| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| González Cruz, María-Isabel |
Hispanismos en el discurso romántico de Harlequin y Mills & Boon. Ámbitos temáticos y funciones socio-pragmáticas |
2018 |
languages, islands, Spain, Harlequin Mills & Boon, linguistics |
| Vera-Cazorla, María Jesús |
Cultural symbols, myth and identity in four 20th-century English popular romance fiction novels set in Tenerife |
2018 |
Spain, Harlequin Mills & Boon, settings, family |
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBT+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| Vitackova, Martina |
Representation of racial and sexual ‘others’ in Afrikaans popular romantic fiction by Sophia Kapp |
2018 |
Sophia Kapp, race/ethnicity, sex/sexuality, Africa, South Africa |
| Teo, Hsu-Ming |
The Contemporary Anglophone Romance Genre |
2018 |
gender, sex/sexuality, Publishing, race/ethnicity |
| Olivarez, Omar; Hardie, Ryan; Blackburn, Kate G. |
The Language of Romance: An Open Vocabulary Analysis of the Highest Rated Words Used in Romance Novels |
2018 |
languages, psychology, sex/sexuality |
| Newns, Lucinda |
Renegotiating romantic genres: Textual resistance and Muslim chick lit |
2018 |
chick lit, Islam, feminism, religion/spirituality |
| Kollman, Kathleen W. Taylor |
Contemporary Paranormal Romance: Theories and Development of the Genre’s Feminism (Or Lack Thereof) |
2018 |
paranormal/fantasy/time-travel romance, feminism, gender |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| O'Mahony, Lauren; Murphy, Olivia |
From polite society to the Pilbara: The ingénue abroad in Evelina and The Girl in Steel-Capped Boots |
2018 |
Frances Burney, Older and/or precursor texts (may not be "romance" as now defined), Australia, Loretta Hill, gender |
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Cheyne, Ria |
Disability in Genre Fiction |
2018 |
disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston |
| Arnold-Forster, Agnes; Moulds, Alison |
Medical women in popular fiction |
2018 |
health/medical, history, Harlequin Mills & Boon, gender, medical romance |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Gruner, Elisabeth Rose |
Constructing the Adolescent Reader in Contemporary Young Adult Fiction |
2019 |
YA/teenage romance |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Golubov, Nattie |
La promesa utópica del final feliz |
2019 |
genre definitions, happy ending |
| Sagun, Karryl Kim Abella |
Book Mavens of Manila: an interpretative phenomenological analysis of contemporary niche publishers in the Philippines |
2019 |
Philippines, Publishing, Mina V. Esguerra |
| Arvanitaki, Eirini |
Gender in Recent Romance Novels: A Third Wave Feminist Mills and Boon Love Affair? |
2019 |
gender, feminism, love, Jane Porter, Leah Ashton, Kate Hewitt, Natalie Anderson, work, sex/sexuality |
| Veros, Vassiliki |
Metatextual Conversations: The Exclusion/Inclusion of Genre Fiction in Public Libraries and Social Media Book Groups |
2019 |
libraries/librarians, trash/literary and or intellectual quality, readers |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Toscano, Angela |
The Idolatry of the Real: Form, Formula, and Happy Endings in Romance Literature |
2019 |
trash/literary and or intellectual quality, genre definitions, readers, Jennifer Crusie, happy ending |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Cheyne, Ria |
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction |
2019 |
disability, emotions, Julia Quinn, family, Barbara McMahon, Christina Dodd, Barbara Delinsky, Mary Balogh |
| Larson, Christine |
Open networks, open books: gender, precarity and solidarity in digital publishing |
2019 |
authors, Publishing |
| Reitemeier, Rebecca |
Romance Novels and Higher Education |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, readers, psychology, teaching romance |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Choyke, Kelly L. |
The Power of Popular Romance Culture: Community, Fandom, and Sexual Politics |
2019 |
feminism, community, readers |
| Valovirta, Elina |
No Ordinary Love: The Romantic Formula of Stepsibling Erotica |
2019 |
NA romance, erotic romance, family |
| Driscoll, Beth |
Book Blogs as Tastemakers |
2019 |
readers |
| Pérez-Gil, María del Mar |
Representations of Nation and Spanish Masculinity in Popular Romance Novels: The Alpha Male as “Other” |
2019 |
Spain, gender, national identity, Harlequin Mills & Boon, UK |
| Brouillette, Sarah |
Romance Work |
2019 |
Publishing, readers, capitalism/business |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Fresno-Calleja, Paloma |
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series |
2019 |
Lani Wendt Young, chick lit, Samoa, metafiction, YA/teenage romance, race/ethnicity, feminism, food, drink, metaphor/symbolism, family, wealth/prosperity, national identity, sex/sexuality, rape and/or intimate partner violence/abuse |
| Fernández Rodríguez, Carolina |
Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality |
2019 |
Guam, United States of America, race/ethnicity, Paula Quinene, Cathy Sablan Gault, islands, history, romance and, or as, activism, languages, religion/spirituality, war/armed forces, historical romance |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Ivanski, Chantelle |
Judging a Book by Its Author's Gender |
2019 |
trash/literary and or intellectual quality, gender |
| Sule, Sani |
Exploring the Benefit and Significance of Reading Hausa Popular Romance Genre: A Thematic Analysis |
2019 |
Nigeria, readers |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Nikbakht, H. |
Female Agency in the Harlequin Romance Formula: developments within the timeframe of second wave feminism |
2019 |
Harlequin Mills & Boon, feminism, family, work, sex/sexuality, gender, Carole Mortimer, Roberta Leigh/Rachel Lindsay, virginity, rape and/or intimate partner violence/abuse, health/medical, marriage |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| González Pérez, Teresa |
La educación de las mujeres en Iberoamérica: análisis histórico |
2019 |
|
| Γραφανάκη, Ρωξάνη |
Γυναίκες και ροζ λογοτεχνία: η περίπτωση των εκδόσεων Άρλεκιν |
2019 |
Harlequin Mills & Boon, feminism, capitalism/business, gender, sex/sexuality |
| Kerr, Ashley Elizabeth |
Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels |
2019 |
history, race/ethnicity, Argentina, science/technology, national identity, historical romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Carlos, Giovana Santana |
Fandom e mercado literário: um mapa das mediações das fãs de romance no contexto brasileiro |
2019 |
readers, Brazil, Publishing |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Chaplin, Sue |
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance |
2019 |
paranormal/fantasy/time-travel romance, Twilight, J. R. Ward, Lara Adrian, family, gender, sex/sexuality, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Kendal, Evie |
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series |
2019 |
J. R. Ward, close reading, linguistics, genre definitions, paranormal/fantasy/time-travel romance, readers |
| Béja, Alice |
La new romance et ses nuances. Marché littéraire, sexualité imaginaire et condition féminine |
2019 |
France, erotic romance, sex/sexuality, Fifty Shades, Publishing, m/m romance, fanfiction, readers |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Raineri, Rosalia |
Verde bianco e rosa. Il romanzo 'femminile' e l'educazione sentimentale delle italiane (1911-1946) |
2019 |
Annie Vivanti/Annie Vivanti Chartres, Mura, Luciana Peverelli, Italy, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), linguistics, family |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Chaves, Duarte Nuno |
Memoria e Identidade Insular: Religiosidade, Festividades e Turismo nos Arquipélagos da Madeira e Açores |
2019 |
|
| Moore, Laura M. |
Sexual Agency, Safe Sex, and Consent Negotiations in Erotic Romance Novels |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse, erotic romance |
| Kraxenberger, Maria |
Erotic Romances: An Emerging Subgenre Succeeding Fifty Shades |
2019 |
erotic romance, Fifty Shades |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Basu, Soumi Sinha Ray |
The Allure and the Shame of Popular Fiction: An Analysis of Mills & Boon Romances |
2019 |
Harlequin Mills & Boon |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Gardner, Dora Abigail |
Defending the Bodice Ripper |
2019 |
feminism, readers, sex/sexuality, history, rape and/or intimate partner violence/abuse |
| Gerlitz, Laura Michelle |
Judging a Book By Its Cover: Bringing the Digital Humanities into Reader’s Advisory |
2019 |
Harlequin Mills & Boon, paratext, libraries/librarians |
| Williams, Elizabeth W. |
Queering Settler Romance: The Reparative Eugenic Landscape in Nora Strange's Kenyan Novels |
2019 |
Nora K. Strange, sex/sexuality, race/ethnicity, Kenya, Africa, family, science/technology, history, settings, rural romance, rape and/or intimate partner violence/abuse |
| Ali, Kecia |
Sacrifices, Sidekicks, and Scapegoats: Black Characters and White Stories in Nora Roberts’s Romances |
2019 |
Nora Roberts/J. D. Robb, race/ethnicity, death, romantic suspense, paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse, police officers/police forces, authors |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Cella, Laurie J. C. |
The Personal and the Political in American Working-Class Literature, 1850-1939: Defining the Radical Romance |
2019 |
gender, history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Laura Jean Libbey, sex/sexuality, work, fashion/clothing, social/economic class, socialism and/or communism |
| Pérez Casal, Inmaculada |
Antecedents and Development of the Contemporary Romance Novel in English: A Study of the Contribution to the Genre by Rosamunde Pilcher and Lisa Kleypas |
2019 |
feminism, Lisa Kleypas, Rosamunde Pilcher |
| Muryn, Teresa |
Rougir / devenir rouge : l’expression linguistique du langage corporel et ce qu’elle laisse inférer dans un genre textuel |
2019 |
linguistics, emotions, Harlequin Mills & Boon |
| Escolar, Marisa |
Allied Encounters: The Gendered Redemption of World War II Italy |
2019 |
Luciana Peverelli, Italy |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Noone, Kristin |
Succulent Texts: Desire, Outlaws, and Consumption in Popular Romance |
2019 |
food, drink, Suzanne Enoch, pirates and outlaws, Diane Carey, Alexis Hall, historical romance, steampunk, LGBT+ characters, readers and/or authors, community, religion/spirituality, rural romance |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Rollins, Shannon Marie |
Crafting women’s narratives: the material impact of twenty-first century romance fiction on contemporary steampunk dress |
2019 |
steampunk, fashion/clothing, gender, Gail Carriger, feminism, race/ethnicity, Adrienne Kress |
| Al Thobaiti, Fatmah |
Afterlife of the Romance Hero: Readers’ Reproduction of Romance |
2019 |
readers, gender, fanfiction, Twilight |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Dryden, Therese |
The Valentine Wars |
2019 |
feminism, family, Susan Elizabeth Phillips, Nora Roberts/J. D. Robb, Rachel Gibson, Robyn Carr, Marie Force, Kristan Higgins, Ruthie Knox, Bella Andre, Grace Burrowes, Sharon Sala, Michelle Douglas |
| Romera Pintor, Angela Magdalena |
L’enfance dans l’œuvre de Delly |
2019 |
Delly, family |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Çamoğlu, Dikmen Yakalı |
Re/Presenting Gender and Love |
2019 |
|
| Ujma, Alicja |
One Author, Two Pen Names. A Stylometric Analysis of Novels by Nora Roberts/J.D. Robb |
2019 |
linguistics, Nora Roberts/J. D. Robb, translation |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| González Cruz, María Isabel; Vera-Cazorla, María Jesús |
Género e identidad cultural: perfiles femeninos en un corpus de novela rosa |
2019 |
Spain, gender, linguistics |
| Billekens, Franciska |
Never Mind Me When There’s You: The Submission Of The Heroine In Young Adult Supernatural Romance Fiction |
2019 |
YA/teenage romance, gender, paranormal/fantasy/time-travel romance |
| Jones, Amanda |
Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt |
2019 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance, romantic suspense, feminism, Charlotte Brontë, gender, marriage, family, Wilkie Collins, health/medical, Mary Elizabeth Braddon, India |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| González Cruz, María Isabel |
Viaje y romance en Canarias: el discurso del paraíso en dos novelas publicadas en los Estados Unidos |
2019 |
Spain, Nancy Kennedy, settings |
| Moy, Patricia; Matheson, Donald |
Voices: Exploring the Shifting Contours of Communication |
2019 |
|
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Stapleton, Rachel F.; Viselli, Antonio |
Iconoclasm: The Breaking and Making of Images |
2019 |
|
| Popova, Milena |
Sexual Consent |
2019 |
sex/sexuality, rape and/or intimate partner violence/abuse |
| Bazenga, Aline |
Turismo e Romance na Literatura Popular Cor-de-rosa Tendo por Cenário a Ilha da Madeira |
2019 |
Portugal, languages, Harlequin Mills & Boon, settings |
| Delpech, Jeanine |
Le cas Delly |
2019 |
Delly |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Wheeler, Duncan |
Following Franco: Spanish culture and politics in transition, 1962–92 |
2020 |
Spain, fascism/right-wing authoritarianism, Corín Tellado |
| Violi, Patrizia |
Breve storia della letteratura rosa |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Carolina Invernizio, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi, Publishing, Harlequin Mills & Boon, romances in magazines and newspapers, Fifty Shades, fanfiction |
| Fragero Guerra, Carmen |
Carmen de Icaza: la imagen de identidad femenina durante el primer franquismo (1936-1949) |
2020 |
Carmen de Icaza, fascism/right-wing authoritarianism, Spain, gender |
| Taylor, Jessica |
Garçon Manqué: A Queer Rereading (of) The Sheik |
2020 |
E. M. Hull, Radclyffe Hall, gender, LGBT+ characters, readers and/or authors, sex/sexuality, readers, fashion/clothing, race/ethnicity |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Habermann, Ina; Krug, Christian |
And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales |
2020 |
|
| Ramos-García, María T. |
Representations of Otherness in Paranormal Romance: Race and Wealth in Nalini Singh and J. R. Ward |
2020 |
Nalini Singh, J. R. Ward, paranormal/fantasy/time-travel romance, race/ethnicity, United States of America, capitalism/business |
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Burge, Amy |
Introduction to the special issue on The Sheik |
2020 |
sheikh romance, E. M. Hull |
| Jansen, Annie |
Rethinking romance: An argument for adding the genre to the popular shelf |
2020 |
libraries/librarians, Helen Hoang, Jasmine Guillory, Sonali Dev, race/ethnicity, Uzma Jalaluddin |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Day, Sara K. |
Reimagining Forever...: The Marriage Plot in Recent Young Adult Literature |
2020 |
YA/teenage romance, marriage |
| Pierini, Francesca |
Olive Skin, Chocolate Eyes: The Legacy of The Sheik on Descriptive Patterns of the Italian Romantic Hero in Harlequin Short Contemporaries |
2020 |
Italy, national identity, Harlequin Mills & Boon, race/ethnicity, gender, E. M. Hull, metaphor/symbolism, animals |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Pérez Casal, Inmaculada |
“There’s Something Charming about a Man with an Accent, Isn’t There?”: The Representation of Otherness in Three Novels by Lisa Kleypas |
2020 |
Lisa Kleypas, race/ethnicity, historical romance, languages, social/economic class, UK |
| Veros, Vassiliki |
The selective tradition, the role of romance fiction donations, and public library practices in New South Wales, Australia |
2020 |
Australia, libraries/librarians |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Bloom, Clive |
The Palgrave Handbook of Contemporary Gothic |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Suwanban, Pauline |
The Oriental Beast: The Sheik and Fairy Tales |
2020 |
E. M. Hull, race/ethnicity, fairytales/folktales, animals, gender |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Moss, Madi Markle |
Review: When Was the Last Time You Read a Romance Novel? |
2020 |
Christian romance, race/ethnicity, Ilima Todd |
| Vivanco, Laura |
Let’s Not Get Carried Away by The Sheik |
2020 |
E. M. Hull, Older and/or precursor texts (may not be "romance" as now defined), Berta Ruck, gender, LGBT+ characters, readers and/or authors, marriage |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Cameron, Lauren |
The Romance Publishing Industry and Its Reputation |
2020 |
trash/literary and or intellectual quality, gender, feminism, readers, authors |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Farooqui, Javaria |
The Kitchen and Beyond: The Romantic Chronotope in Pakistani Popular Fiction |
2020 |
romances in magazines and newspapers, Pakistan, settings, food, drink, metaphor/symbolism |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Bhat, Shilpa Daithota |
Diasporic Inquiries into South Asian Women’s Narratives: Alien Domiciles |
2020 |
|
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Franck, Kaja |
Growing Pains of the Teenage Werewolf: Young Adult Literature and the Metaphorical Wolf |
2020 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Maggie Stiefvater, animals, fairytales/folktales, Twilight |
| Paradis, Kenneth |
Types and Tropes: History and Moral Agency in Evangelical Inspirational Fiction |
2020 |
Christian romance, Francine Rivers, religion/spirituality, history, United States of America, settings, metafiction, historical romance |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Nickel, Eleanor Hersey |
Christian Popular Culture from The Chronicles of Narnia to Duck Dynasty |
2020 |
Christian romance, Francine Rivers, sex/sexuality, feminism, fairytales/folktales |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Philips, Deborah |
In defence of reading (and watching) trash: Feminists reading the romance |
2020 |
romance scholarship, feminism |
| Turner, Ellen |
The Sheik and Modernism |
2020 |
E. M. Hull, trash/literary and or intellectual quality |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Carter, Ellen |
Asexual Romance in an Allosexual World: How Ace-Spectrum Characters (and Authors) Create Space for Romantic Love |
2020 |
LGBT+ characters, readers and/or authors, sex/sexuality, love |
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Kamitsuka, Margaret D. |
Prolife Christian Romance Novels: A Sign that the Abortion-as-Murder Center Is Not Holding? |
2020 |
Christian romance, religion/spirituality, health/medical, rape and/or intimate partner violence/abuse, Francine Rivers, family, United States of America |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Birthisel, Jessica |
The Good, the Bad, and the Kinky: Erotic Romance Writing in a Post-Fifty Shades of Grey Landscape |
2020 |
erotic romance, Fifty Shades, authors, sex/sexuality, Publishing, BDSM |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Dixon, jay |
The Depiction of Masculinity and Nationality in The Sheik |
2020 |
E. M. Hull, gender, race/ethnicity, UK, Scotland |
| Mäkelä, Veera |
"World Turned Upside Down": The Role of Revolutions in Maya Rodale's Regency-Set Romances |
2020 |
Maya Rodale, United States of America, UK, historical romance, social/economic class, gender, race/ethnicity, emotions, feminism |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Allan, Jonathan A. |
“And he absolutely fascinated me”: Masculinity and Virginity in Sherilee Gray’s Breaking Him |
2020 |
Sherilee Gray, gender, virginity, sex/sexuality |
| Neale, Gillian |
Annie S. Swan, Publishing Phenomenon: A Book Historical Perspective |
2020 |
Annie S. Swan |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| Vivanco, Laura |
Faith, Love, Hope and Popular Romance Fiction |
2020 |
religion/spirituality, love, death, authors, readers, romance and, or as, activism, Lindsay Evans, health/medical, psychology, Piper Huguley, race/ethnicity, Publishing, romance scholarship, Rose Lerner, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, LGBT+ characters, readers and/or authors, Alyssa Cole, wealth/prosperity, emotions, metaphor/symbolism, Carola Dunn, Georgette Heyer, Lisa Kleypas, Meljean Brook, Elizabeth Hoyt, Justine Davis/Justine Dare, Suleikha Snyder, Nora Roberts/J. D. Robb, rape and/or intimate partner violence/abuse, community, happy ending |
| Burke, Nicola |
Mills and Fur: Feminism and Femininity in the Supernatural Romance |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), fairytales/folktales, YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, animals, food, drink, gender, Jackson Pearce, Ivy Devlin, Sarah Blakley-Cartwright, Maggie Stiefvater |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Lancaster, Rosemary |
Fact and Fiction: Alice Williamson’s Monte Carlo |
2020 |
Alice Williamson/A. M. Williamson/Mrs. C. N. Williamson, Older and/or precursor texts (may not be "romance" as now defined) |
| Romera Pintor, Angela Magdalena |
Maryan (1847-1927) et le déclassement du roman sentimental |
2020 |
Maryan, pen name of Marie Cadiou, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrence, Kelsey |
No Happy Ending: Leadership Falls Apart at the Romance Writers of America |
2020 |
capitalism/business, authors, race/ethnicity |
| Nibafasha, Spes |
The politics of the popular: Definitions and uses of African popular fiction |
2020 |
Africa, genre definitions, trash/literary and or intellectual quality, readers, gender |
| Sterling, Alexandra |
Love in the Ton: Georgette Heyer’s Legacy in Regency Romance World-Building |
2020 |
Georgette Heyer, historical romance, race/ethnicity, history |
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Alexi, Sarah |
Girl, woman, spinster—‘desire, fear, ridicule’: the feminine and the failed in twentieth-century Australian women’s writing |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Louise Mack, Australia, national identity, Mabel Forrest |
| Pérez-Gil, María del Mar |
Britannia’s Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s–1970s) |
2020 |
national identity, race/ethnicity, UK, history, Violet Winspear, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Kay Thorpe, Greece, Spain, Jean S. MacLeod/Catherine Airlie, gender, feminism |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Jarmakani, Amira |
On Eligible Princes: The medieval modernity of sheikh romance |
2020 |
sheikh romance |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Pérez-Casal, Inmaculada |
Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series |
2020 |
Lisa Kleypas, capitalism/business, historical romance, United States of America, UK, national identity, social/economic class |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Intan, Tania |
Formula Romance Dalam Perfect Romance Karya Indah Hanaco: Kajian Sastra Feminis |
2020 |
Indah Hanaco, genre definitions, feminism, family, Indonesia |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| McAlister, Jodi |
The Consummate Virgin: Female Virginity Loss and Love in Anglophone Popular Literatures |
2020 |
sex/sexuality, love, virginity, history, romance scholarship, historical romance, rape and/or intimate partner violence/abuse, Harlequin Mills & Boon, Twilight, Fifty Shades, race/ethnicity, Kathleen Woodiwiss, Catherine Coulter, Loretta Chase, Teresa Medeiros, Julia Quinn, Lisa Kleypas, Stephanie Laurens, Courtney Milan, Johanna Lindsey, Denise Robins, Sophie Cole, Louise Gerard, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, national identity, UK, readers |
| Veros, Vassiliki |
What the Librarians Did: The Marginalisation of Romance Fiction Through the Practices of Public Librarianship |
2020 |
libraries/librarians, Australia |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Ayres, Brenda |
"A Necessary Madness": PTSD in Mary Balogh's Survivors' Club Novels |
2020 |
Mary Balogh, disability, war/armed forces, death |
| Folie, Sandra |
The Ethnic Labelling of a Genre Gone Global: A Distant Comparison of African-American and African Chick Lit |
2020 |
chick lit, Africa, South Africa, Kenya, race/ethnicity |
| Charlton, Michael |
Till Death Do Us Part: Romancing the Stone, Death Becomes Her, and the Romance Genre |
2020 |
film/movies |
| Lozano Sampedro, Mª Teresa |
Las clases sociales y el poder económico en la obra de Delly: la mujer y su triunfo sobre la opresión |
2020 |
Delly, social/economic class, wealth/prosperity, gender |
| Lancashire, Anne |
Venetia: Georgette Heyer’s Pastoral Romance |
2020 |
Georgette Heyer, rural romance, Shakespeare, settings |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Liang, William Tham Wai |
Paper & Text: The Trials and Trade of Malaysian Literature |
2020 |
|
| Bazenga, Aline |
Language Awareness in Four Romances Set on the Island of Madeira |
2020 |
linguistics, languages, Portugal, Harlequin Mills & Boon |
| Izharuddin, Alicia |
Sweet Surrender: The Ethno-Religious Spaces of Malay Romance |
2020 |
Malaysia, religion/spirituality |
| Kamblé, Jayashree |
When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy |
2020 |
Sherry Thomas, China, war/armed forces, race/ethnicity, historical romance, UK, gender, national identity, family |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Moreno-Álvarez, Alejandra |
India, Heat, Dust, and Tea? Alienness and Marketability in Ruth Prawer Jhabvala and Nicole C. Vosseler |
2020 |
India, trash/literary and or intellectual quality, Nicole C. Vosseler, Ruth Prawer Jhabvala, happy ending, race/ethnicity |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Riseman, Noah |
Intimatopias and the queering of Australian war fiction |
2020 |
Australia, history, war/armed forces, m/m romance, LGBT+ characters, readers and/or authors |
| Nowacki, Dariusz |
Access Paths: On Popular Women’s Literature and Criticism |
2020 |
romance scholarship |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Hirst, Holly |
The Gothic Romance |
2020 |
gothic romance, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, rape and/or intimate partner violence/abuse, gender, readers, Daphne du Maurier, romance scholarship, social/economic class, Catherine Cookson, Christine Marion Fraser, Georgette Heyer |
| Heiss, Karin |
Snow White of the (Un)Dead Reading the Anita Blake: Vampire Hunter Series as Tales of Female Desire |
2020 |
Laurell K. Hamilton, fairytales/folktales, paranormal/fantasy/time-travel romance, sex/sexuality |
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Vera-Cazorla, María Jesús |
“And they Drive on the Wrong Side of the Road”: The Anglo-centric Vision of the Canary Islands in Mills & Boon Romance Novels (1955–1987) |
2020 |
UK, Spain, Harlequin Mills & Boon, settings, national identity, history, gender, fascism/right-wing authoritarianism, family, marriage, religion/spirituality |
| Lawrence, E. E. |
On the problem of oppressive tastes in the public library |
2020 |
libraries/librarians, race/ethnicity, philosophy |