| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Duvezin-Caubet, Caroline |
Gaily Ever After: Neo-Victorian M/M Genre Romance for the Twenty-First Century |
2020 |
m/m romance, K. J. Charles, Cat Sebastian, Georgette Heyer, happy ending, LGBTQ+ characters, readers and/or authors, historical romance, gender, race/ethnicity, Publishing, family |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Dyhouse, Carol |
Hearthrobs: A History of Women and Desire |
2017 |
gender, sex/sexuality, Charles Garvice, E. M. Hull, Georgette Heyer, Barbara Cartland, race/ethnicity |
| Gymnich, Marion; Dyka, Susanne |
Falling in love with vs. sich verlieben in: a corpus-based analysis of English and German romance novels |
2020 |
linguistics, love |
| Dymock, Alex |
Flogging sexual transgression: Interrogating the costs of the ‘Fifty Shades effect’ |
2013 |
Fifty Shades, chick lit, capitalism/business, sex/sexuality, BDSM |
| Ebert, Teresa L. |
Language/Sexuality/Power in Harlequin Romances |
1986 |
Harlequin Mills & Boon, sex/sexuality |
| Ebert, Teresa L. |
The Romance of Patriarchy: Ideology, Subjectivity, and Postmodern Feminist Cultural Theory |
1988 |
gender, capitalism/business, work, Harlequin Mills & Boon, feminism, readers, Sarah James, Janet Dailey |
| Ebert, Teresa L. |
Romance Novels, Class and Abu Ghraib |
2006 |
capitalism/business, war/armed forces, rape and/or intimate partner violence/abuse, social/economic class, Elizabeth Lowell, romantic suspense, Mary Jo Putney, Linda Howard, Suzanne Brockmann |
| Ebert, Teresa L. |
The Task of Cultural Critique |
2009 |
capitalism/business, social/economic class, chick lit, Elizabeth Lowell |
| Ebert, Teresa L. |
Hegel's “picture-thinking” as the interpretive logic of the popular |
2014 |
capitalism/business, social/economic class, religion/spirituality, Linda Howard, philosophy, emotions |
| Cassuto, Leonard; Eby, Clare Virginia; Reiss, Benjamin |
The Cambridge History of the American Novel |
2011 |
|
| Eccles, Gennifer |
“Romance Itself is Political”: The Power of the Popular Romance Novel and its Attempts at Feminism |
2021 |
Kathleen Woodiwiss, Sandra Brown, J. R. Ward, Alyssa Cole, fat, fatness, disability, feminism, race/ethnicity, rape and/or intimate partner violence/abuse |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Eden, Edward; Goertz, Dee |
Carol Shields, Narrative Hunger, and the Possibilities of Fiction |
2003 |
|
| Edlins, Mariglynn |
Superhero, Sleeping Beauty, or Devil? The Making of Orphan Myths and Public Administration |
2016 |
family, emotions |
| Edmondson, Belinda |
Caribbean Romances: The Politics of Regional Representation |
1999 |
|
| Edmondson, Belinda |
The Black Romance |
2007 |
African American romance, Older and/or precursor texts (may not be "romance" as now defined), sex/sexuality, race/ethnicity, Frances Watkins Harper, Caribbean, film/movies, social/economic class, national identity |
| Edmunds, Amy |
Revamping The Gaze: How Twilight Hosts the Conditions for Female Spectatorship |
2024 |
Twilight, readers, feminism |
| Edwards, Holly |
Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930 |
2000 |
|
| Edwin, Shirin |
Privately Empowered: Expressing Feminism in Islam in Northern Nigerian Fiction |
2016 |
feminism, Islam, Nigeria, Hauwa Ali, religion/spirituality |
| Egan, Jesi |
Cultural Futurity and the Politics of Recovery: Mary Renault's Ambivalent Romances |
2016 |
Mary Renault, romance and, or as, activism, genre definitions, sex/sexuality, UK, national identity, health/medical, trash/literary and or intellectual quality, gender, emotions, modernism, LGBTQ+ characters, readers and/or authors |
| Egilsdatter Sleire, Maria |
“Only I shall taste your body’s joys:” The Erotic Function of Female Corporeality in The Flame and the Flower and Fifty Shades of Grey |
2021 |
Fifty Shades, Kathleen Woodiwiss, pornography, sex/sexuality, virginity, rape and/or intimate partner violence/abuse |
| Ehnenn, Jill |
Desperately Seeking Susan Among the Trash: Reinscription, Subversion and Visibility in the Lesbian Romance Novel |
1998 |
lesbian romance, LGBTQ+ characters, readers and/or authors, readers, trash/literary and or intellectual quality, sex/sexuality, family |
| Nilson, Maria; Ehriander, Helene |
Love in a Cold Climate? Teaching Popular Romance at a Swedish University |
2020 |
teaching romance, Sweden, Simona Ahrnstedt, Harlequin Mills & Boon, chick lit |
| Eickelman, Dale F.; Anderson, Jon W. |
New Media in the Muslim World: The Emerging Public Sphere |
1999 |
|
| Eike, Ann M. |
An Investigation of the Market for Paperback Romance Novels |
1986 |
Publishing |
| Porter, J. D.; Eimannsberger, Angelina; English, James; Hathaway, May; Yakoob, Ashna |
Genre Juggernaut: Measuring “Romance” |
2023 |
genre definitions, readers |
| Eiss, Harry |
Images of the Child |
1994 |
|
| Elliott, Margaret A. |
The Librarian's Stereotyped Image in Romance Novels, 1980-1995: Has the Image Changed? |
1996 |
libraries/librarians, work |
| Elliott, Jack |
Patterns and Trends in Harlequin Category Romance |
2014 |
Harlequin Mills & Boon, linguistics, authors |
| Elliott, Jack |
Vocabulary decay in category romance |
2016 |
linguistics, Harlequin Mills & Boon, authors, Jane Austen |
| Elliott, Jack |
Whole genre sequencing |
2017 |
genre definitions, Harlequin Mills & Boon, authors, linguistics |
| Ellis, Sarah |
Innocence and Experience in the Young Adult Romance |
1990 |
YA/teenage romance |
| Ellis, Kate |
Gimme Shelter: Feminism, Fantasy, and Women's Popular Fiction |
1987 |
feminism, gothic romance, virginity, rape and/or intimate partner violence/abuse, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Charlotte Brontë, settings, family, work, Kathleen Woodiwiss, readers |
| Roman, Leslie G.; Christian-Smith, Linda K.; Ellsworth, Elizabeth |
Becoming Feminine: The Politics of Popular Culture |
1988 |
|
| Bennett, Tony; Emmison, Michael; Frow, John |
Accounting for Tastes: Australian Everyday Cultures |
1999 |
Australia, readers, gender, social/economic class, trash/literary and or intellectual quality |
| Emrys, A. B. |
Magic Regencies: How Fantasy Forms a Hybrid |
1994 |
historical romance, paranormal/fantasy/time-travel romance, Patricia Wrede, Caroline Stevermer, Teresa Edgerton, Walter Jon Williams |
| Encanto, Georgina Reyes |
The development of the Filipino romance novel as written by women (1922-1992) |
1996 |
Philippines |
| Encanto, Georgina R. |
Savoring Romance Pinoy Style in Foreign Climes: Why Women Migrants Love Reading Tagalog Romance Novels |
2008 |
Philippines, readers, social/economic class |
| Engelking, Tama Lea |
Reading the Romance with Colette in ‘La Lune de pluie' |
2017 |
Colette |
| Engler, Sandra |
"A Career's Wonderful, but Love is More Wonderful Still": Femininity and Masculinity in the Fiction of Mills & Boon |
2005 |
gender, Harlequin Mills & Boon |
| English, Jessica |
Reading the Romance: Through the Eyes of a Millenial Feminist |
2017 |
feminism, readers |
| Porter, J. D.; Eimannsberger, Angelina; English, James; Hathaway, May; Yakoob, Ashna |
Genre Juggernaut: Measuring “Romance” |
2023 |
genre definitions, readers |
| English Studies Group, 1978–9, The |
Recent Developments in English Studies at the Centre |
1980 |
linguistics, Barbara Cartland, family, settings, social/economic class, gender, capitalism/business |
| Batzke, Ina; Erbacher, Eric C.; Heß, Linda M.; Lenhardt, Corinna |
Exploring the Fantastic: Genre, Ideology, and Popular Culture |
2018 |
|
| Erekli, Arzu |
Medeni ya da müslüman: popüler aşk romanlarında Feyza olmak |
2006 |
Islam, gender, Turkey, Kerime Nadir |
| Erhart, Virginia |
Amor, ideología y enmascaramiento en Corín Tellado |
1973 |
Corín Tellado |
| Erhart, Virginia |
Amor, ideología y enmascaramiento en Corín Tellado |
1974 |
Corín Tellado |
| Erhart, Virginia |
Corín Tellado: la Cenicienta en la sociedad de consumo |
1974 |
Corín Tellado, work, ageism, marriage |
| Erhart, Virginia |
Amor y consumo en las novelas de Corin Tellado |
1976 |
Corín Tellado |
| Escandell Montiel, Daniel; Oliveira Dias, Sofia Raquel |
Voces e identidades exocanónicas (1880-1920): recuperando (auto) narrativas femeninas de los márgenes |
2020 |
|
| Escolar, Marisa |
Marry the Allies? Luciana Peverelli’s ‘True’ Romanzo Rosa in ‘Liberated’ Rome |
2015 |
Luciana Peverelli, Italy, national identity, fascism/right-wing authoritarianism, race/ethnicity, war/armed forces, sex/sexuality, UK |
| Escolar, Marisa |
Allied Encounters: The Gendered Redemption of World War II Italy |
2019 |
Luciana Peverelli, Italy |
| Gil Gómez, Alicia; Escrig Gil, Gemma; Forcada Martínez, Águeda |
Poder, poderes y empoderamiento… ¿Y el amor? ¡Ah, el amor!: Actas 5º Congreso Estatal Isonomía sobre Igualdad entre mujeres y hombres |
2009 |
|
| Brumme, Jenny; Espunya, Anna |
The Translation of Fictive Dialogue |
2012 |
|
| Esquibel, Catrióna Rueda |
Loving the other woman: contemporary lesbian romance novels |
1991 |
lesbian romance, LGBTQ+ characters, readers and/or authors |
| Esquibel, Catrióna Rueda |
A Duel of Wits and the Lesbian Romance Novel or Verbal Intercourse in Fictional Regency England |
1992 |
lesbian romance, LGBTQ+ characters, readers and/or authors, Michelle Martin, historical romance |
| Adkins, Denice; Esser, Linda; Velasquez, Diane |
Perceptions of Romance Readers: An Analysis of Missouri Librarians |
2004 |
libraries/librarians |
| Adkins, Denice; Esser, Linda; Velasquez, Diane |
Relations Between Librarians and Romance Readers: A Missouri Survey |
2006 |
libraries/librarians, readers, trash/literary and or intellectual quality |
| Adkins, Denice; Esser, Linda; Velasquez, Diane; Hill, Heather L. |
Romance novels in American public libraries: A study of collection development practices |
2008 |
libraries/librarians, United States of America |
| Esser, Linda; Adkins, Denice; Velasquez, Diane L. |
“The Red Dot District”: Uncommon Ground in Reader Advisory Education and Professional Practice |
2008 |
libraries/librarians, trash/literary and or intellectual quality, readers, pornography |
| Adkins, Denice; Esser, Linda; Velasquez, Diane |
Promoting Romance Novels in American Public Libraries |
2010 |
libraries/librarians |
| Adkins, Denice; Esser, Linda; Velasquez, Diane L. |
Romance promotion in American public libraries |
2010 |
|
| Evans, Julie |
Beatrice Grimshaw and Australia - White Women in the Pacific |
1993 |
Beatrice Grimshaw, Australia, national identity, race/ethnicity, gender, UK, Harlequin Mills & Boon, Oceania, feminism |
| Faber, Liz W. |
Under the Mistletoe: Essays on Holiday Romance in Popular Culture |
2025 |
|
| Fahnestock-Thomas, Mary |
Georgette Heyer: A Critical Retrospective |
2001 |
Georgette Heyer |
| Faktorovich, Anna |
The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels |
2014 |
|
| Faktorovich, Anna |
Gender Bias in Mystery and Romance Novel Publishing: Mimicking Masculinity and Femininity |
2015 |
authors, gender |
| Faktorovich, Anna |
Interview with Mary Jo Putney, Best-Selling Romance Author |
2015 |
Mary Jo Putney, authors, historical romance |
| Fallon, Eileen |
Words of Love: A Complete Guide to Romance Fiction |
1984 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), trash/literary and or intellectual quality, historical romance, history, authors, Publishing, Georgette Heyer, Kathleen Woodiwiss, gothic romance |
| Fanetti, Susan |
Introduction—Popular Romance in the 21st Century: Time to Claim Its Due |
2022 |
romance scholarship, genre definitions, happy ending, Publishing, Fifty Shades |
| Fanetti, Susan |
New Frontiers in Popular Romance: Essays on the Genre in the 21st Century |
2022 |
Diana Gabaldon, India, LGBTQ+ characters, readers and/or authors, China |
| Farooqui, Javaria; Ashraf, Rabia |
Reconnaissance of ‘Difference’ in Cognitive Maps: Authenticating Happily Ever After in Julia Quinn’s To Sir Philip with Love |
2019 |
psychology, Julia Quinn, historical romance |
| Farooqui, Javaria |
The Kitchen and Beyond: The Romantic Chronotope in Pakistani Popular Fiction |
2020 |
romances in magazines and newspapers, Pakistan, settings, food, drink, metaphor/symbolism |
| Farooqui, Javaria |
On Loving Popular Fiction in Pakistan |
2022 |
trash/literary and or intellectual quality, genre definitions, Pakistan |
| Farooqui, Javaria |
Reading historical popular romance in 21st-century Pakistan |
2022 |
Pakistan, readers, historical romance, social/economic class, settings, Julia Quinn, Stephanie Laurens, Judith McNaught, Gaelen Foley |
| Farooqui, Javaria |
Romance in an Old Bookshop |
2022 |
Pakistan, Publishing, social/economic class, readers |
| Farooqui, Javaria |
Romance, Austen, and English-Medium Schooling in Pakistan |
2022 |
Pakistan, readers, historical romance, Jane Austen, social/economic class |
| Farooqui, Javaria |
Romance Fandom in 21st-Century Pakistan: Reading the Regency |
2024 |
readers, Pakistan, historical romance |
| Fasick, Adele M.; Johnston, Margaret; Osler, Ruth |
Lands of Pleasure: Essays on Lillian H. Smith and the Development of Children's Libraries |
1990 |
|
| Faura, Salvador; Godsland, Shelley; Moody, Nickianne |
The Romance Novel, or, the Generalisimo's Control of the Popular Imagination |
2004 |
Corín Tellado, Spain, fascism/right-wing authoritarianism |
| Faust, Meredith S. |
"Love of the purest kind": Heteronormative rigidity in the homoerotic fiction of Ann Herendeen |
2010 |
Ann Herendeen, LGBTQ+ characters, readers and/or authors |
| Faust, Beatrice |
Women, Sex and Pornography |
1980 |
rape and/or intimate partner violence/abuse, pornography, sex/sexuality, Rosemary Rogers, Patricia Gallagher, Patricia Matthews, Harlequin Mills & Boon, feminism, gender |
| Eco, Umberto; Federzoni, Marina; Pezzini, Isabella; Pozzato, Maria Pia |
Carolina Invernizio, Matilde Serao, Liala |
1979 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia |
A cultura emotiva das comunidades virtuais de leitura de livros de amor |
2018 |
readers, emotions, Brazil |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Andrade, Roberta Manuela Barros de; Viana, Thiago Mena Barreto; Feitosa, Ricardo Augusto de Sabóia |
Prazer, Emoção e Cotidiano na Leitura de Romances Sentimentais |
2020 |
Brazil, readers |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Fekete, Maleah |
Confluent Love and the Evolution of Ideal Intimacy: Romance Reading in 1980 and 2016 |
2022 |
readers, sex/sexuality, gender, sociology, love, emotions |
| Felski, Rita |
Kitsch, Romance Fiction and Male Paranoia: Stephen King meets the Frankfurt School |
1990 |
trash/literary and or intellectual quality |
| Feng, Jin |
"Addicted to Beauty": Consuming and Producing Web-based Chinese Danmei Fiction at Jinjiang |
2009 |
China, m/m romance, LGBTQ+ characters, readers and/or authors, authors, readers, gender, paranormal/fantasy/time-travel romance, rape and/or intimate partner violence/abuse |
| Feng, Jin |
Men Conquer the World and Women Save Mankind: Rewriting Patriarchal Traditions through Web-based Matriarchal Romances |
2011 |
China, socialism and/or communism, paranormal/fantasy/time-travel romance, gender, war/armed forces |
| Feng, Jin |
Romancing the Internet: Producing and Consuming Chinese Web Romance |
2013 |
China |
| Fenske, Emma K. |
Romancing the New Evangelical Woman |
2022 |
Christian romance, United States of America, religion/spirituality, Francine Rivers, Janette Oke, Karen Kingsbury, gender, health/medical, family, historical romance |
| Fenty, Linda D. |
A Comparative Analysis of Female Role Models in Selected Contemporary Teen Romances |
1987 |
YA/teenage romance |
| Fera-VanGent, Tania |
Popular Romance Novels: Seeking out the 'Sisterhood' |
2005 |
Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, chick lit |
| Gómez Morón, Reyes; Padilla Cruz, Manuel; Fernández Amaya, Lucía; Hernández López, María de la O |
Pragmatics Applied to Language Teaching and Learning |
2009 |
|
| Fernández Rodríguez, Carolina |
Del cuento de hadas a la novela romántica: Una visión de la sub/literatura como gimnasio mental y laboratorio de sub/versión cultural |
2018 |
trash/literary and or intellectual quality, Nora Roberts/J. D. Robb, feminism, readers, sex/sexuality, psychology, romance and, or as, activism, fairytales/folktales |
| Fernández Rodríguez, Carolina |
Chamorro WWII Romances: Combating Erasure with Tales of Survival and Vitality |
2019 |
Guam, United States of America, race/ethnicity, Paula Quinene, Cathy Sablan Gault, islands, history, romance and, or as, activism, languages, religion/spirituality, war/armed forces, historical romance |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Fernández Rodríguez, Carolina |
Nora Roberts’s Boonsboro Empire: Boosting Business through Romance, Invigorating Romance with Affective Capitalism |
2021 |
Nora Roberts/J. D. Robb, capitalism/business, work, metaphor/symbolism |
| Fernández Rodríguez, Carolina |
The US Civil War and its Aftermath in Historical Quaker Romances Hailing White Heroines as Builders and Healers of the Nation |
2024 |
historical romance, Christian romance, race/ethnicity, history, United States of America |
| Fernández Ulloa, Teresa; Morazzani, Joanne Schmidt |
Images of Women in Hispanic Culture |
2016 |
|
| Fernández Ulloa, Teresa; Soler Gallo, Miguel |
Aproximaciones a la configuración de la identidad en la cultura y sociedad hispanas e italianas contemporáneas |
2020 |
|
| Ferrández San Miguel, María; Neumann, Claus-Peter |
Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain |
2018 |
|
| Hess, Beth B.; Ferree, Myra Marx |
Analyzing Gender: A Handbook of Social Science Research |
1987 |
|
| Fesenmeier, Ludwig; Novakova, Iva |
Phraséologie et stylistique de la langue littéraire/Phraseology and Stylistics of Literary Language; Approches interdisciplinaires/Interdisciplinary Approaches |
2020 |
|
| Fialkoff, Francine |
Romancing the Patron: Romance novels don't get equal review treatment |
1992 |
libraries/librarians |
| Ficke, Sarah H. |
The historical romance |
2021 |
historical romance, Georgette Heyer, Barbara Cartland, Kathleen Woodiwiss, settings, race/ethnicity, Valerie Belgrave, Kate Breslin, fascism/right-wing authoritarianism, history, African American romance, Beverly Jenkins, LGBTQ+ characters, readers and/or authors |
| Ficke, Sarah |
House, home and husband in historical romance fiction |
2022 |
historical romance, Jane Austen, Cecilia Grant, Anna Cowan, Anna Harrington, Courtney Milan, history, work, family, marriage, settings |
| Fife, Leslie |
The 2000-2003 Proceedings of the SW/Texas PCA/ACA Conference |
2003 |
|
| Figuerola, M. Carme |
Le roman dellyen et les structures du roman populaire : quelques réflexions |
2011 |
Delly |
| Weis, Lois; Fine, Michelle |
Beyond Silenced Voices: Class, Race, and Gender in United States Schools |
1993 |
|
| Finn, Geraldine |
Women, Fantasy, and Popular Culture: The Wonderful World of Harlequin Romance |
1988 |
Harlequin Mills & Boon |
| Fischer, Heinz-Dietrich; Melnik, Stefan Reinhard |
Entertainment: A Cross-Cultural Examination |
1979 |
|
| Fisher, Maryanne L.; Meredith, Tami M. |
The Success behind the Candy-Colored Covers: An Evolutionary Perspective on Romance Novels |
2012 |
evolutionary psychology, paratext |
| Fisher, Maryanne L.; Meredith, Tami M. |
Evolutionary and sociocultural themes in cover art on Harlequin romance novels: A temporal analysis |
2022 |
evolutionary psychology, paratext |
| Cox, Anthony; Fisher, Maryanne |
The Texas Billionaire's Pregnant Bride: An Evolutionary Interpretation of Romance Fiction Titles |
2009 |
evolutionary psychology, Harlequin Mills & Boon, work, family, social/economic class |
| Fisher, Maryanne; Cox, Anthony |
Man Change Thyself: Hero Versus Heroine Development in Harlequin Romance Novels |
2010 |
evolutionary psychology, gender, Harlequin Mills & Boon |
| Browne, Ray B.; Fishwick, Marshall W. |
The Hero in Transition |
1983 |
|
| Fitzsimmons, Rebekah; Wilson, Casey Alane |
Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction |
2020 |
|
| Fjelkestam, Kristina; Hill, Helena; Tjeder, David |
Kvinnorna gör mannen: maskulinitetskonstruktioner i kvinnors text och bild 1500-2000 |
2013 |
|
| Fleenor, Juliann E. |
The Female Gothic |
1983 |
|
| Flegel, