| Alberto, Maria |
Original Slash, Romance, and C.S. Pacat’s Captive Prince |
2022 |
C. S. Pacat, fanfiction, Publishing, LGBT+ characters, readers and/or authors, sex/sexuality, rape and/or intimate partner violence/abuse, race/ethnicity |
| Tindall, Natalie T. J. |
Black Romance Authors and Community Cultural Wealth: A Case Study of Brenda Jackson’s Career |
2022 |
Brenda Jackson, race/ethnicity, Publishing, authors, readers, community, African American romance |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Harrod, Mary; Leonard, Suzanne; Negra, Diane |
Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture |
2022 |
|
| Hendricks, Margo; Moody-Freeman, Julie E. |
Journal of Popular Romance Studies: Special Issue: Black Romance |
2022 |
African American romance, Sandra Kitt, Brenda Jackson, Beverly Jenkins, Vivian Stephens, Alyssa Cole, Rebekah Weatherspoon, Gwyneth Bolton/Gwendolyn Pough, Rochelle Alers, Margo Hendricks/Elysabeth Grace |
| Carter, Ellen |
What's in a name? A corpus study of phonological differences between gay and straight romance heroes' names |
2022 |
LGBT+ characters, readers and/or authors, gender, linguistics |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Buttrick, Nicholas; Westgate, Erin C.; Oishi, Shigehiro |
Reading Literary Fiction Is Associated With a More Complex Worldview |
2022 |
psychology, readers, trash/literary and or intellectual quality |
| Pupipat, Apisak; Rungkaew, Titirut; Meeparp, Lampoon |
Judging a Book by its Back Cover: Spoken/Informal Register as Found in Happily-Ever-After Women’s Novel Blurbs |
2022 |
linguistics, paratext |
| Saxena, Vandana |
Memory and Nation-Building: World War II in Malaysian Literature |
2022 |
Malaysia, Noel Barber |
| Arvanitaki, Eirini |
Masculinities in Post-Millennial Popular Romance |
2022 |
gender, Harlequin Mills & Boon |
| Karaminas, Vicki; Geczy, Adam; Gibson, Pamela Church |
Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals |
2022 |
|
| Cruz-Bibb, Rosanna |
Patriarchy, Feminism, and The Space Between: The Production and Consumption of Feminism in Romance Novels |
2022 |
feminism, readers, authors, Publishing, race/ethnicity, happy ending |
| Pierini, Francesca |
“Roma” spelled backwards: love and heterotopic space in contemporary romance novels set in Italy |
2022 |
Italy, settings |
| González-Cruz, María Isabel |
La interdisciplinariedad en la ficción romántica |
2022 |
romance scholarship, romance and, or as, activism |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Priyatna, Aquarini; Wardiani, Sri Rijati |
Naturalization and Romanticization of Violence in Indonesian Teen Lit Jingga Series by Esti Kinasih |
2022 |
Esti Kinasih, Indonesia, YA/teenage romance, rape and/or intimate partner violence/abuse, gender |
| Hendricks, Margo |
Race and Romance: Coloring the Past |
2022 |
race/ethnicity, Older and/or precursor texts (may not be "romance" as now defined), Heliodorus, Beverly Jenkins, Margo Hendricks/Elysabeth Grace, trash/literary and or intellectual quality, genre definitions |
| Lindström Kruse, Miranda |
Pinsamma läsningar: En affektteoretisk studie av #SpicyBooks på TikTok |
2022 |
readers, libraries/librarians |
| Holmes, Diana |
Plaisirs d'amour: Love and popular fiction in contemporary France |
2022 |
France |
| Jenkins, Beverly |
A Short History of African American Romance |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Frances Watkins Harper, romances in magazines and newspapers, African American romance, Publishing, Beverly Jenkins |
| Allan, Jonathan A. |
One Sexy Daddy: Desirable Dad "Bods" and the Popular Romance Novel |
2022 |
gender, fat, fatness, family |
| Hendricks, Margo |
Against Odds: Beverly Jenkins’ Indigo and Black Historical Romance |
2022 |
Beverly Jenkins, historical romance, race/ethnicity, social/economic class, United States of America, African American romance, history |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Harrod, Mary; Leonard, Suzanne; Negra, Diane |
Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture |
2022 |
|
| Hendricks, Margo; Moody-Freeman, Julie E. |
Journal of Popular Romance Studies: Special Issue: Black Romance |
2022 |
African American romance, Sandra Kitt, Brenda Jackson, Beverly Jenkins, Vivian Stephens, Alyssa Cole, Rebekah Weatherspoon, Gwyneth Bolton/Gwendolyn Pough, Rochelle Alers, Margo Hendricks/Elysabeth Grace |
| Ficke, Sarah |
House, home and husband in historical romance fiction |
2022 |
historical romance, Jane Austen, Cecilia Grant, Anna Cowan, Anna Harrington, Courtney Milan, history, work, family, marriage, settings |
| Allan, Jonathan A. |
“A Most Unlikely Hero”: Disability, Masculinity, and Sexuality in Harlequin Superromance Novels |
2022 |
gender, disability, sex/sexuality, Fay Robinson/Carmel Parsons Thomaston, Kay Stockham, readers, romance scholarship |
| Buttrick, Nicholas; Westgate, Erin C.; Oishi, Shigehiro |
Reading Literary Fiction Is Associated With a More Complex Worldview |
2022 |
psychology, readers, trash/literary and or intellectual quality |
| Pupipat, Apisak; Rungkaew, Titirut; Meeparp, Lampoon |
Judging a Book by its Back Cover: Spoken/Informal Register as Found in Happily-Ever-After Women’s Novel Blurbs |
2022 |
linguistics, paratext |
| Guillén-Nieto, Victoria; Stein, Dieter |
Language as Evidence: Doing Forensic Linguistics |
2022 |
|
| Karaminas, Vicki; Geczy, Adam; Gibson, Pamela Church |
Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals |
2022 |
|
| Selinger, Eric Murphy |
Disaggregating attraction: asexuality and genre critique in Alex Beecroft's Blue Steel Chain |
2022 |
Alex Beecroft, LGBT+ characters, readers and/or authors, sex/sexuality, religion/spirituality, love, marriage, Ann Herendeen, metafiction, trash/literary and or intellectual quality, Christian romance, food, drink, metaphor/symbolism |
| González-Cruz, María Isabel |
Introduction |
2022 |
genre definitions, teaching romance |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Stetson, Suzanne |
Reconciling Reader Response and Feminism in Late Twentieth-Century Erotic Historical Romances |
2022 |
feminism, sex/sexuality |
| Priyatna, Aquarini; Wardiani, Sri Rijati |
Naturalization and Romanticization of Violence in Indonesian Teen Lit Jingga Series by Esti Kinasih |
2022 |
Esti Kinasih, Indonesia, YA/teenage romance, rape and/or intimate partner violence/abuse, gender |
| González-Cruz, María Isabel |
Hispanicisms in Romance Fiction: An Annotated Glossary |
2022 |
linguistics, Spain, Harlequin Mills & Boon |
| Bell, Carole V. |
I'm Rooting for Everybody Black: Black Solidarity, Black World-Building, and Black Love |
2022 |
United States of America, race/ethnicity, African American romance, romance and, or as, activism, community, Alexandria House, Christina C. Jones, Alyssa Cole, social/economic class, fat, fatness, feminism, gender |
| Jackson, Nicole M. |
Freedom’s Epilogue: Love as Freedom in Alyssa Cole’s Historical Novellas |
2022 |
Alyssa Cole, historical romance, history, race/ethnicity, African American romance, United States of America, emotions, love, family, community, marriage, LGBT+ characters, readers and/or authors, happy ending |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Harrod, Mary; Leonard, Suzanne; Negra, Diane |
Imagining "We" in the Age of "I": Romance and Social Bonding in Contemporary Culture |
2022 |
|
| Musila, Grace A. |
Routledge Handbook of African Popular Culture |
2022 |
|
| Allan, Jonathan |
Self-improvement as proof of love in The Bromance Book Club |
2022 |
gender, love, Lyssa Kay Adams |
| Johnson, Brian |
Weird Bedfellows: H. P. Lovecraft, m/m Romance, and the New Queer Families of Jordan L. Hawk's Whyborne & Griffin Series |
2022 |
Jordan L. Hawk, m/m romance, paranormal/fantasy/time-travel romance, LGBT+ characters, readers and/or authors |
| Buttrick, Nicholas; Westgate, Erin C.; Oishi, Shigehiro |
Reading Literary Fiction Is Associated With a More Complex Worldview |
2022 |
psychology, readers, trash/literary and or intellectual quality |
| Guillén-Nieto, Victoria; Stein, Dieter |
Language as Evidence: Doing Forensic Linguistics |
2022 |
|
| Karaminas, Vicki; Geczy, Adam; Gibson, Pamela Church |
Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals |
2022 |
|
| Selinger, Eric Murphy |
Disenchantment and its discontents: “modern love” and irony in popular romance fiction |
2022 |
love, Jennifer Crusie, science/technology, religion/spirituality, marriage, Alisha Rai, feminism, emotions, Alexis Hall, metafiction, Francine Rivers, fairytales/folktales, health/medical |
| Pérez-Casal, Inmaculada |
Popular romance novels: past, present and future |
2022 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), romance and, or as, activism, romance scholarship |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Nankervis, Madison |
Diversity in Romance Novels: Race, Sexuality, Neurodivergence, Disability, and Fat Representation |
2022 |
Publishing, race/ethnicity, sex/sexuality, LGBT+ characters, readers and/or authors, disability, fat, fatness |
| Brooks, Ann |
The Routledge Companion to Romantic Love |
2022 |
love |
| Cannon, Emanni N |
Contemporary Romance and the Question of Literary Value |
2022 |
trash/literary and or intellectual quality, Jane Austen, Georgette Heyer, Colleen Hoover |
| Jackson, Nicole M. |
Finding Queer Black Women in Romance. Finding Bits and Pieces of Me. |
2022 |
Nicole M. Jackson/Katrina Jackson/Brandy Bush, LGBT+ characters, readers and/or authors, African American romance, Rebekah Weatherspoon, Alyssa Cole, Ann Allen Shockley |
| Pritchard, Jamee N. |
Reading the Black Romance: Exploring Black Sexual Politics in the Romance Fiction of Rebekah Weatherspoon |
2022 |
Rebekah Weatherspoon, sex/sexuality, African American romance, gender, race/ethnicity, BDSM, erotic romance, feminism, LGBT+ characters, readers and/or authors, Ann Allen Shockley |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Pérez-Gil, María del Mar |
Mass Tourism, Ecocriticism, and Mills & Boon Romances (1970s-1980s) |
2022 |
Harlequin Mills & Boon, settings, history, Doreen Hornsblow as Sally Wentworth, Spain, Greece, Margaret Rome, Elizabeth Hunter, Violet Winspear, rural romance, Ethel Connell as Katrina Britt, Kay Thorpe, Iris Danbury, ecocriticism/environmentalism/climate change |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Beyer, Charlotte |
Decolonising the Literature Curriculum |
2022 |
|
| Teo, Hsu-Ming |
Transported for life, transported by love: love and the Australian convict romance novel |
2022 |
Australia, historical romance, history, gender, love, Tea Cooper, Lena Dowling, Joanna Lloyd, Candice Proctor |
| González-Cruz, María Isabel |
Introducción |
2022 |
genre definitions, teaching romance |
| Abrahamsson, Elin |
Rättvisemärkt romantik: Feelgood, flärd och feminism i samtida svensk romance |
2022 |
feminism, contemporary romance, Sweden, Simona Ahrnstedt, Sofia Fritzson, Fifty Shades, Twilight, Christina Schiller |
| Ayala Rodríguez, Ida María; Almaral Cereijo, Iraida Thalia |
Deconstructionism of the heroine in the novel The Grand Sophy by Georgette Heyer |
2022 |
Jane Austen, Georgette Heyer |
| Sheehan, Sarah E. |
The “Popular Romance Canon”: An Academic Librarian’s Response |
2022 |
romance scholarship, libraries/librarians |
| Chawla, Gitanjali; Mittal, Sangeeta |
Indian Popular Fiction: Redefining the Canon |
2022 |
|
| Dryden, Therese |
The single-mother and the law: romance novels making room for female voices in patriarchal spaces |
2022 |
family, Robyn Carr |
| Pérez-Gil, María del Mar |
Imperfect paradise: Madeira in the novels of Margaret Rome, Katrina Britt, and Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Bilodeau, Isabelle |
How Romance Translators Write Themselves and Their Readers into Afterwords |
2022 |
paratext, translation, Japan |
| Allan, Jonathan A. |
‘Impossibly erotic things’: On men’s underwear in Brief Encounters by Suzanne Forster |
2022 |
fashion/clothing, Harlequin Mills & Boon, Suzanne Forster, sex/sexuality, gender |
| Brunet, Peyton; Davis, Blair |
Comic Book Women: Characters, Creators, and Culture in the Golden Age |
2022 |
comics/manga, African American romance, LGBT+ characters, readers and/or authors |
| Hanson, Donna Maree |
Romance fiction as a bridge to understanding changing gender roles in society |
2022 |
readers, authors, feminism, gender, science fiction/futuristic romance, rape and/or intimate partner violence/abuse, Rachel Lee/Sue Civil-Brown, Rosemary Carter, Darynda Jones, Penny Jordan/Caroline Courtney, Daphne Clair, Nora Roberts/J. D. Robb, Robyn Donald, Marjorie Lewty, Pamela Kent, Elizabeth Graham, Donna Maree Hanson |
| Hendricks, Margo |
How a Black Author Found Her Romance History |
2022 |
Margo Hendricks/Elysabeth Grace, Older and/or precursor texts (may not be "romance" as now defined), teaching romance, race/ethnicity, African American romance, readers, Beverly Jenkins, Alyssa Cole, paratext, historical romance, Publishing |
| Wells, Juliette |
Afterword: Sex, Romance, and Representation in Uzma Jalaluddin’s Ayesha at Last |
2022 |
Uzma Jalaluddin, Jane Austen, sex/sexuality, religion/spirituality, Islam |
| Moody-Freeman, Julie E. |
Romance, Hip-Hop Feminism, and Black Love: From Theory to Praxis |
2022 |
Gwyneth Bolton/Gwendolyn Pough, feminism, African American romance, gender, teaching romance, sex/sexuality, music, romance and, or as, activism, race/ethnicity |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Golubov, Nattie |
El placer de la lectura: cuerpos, afectos, textos |
2022 |
|
| Allan, Jonathan A. |
Men, Masculinities, and Infertilities |
2022 |
health/medical, family, gender, LaVyrle Spencer, Emilie Richards |
| Wallace, Jennifer |
Army trenches and school benches: the Philippine-American War in the Sugar Sun series |
2022 |
Jennifer Hallock, war/armed forces, Philippines, United States of America |
| Pérez-Casal, Inmaculada |
La novela rosa o romántica: pasado, presente y futuro |
2022 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), romance and, or as, activism, romance scholarship |
| Gehrmann, Susanne |
Varieties of Romance in Contemporary Popular Togolese Literature |
2022 |
Togo, Africa, Serge Azialé/Seraz, Jeannette Ahonsou, romantic suspense, Lauren Ekué, chick lit |
| Ayala Rodríguez, Ida María; Almaral Cereijo, Iraida Thalia |
Deconstructionism of the heroine in the novel The Grand Sophy by Georgette Heyer |
2022 |
Jane Austen, Georgette Heyer |
| Turner, Ellen; Wadsö Lecaros, Cecilia |
The desert-governess romance: Regency England meets exotic Arabia |
2022 |
sheikh romance, historical romance, settings, Marguerite Kaye, Laura Martin, Lynne Graham, Kate Hewitt, E. M. Hull, work, genre definitions, Harlequin Mills & Boon, paratext |
| LaDousa, Chaise; Davis, Christina P. |
Language, Education, and Identity: Medium in South Asia |
2022 |
|
| Chawla, Gitanjali; Mittal, Sangeeta |
Indian Popular Fiction: Redefining the Canon |
2022 |
|
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Farooqui, Javaria |
Reading historical popular romance in 21st-century Pakistan |
2022 |
Pakistan, readers, historical romance, social/economic class, settings, Julia Quinn, Stephanie Laurens, Judith McNaught, Gaelen Foley |
| Befeler, Paige |
LGBTQ(NA), Queer New Adult Fiction: The Emergence of a New Genre and Its Impact on the LGBTQIA+ Community |
2022 |
YA/teenage romance, LGBT+ characters, readers and/or authors, Casey McQuiston, Morgan Rogers, race/ethnicity |
| Bazenga, Aline |
The sociocultural and linguistic landscape of Madeira: Anglocentric visions in a sample of six romance novels |
2022 |
Portugal, UK, Harlequin Mills & Boon, settings, metaphor/symbolism, linguistics |
| Watson, Courtney |
I Thought You’d Never Ask: Consent in Contemporary Romance |
2022 |
sex/sexuality, K. J. Charles, feminism, romance scholarship |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Pierini, Francesca |
Romance and Metagenre: A Response to Burkhard Niederhoff |
2022 |
romance scholarship, E. M. Forster, happy ending |
| Brunet, Peyton; Davis, Blair |
Comic Book Women: Characters, Creators, and Culture in the Golden Age |
2022 |
comics/manga, African American romance, LGBT+ characters, readers and/or authors |
| Moody-Freeman, Julie E. |
Black Cultural Studies and Black Love: Why Black Love Matters |
2022 |
love, race/ethnicity, teaching romance |
| Deng, Yiwei |
The Aesthetic form of Childhood Sweetheart: I Love You, None of Your Business |
2022 |
China, emotions |
| Grinnell, Natalie |
The Challenge to Dominance Theory in Patricia Briggs's and Carrie Vaughn's Paranormal Romance Novels |
2022 |
Patricia Briggs, Carrie Vaughn, paranormal/fantasy/time-travel romance, gender, rape and/or intimate partner violence/abuse, feminism |
| González-Cruz, María Isabel |
Discursos e Identidades en la Ficción Romántica: Visiones Anglófonas de Madeira y Canarias / Discourses and Identities in Romance Fiction: Anglophone Visions from Madeira and the Canaries |
2022 |
teaching romance |
| Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Selinger, Eric Murphy |
The wild heart of the continent: love and place in the Silk Road novels of Sherry Thomas |
2022 |
Sherry Thomas, settings, trash/literary and or intellectual quality, love, Buddhism, religion/spirituality, historical romance, race/ethnicity, China, Asia |
| Pérez-Gil, María del Mar |
Paraísos imperfectos: Madeira en las novelas de Margaret Rome, Katrina Britt y Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
| Golubov, Nattie |
La promesa de felicidad: la novela rosa y el placer de la lectura afectiva |
2022 |
readers, emotions, happy ending |
| Turner, Ellen; Wadsö Lecaros, Cecilia |
The desert-governess romance: Regency England meets exotic Arabia |
2022 |
sheikh romance, historical romance, settings, Marguerite Kaye, Laura Martin, Lynne Graham, Kate Hewitt, E. M. Hull, work, genre definitions, Harlequin Mills & Boon, paratext |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Iwicka, Renata |
Manifestations of Male Image in the World's Cultures |
2021 |
|
| Zille, Tom |
Georgette Heyer and the language of the historical novel |
2021 |
Georgette Heyer, linguistics, history, historical romance |
| Kuchta, Estella Carolye |
Imagining Love: Teen Romance Novels and American Teen Relational Capacity |
2021 |
YA/teenage romance, readers, psychology, love |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Kołodziej, Gaja |
Unforgettably in love: uses of the amnesia trope in contemporary romance |
2021 |
contemporary romance, romantic suspense, health/medical, love |
| O'Mahony, Lauren |
Australian romance fiction |
2021 |
Australia, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Rosa Praed, Marie Bjelke Petersen, settings, Emma Darcy, readers, libraries/librarians, chick lit, Anita Heiss, race/ethnicity |
| Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Pierini, Francesca |
“Sharing the Same Soil:” Sally Rooney’s Normal People and the Coming-of-Age Romance |
2021 |
Sally Rooney, romance scholarship |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Ali, Kecia |
Author studies and popular romance fiction |
2021 |
romance scholarship, authors, Nora Roberts/J. D. Robb, Georgette Heyer, Marie Bjelke Petersen, Suzanne Brockmann, Jennifer Crusie |
| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| Toscano, Angela |
Gothic romance |
2021 |
gothic romance, Mary Stewart |
| Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Izharuddin, Alicia |
“Redha tu Ikhlas”: The Social–Textual Significance of Islamic Virtue in Malay Forced Marriage Narratives |
2021 |
marriage, Malaysia, Islam, Fauziah Ashari, readers, religion/spirituality, Muslim romance, rape and/or intimate partner violence/abuse, gender |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBT+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Sutherland, Kathryn |
‘Where History says little, Fiction may say much’ (Anna Barbauld): the historical novel in women’s hands in the mid-twentieth century |
2021 |
history, Sir Walter Scott, Jane Austen, Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Street, Amy |
Georgette Heyer – guilty pleasures |
2021 |
Georgette Heyer, readers, psychology, race/ethnicity, social/economic class, feminism |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Williams, Mary |
Consent Is Sexy: A Look Into the Influence the ‘Me Too.’ Movement Had On the Romance Genre Through Smart Bitches Trashy Books |
2021 |
sex/sexuality, readers |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality |
| González Cruz, María Isabel |
Constructing the Exotic Other: Paradise Discourse and Environmental Awareness in a Corpus of Popular Romance Fiction Novels |
2021 |
linguistics, Spain, ecocriticism/environmentalism/climate change |
| Crawford, Joseph |
Old-World Heroes and New-World Heroines in Post-Millennial Anglophone Romance Media |
2021 |
sheikh romance, paranormal/fantasy/time-travel romance, Scotland, history, Karen Marie Moning, Olivia Gates, Diana Gabaldon |
| Izharuddin, Alicia |
Counterpublics of care: making space for mediated intimacy and romantic self-making in Malaysia |
2021 |
readers, Malaysia, gender, emotions, marriage, Islam, love |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Perriam, Geraldine |
The not so silly ass: Freddy Standen, his fictional contemporaries and alternative masculinity |
2021 |
Georgette Heyer, gender |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| McGurl, Mark |
Everything and Less: The Novel in the Age of Amazon |
2021 |
Publishing, Fifty Shades, trash/literary and or intellectual quality, capitalism/business |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Davidge, Helen |
Data science: Georgette Heyer’s historical novels and her readers |
2021 |
Georgette Heyer, linguistics, readers |
| Hughes, Bill |
Genre Mutation in Young Adult Gothic: The Dialectics of Dystopia and Romance in Holly Black's The Coldest Girl in Coldtown |
2021 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance, capitalism/business, Holly Black |
| Kiyawa, Haruna Alkasim |
Female Readers as Literary Critics: Reading Experiences of Kano Market Romance Fiction |
2021 |
Nigeria, readers |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Mäkelä, Veera |
Reading Response in Mary Balogh: A Critical Engagement |
2021 |
Mary Balogh, romance scholarship, gender, sex/sexuality |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Pritchard, Jamee Nicole |
That 90's Kind of Love: the Rise of African American Romance Novels in Traditional Romance Publishing |
2021 |
African American romance, readers |
| Jarmakani, Amira |
Desert Is Just Another Word for Freedom |
2021 |
sheikh romance |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| McAlister, Jodi |
Erotic romance |
2021 |
erotic romance, genre definitions, Fifty Shades, sex/sexuality, Sylvia Day, happy ending, Older and/or precursor texts (may not be "romance" as now defined), John Cleland, Publishing, fanfiction, Alisha Rai, Harlequin Mills & Boon |
| Young, Erin S. |
Race, ethnicity, and whiteness |
2021 |
race/ethnicity, Mary Balogh |
| George, Laura J. |
Judith Taverner as dandy-in-training in Georgette Heyer’s Regency Buck |
2021 |
Georgette Heyer, historical romance, fashion/clothing, cross-dressing, gender |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Markert, John |
Publishing the romance novel |
2021 |
Publishing, Harlequin Mills & Boon, United States of America, historical romance, Kathleen Woodiwiss, contemporary romance |
| Pierre-Robertson, Petronetta |
Literature as an Agent of Change |
2021 |
Caribbean, rape and/or intimate partner violence/abuse, Petra Pierre-Robertson, romance and, or as, activism |
| Ngoshi, Hazel Tafadzwa |
Repression, Literary Dissent and the Paradox of Censorship in Zimbabwe |
2021 |
Zimbabwe, romance and, or as, activism, Africa |
| Romney, Rebecca |
The Romance Novel in English: A Survey in Rare Books, 1769-1999 |
2021 |
Publishing, Older and/or precursor texts (may not be "romance" as now defined), work, Harlequin Mills & Boon, historical romance, Christian romance, gothic romance, romantic suspense, paranormal/fantasy/time-travel romance, YA/teenage romance, African American romance, LGBT+ characters, readers and/or authors, Frances Brooke, Canada, Elizabeth Inchbald, Frances Burney, Sydney Owenson, national identity, Ireland, Ouida, May Agnes Fleming, Laura Jean Libbey, Emma Wolf, religion/spirituality, Judaism, Pauline Hopkins, Onoto Watanna/Winnifred Eaton, Japan, Elinor Glyn, Louise Gerard, Barbara Cartland, Laura Lou Brookman, Kathleen Thompson Norris, romances in magazines and newspapers, Elizabeth Carfrae, Frances Shelley Wees, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Jean S. MacLeod/Catherine Airlie, Alice Lent Covert, Joyce Dingwell/Kate Starr, Australia, Faith Baldwin, Mary Renault, medical romance, Mary Burchell, pen name of Ida Cook, Juliet Shore/Anne Vinton, Della Field, pseudonym of Fanny Howe, Janet Dailey, Lydia Maria Child, Charlotte M. Yonge, Mary Johnston, Susa Young Gates, Kathleen Woodiwiss, Rosemary Rogers, June Lund Shiplett, paratext, Jayne Ann Krentz/Amanda Quick/Jayne Castle, science fiction/futuristic romance, Valerie Belgrave, Caribbean, Beverly Jenkins, Jane Austen, Susan Ferrier, Georgette Heyer, Amii Lorin, Nora Roberts/J. D. Robb, Marisa de Zavala/Ana Lisa de Leon/Rachel Scott/Celina Rios Mullan, Sandra Kitt, Maureen Wartski, Augusta Jane Evans, Florence Barclay, Ethel M. Dell, Janette Oke, Beverly Lewis, Charlotte Brontë, Harriet Lewis, Virginia Coffman, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Mary Stewart, Daoma Winston, Chelsea Quinn Yarbro, Rita Clay Estrada, Lori Herter, Jean Webster, Robin McKinley, Tracy West/Joyce McGill/Chassie West, Marie G. Lee, race/ethnicity, Paula Christian, Isabel Miller, Gordon Merrick, Ann Allen Shockley, Vincent Virga, Nancy Garden, Katherine V. Forrest, Loretta Chase, Brenda Jackson |
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBT+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Ficke, Sarah H. |
The historical romance |
2021 |
historical romance, Georgette Heyer, Barbara Cartland, Kathleen Woodiwiss, settings, race/ethnicity, Valerie Belgrave, Kate Breslin, fascism/right-wing authoritarianism, history, African American romance, Beverly Jenkins, LGBT+ characters, readers and/or authors |
| Carlos, Giovana Santana |
Literatura pop feminina: as fãs de romance no Brasil |
2021 |
Brazil, readers, paratext |
| Kapstein, Helen |
Petrofeminism: Love in the Age of Oil |
2021 |
ecocriticism/environmentalism/climate change, Nigeria, feminism, Chimamanda Adichie, Myne Whitman, metafiction, Balaraba Ramat Yakubu, work, capitalism/business |
| Zibrak, Arielle |
Avidly Reads Guilty Pleasures |
2021 |
readers, sex/sexuality, historical romance, gender, Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, E. D. E. N. Southworth, Rosemary Rogers, Jill Marie Landis, fairytales/folktales, feminism |
| Daud, Kathrina Mohd |
In response to Harlequin: Global legacy, local agency |
2021 |
Harlequin Mills & Boon, Africa, China, Japan, India, Malaysia, Nigeria |
| Sherwood, Kim |
Pride and prejudice: metafiction and the value of historical romance in Georgette Heyer |
2021 |
Georgette Heyer, metafiction, trash/literary and or intellectual quality |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Ramsdell, Kristin |
Libraries and popular romance fiction |
2021 |
libraries/librarians |
| McGurl, Mark |
Unspeakable Conventionality: The Perversity of the Kindle |
2021 |
Publishing, capitalism/business, trash/literary and or intellectual quality, readers, sex/sexuality, BDSM, Fifty Shades, erotic romance, LGBT+ characters, readers and/or authors, genre definitions, fanfiction |
| Parnell, Jo |
The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions |
2021 |
|
| Adamu, Yusuf M. |
Hausa Prose-Fiction: A Reader |
2021 |
|
| Billekens, Franciska |
The Editor and Translator's Passionate Embrace: Cultural and Linguistic Alterations in Translated Harlequin Category Romance Novels |
2021 |
Harlequin Mills & Boon, paratext, translation, linguistics |
| Whitsitt, Novian |
Northern Nigerian Popular Literature and the Boundaries of Hausa Feminism: The Works of Balaraba Yakubu and Bilkisu Funtuwa |
2021 |
Balaraba Ramat Yakubu, Bilkisu Ahmed Funtuwa, feminism, Nigeria |
| Olkusz, Ksenia |
Stripping The Vampire. Erotic Imaginations and Sexual Fantasies In Paranormal Romances (A Study Of Selected Examples) |
2021 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Moody-Freeman, Julie E. |
African American romance |
2021 |
African American romance, Older and/or precursor texts (may not be "romance" as now defined), race/ethnicity, Publishing, Rosalind Welles - pen name of Elsie B. Washington, Lia Sanders - pen name of Angela Jackson and Sandra Jackson-Opoku, Alyssa Cole |
| Clement, Jennifer |
Loving and giving: realism, emotional hypocrisy and generosity in A Civil Contract |
2021 |
Georgette Heyer, Jane Austen, emotions, gender, social/economic class |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Michelson, Anna |
The politics of happily-ever-after: romance genre fiction as aesthetic public sphere |
2021 |
sociology, romance and, or as, activism, emotions, feminism, readers, authors, fascism/right-wing authoritarianism, United States of America, Casey McQuiston, happy ending, Roni Loren, Sarah MacLean, sex/sexuality, Alyssa Cole, race/ethnicity, Publishing, Courtney Milan, Suzanne Brockmann, health/medical |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Malinowska, Ania |
Global Popular Culture for Local Infrastructures: Migration of Texts and Problems of Transferability (the Polish Case) |
2021 |
translation, Fifty Shades, Poland |
| Ammidown, Steve |
Romance Writers of America Rescind Award for Lakota Genocide Redemption Narrative |
2021 |
authors, race/ethnicity, Christian romance, religion/spirituality, Native American romance |
| Khumwongdee, Yanisa |
Reading and Rewriting Fat Romance: A Study of Twenty-First Century Thai and US Fat Romance Novels |
2021 |
fat, fatness, gender, LGBT+ characters, readers and/or authors |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Murias, Rosana |
In Grey and Pink: The Image of the Bride through the Spanish Postwar Novela Rosa |
2021 |
Spain, fascism/right-wing authoritarianism, marriage, Carlota O'Neill/Laura de Noves, gender, film/movies, history |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Gildersleeve, Jessica |
The Routledge Companion to Australian Literature |
2021 |
|
| Leetsch, Jennifer |
Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds |
2021 |
Chimamanda Adichie, Africa, Nigeria |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Jarmakani, Amira |
Explorations of the "desert passion industry" |
2021 |
sheikh romance, E. M. Hull, settings, race/ethnicity, Linda Conrad, rape and/or intimate partner violence/abuse, gender, war/armed forces |
| Hirst, Holly |
Georgette Heyer and redefining the Gothic romance |
2021 |
gothic romance, Georgette Heyer, romance scholarship, genre definitions |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| McAlister, Jodi |
New Adult Fiction |
2021 |
NA romance, genre definitions, Publishing, readers, contemporary romance, Jamie McGuire, Colleen Hoover, paratext |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Fernández Rodríguez, Carolina |
Nora Roberts’s Boonsboro Empire: Boosting Business through Romance, Invigorating Romance with Affective Capitalism |
2021 |
Nora Roberts/J. D. Robb, capitalism/business, work, metaphor/symbolism |
| Cuthbert, Kate |
The Australian Digital Publishing Bubble, 2012-2016: An Insider Perspective |
2021 |
Australia, Publishing, Harlequin Mills & Boon |
| Novakova, Iva |
Les motifs phraséologiques pour distinguer les genres littéraires. Sur l’exemple des motifs de la communication verbale et non verbale |
2021 |
linguistics |
| Hefner, Brooks E. |
Black Pulp: Genre Fiction in the Shadow of Jim Crow |
2021 |
romances in magazines and newspapers, African American romance, race/ethnicity, gender, Gertrude Schalk |
| Pierre, Zakiya |
Browsing in nuances: Using ethnographic research to design for the experience of browsing. |
2021 |
readers |
| Ramos-García, María T. |
Paranormal romance and urban fantasy |
2021 |
paranormal/fantasy/time-travel romance, happy ending, genre definitions, YA/teenage romance, LGBT+ characters, readers and/or authors, steampunk, erotic romance, romance scholarship, Laurell K. Hamilton, Twilight, J. R. Ward, war/armed forces, race/ethnicity, Nalini Singh |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Naeej, Elham |
Parting the Curtain: The Virgin Heroine and the ‘Westoxified’ Villain in Contemporary Iranian Romance Novels |
2021 |
Iran, virginity, national identity, Fattaneh Haj Seyyed Javadi, Nazi Safavi, Roya Khosronajdi, Parinush Saniee, Simin Shirdel, Maryam Riahi, Homa Puresfahani, gender, Islam, marriage |
| Weimer, Christopher |
Romancing Weird Fiction: Lovecraftian Reinscriptions in Jordan L. Hawk's Whyborne and Griffin |
2021 |
Jordan L. Hawk, m/m romance, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, race/ethnicity |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Kamblé, Jayashree |
Romance in the media |
2021 |
trash/literary and or intellectual quality, genre definitions, paratext, sex/sexuality |
| Jennings, Kathleen |
Heyer … in space! The influence of Georgette Heyer on science fiction |
2021 |
Georgette Heyer, war/armed forces, Patricia Wrede, Tessa Dare |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Boussahba-Bravard, Myriam |
Le roman sentimental Regency, entre continuités et ruptures (2000-2020) |
2021 |
historical romance |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Burge, Amy |
Class and wealth in popular romance fiction |
2021 |
social/economic class, wealth/prosperity, gender, work, race/ethnicity, capitalism/business |
| Philips, Deborah |
Fifty Shades of Romance: The intertextualities of Fifty Shades of Grey |
2021 |
Fifty Shades, Harlequin Mills & Boon, Twilight |
| Parnell, Claire |
Independent Authors’ Dependence on Big Tech: Categorization and Governance of Authors Of Color on Amazon |
2021 |
Publishing, authors, race/ethnicity, African American romance |
| Hunter, Christyna M. |
Cataloging Category Romance Fiction and Librarian and Patron Views on Romance Fiction in Public Libraries |
2021 |
libraries/librarians, Harlequin Mills & Boon |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|