyed Javadi, Nazi Safavi, Roya Khosronajdi, Parinush Saniee, Simin Shirdel, Maryam Riahi, Homa Puresfahani, gender, Islam, marriage |
| Weimer, Christopher |
Romancing Weird Fiction: Lovecraftian Reinscriptions in Jordan L. Hawk's Whyborne and Griffin |
2021 |
Jordan L. Hawk, m/m romance, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, race/ethnicity |
| McGurl, Mark |
Everything and Less: The Novel in the Age of Amazon |
2021 |
Publishing, Fifty Shades, trash/literary and or intellectual quality, capitalism/business |
| Markert, John |
Publishing the romance novel |
2021 |
Publishing, Harlequin Mills & Boon, United States of America, historical romance, Kathleen Woodiwiss, contemporary romance |
| Pierre-Robertson, Petronetta |
Literature as an Agent of Change |
2021 |
Caribbean, rape and/or intimate partner violence/abuse, Petra Pierre-Robertson, romance and, or as, activism |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Boussahba-Bravard, Myriam |
Le roman sentimental Regency, entre continuités et ruptures (2000-2020) |
2021 |
historical romance |
| Hunter, Christyna M. |
Cataloging Category Romance Fiction and Librarian and Patron Views on Romance Fiction in Public Libraries |
2021 |
libraries/librarians, Harlequin Mills & Boon |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Pritchard, Jamee Nicole |
That 90's Kind of Love: the Rise of African American Romance Novels in Traditional Romance Publishing |
2021 |
African American romance, readers |
| Ficke, Sarah H. |
The historical romance |
2021 |
historical romance, Georgette Heyer, Barbara Cartland, Kathleen Woodiwiss, settings, race/ethnicity, Valerie Belgrave, Kate Breslin, fascism/right-wing authoritarianism, history, African American romance, Beverly Jenkins, LGBT+ characters, readers and/or authors |
| Carlos, Giovana Santana |
Literatura pop feminina: as fãs de romance no Brasil |
2021 |
Brazil, readers, paratext |
| Kapstein, Helen |
Petrofeminism: Love in the Age of Oil |
2021 |
ecocriticism/environmentalism/climate change, Nigeria, feminism, Chimamanda Adichie, Myne Whitman, metafiction, Balaraba Ramat Yakubu, work, capitalism/business |
| Parnell, Claire |
Independent Authors’ Dependence on Big Tech: Categorization and Governance of Authors Of Color on Amazon |
2021 |
Publishing, authors, race/ethnicity, African American romance |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| Daud, Kathrina Mohd |
In response to Harlequin: Global legacy, local agency |
2021 |
Harlequin Mills & Boon, Africa, China, Japan, India, Malaysia, Nigeria |
| Sherwood, Kim |
Pride and prejudice: metafiction and the value of historical romance in Georgette Heyer |
2021 |
Georgette Heyer, metafiction, trash/literary and or intellectual quality |
| Abrahamsson, Elin |
Superwomen, Latte Dads and Feminist Alphas: Negotiations on Feminism in Contemporary Swedish Popular Romance Novels |
2021 |
Sweden, feminism, gender, family, work, national identity, Simona Ahrnstedt, Sofia Fritzson, Christina Schiller, Harlequin Mills & Boon, LGBT+ characters, readers and/or authors, social/economic class |
| Pradhan, Anil |
The literary field of queer cultural production in contemporary India: considering popular queer texts via Bourdieu |
2021 |
India, LGBT+ characters, readers and/or authors |
| Dexl, Carmen; Gerlsbeck, Silvia |
The Male Body in Representation: Returning to Matter |
2022 |
|
| Michelson, Anna |
Redefining the Romance: Classification and Community in a Popular Fiction Genre |
2022 |
genre definitions, sociology, authors, romance and, or as, activism, sex/sexuality, LGBT+ characters, readers and/or authors, race/ethnicity, erotic romance, happy ending, readers, Publishing, fanfiction, Fifty Shades, Suzanne Brockmann, m/m romance, African American romance, Native American romance |
| Sinha, Mona |
Reading Mills and Boon in India From the Post-Colonial to the Millennial Experience |
2022 |
India, Harlequin Mills & Boon, readers, chick lit |
| Lecercle, Jean-Jacques |
Interpellation and Counter-Interpellation in the Novel |
2022 |
readers, Violet Winspear, Jane Austen, trash/literary and or intellectual quality |
| Alberto, Maria |
Original Slash, Romance, and C.S. Pacat’s Captive Prince |
2022 |
C. S. Pacat, fanfiction, Publishing, LGBT+ characters, readers and/or authors, sex/sexuality, rape and/or intimate partner violence/abuse, race/ethnicity |
| Bilodeau, Isabelle |
How Romance Translators Write Themselves and Their Readers into Afterwords |
2022 |
paratext, translation, Japan |
| Allan, Jonathan A. |
‘Impossibly erotic things’: On men’s underwear in Brief Encounters by Suzanne Forster |
2022 |
fashion/clothing, Harlequin Mills & Boon, Suzanne Forster, sex/sexuality, gender |
| Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
| Carter, Ellen |
What's in a name? A corpus study of phonological differences between gay and straight romance heroes' names |
2022 |
LGBT+ characters, readers and/or authors, gender, linguistics |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Moody-Freeman, Julie E. |
Romance, Hip-Hop Feminism, and Black Love: From Theory to Praxis |
2022 |
Gwyneth Bolton/Gwendolyn Pough, feminism, African American romance, gender, teaching romance, sex/sexuality, music, romance and, or as, activism, race/ethnicity |
| Pryde, Jessica P. |
Black Love Matters: Real Talk on Romance, Being Seen, and Happily Ever After |
2022 |
African American romance, race/ethnicity, readers, LGBT+ characters, readers and/or authors, Adriana Herrera, Jasmine Guillory, food, drink, Kosoko Jackson, Christina C. Jones, Publishing |
| Hallett, Hilary A. |
Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood |
2022 |
Elinor Glyn, Older and/or precursor texts (may not be "romance" as now defined) |
| Fenske, Emma K. |
Romancing the New Evangelical Woman |
2022 |
Christian romance, United States of America, religion/spirituality, Francine Rivers, Janette Oke, Karen Kingsbury, gender, health/medical, family, historical romance |
| Pierini, Francesca |
“Roma” spelled backwards: love and heterotopic space in contemporary romance novels set in Italy |
2022 |
Italy, settings |
| González-Cruz, María Isabel |
La interdisciplinariedad en la ficción romántica |
2022 |
romance scholarship, romance and, or as, activism |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |