| González-Allende, Iker |
La novela rosa de ambientación vasca e ideología franquista durante la Guerra Civil española |
2005 |
Spain, national identity, war/armed forces, gender, history, work, religion/spirituality, marriage, romance and, or as, activism, fascism/right-wing authoritarianism |
| González-Cruz, María-Isabel |
Love in Paradise: Visions of the Canaries in a Corpus of Popular Romance Fiction Novels |
2015 |
settings, Spain, Harlequin Mills & Boon, genre definitions, languages |
| González-Cruz, María Isabel |
Othering and Language: Bilingual Romances in the Canary Islands |
2020 |
Spain, linguistics, languages |
| Goodwin, Sarah Webster |
Romance and Change: Teaching the Romance to Undergraduates |
1997 |
teaching romance, feminism, love, gender, marriage |
| Gordis, Lisa M. |
"Jesus loves your girl more than you do": Marriage as Triangle in Evangelical Romance and Puritan Narratives |
2016 |
Christian romance, religion/spirituality, marriage, Francine Rivers, gender |
| Goris, An |
Romance the World Over |
2009 |
Harlequin Mills & Boon, Publishing, translation, paratext |
| Goris, An |
From Romance to Roberts and Back Again: genre, authorship and the construction of textual identity in contemporary popular romance novels |
2011 |
Nora Roberts/J. D. Robb, authors, trash/literary quality, genre definitions, paratext, Harlequin Mills & Boon, romantic suspense, rape and/or intimate partner violence/abuse |
| Goris, An |
Matricide in Romance Scholarship? Response to Pamela Regis’ Keynote Address at the Second Annual Conference of the International Association for the Study of Popular Romance |
2011 |
readers, romance scholarship |
| Goris, An |
Loving by the Book: Voice and Romance Authorship |
2012 |
authors, trash/literary quality |
| Goris, An |
Mind, Body, Love: Nora Roberts and the Evolution of Popular Romance Studies |
2012 |
romance scholarship, Nora Roberts/J. D. Robb, sex/sexuality, emotions, philosophy, love, readers |
| Goris, An |
Happily Ever After ... And After: Serialization and the Popular Romance Novel |
2013 |
genre definitions, Publishing, community, readers, happy ending, Nora Roberts/J. D. Robb, J. R. Ward, work, family, love |
| Goris, An |
Hidden Codes of Love: The Materiality of the Category Romance Novel |
2015 |
paratext, Harlequin Mills & Boon |
| Gorry, April Marie |
Leaving Home for Romance: Tourist Women's Adventures Abroad |
1999 |
evolutionary psychology |
| Goşa, Codruţa |
Sex and the Genre: The Role of Sex in Popular Romance |
2012 |
Nora Roberts/J. D. Robb, Sandra Brown, Judith McNaught, sex/sexuality |
| Gottschall, Jonathan; Wilson, David Sloan |
The Literary Animal: Evolution and the Nature of Narrative |
2005 |
|
| Graf, Andreas |
Hedwig Courths-Mahler |
2000 |
Hedwig Courths-Mahler |
| Graham, Robert J. |
Media Literacy and Cultural Politics |
1989 |
readers, teaching romance |
| Granqvist, Raoul |
Major Minorities: English Literatures in Transit |
1993 |
|
| Graves, Joanne |
Beyond Valentine's Day: The romance novel in the evolving world of publishing |
2014 |
New Zealand, libraries/librarians |
| Graybill, Beth |
Chasing the Bonnet: The Premise and Popularity of Writing Amish Women |
2010 |
Christian romance, rural romance |
| Greenfeld-Benovitz, Miriam |
The Interactive Romance Community: The Case of "Covers Gone Wild" |
2014 |
community, readers, paratext |
| Greenwood, Alice |
Language Stereotypes in Mass Market Romances |
1983 |
linguistics |
| Greer, Germaine |
The Female Eunuch |
1970 |
fashion/clothing, romances in magazines/romance magazines, Georgette Heyer, Barbara Cartland, Lucy Walker, sex/sexuality |
| Gregor, Theresa Lynn |
From Captors to Captives: American Indian Responses to Popular American Narrative Forms |
2010 |
Native American romance, Cassie Edwards, Janet Wellington |
| Grescoe, Paul |
The Merchants of Venus: Inside Harlequin and the Empire of Romance |
1996 |
Harlequin Mills & Boon, Publishing, Janet Dailey, Barbara Cartland, Charlotte Lamb, Leigh Michaels, Nora Roberts/J. D. Robb, film/movies, Heather Graham, Judith McNaught, Anne Mather, Violet Winspear |
| Griffin, Susan E. |
Resistance and Reinvention in Sandra Cisneros' Woman Hollering Creek |
1997 |
Corín Tellado, readers, rape and/or intimate partner violence/abuse |
| Griffin, Linda |
An Analysis of Meaning Creation through the Integration of Sociology and Literature: A Critical Ethnography of a Romance Reading Group |
1999 |
readers |
| Griffin, Gabriele |
Outwrite: Lesbianism and Popular Culture |
1993 |
|
| Griffiths, Clare V. J.; Nott, James J.; Whyte, William |
Classes, Cultures, & Politics: Essays on British History for Ross McKibbin |
2011 |
|
| Grim, William E.; Harper, Michael B. |
Yearbook of Interdisciplinary Studies in the Fine Arts, Volume 3 |
1992 |
|
| Griswold, Wendy; Bastian, Misty |
Continuities and Reconstructions in Cross-cultural Literary Transmission: The Case of the Nigerian Romance Novel |
1987 |
Nigeria, genre definitions, sex/sexuality, gender, Bisi Abejo |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, alcohol, linguistics, history, gender, emotions, social class |
| Gruneau, Richard S. |
Popular Cultures and Political Practices |
1988 |
|
| Gruner, Elisabeth Rose |
Constructing the Adolescent Reader in Contemporary Young Adult Fiction |
2019 |
YA/teenage romance |
| Guttman, Anna; Hockx, Michel; Paizis, George |
The Global Literary Field |
2006 |
|
| Haddad, Emily A. |
Bound to Love: Captivity in Harlequin Sheikh Novels |
2007 |
sheikh romance, Harlequin Mills & Boon, Susan Mallery, Alexandra Sellers, marriage, race/ethnicity, war/armed forces, Jane Porter, Susan Stephens, Kristi Gold, Laura Wright |
| Haefner, Margaret J. |
Challenging the -isms: Gender and Race in Brockmann's Troubleshooters, Inc. Romance Novels |
2009 |
Suzanne Brockmann, gender, race/ethnicity, war/armed forces |
| Hagemann, Susanne |
Gendering Places: Georgette Heyer's Cultural Topography |
1996 |
Georgette Heyer, settings, gender, fashion/clothing |
| Hague, Euan; Stenhouse, David |
A Very Interesting Place: Representing Scotland in American Romance Novels |
2007 |
Scotland, Karen Marie Moning, paratext, Sue-Ellen Welfonder, linguistics, readers, historical romance, Diana Gabaldon, paranormal/fantasy/time-travel romance |
| Hague, Euan |
Mass Market Romance Fiction and the Representation of Scotland in the United States |
2014 |
Scotland, United States of America, settings, Terri Brisbin, Blythe Gifford, Susan Fraser King, Margaret Mallory, historical romance, Diana Gabaldon, paranormal/fantasy/time-travel romance, linguistics, history, readers |
| Hains, Maryellen |
Beauty and the Beast: 20th Century Romance? |
1989 |
fairytales, Robin McKinley, paranormal/fantasy/time-travel romance, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Iris Johansen, Debbie Macomber, emotions, capitalism/business |
| Hall, Stuart; Hobson, Dorothy; Lowe, Andrew; Willis, Paul |
Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 |
1980 |
|
| Hall, Glinda Fountain |
A genre of our own: the cultural work of women's popular romance fiction |
2008 |
gender, sex/sexuality, Emma Holly, Kathleen Woodiwiss, Rosemary Rogers, historical romance, settings, Emily Toth, Patricia Rice, Candice Proctor, Patricia Potter, Beverly Jenkins, United States of America, authors, national identity, race/ethnicity, history, African American romance, trash/literary quality |
| Hall, Glinda Fountain |
Inverting the Southern Belle: Romance Writers Redefine Gender Myths |
2008 |
historical romance, United States of America, gender, race/ethnicity, Emily Toth, Candice Proctor, Patricia Rice, marriage, sex/sexuality, war/armed forces |
| Hall, Glinda F. |
The Creators of Women’s Popular Romance Fiction: The Authors Who Gave Women a Genre of Their Own |
2009 |
gender, sex/sexuality, Emma Holly, Kathleen Woodiwiss, Rosemary Rogers, historical romance, Emily Toth, Patricia Rice, Candice Proctor, Patricia Potter, Beverly Jenkins, United States of America, authors |
| Hallam, Julia; Moody, Nickianne |
Consuming for Pleasure: Selected Essays on Popular Fiction |
2000 |
|
| Hallam, Julia |
Nursing the Image: Media, Culture and Professional Identity |
2000 |
medical romance, work, gender, health/medical, race/ethnicity, social class |
| Hamilton, Cristen |
Vindicating the Historical Romance |
2013 |
historical romance, Sabrina Jeffries, work, Jude Deveraux, Christina Dodd, marriage, Lisa Kleypas, gender, Elizabeth Boyle, happy ending, Laura Lee Guhrke, Cathy Maxwell |
| Hamlyn, Eleanor |
Reading the Genre Codes in Giorgio Scerbanenco's Hybridised Romanzi Rosa |
2014 |
Giorgio Scerbanenco, romantic suspense |
| Hammill, Faye |
The Republic of Love and Popular Romance |
2003 |
love, Jane Austen, metafiction, work |
| Hapgood, Lynne |
Margins of Desire: The Suburbs in Fiction and Culture, 1880-1925 |
2005 |
Publishing, readers, emotions, social class, romances in magazines/romance magazines, war/armed forces, Sophie Cole, Alice Askew, Louise Gerard, Mary Hamilton, gender, settings, race/ethnicity, Africa, India |
| Harders, Robin |
Borderlands of Desire: Captivity, Romance, and the Revolutionary Power of Love |
2012 |
United States of America, race/ethnicity, history, Samuel Richardson, Jane Austen, E. M. Hull, sheikh romance, Violet Winspear, Michelle Reid, Louise Allen, Elizabeth Vaughn |
| Harlan, Kimber Leigh |
Romancing the reader: constructing a discursive and social female identity through romance novels |
2005 |
gender, readers |
| Harris, Racheal |
Really Romantic? Pirates in Romantic Fiction |
2018 |
pirates, sex/sexuality, historical romance, rape and/or intimate partner violence/abuse, virginity |
| Harris, Patricia Marie |
The rhetorical vision of courtship in Harlequin Romances: a fantasy theme analysis |
1985 |
Harlequin Mills & Boon |
| Harris, Marlene |
A new breed of romance: romance authors who find themselves publishing via both traditional contracts and the new world of the self-published are living a hybrid life |
2013 |
Publishing, authors, libraries/librarians, Sophie Barnes, Bella Andre, Courtney Milan, Mary Jo Putney, Jane Porter, Candis Terry |
| Harris, Alana; Jones, Timothy Willem |
Love and Romance in Britain, 1918-1970 |
2015 |
|
| Harrison, Rachel |
Women and Romantic Fiction: Subordination and Resistance |
1980 |
readers |
| Harrison, Brady |
All Our Stories Are Here: Critical Perspectives on Montana Literature |
2009 |
|
| Hartmann, Britta Ulrike |
Island fictions: Castaways and imperialism |
2014 |
settings, islands, Violet Winspear, Margery Hilton, Ginna Gray, Julie Tetel Andresen, Penelope Neri, Donna Simpson, Darlene Marshall, Jill Shalvis, Kandy Shepherd, Tracey Garvis Graves |
| Haruna, Alkasim; Abd Aziz, Noor Hashima |
Towards an Understanding of the Efferent Reading Stance of Hausa Popular Romance Novels |
2019 |
Nigeria, Africa, readers |
| Harvey, Keith; Shalom, Celia |
Language and Desire: Encoding Sex, Romance, and Intimacy |
1997 |
|
| Harzewski, Stephanie |
The new novel of manners: Chick lit and postfeminist sexual politics |
2005 |
chick lit |
| Hashim, Ruzy Suliza; Hamdan, Shahizah Ismail |
Facets of Women in Malay Romance Fiction |
2010 |
Malaysia, chick lit, gender, Islam, Publishing, paratext, marriage |
| Hassencahl, Fran |
Persecutors, Victims and Rescuers in Harlequin Romances |
1980 |
Harlequin Mills & Boon, gender, psychology, work, fashion/clothing, sex/sexuality, family |
| Haynsworth, Leslie |
Janet Evanovich |
2008 |
Janet Evanovich, rom-com romance, romantic suspense |
| Hayton, Christopher J.; Hayton, Sheila |
The Girls in White: Nurse Images in Early Cold War Era Romance and War Comics |
2012 |
comics/manga, medical romance, work, gender, war/armed forces |
| Hazen, Helen |
Endless Rapture: Rape, Romance, and the Female Imagination |
1983 |
rape and/or intimate partner violence/abuse, feminism |
| Hedrick, Tace |
Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century |
2015 |
race/ethnicity, United States of America |
| Hedrick, Donald; Reynolds, Bryan |
Shakespeare without Class: Misappropriations of Cultural Capital |
2000 |
|
| Heffernan, Joan-Mary |
Women's romantic fiction: a study of three New Zealand Mills and Boon authors |
1992 |
Daphne Clair, Robyn Donald, Susan Napier |
| Heinecken, Dawn |
Changing Ideologies in Romance Fiction |
1999 |
feminism, historical romance, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Laura Kinsale, Kathleen Woodiwiss, gender, sex/sexuality |
| Heiss, Karin |
14 Weeks of Love and Labour: Teaching Regency and Desert Romance to Undergraduate Students |
2015 |
teaching romance, historical romance, sheikh romance, Georgette Heyer, E. M. Hull, Marguerite Kaye, race/ethnicity, film/movies, Publishing |
| Helgason, Jon; Kärrholm, Sara; Steiner, Ann |
Hype: Bestsellers and Literary Cultures |
2014 |
|
| Hellekson, Karen; Busse, Kristina |
Fan Fiction and Fan Communities in the Age of the Internet: New Essays |
2006 |
|
| Heller, Tamar |
Having It All: Consumption and Ideological Tension in an Innovative Romance Novel |
1997 |
|
| Henderson, Courtney R. |
Ladies and Loners: A Comparative Gender Study of the Romance and Popular Western |
2007 |
gender, Johanna Lindsey, Joan Johnston, LGBT+ characters, readers and/or authors, settings, race/ethnicity, trash/literary quality, paratext, historical romance |
| Herendeen, Ann |
The Upper-Class Bisexual Top as Romantic Hero: (Pre)dominant in the Social Structure and in the Bedroom |
2012 |
Ann Herendeen, LGBT+ characters, readers and/or authors, wealth/prosperity, social class, BDSM, Jane Austen, historical romance, history, sex/sexuality, gender, Georgette Heyer |
| Herendeen, Ann |
Having it Both Ways; or, Writing from the Third Perspective: The Revolutionary M/M/F Ménage Romance Novel |
2016 |
LGBT+ characters, readers and/or authors, Ann Herendeen, marriage, metafiction, Georgette Heyer |
| Herman, David |
Creatural Fictions: Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature |
2016 |
|
| Hermes, Joke |
Sexuality in Lesbian Romance Fiction |
1992 |
LGBT+ characters, readers and/or authors, Sarah Aldridge, Katherine V. Forrest, Valerie Taylor, precursors of modern romance, rape and/or intimate partner violence/abuse, Michelle Martin, readers |
| Hermes, Joke |
Vergnügen oder Aufklärung? Sexualität in lesbischen Liebesromanen? |
1992 |
LGBT+ characters, readers and/or authors, Valerie Taylor, Katherine V. Forrest, precursors of modern romance |
| Hernández Guerrero, María José |
Prosumidoras de traducciones: Aproximación al fenómeno de la traducción fan de novela romántica |
2016 |
readers, translation |
| Hess, Jonathan M. |
Middlebrow Literature and the Making of German-Jewish Identity |
2010 |
Judaism, Germany, precursors of modern romance, romances in magazines/romance magazines, Ludwig Philippson, Salomon Formstecher, religion/spirituality, Rahel Meyer, family, Marcus Lehmann, George Eliot |
| Hey, Valerie |
The Necessity of Romance |
1983 |
|
| Higashi, Sumiko |
Adapting Middlebrow Taste to Sell Stars, Romance, and Consumption |
2017 |
romances in magazines/romance magazines |
| Hilton, Linda Ann Wheeler |
Half Heaven, Half Heartache: Discovering the Transformative Potential in Women's Popular Fiction |
2000 |
feminism |
| Hinks, John; Armstrong, Catherine |
Book Trade Connections from the Seventeenth to the Twentieth Centuries |
2008 |
|
| Hinnant, Charles H. |
Desire and the Marketplace: A Reading of Kathleen Woodiwiss's The Flame and the Flower |
2003 |
Kathleen Woodiwiss, capitalism/business, rape and/or intimate partner violence/abuse, fashion/clothing |
| Hipsky, Martin |
Modernism and the Women’s Popular Romance in Britain, 1885–1925 |
2011 |
Marie Corelli, Ethel M. Dell, E. M. Hull, Mary Ward/Mrs. Humphry Ward, Baroness Orczy, Florence Barclay, Elinor Glyn, precursors of modern romance |
| Hirdman, Anja |
Speaking through the flesh: Affective encounters, gazes and desire in Harlequin romances |
2016 |
emotions, gender, sex/sexuality, Harlequin Mills & Boon |
| Hirsbrunner, A. R. |
Doomed to become heroines? Identification, women and fiction |
2000 |
psychology, feminism |
| Hirschman, Elizabeth C.; Holbrook, Morris B. |
SV - Symbolic Consumer Behavior |
1981 |
|
| Hodgson, Kathleen |
The representation of the female hero in the romantic fiction of Mills & Boon |
2006 |
Harlequin Mills & Boon |
| Hohne, Karen; Wussow, Helen |
A Dialogue of Voices: Feminist Literary Theory and Bakhtin |
1994 |
|
| Holden, Stacy E.; Tabol, Charity |
In Sickness and In Health: Representations of PTSD in Post-9/11 Romance Novels |
2015 |
war/armed forces, health/medical, Harlequin Mills & Boon, United States of America, romance and, or as, activism, Susan Mallery, Karen Templeton, Janice Kay Johnson, disability, psychology |
| Holden, Stacy E. |
Love in the Desert: Images of Arab-American Reconciliation in Contemporary Sheikh Romance Novels |
2015 |
Harlequin Mills & Boon, sheikh romance, United States of America, authors, Islam, Susan Mallery, Sandra Marton, fashion/clothing, Maisey Yates, settings, Lynne Raye Harris, Violet Winspear, Jane Porter |
| Holley, Robert P. |
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries |
2015 |
|
| Hollows, Joanne |
Feminism, Femininity and Popular Culture |
2000 |
romance scholarship |
| Holman, Rebecca H.; Solomon, Michael R. |
NA - Advances in Consumer Research Volume 18 |
1991 |
|
| Holmes, Diana |
Romance and Readership in Twentieth-Century France: Love Stories |
2006 |
history, France, religion/spirituality, Christian romance, Delly, precursors of modern romance, genre definitions, gender, readers, Georges Ohnet, Maryan, pen name of Marie Cadiou, Marcelle Tinayre, Colette, Max de Veuzit, Magali, pen name of Jeanne Philbert, Harlequin Mills & Boon, sex/sexuality, lesbian romance, Marine Rambach and Anne Rousseau, LGBT+ characters, readers and/or authors |
| Holmes, Diana |
The comfortable reader: Romantic bestsellers and critical disdai |
2010 |
France, trash/literary quality, Marc Levy, Anna Gavalda, readers, community, national identity |
| Hoorenman, Johanna |
Public Conflicts and Private Treaties in Kathleen Eagle’s Fire and Rain |
2020 |
Kathleen Eagle, Native American romance, race/ethnicity, United States of America, history |
| Hopkins, Lisa |
After Austen: Reinventions, Rewritings, Revisitings |
2018 |
|
| Hopkins, Lisa |
Georgette Heyer: What Austen Left Out |
2018 |
Georgette Heyer, Jane Austen, history, war/armed forces, historical romance |
| Hopkins, Lisa |
Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts |
2018 |
Jane Austen, Georgette Heyer, gender, historical romance |
| Hotz-Davies, Ingrid; Kirchhofer, Anton; Leppänen, Sirpa |
Internet Fictions |
2009 |
|
| Howlett, Peter; Morgan, Mary S. |
How Well Do Facts Travel? The Dissemination of Reliable Knowledge |
2011 |
|
| Huang, Yu-ting; Weaver-Hightower, Rebecca |
Archiving Settler Colonialism: Culture, Space and Race |
2019 |
|
| Hubbard, Rita Cooper |
Relationship Styles In Popular Romance Fiction: A Fantasy Theme Analysis Of Harlequin Romances, 1950-1979 |
1981 |
Harlequin Mills & Boon, gender, feminism |
| Hubbard, Rita C. |
The Changing-Unchanging Heroines and Heroes of Harlequin Romances, 1950-1979 |
1983 |
Harlequin Mills & Boon, gender, authors, Elizabeth Hoy, Roumelia Lane, Elizabeth Hunter |
| Hubbard, Rita C. |
Relationship Styles in Popular Romance Novels, 1950-1983 |
1985 |
Lilian Warren as Rosalind Brett/Kathryn Blair/Celine Conway, gender, Roumelia Lane, Elizabeth Hunter, Elaine Raco Chase, Harlequin Mills & Boon |
| Hubbard, Rita C. |
Magic and Transformation: Relationships in Popular Romance Novels, 1950 to the 1980s |
1992 |
Lilian Warren as Rosalind Brett/Kathryn Blair/Celine Conway, gender, Roumelia Lane, Elizabeth Hunter, Elaine Raco Chase, Harlequin Mills & Boon |
| Hughes, Helen Muriel |
Changes in Historical Romance, 1890s to the 1980s: The Development of the Genre from Stanley Weyman to Georgette Heyer and her Successors |
1988 |
historical romance, Georgette Heyer |
| Hughes, Helen |
The Historical Romance |
1993 |
historical romance, history, Georgette Heyer, Sir Arthur Conan Doyle, Stanley Weyman, Rafael Sabatini, Jeffrey Farnol, Barbara Cartland, social class, UK, gender, A. E. W. Mason, Baroness Orczy, readers, Sir Walter Scott, precursors of modern romance |
| Huntwork, Mary M. |
Why Girls Flock to Sweet Valley High |
1990 |
YA/teenage romance, readers |
| Huq, Maimuna |
From Piety to Romance: Islam-Oriented Texts in Bangladesh |
1999 |
Islam, religion/spirituality, Bangladesh |
| Hurley, Frances K. |
In the Words of Girls: The Reading of Adolescent Romance Fiction |
1999 |
YA/teenage romance, readers, gender |
| Hurst, Rochelle |
The Barrister’s Bedmate: Harlequin Mills & Boon and the Bridget Jones Debate |
2009 |
chick lit, feminism, Helen Fielding, Harlequin Mills & Boon |
| Hutton-Jarvis, C. A. |
The educational potential of romantic fiction |
1998 |
readers, teaching romance |
| Ibarrola-Armendariz, Aitor; Ortiz de Urbina Arruabarrena, Jon |
On the move: Glancing Backwards To Build a Future in English Studies |
2016 |
|
| Iesué, Renata |
Romance and Reality: Popular Writing by Nigerian Women |
1990 |
Nigeria |
| Illouz, Eva |
Hard-Core Romance: Fifty Shades of Grey, Best-Sellers, and Society |
2014 |
Fifty Shades, BDSM |
| Inge, M. Thomas; Hall, Dennis |
The Greenwood Guide to American Popular Culture: Volume Four (Pulps and Dime Novels through Young Adult Fiction) |
2002 |
|
| Ingram, Angela; Patai, Daphne |
Rediscovering Forgotten Radicals: British Women Writers 1889-1939 |
1993 |
|
| Iqbal, Kundan |
The impact of romance novels on women's sexual and reproductive health |
2014 |
readers, sex/sexuality |
| Irons, Glenwood |
Gender, Language, and Myth: Essays on Popular Narrative |
1992 |
|
| Irvine, Janice M. |
Sexual Cultures and the Construction of Adolescent Identities |
1994 |
|
| Iwai, Gaku |
Wartime Ideology in 'The Thimble': A Comparative Study of Popular Wartime Romance and the Anti-romance of D. H. Lawrence |
2015 |
war/armed forces, Berta Ruck, gender, UK, national identity |
| Jackson, Stevi |
Women and Heterosexual Love: Complicity, Resistance and Change |
1995 |
love, feminism, emotions, psychology, readers |
| Jackson, Elaine |
Riding the tosh horse: women writers of popular romance between the wars |
2005 |
E. M. Hull, Berta Ruck, Marguerite Jervis/Oliver Sandys |
| Jackson, Elaine |
Sievier’s Monthly (1909): Pseudonyms and Readership in Early Twentieth Century Popular Fiction |
2008 |
Marguerite Jervis/Oliver Sandys, Publishing, precursors of modern romance |
| Jackson, Cia |
Harlequin Romance: The Power of Parody and Subversion |
2017 |
Harlequin Mills & Boon |
| Jagodzinski, Mallory |
Of Bustles and Breeches: Cross-dressing Romance Novel Heroines and the Performance of Gender Ideology |
2010 |
cross-dressing, gender, Celeste Bradley, Eloisa James, Pam Rosenthal, fashion/clothing, sex/sexuality |
| Jagodzinski, Mallory |
Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century |
2015 |
Theresa Romain, Meredith Duran, Courtney Milan, race/ethnicity, historical romance, gender, disability, United States of America, history, rape and/or intimate partner violence/abuse |
| Janzen, Moira J. |
Georgette Heyer's Regency romances: serious literature or popular fiction? |
1994 |
Georgette Heyer, trash/literary quality |
| Jarmakani, Amira |
“The Sheik Who Loved Me”: Romancing the War on Terror |
2010 |
sheikh romance, United States of America, war/armed forces, feminism, capitalism/business, race/ethnicity, Islam, gender, metaphor/symbolism |
| Jarmakani, Amira |
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances |
2011 |
sheikh romance, race/ethnicity, sex/sexuality, paratext, fashion/clothing, United States of America, readers, Islam, Spain, religion/spirituality |
| Jarmakani, Amira |
An Imperialist Love Story: Desert Romances and the War on Terror |
2015 |
sheikh romance, war/armed forces, United States of America, race/ethnicity, Islam, E. M. Hull, gender, marriage, rape and/or intimate partner violence/abuse |
| Jarvis, Christine A. |
Desirable Reading: The Relationship between Women Students' Lives and their Reading Practices |
2003 |
readers, teaching romance, gender, Islam, sex/sexuality, UK |
| Jarvis, Christine |
Romancing the Curriculum: Empowerment through Popular Culture |
1995 |
teaching romance, readers |
| Jarvis, Christine |
Love Changes Everything: The Transformative Potential of Popular Romantic Fiction |
1999 |
teaching romance, readers, feminism, Harlequin Mills & Boon, gender, sex/sexuality, marriage, rape and/or intimate partner violence/abuse, social class, wealth/prosperity, race/ethnicity, Charlotte Brontë, China, UK |
| Jarvis, Christine |
Hungry Heroines: The Exploration of a "Generative Theme" in Romantic Fiction |
2000 |
|
| Jarvis, Christine |
Using Fiction for Transformation |
2006 |
teaching romance, feminism, gender, readers |
| Jensen, Margaret Ann |
Women and Romantic Fiction: A Case Study of Harlequin Enterprises, Romances, and Readers |
1980 |
Harlequin Mills & Boon, readers, capitalism/business, social class, work |
| Jensen, Margaret Ann |
Love's $weet Return: The Harlequin Story |
1984 |
Harlequin Mills & Boon, metafiction, readers, Publishing, virginity, sex/sexuality, paratext, work, authors, gender, happy ending, settings, race/ethnicity, social class, rape and/or intimate partner violence/abuse, food, alcohol, fashion/clothing, love, marriage, feminism |
| Joannou, Maroula |
Women's Writing, Englishness and National and Cultural Identity: The Mobile Woman and the Migrant Voice, 1938-1962 |
2012 |
UK, war/armed forces, Daphne du Maurier, precursors of modern romance, Kathleen Winsor, Georgette Heyer, cross-dressing, fashion/clothing |
| Jocks, Yvonne Annette |
Adventure and Virtue: Alternating Emphasis in the Popular Romance Tradition |
1988 |
precursors of modern romance |
| Johnson, Valerie B. |
What a Canon Wants: Robin Hood, Romance Novels, and Carrie Lofty’s What a Scoundrel Wants |
2018 |
Carrie Lofty, precursors of modern romance, historical romance |
| Johnson, Naomi Ruth |
Consuming Desires: A Feminist Analysis of Bestselling Teen Romance Novels |
2007 |
YA/teenage romance, capitalism/business, fashion/clothing, gender, sex/sexuality, Publishing |
| Johnson, Naomi R. |
Consuming Desires: Consumption, Romance, and Sexuality in Best-Selling Teen Romance Novels |
2010 |
YA/teenage romance, Publishing, capitalism/business, fashion/clothing, gender, sex/sexuality |
| Johnson, Heather |
Yorkshire English in Georgette Heyer's The Unknown Ajax |
2017 |
languages, Georgette Heyer, historical romance |
| Johnson, Emily D. |
Exploring His/Her Library: Reading and Books in Russian Romance |
2020 |
Russia, metafiction, authors, Harlequin Mills & Boon, Galina Kulikova, Natal’ia Mironova, Publishing, socialism and/or communism, trash/literary quality, race/ethnicity, rape and/or intimate partner violence/abuse |
| Johnson-Kurek, Rosemary E. |
"I Am Not a Bimbo": Persona, Promotion, and the Fabulous Fabio |
1999 |
Fabio Lanzoni, also known as Fabio, paratext |
| Johnson-Kurek, Rosemary E. |
Leading Us into Temptation: The Language of Sex and the Power of Love |
1999 |
Harlequin Mills & Boon, feminism, sex/sexuality, erotic romance, linguistics, gender, virginity, rape and/or intimate partner violence/abuse, Abra Taylor, Candace Schuler, Lori Foster, Jennifer Crusie |
| Johnson-Woods, Toni |
Pulp: A Collector's Book of Australian Pulp Fiction Covers |
2004 |
paratext |
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| Jones, Ann Rosalind |
Mills & Boon meets feminism |
1986 |
feminism, Harlequin Mills & Boon, work, social class, gender, sex/sexuality |
| Jones, Amanda |
Madness, Monks and Mutiny: Neo-Victorianism in the Work of Victoria Holt |
2019 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, gothic romance, romantic suspense, feminism, Charlotte Brontë, gender, marriage, family, Wilkie Collins, health/medical, Mary Elizabeth Braddon, India |
| Jossart, Deborah A. |
Transforming the fairytale: a diachronic study of utopias of popular romance |
2004 |
fairytales |
| Joyal, Amanda |
From Victorian literature to the romance novel: Disability and the courtship plot |
2012 |
disability, precursors of modern romance, Charlotte Brontë, Dinah Craik, gender, Teresa Medeiros, Brenda Novak, Catherine Anderson, Erin McCarthy |
| Juhasz, Suzanne |
Texts to Grow On: Reading Women’s Romance Fiction |
1988 |
genre definitions, psychology, readers, gender, love |
| Juhasz, Suzanne |
Reading from the Heart: Women, Literature, and the Search for True Love |
1994 |
readers, psychology, precursors of modern romance, Jane Austen, Emily Brontë, Charlotte Brontë, Louisa May Alcott, Gloria Naylor, Isabel Miller, Valerie Taylor, lesbian romance |
| Juhasz, Suzanne |
Lesbian Romance Fiction and the Plotting of Desire: Narrative Theory, Lesbian Identity, and Reading Practice |
1998 |
lesbian romance, LGBT+ characters, readers and/or authors, Sarah Aldridge, readers, gender, psychology, work, love, sex/sexuality, family |
| Kahn, Laurie |
Love Between the Covers |
2015 |
authors, Jennifer Crusie, Eloisa James, Beverly Jenkins, Radclyffe |
| Kaler, Anne K. |
Conventions of Captivity in Romance Novels |
1999 |
sheikh romance, religion/spirituality, settings, E. M. Hull, sex/sexuality, rape and/or intimate partner violence/abuse |
| Kaler, Anne K. |
Hero, Heroine, or HERA: A New Name for an Old Problem |
1999 |
linguistics |
| Kaler, Anne K. |
Introduction: Conventions of the Romance Genre |
1999 |
trash/literary quality |
| Kaler, Anne K.; Johnson-Kurek, Rosemary E. |
Romantic Conventions |
1999 |
|
| Kaler, Anne K. |
Dysfunctional Detectives and Romantic P.I.s: Impediments to the Happy Marriage of Mystery and Romance |
2000 |
romantic suspense, gender |
| Kamble, Jayashree |
Female Enfranchisement and the Popular Romance: Employing an Indian Perspective |
2007 |
India, readers, gender, feminism, marriage, Linda Howard, Nora Roberts/J. D. Robb, Kim Lawrence, Lisa Kleypas, fashion/clothing, sex/sexuality, virginity |
| Kamble, Jayashree |
Uncovering and Recovering the Popular Romance Novel |
2008 |
capitalism/business, war/armed forces, sex/sexuality, paratext, readers, India |
| Kamble, Jayashree |
Patriotism, Passion, and PTSD: The Critique of War in Popular Romance Fiction |
2012 |
war/armed forces, United States of America, national identity, disability, Linda Howard, marriage, Gaelen Foley, Suzanne Brockmann, Sherrilyn Kenyon |
| Kamblé, Jayashree |
Making Meaning in Popular Romance Fiction: An Epistemology |
2014 |
war/armed forces, capitalism/business, gender, race/ethnicity, Lisa Kleypas, Nora Roberts/J. D. Robb, genre definitions, Suzanne Brockmann, Gaelen Foley, Diana Gabaldon, Linda Howard, Sherrilyn Kenyon, Johanna Lindsey, Anne Mather, Lindsay McKenna, Judith McNaught, historical romance, paranormal/fantasy/time-travel romance, Susan Elizabeth Phillips, Julia Quinn, Nalini Singh, Violet Winspear, rape and/or intimate partner violence/abuse |
| Kamblé, Jayashree |
Branding a Genre: A Brief Transatlantic History of Romance Novel Cover Art |
2016 |
paratext, Harlequin Mills & Boon, historical romance, trash/literary quality |
| Kamble, Jayashree |
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuristic Homicide Detective |
2017 |
Nora Roberts/J. D. Robb, science fiction/futuristic romance, capitalism/business, romantic suspense |
| Kamblé, Jayashree |
When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy |
2020 |
Sherry Thomas, China, war/armed forces, race/ethnicity, historical romance, UK, gender, national identity, family |
| Kamitsuka, Margaret D. |
Prolife Christian Romance Novels: A Sign that the Abortion-as-Murder Center Is Not Holding? |
2020 |
Christian romance, religion/spirituality, health/medical, rape and/or intimate partner violence/abuse, Francine Rivers, family, United States of America |
| Kanerick, Caroline |
‘A Jazzed and Patchwork Modern’: ‘future’ girls and modern masculinities in the early popular romances of Berta Ruck |
2010 |
Berta Ruck, gender, history, trash/literary quality, family, community, fashion/clothing, sex/sexuality, war/armed forces, LGBT+ characters, readers and/or authors |
| Kania, Richard R. E. |
Pirates and Piracy in American Popular Culture |
2014 |
pirates, historical romance, Daphne du Maurier |
| Kapell, Matthew; Becker, Suzanne |
Patriarchy, the Christian Romance Novel, and the 'Ecosystem of Sex' |
2005 |
Christian romance, sex/sexuality, feminism, religion/spirituality, Janette Oke, Francine Rivers, readers, Jane Almquist |
| Kapila, Shuchi |
Educating Seeta: The Anglo-Indian Family Romance and the Poetics of Indirect Rule |
2010 |
India, precursors of modern romance, Flora Annie Steel, Maud Diver, Bithia Mary Croker, Alice Perrin |
| Kaplan, Deborah |
"Why would any woman want to read such stories?": The Distinctions Between Genre Romances and Slash Fictions |
2012 |
fanfiction, genre definitions, LGBT+ characters, readers and/or authors, Suzanne Brockmann, gender |
| Kebadze, Nino |
Fictions of Surrender: Romance and Exemplarity in Post-War Spanish Women's Narratives |
2007 |
Luisa-María Linares, Concha Linares-Becerra, Carmen de Icaza, Spain, fascism/right-wing authoritarianism, gender |
| Kebadze, Nino |
Romance and Exemplarity in Post-War Spanish Women's Narratives |
2009 |
Luisa-María Linares, Concha Linares-Becerra, Carmen de Icaza, María Mercedes Ortoll, gender, fascism/right-wing authoritarianism, Spain |
| Keegan, Faye Jessica |
Soft metafiction(s) : Mary Stewart and the self-reflective middlebrow |
2016 |
Mary Stewart, romantic suspense, trash/literary quality, national identity, history |
| Keegan, Faye |
‘Snob Value’: Gender and Literary Value in Mary Stewart |
2017 |
Mary Stewart, romantic suspense, trash/literary quality, gender, authors |
| Keen, Suzanne |
Probable Impossibilities: Historical Romance Readers Talk Back |
2018 |
Diana Gabaldon, readers, history |
| Kelly, Brendan D. |
Medical Romance |
2007 |
medical romance |
| Kelly, Brendan D. |
Medical romance: love never dies |
2016 |
medical romance |
| Kelso, Sylvia |
Singularities: the interaction of feminism(s) and two strands of popular American fiction, 1968-89 |
1996 |
gothic romance, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, Phyllis A. Whitney, feminism |
| Kelso, Sylvia |
Stitching Time: Feminism(s) and Thirty Years of Gothic Romance |
1997 |
gothic romance, Barbara Michaels a.k.a. Elizabeth Peters a.k.a. Barbara Mertz, feminism, family |
| Kemppinen, Anne-Mari Katriina |
Translating for popular literature with special reference to Harlequin books and their Finnish translations |
1988 |
translation, Harlequin Mills & Boon, Finland |
| Kemppinen, Anne |
Translation for Popular Literature with Special Reference to Harlequin Books and their Finnish Translation |
1989 |
translation, Finland, Harlequin Mills & Boon |
| Kendal, Evie |
The use of free indirect discourse in J. R. Ward's Black Dagger Brotherhood series |
2019 |
J. R. Ward, close reading, linguistics, genre definitions, paranormal/fantasy/time-travel romance, readers |
| Kerr, Ashley Elizabeth |
Indigenous Lovers and Villainous Scientists: Rewriting Nineteenth-Century Ideas of Race in Argentine Romance Novels |
2019 |
history, race/ethnicity, Argentina, science/technology, national identity, historical romance |
| Khuankaew, Sasinee |
Femininity and masculinity in three selected twentieth-century Thai romance fictions |
2015 |
gender, Thailand, Buddhism, marriage, sex/sexuality, feminism, religion/spirituality |
| Khuankaew, Sasinee |
Femininity and Masculinity in Twenty-First Century Thai Romantic Fictions |
2017 |
gender, Thailand, sex/sexuality, Buddhism |
| Killeen, Jarlath |
Nora Roberts: the Power of Love |
2018 |
Nora Roberts/J. D. Robb, love |
| Killing, Peter |
Harlequin Enterprises Limited: Case Material of the Western School of Business Administration |
1978 |
|
| Kinard, Amanda Marette |
Forbidden Pleasures: The Romance and Its Readers |
1999 |
sex/sexuality, social class, virginity, readers, capitalism/business, wealth/prosperity |
| King, Laura |
The Perfect Man: Fatherhood, Masculinity and Romance in Popular Culture in Mid-Twentieth-Century Britain |
2015 |
family, gender, marriage, history, UK |
| Kinsale, Laura |
The Androgynous Reader: Point of View in the Romance |
1992 |
readers, gender, psychology, happy ending, feminism, paratext |
| Kirkham, Pat; Thoms, David |
War Culture: Social Change and Changing Experience in World War Two Britain |
1995 |
|
| Kirkland, Catherine Elisabeth |
For The Love Of It: Women Writers And The Popular Romance |
1984 |
authors, work, Publishing, feminism, trash/literary quality |
| Kitchen, Veronica |
Veterans and Military Masculinity in Popular Romance Fiction |
2018 |
war/armed forces, gender, disability |
| Klarich, Morgan L. |
Multiculturalism, Sex, and Powerful Women: The New Romance Novel as the Voice of Neofeminism? |
2012 |
feminism, sex/sexuality, gender, race/ethnicity, United States of America |
| Kloester, Jennifer V. |
Georgette Heyer: writing the Regency. History in fiction from Regency Buck to Lady of Quality 1935-1972 |
2004 |
Georgette Heyer, history, historical romance |
| Kloester, Jennifer V. |
Images of England: Georgette Heyer's Regency World in the Dominions |
2004 |
Georgette Heyer |
| Kloester, Jennifer |
Georgette Heyer and the Great Jane |
2006 |
Georgette Heyer, Jane Austen |
| Kloester, Jennifer |
Georgette Heyer: Biography of a Bestseller |
2011 |
Georgette Heyer |
| Kohlman, Marla H.; Krieg, Dana B. |
Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bem |
2017 |
|
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Kokkola, Lydia |
Virtuous Vampires and Voluptuous Vamps: Romance Conventions Reconsidered in Stephenie Meyer’s ‘‘Twilight’’ Series |
2011 |
Twilight, religion/spirituality, YA/teenage romance, love, sex/sexuality, family, health/medical |
| Kolko, Beth E. |
Writing the Romance: Cultural Studies, Community, and the Teaching of Writing |
1994 |
authors, feminism, work, community, capitalism/business, Publishing |
| Koolen, Corina; van Dalen-Oskam, Karina; van Cranenburgh, Andreas; Nagelhout, Erica |
Literary quality in the eye of the Dutch reader: The National Reader Survey |
2020 |
trash/literary quality, gender, Netherlands |
| Koski, Patricia; Holyfield, Lori; Thompson, Marcella |
Romance Novels as Women's Myths |
1997 |
myth, emotions |
| Koster, Cees |
Stuiverromans - vertaald? |
1997 |
translation, Harlequin Mills & Boon, Netherlands |
| Kramer, Kyra |
Raising Veils and other Bold Acts: The Heroine's Agency in Female Gothic Novels |
2011 |
gothic romance, romantic suspense, gender, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Elizabeth Lowell |
| Kramer, Kyra |
Getting Laid, Getting Old, and Getting Fed: The Cultural Resistance of Jennifer Crusie’s Romance Heroines |
2012 |
Jennifer Crusie, ageism, food, alcohol, gender, feminism, sex/sexuality |
| Kramer, Devon J. |
Truth through the medium of cheerfulness: Romance novels as points of resistance |
2010 |
Maria Edgeworth, Elizabeth Gaskell, Georgette Heyer, Lisa Kleypas, precursors of modern romance |
| Kramer, Daniela; Moore, Michael |
Family Myths in Romantic Fiction |
2001 |
psychology, love, family, marriage, myth, Harlequin Mills & Boon, gender, rape and/or intimate partner violence/abuse, virginity, sex/sexuality, work |
| Kramer, Daniela; Moore, Michael |
Gender Roles, Romantic Fiction and Family Therapy |
2001 |
psychology, Harlequin Mills & Boon, gender, marriage, family, rape and/or intimate partner violence/abuse |
| Kramp, Michael |
Jane Austen and Masculinity |
2018 |
|
| Kratzer, Jessica M. W. |
Communication in Kink: Understanding the Influence of the Fifty Shades of Grey Phenomenon |
2020 |
|
| Kray, Susan |
Deconstructive Laughter: Romance Author as Subject, The Pleasure of Writing the Text |
1987 |
authors, readers, emotions |
| Krentz, Jayne Ann |
Dangerous Men and Adventurous Women: Romance Writers on the Appeal of the Romance |
1992 |
Jayne Ann Krentz/Amanda Quick/Jayne Castle, readers, gender, authors, emotions, myth, Cathie Linz, Linda Barlow, metaphor/symbolism, linguistics, happy ending, rape and/or intimate partner violence/abuse, Laura Kinsale, psychology, Susan Elizabeth Phillips, feminism, Daphne Clair, precursors of modern romance, Robyn Donald, Anne Stuart, love, Elizabeth Lowell, war/armed forces, Mary Jo Putney, virginity, Doreen Owens Malek, Brittany Young, sex/sexuality, Penelope Williamson, trash/literary quality, Judith Arnold, work, Stella Cameron, Sandra Brown, Suzanne Simmons Guntrum, Diana Palmer, Kathleen Gilles Seidel |
| Kress, Gunther |
Textual Matters: The Social Effectiveness of Style |
1988 |
linguistics, readers, medical romance, settings |
| Kroeg, Susan M. |
'Truly Our Contemporary Jane Austen': Thinking Like an Austen Fan about Regency Romances |
2012 |
historical romance |
| Kundin, Susan G. |
Romance versus Reality: A Look at YA Romantic Fiction |
1985 |
YA/teenage romance |
| Künne, Regina |
Eternally Yours - Challenge and Response: Contemporary US American Romance Novels by Jayne Ann Krentz and Barbara Delinsky |
2015 |
Jayne Ann Krentz/Amanda Quick/Jayne Castle, Barbara Delinsky, United States of America, religion/spirituality |
| Kuortti, Joel; Ilmonen, Kaisa; Valovirta, Elina; Korkka, Janne |
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary' |
2019 |
|
| Kustritz, Anne |
Slashing the Romance Narrative |
2003 |
fanfiction, gender, emotions, sex/sexuality |
| Kutzer, M. Daphne |
"I Won't Grow up"—Yet: Teen Formula Romance |
1986 |
YA/teenage romance, family, love, sex/sexuality, readers |
| Kuznets, Lois; Zarin, Eve |
Sweet Dreams for Sleeping Beauties: Pre-Teen Romances |
1982 |
YA/teenage romance, settings |
| Labanyi, Jo |
Romancing the Early Franco Regime: the Novelas Románticas of Concha Linares-Becerra and Luisa-María Linares |
2004 |
Concha Linares-Becerra, Luisa-María Linares, fascism/right-wing authoritarianism, Spain, film/movies, war/armed forces, work, metafiction, wealth/prosperity |
| Laframboise, Donna |
The Princess at the Window: A New Gender Morality |
1996 |
rape and/or intimate partner violence/abuse, BDSM, pornography, feminism, race/ethnicity, Johanna Lindsey, Catherine Hart, Susan Johnson, Kathleen Morgan, Heather Graham, Katharine Kincaid |
| Lam, Maylyn |
Reading the sweet dream: adolescent girls and romance fiction |
1986 |
readers |
| Lam, Maylyn |
The romance of feminism: feminism on and as popular romance |
1994 |
feminism |
| Lam, Adam; McNaughton, Howard D. |
The Reinvention of Everyday Life: Culture in the twenty-first century |
2006 |
|
| Lamprinou, Artemis |
Translated Romances: the Effect of Cultural Textual Norms on the Communication of Emotions |
2011 |
translation, emotions, Greece |
| Lamprinou, Artemis |
A Study on the Cultural Variations in the Verbalisation of Near-Universal Emotions: Translating Emotions from British English into Greek in Popular Bestseller Romances |
2012 |
translation, Greece |
| Lang, Miriam |
Taiwanese Romance: San Mao and Qiong Yao |
2003 |
Taiwan, Qiongyao/Qiong Yao |
| Laquintano, Timothy |
The Legacy of the Vanity Press and Digital Transitions |
2013 |
Publishing, Harlequin Mills & Boon |
| Larcombe, Wendy |
Compelling Engagements: Feminism, Rape Law and Romance Fiction |
2005 |
rape and/or intimate partner violence/abuse, feminism, gender |
| Larrier, Renée |
"Quand la lecture devient passion": Romance Novels and Literacy in Abidjan |
2007 |
Ivory Coast, Africa |
| Larson, Christine |
An Economy of Words: Precarity, Solidarity and Innovation in Digital Book Publishing |
2017 |
Publishing, authors, work |
| Larson, Christine |
Open networks, open books: gender, precarity and solidarity in digital publishing |
2019 |
authors, Publishing |
| Larson, Christine |
The Color of Romance: Gatekeeping in the Age of Digital Media |
2019 |
Publishing, race/ethnicity |
| Lawrence, Kelsey |
No Happy Ending: Leadership Falls Apart at the Romance Writers of America |
2020 |
capitalism/business, authors, race/ethnicity |
