| Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Awad, Amal |
Desert dreamings and sheikh-lit |
2021 |
sheikh romance, Jackie Ashenden, Miranda Lee, race/ethnicity |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Hernandez-Knight, Bianca |
Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy |
2021 |
Jane Austen, Georgette Heyer, historical romance, race/ethnicity, trash/literary and or intellectual quality |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Ali, Kecia |
Author studies and popular romance fiction |
2021 |
romance scholarship, authors, Nora Roberts/J. D. Robb, Georgette Heyer, Marie Bjelke Petersen, Suzanne Brockmann, Jennifer Crusie |
| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| Toscano, Angela |
Gothic romance |
2021 |
gothic romance, Mary Stewart |
| Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBT+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Sutherland, Kathryn |
‘Where History says little, Fiction may say much’ (Anna Barbauld): the historical novel in women’s hands in the mid-twentieth century |
2021 |
history, Sir Walter Scott, Jane Austen, Georgette Heyer |
| Kolmes, Sara; Hoffman, Matthew A. |
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification |
2021 |
sex/sexuality, genre definitions, philosophy, Tessa Dare, feminism |
| Warren, Jean-Philippe; Luneau, Marie-Pier |
The Best Romance Dime Novels on the (French-Canadian) Market: The Promotional Strategies of Police-Journal, 1944-1963 |
2021 |
Canada, Publishing, paratext, dime novels |
| Pierini, Francesca |
“Sharing the Same Soil:” Sally Rooney’s Normal People and the Coming-of-Age Romance |
2021 |
Sally Rooney, romance scholarship |
| Kirtley, William M.; Kirtley, Patricia M. |
How About a Little Romance?: An Analysis of Romance Novels |
2021 |
genre definitions |
| Gregson, Joanna; Lois, Jennifer |
Social science reads romance |
2021 |
sociology, psychology, readers, authors |
| Street, Amy |
Georgette Heyer – guilty pleasures |
2021 |
Georgette Heyer, readers, psychology, race/ethnicity, social/economic class, feminism |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Moss, Madi Markle |
Review: When Was the Last Time You Read a Romance Novel? |
2020 |
Christian romance, race/ethnicity, Ilima Todd |
| Vivanco, Laura |
Let’s Not Get Carried Away by The Sheik |
2020 |
E. M. Hull, Older and/or precursor texts (may not be "romance" as now defined), Berta Ruck, gender, LGBT+ characters, readers and/or authors, marriage |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Cameron, Lauren |
The Romance Publishing Industry and Its Reputation |
2020 |
trash/literary and or intellectual quality, gender, feminism, readers, authors |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Farooqui, Javaria |
The Kitchen and Beyond: The Romantic Chronotope in Pakistani Popular Fiction |
2020 |
romances in magazines and newspapers, Pakistan, settings, food, drink, metaphor/symbolism |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Bhat, Shilpa Daithota |
Diasporic Inquiries into South Asian Women’s Narratives: Alien Domiciles |
2020 |
|
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Franck, Kaja |
Growing Pains of the Teenage Werewolf: Young Adult Literature and the Metaphorical Wolf |
2020 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Maggie Stiefvater, animals, fairytales/folktales, Twilight |
| Paradis, Kenneth |
Types and Tropes: History and Moral Agency in Evangelical Inspirational Fiction |
2020 |
Christian romance, Francine Rivers, religion/spirituality, history, United States of America, settings, metafiction, historical romance |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Nickel, Eleanor Hersey |
Christian Popular Culture from The Chronicles of Narnia to Duck Dynasty |
2020 |
Christian romance, Francine Rivers, sex/sexuality, feminism, fairytales/folktales |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Philips, Deborah |
In defence of reading (and watching) trash: Feminists reading the romance |
2020 |
romance scholarship, feminism |
| Turner, Ellen |
The Sheik and Modernism |
2020 |
E. M. Hull, trash/literary and or intellectual quality |
| George, Sam; Hughes, Bill |
Introduction: from preternatural pastoral to paranormal romance |
2020 |
paranormal/fantasy/time-travel romance, animals |
| Vidotto, Ilaria; Goossens, Vannina |
D’une fenêtre à l’autre. Étude d’un motif spécifique à la littérature blanche et au roman sentimental |
2020 |
linguistics |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Carter, Ellen |
Asexual Romance in an Allosexual World: How Ace-Spectrum Characters (and Authors) Create Space for Romantic Love |
2020 |
LGBT+ characters, readers and/or authors, sex/sexuality, love |
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Kamitsuka, Margaret D. |
Prolife Christian Romance Novels: A Sign that the Abortion-as-Murder Center Is Not Holding? |
2020 |
Christian romance, religion/spirituality, health/medical, rape and/or intimate partner violence/abuse, Francine Rivers, family, United States of America |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Birthisel, Jessica |
The Good, the Bad, and the Kinky: Erotic Romance Writing in a Post-Fifty Shades of Grey Landscape |
2020 |
erotic romance, Fifty Shades, authors, sex/sexuality, Publishing, BDSM |
| Ramos-García, María T.; Vivanco, Laura |
Introduction |
2020 |
race/ethnicity |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Dixon, jay |
The Depiction of Masculinity and Nationality in The Sheik |
2020 |
E. M. Hull, gender, race/ethnicity, UK, Scotland |
| Mäkelä, Veera |
"World Turned Upside Down": The Role of Revolutions in Maya Rodale's Regency-Set Romances |
2020 |
Maya Rodale, United States of America, UK, historical romance, social/economic class, gender, race/ethnicity, emotions, feminism |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Allan, Jonathan A. |
“And he absolutely fascinated me”: Masculinity and Virginity in Sherilee Gray’s Breaking Him |
2020 |
Sherilee Gray, gender, virginity, sex/sexuality |
| Neale, Gillian |
Annie S. Swan, Publishing Phenomenon: A Book Historical Perspective |
2020 |
Annie S. Swan |
| Vivanco, Laura |
Faith, Love, Hope and Popular Romance Fiction |
2020 |
religion/spirituality, love, death, authors, readers, romance and, or as, activism, Lindsay Evans, health/medical, psychology, Piper Huguley, race/ethnicity, Publishing, romance scholarship, Rose Lerner, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, LGBT+ characters, readers and/or authors, Alyssa Cole, wealth/prosperity, emotions, metaphor/symbolism, Carola Dunn, Georgette Heyer, Lisa Kleypas, Meljean Brook, Elizabeth Hoyt, Justine Davis/Justine Dare, Suleikha Snyder, Nora Roberts/J. D. Robb, rape and/or intimate partner violence/abuse, community, happy ending |
| Burke, Nicola |
Mills and Fur: Feminism and Femininity in the Supernatural Romance |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), fairytales/folktales, YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, animals, food, drink, gender, Jackson Pearce, Ivy Devlin, Sarah Blakley-Cartwright, Maggie Stiefvater |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Lancaster, Rosemary |
Fact and Fiction: Alice Williamson’s Monte Carlo |
2020 |
Alice Williamson/A. M. Williamson/Mrs. C. N. Williamson, Older and/or precursor texts (may not be "romance" as now defined) |
| Romera Pintor, Angela Magdalena |
Maryan (1847-1927) et le déclassement du roman sentimental |
2020 |
Maryan, pen name of Marie Cadiou, Older and/or precursor texts (may not be "romance" as now defined) |
| Lawrence, Kelsey |
No Happy Ending: Leadership Falls Apart at the Romance Writers of America |
2020 |
capitalism/business, authors, race/ethnicity |
| Nibafasha, Spes |
The politics of the popular: Definitions and uses of African popular fiction |
2020 |
Africa, genre definitions, trash/literary and or intellectual quality, readers, gender |
| Sterling, Alexandra |
Love in the Ton: Georgette Heyer’s Legacy in Regency Romance World-Building |
2020 |
Georgette Heyer, historical romance, race/ethnicity, history |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Alexi, Sarah |
Girl, woman, spinster—‘desire, fear, ridicule’: the feminine and the failed in twentieth-century Australian women’s writing |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Louise Mack, Australia, national identity, Mabel Forrest |
| Pérez-Gil, María del Mar |
Britannia’s Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s–1970s) |
2020 |
national identity, race/ethnicity, UK, history, Violet Winspear, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Kay Thorpe, Greece, Spain, Jean S. MacLeod/Catherine Airlie, gender, feminism |
| McAlister, Jodi; Parnell, Claire; Trinidad, Andrea Anne |
#RomanceClass: Genre World, Intimate Public, Found Family |
2020 |
Philippines, genre definitions, Publishing, readers, authors, Mina V. Esguerra, LGBT+ characters, readers and/or authors, sex/sexuality |
| Jarmakani, Amira |
On Eligible Princes: The medieval modernity of sheikh romance |
2020 |
sheikh romance |
| Pérez-Casal, Inmaculada |
Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series |
2020 |
Lisa Kleypas, capitalism/business, historical romance, United States of America, UK, national identity, social/economic class |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Intan, Tania |
Formula Romance Dalam Perfect Romance Karya Indah Hanaco: Kajian Sastra Feminis |
2020 |
Indah Hanaco, genre definitions, feminism, family, Indonesia |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| McAlister, Jodi |
The Consummate Virgin: Female Virginity Loss and Love in Anglophone Popular Literatures |
2020 |
sex/sexuality, love, virginity, history, romance scholarship, historical romance, rape and/or intimate partner violence/abuse, Harlequin Mills & Boon, Twilight, Fifty Shades, race/ethnicity, Kathleen Woodiwiss, Catherine Coulter, Loretta Chase, Teresa Medeiros, Julia Quinn, Lisa Kleypas, Stephanie Laurens, Courtney Milan, Johanna Lindsey, Denise Robins, Sophie Cole, Louise Gerard, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, national identity, UK, readers |
| Veros, Vassiliki |
What the Librarians Did: The Marginalisation of Romance Fiction Through the Practices of Public Librarianship |
2020 |
libraries/librarians, Australia |
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Ayres, Brenda |
"A Necessary Madness": PTSD in Mary Balogh's Survivors' Club Novels |
2020 |
Mary Balogh, disability, war/armed forces, death |
| Folie, Sandra |
The Ethnic Labelling of a Genre Gone Global: A Distant Comparison of African-American and African Chick Lit |
2020 |
chick lit, Africa, South Africa, Kenya, race/ethnicity |
| Charlton, Michael |
Till Death Do Us Part: Romancing the Stone, Death Becomes Her, and the Romance Genre |
2020 |
film/movies |
| Lozano Sampedro, Mª Teresa |
Las clases sociales y el poder económico en la obra de Delly: la mujer y su triunfo sobre la opresión |
2020 |
Delly, social/economic class, wealth/prosperity, gender |
| Lancashire, Anne |
Venetia: Georgette Heyer’s Pastoral Romance |
2020 |
Georgette Heyer, rural romance, Shakespeare, settings |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| George, Sam; Hughes, Bill |
In the company of wolves: Werewolves, wolves and wild children |
2020 |
|
| Blanshard, Alastair J.L.; Stafford, Emma |
The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century |
2020 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Liang, William Tham Wai |
Paper & Text: The Trials and Trade of Malaysian Literature |
2020 |
|
| Bazenga, Aline |
Language Awareness in Four Romances Set on the Island of Madeira |
2020 |
linguistics, languages, Portugal, Harlequin Mills & Boon |
| Izharuddin, Alicia |
Sweet Surrender: The Ethno-Religious Spaces of Malay Romance |
2020 |
Malaysia, religion/spirituality |
| Kamblé, Jayashree |
When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy |
2020 |
Sherry Thomas, China, war/armed forces, race/ethnicity, historical romance, UK, gender, national identity, family |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Moreno-Álvarez, Alejandra |
India, Heat, Dust, and Tea? Alienness and Marketability in Ruth Prawer Jhabvala and Nicole C. Vosseler |
2020 |
India, trash/literary and or intellectual quality, Nicole C. Vosseler, Ruth Prawer Jhabvala, happy ending, race/ethnicity |
| Jacquot, Clémence; Goossens, Vannina; Novakova, Iva |
Étude contrastive des motifs spécifiques aux romans sentimentaux et aux romans Harlequin |
2020 |
linguistics, Harlequin Mills & Boon |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Riseman, Noah |
Intimatopias and the queering of Australian war fiction |
2020 |
Australia, history, war/armed forces, m/m romance, LGBT+ characters, readers and/or authors |
| Nowacki, Dariusz |
Access Paths: On Popular Women’s Literature and Criticism |
2020 |
romance scholarship |
| Adair, Joshua G.; Levin, Amy K. |
Museums, Sexuality, and Gender Activism |
2020 |
|
| Diwersy, Sascha; Gonon, Laetitia; Goossens, Vannina; Gymnich, Marion; Tutin, Agnès |
Speech Verbs in French and English Novels |
2020 |
linguistics, emotions, languages |
| Hirst, Holly |
The Gothic Romance |
2020 |
gothic romance, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, rape and/or intimate partner violence/abuse, gender, readers, Daphne du Maurier, romance scholarship, social/economic class, Catherine Cookson, Christine Marion Fraser, Georgette Heyer |
| Heiss, Karin |
Snow White of the (Un)Dead Reading the Anita Blake: Vampire Hunter Series as Tales of Female Desire |
2020 |
Laurell K. Hamilton, fairytales/folktales, paranormal/fantasy/time-travel romance, sex/sexuality |
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Vera-Cazorla, María Jesús |
“And they Drive on the Wrong Side of the Road”: The Anglo-centric Vision of the Canary Islands in Mills & Boon Romance Novels (1955–1987) |
2020 |
UK, Spain, Harlequin Mills & Boon, settings, national identity, history, gender, fascism/right-wing authoritarianism, family, marriage, religion/spirituality |
| Lawrence, E. E. |
On the problem of oppressive tastes in the public library |
2020 |
libraries/librarians, race/ethnicity, philosophy |
| Cassiday, Julie A. |
A World Without Safe Words: Fifty Shades of Russian Grey |
2020 |
Russia, Alisa Klever/Tatiana Vedenska, Fifty Shades, BDSM, national identity, romantic suspense, rape and/or intimate partner violence/abuse, sex/sexuality |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Muryn, Teresa; Niziołek, Małgorzata; Hajok, Alicja |
Que dit la main dans le roman sentimental et policier? |
2020 |
linguistics |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Duvezin-Caubet, Caroline |
Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century |
2020 |
m/m romance, K. J. Charles, Cat Sebastian, Georgette Heyer, happy ending, LGBT+ characters, readers and/or authors, historical romance, gender, race/ethnicity, Publishing, family |
| Burg, Jacob |
Houses of Genre Fiction: The Shared Estrangement of Postwar American Culture |
2020 |
settings, Kathleen Woodiwiss, Helen Hoang, rape and/or intimate partner violence/abuse, social/economic class, Danielle Steel, work, family, sex/sexuality, disability |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, drink, linguistics, history, gender, emotions, social/economic class |
| Hirst, Holly |
Georgette Heyer |
2020 |
Georgette Heyer, gothic romance, Daphne du Maurier, Charlotte Brontë, romantic suspense |
| Adamenko, Olga; Klymenko, Olga |
Communicative Behavior via Gender Identity (Based on the English language “Love Stories”) |
2020 |
gender, linguistics, Victoria Gordon, Leigh Greenwood, Madeleine Ker, Gil Sanderson, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| González-Cruz, María Isabel |
Othering and Language: Bilingual Romances in the Canary Islands |
2020 |
Spain, linguistics, languages |
| Johnson, Emily D. |
Exploring His/Her Library: Reading and Books in Russian Romance |
2020 |
Russia, metafiction, authors, Harlequin Mills & Boon, Galina Kulikova, Natal’ia Mironova, Publishing, socialism and/or communism, trash/literary and or intellectual quality, race/ethnicity, rape and/or intimate partner violence/abuse |
| González Cruz, María Isabel |
Hacia un glosario de hispanismos en un corpus de novela rosa inglesa contemporánea |
2020 |
linguistics, Harlequin Mills & Boon |
| Hyejin, O |
원본 없는 판타지 : 페미니스트 시각으로 읽는 한국 현대문화사 |
2020 |
Harlequin Mills & Boon, readers, Korea |
| OKell, Eleanor Regina |
Hercules as Romantic Hero in Twenty-first-century Historical Fiction |
2020 |
Stephanie Laurens, historical romance, myth |
| Muryn, Teresa; Niziołek, Małgorzata; Hajok, Alicja |
Que dit la main dans le roman sentimental et policier? |
2020 |
linguistics |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Di Leo, Jeffrey |
The Speed of Publishing |
2020 |
Publishing, Alexa Riley, I. T. Lucas |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Roper, Holly N. |
Representing the Romance: Diversity and Inclusion in the Romance Collections of Public Libraries |
2020 |
libraries/librarians, disability, race/ethnicity, LGBT+ characters, readers and/or authors |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, drink, linguistics, history, gender, emotions, social/economic class |
| Pierini, Francesca |
“He Looks like He’s Stepped out of a Painting:” The Idealization and Appropriation of Italian Timelessness through the Experience of Romantic Love |
2020 |
Italy, history, Shakespeare, Marina Fiorato, Anne Fortier, work, race/ethnicity |
| Lin, Chi-Shiou; Liang, Yu-Tzu |
A model of romance fiction search behavior |
2020 |
readers |
| Kratzer, Jessica M. W. |
Communication in Kink: Understanding the Influence of the Fifty Shades of Grey Phenomenon |
2020 |
|
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Bachleitner, Norbert |
Literary Translation, Reception, and Transfer: The Many Languages of Comparative Literature |
2020 |
|
| Hoorenman, Johanna |
Public Conflicts and Private Treaties in Kathleen Eagle’s Fire and Rain |
2020 |
Kathleen Eagle, Native American romance, race/ethnicity, United States of America, history |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Reed, Eleanor |
Romance in Woman’s Weekly and Woman’s Weekly as Romance, 1918–39 |
2020 |
romances in magazines and newspapers, social/economic class, UK, readers, work |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Lancaster, Rosemary |
Women Writing on the French Riviera: Travellers and Trendsetters, 1870-1970 |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Henderson, Aneeka Ayanna |
Veil and Vow: Marriage Matters in Contemporary African American Culture |
2020 |
African American romance, Sandra Kitt, race/ethnicity, marriage |
| Adair, Joshua G. |
“A Battlefield All Their Own”: Selling Women’s Fictions as Fact at Plantation Museums |
2020 |
race/ethnicity, Christian romance, historical romance, history, Tamera Alexander, social/economic class, readers, gender |
| Muryn, Teresa; Niziołek, Małgorzata; Hajok, Alicja |
Que dit la main dans le roman sentimental et policier? |
2020 |
linguistics |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary and or intellectual quality, gender, Netherlands |
| Lawrence, E. E. |
The trouble with diverse books, part I: on the limits of conceptual analysis for political negotiation in Library & Information Science |
2020 |
libraries/librarians, Publishing, race/ethnicity, sheikh romance, philosophy, LGBT+ characters, readers and/or authors |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, drink, linguistics, history, gender, emotions, social/economic class |
| Teo, Hsu-Ming |
Cultural Authenticity, the Family, and East Asian American Romance Novels |
2020 |
race/ethnicity, Asia, China, authors, Publishing, United States of America, family, Jade Lee, Jeannie Lin, Onoto Watanna/Winnifred Eaton, Older and/or precursor texts (may not be "romance" as now defined), historical romance, history, love, Elizabeth Lowell, Marie Donovan, Dorien Kelly, Vicki Essex, Camy Tang, Christian romance, Ruby Lang, Jennifer Lewis, Helen Hoang, Courtney Milan |
| Allan, Jonathan A. |
Mourning and Sentimental Heroism in Maureen Child's Lost in Sensation |
2020 |
Maureen Child, gender, happy ending, death, metaphor/symbolism, emotions |
| Allan, Jonathan A. |
Men, Masculinities, and Popular Romance |
2020 |
gender, sex/sexuality, m/m romance, pornography, LGBT+ characters, readers and/or authors, virginity, Marie Sexton, health/medical |
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Habermann, Ina; Krug, Christian |
And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales |
2020 |
|
| Vivanco, Laura |
Changing Attitudes to Others: Meljean Brook’s Riveted (2012) and its Context |
2020 |
Meljean Brook, Publishing, authors, readers, race/ethnicity, disability, gender, steampunk, LGBT+ characters, readers and/or authors, Zoë Archer, war/armed forces |
| Salter, Anastasia |
Plundered Hearts: Infocom, Romance, and the History of Feminist Game Design |
2020 |
computer/video/digital games, pirates and outlaws, fashion/clothing, feminism |
| Cole, Elizabeth |
Authors on The Sheik: A conversation with Liz Fielding |
2020 |
Liz Fielding, sheikh romance, E. M. Hull |
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Magenya, Sheena Gimase |
