| Keegan, Faye Jessica |
Soft metafiction(s) : Mary Stewart and the self-reflective middlebrow |
2016 |
Mary Stewart, romantic suspense, trash/literary and or intellectual quality, national identity, history, metafiction, fairytales/folktales, gothic romance, UK |
| Salmon, Catherine |
What Do Romance Novels, Pro Wrestling, and Mack Bolan Have in Common?: Consilience and the Pop Culture of Storytelling |
2016 |
evolutionary psychology |
| Legallois, Dominique; Charnois, Thierry; Poibeau, Thierry |
Repérer les clichés dans les romans sentimentaux grâce à la méthode des ‘motifs’ |
2016 |
trash/literary and or intellectual quality, Harlequin Mills & Boon, linguistics |
| Vivanco, Laura |
Pursuing Happiness: Reading American Romance as Political Fiction |
2016 |
United States of America, gender, disability, race/ethnicity, history, national identity, Linnea Sinclair, Pamela Morsi, Nora Roberts/J. D. Robb, Sharon Shinn, LaVyrle Spencer, Beverly Jenkins, Karin Kallmaker, work, community, historical romance, Sharon Brondos, Mary Burton, Ruth Jean Dale, Joan Johnston, Ruth Wind/Barbara Samuel/Barbara O'Neal, Joan Wolf, LGBT+ characters, readers and/or authors |
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Radick, Caryn |
Romance Writers’ Use of Archives |
2016 |
libraries/librarians, authors, historical romance, trash/literary and or intellectual quality |
| Soler Gallo, Miguel |
El ideal de la mujer de la Sección Femenina de Falange a través de las ilustraciones de la novela rosa de los años cuarenta |
2016 |
gender, fascism/right-wing authoritarianism, Spain, paratext, Carmen de Icaza |
| Burge, Amy |
Representing Difference in the Medieval and Modern Orientalist Romance |
2016 |
Older and/or precursor texts (may not be "romance" as now defined), sheikh romance, history, gender, race/ethnicity, sex/sexuality, settings, UK, fashion/clothing, Harlequin Mills & Boon, virginity, rape and/or intimate partner violence/abuse |
| Gordis, Lisa M. |
"Jesus loves your girl more than you do": Marriage as Triangle in Evangelical Romance and Puritan Narratives |
2016 |
Christian romance, religion/spirituality, marriage, Francine Rivers, gender |
| Tidwell, Christy |
“A Little Wildness”: Negotiating Relationships between Human and Nonhuman in Historical Romance |
2016 |
animals, paratext, historical romance, Bertrice Small, Patricia Gaffney, metaphor/symbolism, gender, rape and/or intimate partner violence/abuse, family, sex/sexuality, happy ending |
| Hirdman, Anja |
Speaking through the flesh: Affective encounters, gazes and desire in Harlequin romances |
2016 |
emotions, gender, sex/sexuality, Harlequin Mills & Boon |
| Edlins, Mariglynn |
Superhero, Sleeping Beauty, or Devil? The Making of Orphan Myths and Public Administration |
2016 |
family, emotions |
| Stinson, Emmett; Mannion, Aaron |
The Return of Print?: Contemporary Australian Publishing |
2016 |
|
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Pérez Casal, Inmaculada |
Love in Times of Crisis: An Approach to Contemporary Romance Novels in Spain |
2016 |
Spain, Publishing, Older and/or precursor texts (may not be "romance" as now defined) |
| Thierauf, Doreen |
Forever After: Desire in the 21st-Century Romance Blockbuster |
2016 |
Jane Austen, sex/sexuality, marriage, gender, feminism, readers, psychology, Twilight, Fifty Shades, rape and/or intimate partner violence/abuse, BDSM |
| McAlister, Jodi |
Traveling Through Time and Genre: Are the Outlander Books Romance Novels? |
2016 |
Diana Gabaldon, genre definitions |
| Tanner, David |
Literary Success and Popular Romantic Fiction: Ethel M. Dell, a Case Study |
2016 |
Ethel M. Dell, trash/literary and or intellectual quality, Older and/or precursor texts (may not be "romance" as now defined), Publishing, romances in magazines and newspapers, India, settings |
| Barrett-Fox, Rebecca |
Christian Romance Novels: Inspiring Convention and Challenge |
2016 |
Christian romance, readers, gender, religion/spirituality, marriage, work |
| Schalk, Sami |
Happily Ever After for Whom? Blackness and Disability in Romance Narratives |
2016 |
disability, race/ethnicity, sex/sexuality, African American romance, Gwynne Forster, gender, war/armed forces, N. K. Jemisin, paranormal/fantasy/time-travel romance |
| Lambert, Jérémy |
Le roman sentimental gay francophone |
2016 |
LGBT+ characters, readers and/or authors, Anne Singe et Marine Ange |
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Gleason, William |
The Inside Story: Jennifer Crusie and the Architecture of Love |
2016 |
Jennifer Crusie, settings, emotions, sex/sexuality |
| Allan, Jonathan A. |
Reading from Behind: A Cultural Analysis of the Anus |
2016 |
m/m romance, Anne Tenino, sex/sexuality, LGBT+ characters, readers and/or authors |
| Nash, Jennifer C. |
Gender: Love |
2016 |
|
| Tienkamp, Aaf |
New Adult Romance: An Emerging Genre |
2016 |
NA romance, sex/sexuality, genre definitions |
| Swaminathan, Srividhya |
J. D. Robb’s Police Procedurals and the Critique of Modernity |
2016 |
Nora Roberts/J. D. Robb, romantic suspense, science fiction/futuristic romance |
| Moody-Freeman, Julie E. |
Scripting Black Love in the 1990s: Pleasure, Respectability, and Responsibility in an Era of HIV/AIDS |
2016 |
health/medical, Brenda Jackson, African American romance, sex/sexuality, gender, race/ethnicity, United States of America, history, romance and, or as, activism |
| Moody, Stephanie |
Building Social Worlds: Examining Women’s Uses of Romance Novels |
2016 |
readers |
| Roach, Catherine M. |
Love as the Practice of Bondage: Popular Romance Narratives and the Conundrum of Erotic Love |
2016 |
love, BDSM, Beverly Jenkins, James Buchanan, J. R. Ward, gender, LGBT+ characters, readers and/or authors, m/m romance |
| Crane, Ralph; Fletcher, Lisa |
The Genre of Islands: Popular Fiction and Performative Geographies |
2016 |
islands, settings, rural romance |
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Soubeyroux, Marie-Hélène; Zapata, Mónica |
Miradas sobre una obra polifacética: Homenaje a Jean Louis Guereña |
2016 |
|
| Stavropoulou, Marina |
Romance Fiction: At the Frontline of Digital Publishing |
2016 |
Publishing |
| González Cruz, María Isabel |
Discourse Types and Functions in Popular Romance Fiction Novels ("Work in Progress") |
2016 |
languages, islands, gender, national identity, linguistics |
| Peabody, Rebecca |
Kara Walker: American Romance in Black and White |
2016 |
historical romance, race/ethnicity, sex/sexuality, Barbara Ferry Johnson |
| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Lemay, Catherine |
La traduction de la scène de sexe dans le roman sentimental érotique: Analyse descriptive et comparative |
2016 |
translation, sex/sexuality, erotic romance, Sylvia Day |
| Silliman, Daniel |
Fictions of Belief: Reading Evangelical Novels in A Secular Age |
2016 |
Christian romance, religion/spirituality, United States of America, Janette Oke, Beverly Lewis, Publishing |
| Maunder, Andrew |
Berta Ruck |
2016 |
Berta Ruck, war/armed forces |
| Barot, Len |
Queer Romance in Twentieth- and Twenty-First-Century America: Snapshots of a Revolution |
2016 |
Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors, lesbian romance, history, Publishing, Sarah Aldridge, Katherine V. Forrest, Isabel Miller, m/m romance, Wallace Hamilton, Marion Zimmer Bradley, Gordon Merrick, Radclyffe/Len Barot, erotic romance |
| Crane, Ralph; Fletcher, Lisa |
The Genre of Islands: Popular Fiction and Performative Geographies |
2016 |
islands, settings, rural romance |
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| Soubeyroux, Marie-Hélène; Zapata, Mónica |
Miradas sobre una obra polifacética: Homenaje a Jean Louis Guereña |
2016 |
|
| Dandridge, Rita B. |
Love Prevailed Despite What American History Said: Agape and Eros in Beverly Jenkins's Night Song and Through the Storm |
2016 |
Beverly Jenkins, love, sex/sexuality, history, gender, race/ethnicity, United States of America, rape and/or intimate partner violence/abuse, family, wealth/prosperity |
| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Kelly, Brendan D. |
Medical romance: love never dies |
2016 |
medical romance |
| Wilson, Nicola |
The Book World: Selling and Distributing British Literature, 1900-1940 |
2016 |
|
| Abdullah-Poulos, Layla |
Muslim Love American Style: Islamic-American Hybrid Culture and Native-Born American Black Muslim Romance |
2016 |
religion/spirituality, African American romance, Islam, Muslim romance |
| Herendeen, Ann |
Having it Both Ways; or, Writing from the Third Perspective: The Revolutionary M/M/F Ménage Romance Novel |
2016 |
LGBT+ characters, readers and/or authors, Ann Herendeen, marriage, metafiction, Georgette Heyer |
| Soler Gallo, Miguel |
Novela rosa y fantasía amorosa en la España de los años Cuarenta: análisis de La rival de Julieta de Josefina de la Torre |
2016 |
Spain, fascism/right-wing authoritarianism, Laura de Cominges/Josefina de la Torre, gender |
| Carroll, Joseph; McAdams, Dan P.; Wilson, Edward O. |
Darwin's Bridge: Uniting the Humanities and Sciences |
2016 |
|
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Hernández Guerrero, María José |
Prosumidoras de traducciones: Aproximación al fenómeno de la traducción fan de novela romántica |
2016 |
readers, translation |
| Elliott, Jack |
Vocabulary decay in category romance |
2016 |
linguistics, Harlequin Mills & Boon, authors, Jane Austen |
| Franssen, Thomas; Velthuis, Olav |
Making materiality matter: a sociological analysis of prices on the Dutch fiction book market, 1980–2009 |
2016 |
Publishing, Netherlands, trash/literary and or intellectual quality |
| Piper, Andrew; Portelance, Eva |
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading |
2016 |
linguistics, trash/literary and or intellectual quality |
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| English, Jessica |
Reading the Romance: Through the Eyes of a Millenial Feminist |
2017 |
feminism, readers |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| Bianchi, Diana |
I gentiluomini si prendono per la gola: cibo e identità nei romanzi di Georgette Heyer |
2017 |
Georgette Heyer, historical romance |
| Elliott, Jack |
Whole genre sequencing |
2017 |
genre definitions, Harlequin Mills & Boon, authors, linguistics |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Nilson, Maria |
Nådens tuttar : Om skönheter, odjur och den frälsande kvinnokroppen i modern romance |
2017 |
fairytales/folktales, paranormal/fantasy/time-travel romance, Fifty Shades, Twilight, sex/sexuality |
| McAlister, Jodi; Teo, Hsu-Ming |
Love in Australian Romance Novels |
2017 |
national identity, Australia, love, rural romance, gender, sex/sexuality, history, Publishing, genre definitions, race/ethnicity, settings, feminism |
| O'Mahony, Lauren |
Death and the Australian Rural Romance Novel |
2017 |
rural romance, Australia, death |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Clasen, Tricia; Hassel, Holly |
Gender(ed) Identities: Critical Rereadings of Gender in Children’s and Young Adult Literature |
2017 |
|
| Teo, Hsu-Ming |
The Popular Culture of Romantic Love in Australia |
2017 |
|
| Betz, Phyllis M. |
Katherine V. Forrest: A Critical Appreciation |
2017 |
lesbian romance, Katherine V. Forrest, Older and/or precursor texts (may not be "romance" as now defined), LGBT+ characters, readers and/or authors |
| Capps, Stephanie Carol |
What You Read and What You Believe: Genre Exposure and Beliefs about Relationships |
2017 |
readers, gender, sex/sexuality, psychology, love |
| McLennon, Leigh |
Contemporary vampire genre fiction: ethical feeding and the posthuman vampire in urban fantasy and paranormal romance |
2017 |
paranormal/fantasy/time-travel romance |
| Gifford, James |
Mary Stewart’s Greek Novels: Hellenism, Orientalism and the Cultural Politics of Pulp Presentation |
2017 |
Mary Stewart, Greece, gender, romantic suspense, national identity |
| Regan, Lisa |
Women and the 'War Machine' in the Desert Romances of E. M. Hull and Rosita Forbes |
2017 |
E. M. Hull, UK, war/armed forces, national identity |
| Krueger, Kate |
The Woman at Home in the World: Annie Swan's Lady Doctor and the Problem of the Fin de Siècle Working Woman |
2017 |
Annie S. Swan |
| Barba, Shelley E.; Perrin, Joy M. |
The Ascendance of Harley Quinn: Essays on DC's Enigmatic Villain |
2017 |
|
| Vivanco, Laura |
A Place “We All Dream About”: Greece in Mills & Boon Romances |
2017 |
Greece, race/ethnicity, Harlequin Mills & Boon, sex/sexuality, science/technology, myth |
| Dyhouse, Carol |
Hearthrobs: A History of Women and Desire |
2017 |
gender, sex/sexuality, Charles Garvice, E. M. Hull, Georgette Heyer, Barbara Cartland, race/ethnicity |
| González Cruz, María Isabel |
Conciencia Sociolingüística e Hispanismos en un Corpus de Novela Rosa Inglesa |
2017 |
Spain, languages, Harlequin Mills & Boon, linguistics |
| Malloy, Audrey Miles |
Remnants of the Bodice Ripper: How Consent is Characterized in Heterosexual and Lesbian Erotic Romance Novels |
2017 |
gender, sex/sexuality, lesbian romance, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Turner, Katherine |
Daphne Du Maurier's Mary Anne: Rewriting the Regency Romance as Feminist History |
2017 |
history, Daphne du Maurier |
| Jackson, Cia |
Harlequin Romance: The Power of Parody and Subversion |
2017 |
Harlequin Mills & Boon |
| Pyrhönen, Heta |
Love under Threat: The Emotional Valences of the Twilight Saga |
2017 |
Twilight, emotions, love, happy ending |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Johnson, Heather |
Yorkshire English in Georgette Heyer's The Unknown Ajax |
2017 |
languages, Georgette Heyer, historical romance |
| Markert, John |
God is Love: The Christian Romance Market |
2017 |
Christian romance, Publishing, sex/sexuality |
| Engelking, Tama Lea |
Reading the Romance with Colette in ‘La Lune de pluie' |
2017 |
Colette |
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Malinowska, Anna |
Paternal Structures of the Romance |
2017 |
family, love, gender |
| Whalen, Kacey |
A Consumption of Gay Men: Navigating the Shifting Boundaries of M/M Romantic Readership |
2017 |
m/m romance, readers, gender, sex/sexuality, K. J. Charles, LGBT+ characters, readers and/or authors |
| Clasen, Tricia |
Masculinity and Romantic Myth in Contemporary YA Romance |
2017 |
gender, love, YA/teenage romance |
| González Cruz, María Isabel |
Exploring the dynamics of English/Spanish codeswitching in a written corpus |
2017 |
languages, Spain, Harlequin Mills & Boon, linguistics |
| Khuankaew, Sasinee |
Femininity and Masculinity in Twenty-First Century Thai Romantic Fictions |
2017 |
gender, Thailand, sex/sexuality, Buddhism |
| Nilson, Maria |
Kärlek i kyligt klimat: Om nordisk romance |
2017 |
Sweden, Norway, Simona Ahrnstedt, Natalie Normann, national identity, gender, sex/sexuality |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Fragero Guerra, Carmen |
Del azul al rosa: la narrativa de Carmen de Icaza (1936-1960) |
2017 |
Carmen de Icaza, Luisa-María Linares, Spain, fascism/right-wing authoritarianism |
| Achieng’, Okang’a Nancy |
A Cosmopolitan National Romance: A Study of In Dependence by Sarah Ladipo Manyika |
2017 |
Sarah Ladipo Manyika, Nigeria, trash/literary and or intellectual quality, Africa, race/ethnicity, gender |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Cheyne, Ria |
Disability Studies Reads the Romance: Sexuality, Prejudice, and the Happily-Ever-After in the Work of Mary Balogh |
2017 |
disability, sex/sexuality, Mary Balogh, historical romance |
| Veros, Vassiliki |
Keepers: Marking the Value of the Books on my Shelves |
2017 |
readers, trash/literary and or intellectual quality |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Álvarez, Marta; Hekmat, Ida; Lauret-Taft, Sabine |
L’amour. Création et société |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Lessard, Victoria |
Marketing Desire: The "Normative/Other" Male Body and the "Pure" White Female Body on the Cover Art of Cassie Edwards' Savage Dream (1990), Savage Persuasion (1991), and Savage Mists (1992) |
2017 |
Cassie Edwards, Native American romance, paratext, race/ethnicity, historical romance |
| Bigey, Magali |
Réflexions sur l’amour et analyse de réception : La rencontre amoureuse dans les romans sériels et au prisme du lectorat |
2017 |
|
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| Soler Gallo, Miguel |
El juego amoroso en la novela rosa española femenina de los años cuarenta |
2017 |
Spain, love, fascism/right-wing authoritarianism, gender, family, marriage, history |
| Golubov, Nattie |
El amor en tiempos neoliberales: apuntes críticos sobre la novela rosa contemporánea |
2017 |
trash/literary and or intellectual quality, Loretta Chase, gender, genre definitions, readers, feminism, Publishing, Jennifer Crusie |
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Arimbi, Diah Ariani |
Women in Indonesian Popular Fiction: Romance, Beauty, and Identity Politics in Metropop Novels |
2017 |
Indonesia, settings, languages, gender, fashion/clothing, marriage |
| Golubov, Nattie |
Reading the Romance Writer as an Author-Entrepreneur |
2017 |
authors, work, race/ethnicity, readers |
| Ali, Kecia |
Troubleshooting Post-9/11 America: Religion, Racism, and Stereotypes in Suzanne Brockmann’s Into the Night and Gone Too Far |
2017 |
Suzanne Brockmann, religion/spirituality, race/ethnicity, United States of America, war/armed forces, Islam, sheikh romance, gender, marriage |
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Alpalhão, Margarida Santos; Carreto, Carlos F. Clamote; Dias, Isabel de Barros |
O jogo do mundo: ensaios sobre o imaginário lúdico |
2017 |
|
| van der Putten, Jan; Arnez, Monika; Wieringa, Edwin P.; Graf, Arndt |
Traditions Redirecting Contemporary Indonesian Cultural Productions |
2017 |
|
| Barker, Clare; Murray, Stuart |
The Cambridge Companion to Literature and Disability |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Soler Gallo, Miguel |
El ideal de masculinidad en la novela romántica falangista: análisis de Una mujer de veinte años de Mercedes Ballesteros |
2017 |
SylviaVisconti/Mercedes Ballesteros Gaibrois, Spain, fascism/right-wing authoritarianism, gender, war/armed forces, history, Rosa María Aranda, Elena Puerto/Mercedes Formica |
| Waldschmidt, Anne; Berressem, Hanjo; Ingwersen, Moritz |
Culture - Theory – Disability: Encounters between Disability Studies and Cultural Studies |
2017 |
|
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Higashi, Sumiko |
Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption |
2017 |
romances in magazines and newspapers |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Kamble, Jayashree |
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, capitalism/business, romantic suspense |
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Ali, Kecia |
Human in Death: Morality and Mortality in J. D. Robb's Novels |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, family, community, race/ethnicity, work, gender, romantic suspense, police officers/police forces |
| Larson, Christine |
An Economy of Words: Precarity, Solidarity and Innovation in Digital Book Publishing |
2017 |
Publishing, authors, work |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Keegan, Faye |
‘Snob Value’: Gender and Literary Value in Mary Stewart |
2017 |
Mary Stewart, romantic suspense, trash/literary and or intellectual quality, gender, authors |
| Arvanitaki, Eirini |
Postmillennial femininities in the popular romance novel |
2017 |
feminism, gender, Harlequin Mills & Boon |
| Papargyriou, Eleni; Assinder, Semele; Holton, David |
Greece in British Women’s Literary Imagination, 1913-2013 |
2017 |
|
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Murphy, Bernice M.; Matterson, Stephen |
Twenty-First-Century Popular Fiction |
2018 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Glennemeier, Jaelyn |
“And he was an Arab!:” Imperial Femininity and Pleasure in E. M. Hull's 1919 Desert Romance, The Sheik |
2018 |
E. M. Hull, race/ethnicity, history, rape and/or intimate partner violence/abuse |
| Leonzini, Alexandra |
“All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age |
2018 |
paranormal/fantasy/time-travel romance, sex/sexuality, pornography |
| Gehrmann, Susanne |
Remediating Romance: Forms and Functions of New Media in Contemporary Love Stories from Togo and South Africa |
2018 |
Publishing, Africa, chick lit |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Lowery, Karalyne |
The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity |
2018 |
paranormal/fantasy/time-travel romance, war/armed forces, United States of America |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| Lee, Zi-Ying; Liao, Min-Hsiu |
The “Second” Bride: The Retranslation of Romance Novels |
2018 |
translation, Publishing, Taiwan |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Gillingham, Erica |
Representations of same-sex relationships between female characters in all-ages comics: Princess Princess Ever After and Lumberjanes |
2018 |
comics/manga, LGBT+ characters, readers and/or authors |
| Blouin, Michael J. |
Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 |
2018 |
family, social/economic class, work, capitalism/business |
| Vani, Christina |
Immortal Words: The Language and Style of the Contemporary Italian Undead-Romance Novel |
2018 |
paranormal/fantasy/time-travel romance, Italy |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Clay, Catherine; DiCenzo, Maria; Green, Barbara; Hackney, Fiona |
Women's Periodicals and Print Culture in Britain, 1918-1939: The Interwar Period |
2018 |
|
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Taylor, Jessica |
Flexible Nations: Canadian Romance Writers, American Romance, and the Romance of Canada |
2018 |
Canada, authors, national identity, Kate Bridges, settings, Publishing, Harlequin Mills & Boon, race/ethnicity, historical romance, history |
| Mazloomian, Maryam; Mohammadi, Nahid |
Discursive Vulnerability and Identity Development: A Triangular Model of Bio-Forces in Cultural Ecological Analysis of American Romance Fiction |
2018 |
Debbie Macomber, psychology |
| McAlister, Jodi |
“Feelings Like the Women in Books”: Declarations of Love in Australian Romance Novels, 1859–1891 |
2018 |
Older and/or precursor texts (may not be "romance" as now defined), Australia, love, history, national identity, marriage |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBT+ characters, readers and/or authors |
| Kingston, Elizabeth |
History's Been Hijacked: How To Combat White Supremacy Through Popular Literature |
2018 |
historical romance, race/ethnicity, history, Elizabeth Kingston, Publishing, UK, social/economic class |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Abdullah-Poulos, Layla |
The Stable Muslim Love Triangle - Triangular Desire in African American Muslim Romance Fiction |
2018 |
Islam, African American romance, United States of America, religion/spirituality, race/ethnicity, marriage, Muslim romance |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Sequeiros, Paula |
“Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison |
2018 |
readers, Portugal |
| Rabanal, Hayley |
Courting convivencia: Hispano-Arab identity and Spanish women’s Orientalism in the Franco regime’s years of “unbearable solitude” (1946–1950) |
2018 |
Spain, fascism/right-wing authoritarianism, race/ethnicity, religion/spirituality, sheikh romance, María Adela Durango, Ana Marcela García, María del Pilar Carré, Lía Ramos, E. M. Hull, history, Morocco, Carmen de Icaza, Egypt, rape and/or intimate partner violence/abuse, gender |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| McAlister, Jodi |
Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction |
2018 |
genre definitions, YA/teenage romance |
| [Sigroha], Suman |
Gendered Migrations and Literary Narratives: Writing Communities in South Asian Diaspora |
2018 |
authors, work, family, gender, Publishing |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Ali, Kecia |
Romance Fiction in the Archives |
2018 |
authors, romance scholarship, Nora Roberts/J. D. Robb, race/ethnicity, gender, Publishing, sex/sexuality, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Kramp, Michael |
Jane Austen and Masculinity |
2018 |
|
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Hallock, Jennifer |
History Ever After: Fabricated Historical Chronotopes in Romance Genre Fiction |
2018 |
historical romance, history, Publishing, race/ethnicity, Jennifer Hallock, UK, settings, social/economic class, Jane Austen, Georgette Heyer, Alyssa Cole, readers, United States of America |
| Sanna, Antonio |
Pirates in History and Popular Culture |
2018 |
pirates and outlaws, historical romance |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Bhasin, Neeta |
Romancing the 'Illegal' Immigrant |
2018 |
Serena Bell, race/ethnicity, United States of America, social/economic class, gender, sex/sexuality, languages, readers |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Villar-Argáiz, Pilar |
Ireland and the Popular Genre of Historical Romance: The Novels of Karen Robards |
2018 |
Ireland, historical romance, Karen Robards, UK, race/ethnicity, gender, cross-dressing, settings, rape and/or intimate partner violence/abuse, sex/sexuality |
| Gehrhardt, Marjorie |
Losing Face, Finding Love? The Fate of Facially Disfigured Soldiers in Narratives of the First World War |
2018 |
war/armed forces, disability, health/medical |
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Parnell, Claire |
Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels |
2018 |
Publishing, Harlequin Mills & Boon, gender, sex/sexuality, social/economic class |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Lozano Sampedro, Mª Teresa |
Pour une typologie de la marginalité dans les romans de Delly: la fonction de la femme |
2018 |
Delly, religion/spirituality, gender, social/economic class |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Spears, Jessica D. |
The Romance Novel Cover |
2018 |
paratext, Publishing, gender, sex/sexuality, pornography |
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| González Cruz, María-Isabel |
Hispanismos en el discurso romántico de Harlequin y Mills & Boon. Ámbitos temáticos y funciones socio-pragmáticas |
2018 |
languages, islands, Spain, Harlequin Mills & Boon, linguistics |
| Vera-Cazorla, María Jesús |
Cultural symbols, myth and identity in four 20th-century English popular romance fiction novels set in Tenerife |
2018 |
Spain, Harlequin Mills & Boon, settings, family |
| Killeen, Jarlath |
Nora Roberts: the Power of Love |
2018 |
Nora Roberts/J. D. Robb, love |
| Vitackova, Martina |
Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp |
2018 |
Sophia Kapp, race/ethnicity, sex/sexuality, Africa, South Africa |
| Coote, Lesley; Kaufman, Alexander L. |
Robin Hood and the Outlaw/ed Literary Canon |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, Older and/or precursor texts (may not be "romance" as now defined), historical romance, pirates and outlaws |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
| Kollman, Kathleen W. Taylor |
Contemporary Paranormal Romance: Theories and Development of the Genre’s Feminism (Or Lack Thereof) |
2018 |
paranormal/fantasy/time-travel romance, feminism, gender |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| González de la Rosa, María del Pilar |
Intersections of Inner and Outer Journeys in Contemporary Popular Romance Fiction Novels |
2018 |
settings, Harlequin Mills & Boon |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Pérez-Gil, María del Mar |
Exoticism, Ethnocentrism, and Englishness in Popular Romance Fiction: Constructing the European Other |
2018 |
Spain, national identity, UK, race/ethnicity, islands, Harlequin Mills & Boon |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Harris, Racheal |
Really Romantic? Pirates in Romantic Fiction |
2018 |
pirates and outlaws, sex/sexuality, historical romance, rape and/or intimate partner violence/abuse, virginity |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Ramsdell, Kristin |
Encyclopedia of Romance Fiction |
2018 |
Publishing, paranormal/fantasy/time-travel romance, comics/manga, Christian romance, marriage, Jane Austen, Charlotte Brontë, Emily Brontë, Barbara Cartland, Janet Dailey, Daphne du Maurier, Ethel M. Dell, erotic romance, feminism, science fiction/futuristic romance, Elinor Glyn, Margaret Mitchell, Harlequin Mills & Boon, Georgette Heyer, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, historical romance, E. M. Hull, romance scholarship, LGBT+ characters, readers and/or authors, libraries/librarians, romantic suspense, Samuel Richardson, rape and/or intimate partner violence/abuse, Nora Roberts/J. D. Robb, Bertrice Small, Mary Stewart, translation, Patricia Veryan, Phyllis A. Whitney, Kathleen Winsor, Kathleen Woodiwiss, race/ethnicity |
| Roberts, Gillian |
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel |
2018 |
|
| Popova, Milena |
Rewriting the Romance: Emotion Work and Consent in Arranged Marriage Fanfiction |
2018 |
fanfiction, sex/sexuality, marriage, emotions |
| Gómez Gray, Alana |
Lectura, paraliteratura y mujeres en España: de la novela rosa a cincuenta sombras |
2018 |
romance scholarship, Spain, Publishing, history, Fifty Shades, readers |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Chelton, Mary K. |
Searching for Birth Parents or Adopted Children: Finding without Seeking in Romance Novels |
2018 |
family |
| Hernández, María Beatriz; Brito, Manuel; Monterrey, Tomás |
Broadening Horizons: A Peak Panorama of English Studies in Spain |
2018 |
|
| Fernández Rodríguez, Carolina |
Del cuento de hadas a la novela romántica: Una visión de la sub/literatura como gimnasio mental y laboratorio de sub/versión cultural |
2018 |
trash/literary and or intellectual quality, Nora Roberts/J. D. Robb, feminism, readers, sex/sexuality, psychology, romance and, or as, activism, fairytales/folktales |
| Pérez Casal, Inmaculada |
Mass-market romance and the question of genre: N. Sparks, E. L. James and D. Gabaldon |
2018 |
Diana Gabaldon, Fifty Shades, Nicholas Sparks, genre definitions, film/movies |
| Pérez Casal, Inmaculada |
The Romance Novel as Bildungsroman in the Works of Rosamunde Pilcher and Lisa Kleypas |
2018 |
gender, Rosamunde Pilcher, Lisa Kleypas, historical romance |