Reading between the lines: A review of Dark Juices and Afrodisiacs: Erotic Diaries Vol 1 |
2020 |
Africa, LGBT+ characters, readers and/or authors, sex/sexuality, feminism, race/ethnicity |
| Wheeler, Duncan |
Following Franco: Spanish culture and politics in transition, 1962–92 |
2020 |
Spain, fascism/right-wing authoritarianism, Corín Tellado |
| Violi, Patrizia |
Breve storia della letteratura rosa |
2020 |
Older and/or precursor texts (may not be "romance" as now defined), Carolina Invernizio, Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi, Publishing, Harlequin Mills & Boon, romances in magazines and newspapers, Fifty Shades, fanfiction |
| Fragero Guerra, Carmen |
Carmen de Icaza: la imagen de identidad femenina durante el primer franquismo (1936-1949) |
2020 |
Carmen de Icaza, fascism/right-wing authoritarianism, Spain, gender |
| Taylor, Jessica |
Garçon Manqué: A Queer Rereading (of) The Sheik |
2020 |
E. M. Hull, Radclyffe Hall, gender, LGBT+ characters, readers and/or authors, sex/sexuality, readers, fashion/clothing, race/ethnicity |
| Brickman, Barbara Jane; Jermyn, Deborah; Trost, Theodore Louis |
Love Across the Atlantic: US-UK Romance in Popular Culture |
2020 |
|
| Habermann, Ina; Krug, Christian |
And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales |
2020 |
|
| Ramos-García, María T. |
Representations of Otherness in Paranormal Romance: Race and Wealth in Nalini Singh and J. R. Ward |
2020 |
Nalini Singh, J. R. Ward, paranormal/fantasy/time-travel romance, race/ethnicity, United States of America, capitalism/business |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Maier, Sarah E.; Ayres, Brenda |
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Burge, Amy |
Introduction to the special issue on The Sheik |
2020 |
sheikh romance, E. M. Hull |
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Day, Sara K. |
Reimagining Forever...: The Marriage Plot in Recent Young Adult Literature |
2020 |
YA/teenage romance, marriage |
| Pierini, Francesca |
Olive Skin, Chocolate Eyes: The Legacy of The Sheik on Descriptive Patterns of the Italian Romantic Hero in Harlequin Short Contemporaries |
2020 |
Italy, national identity, Harlequin Mills & Boon, race/ethnicity, gender, E. M. Hull, metaphor/symbolism, animals |
| Jansen, Annie |
Rethinking romance: An argument for adding the genre to the popular shelf |
2020 |
libraries/librarians, Helen Hoang, Jasmine Guillory, Sonali Dev, race/ethnicity, Uzma Jalaluddin |
| Pérez Casal, Inmaculada |
“There’s Something Charming about a Man with an Accent, Isn’t There?”: The Representation of Otherness in Three Novels by Lisa Kleypas |
2020 |
Lisa Kleypas, race/ethnicity, historical romance, languages, social/economic class, UK |
| Veros, Vassiliki |
The selective tradition, the role of romance fiction donations, and public library practices in New South Wales, Australia |
2020 |
Australia, libraries/librarians |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Ramos-García, María T.; Vivanco, Laura |
Love, Language, Place, and Identity in Popular Culture: Romancing the Other |
2020 |
|
| Bloom, Clive |
The Palgrave Handbook of Contemporary Gothic |
2020 |
|
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Randell, Karen; Weedon, Alexis |
Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures |
2020 |
Elinor Glyn, social/economic class, wealth/prosperity, Older and/or precursor texts (may not be "romance" as now defined), marriage, United States of America, history |
| Suwanban, Pauline |
The Oriental Beast: The Sheik and Fairy Tales |
2020 |
E. M. Hull, race/ethnicity, fairytales/folktales, animals, gender |
| Brouillette, Sarah |
Romance Work |
2019 |
Publishing, readers, capitalism/business |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Fresno-Calleja, Paloma |
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series |
2019 |
Lani Wendt Young, chick lit, Samoa, metafiction, YA/teenage romance, race/ethnicity, feminism, food, drink, metaphor/symbolism, family, wealth/prosperity, national identity, sex/sexuality, rape and/or intimate partner violence/abuse |
| Fernández Rodríguez, Carolina |
Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality |
2019 |
Guam, United States of America, race/ethnicity, Paula Quinene, Cathy Sablan Gault, islands, history, romance and, or as, activism, languages, religion/spirituality, war/armed forces, historical romance |
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Ivanski, Chantelle |
Judging a Book by Its Author's Gender |
2019 |
trash/literary and or intellectual quality, gender |
| Sule, Sani |
Exploring the Benefit and Significance of Reading Hausa Popular Romance Genre: A Thematic Analysis |
2019 |
Nigeria, readers |
| Kaufman, Alexander L.; Vlagopoulos, Penny |
Food and Feast in Modern Outlaw Tales |
2019 |
|
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Nikbakht, H. |
Female Agency in the Harlequin Romance Formula: developments within the timeframe of second wave feminism |
2019 |
Harlequin Mills & Boon, feminism, family, work, sex/sexuality, gender, Carole Mortimer, Roberta Leigh/Rachel Lindsay, virginity, rape and/or intimate partner violence/abuse, health/medical, marriage |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Jarc, Klara |
Ljubezenski roman v Sloveniji: knjižnična izposoja, bralci in produkcija |
2019 |
libraries/librarians, Slovenia, Publishing, readers |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Luneau, Marie-Pier; Warren, Jean-Philippe |
Ce que le roman catholique fait au roman sentimental : le cas de la collection « Amour et aventure » |
2019 |
religion/spirituality, Christian romance, race/ethnicity, Canada, Publishing |
| Taylor, Helen |
Why Women Read Fiction: The Stories of Our Lives |
2019 |
readers, Harlequin Mills & Boon, Fifty Shades |
| González Pérez, Teresa |
La educación de las mujeres en Iberoamérica: análisis histórico |
2019 |
|
| Γραφανάκη, Ρωξάνη |
Γυναίκες και ροζ λογοτεχνία: η περίπτωση των εκδόσεων Άρλεκιν |
2019 |
Harlequin Mills & Boon, feminism, capitalism/business, gender, sex/sexuality |
| Kerr, Ashley Elizabeth |
Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels |
2019 |
history, race/ethnicity, Argentina, science/technology, national identity, historical romance |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Carlos, Giovana Santana |
Fandom e mercado literário: um mapa das mediações das fãs de romance no contexto brasileiro |
2019 |
readers, Brazil, Publishing |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Lois, Jennifer; Gregson, Joanna |
Aspirational Emotion Work: Calling, Emotional Capital, and Becoming a 'Real' Writer |
2019 |
authors, work, emotions, sociology |
| Chen, Eva |
“The Hate that Changed”: Cycling Romance and the Aestheticization of Women Cyclists |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), romances in magazines and newspapers |
| Chaplin, Sue |
‘Daddy, I’m falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance |
2019 |
paranormal/fantasy/time-travel romance, Twilight, J. R. Ward, Lara Adrian, family, gender, sex/sexuality, rape and/or intimate partner violence/abuse, LGBT+ characters, readers and/or authors |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Understanding How Novels Shape Identities of Female Readers: A Transactional Reader-Response Approach |
2019 |
readers, Nigeria |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Kendal, Evie |
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series |
2019 |
J. R. Ward, close reading, linguistics, genre definitions, paranormal/fantasy/time-travel romance, readers |
| Béja, Alice |
La new romance et ses nuances. Marché littéraire, sexualité imaginaire et condition féminine |
2019 |
France, erotic romance, sex/sexuality, Fifty Shades, Publishing, m/m romance, fanfiction, readers |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Raineri, Rosalia |
Verde bianco e rosa. Il romanzo 'femminile' e l'educazione sentimentale delle italiane (1911-1946) |
2019 |
Annie Vivanti/Annie Vivanti Chartres, Mura, Luciana Peverelli, Italy, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), linguistics, family |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Lin, Pei-yin; Kim, Su Yun |
East Asian Transwar Popular Culture: Literature and Film from Taiwan and Korea |
2019 |
Taiwan, Korea, Older and/or precursor texts (may not be "romance" as now defined) |
| Chaves, Duarte Nuno |
Memoria e Identidade Insular: Religiosidade, Festividades e Turismo nos Arquipélagos da Madeira e Açores |
2019 |
|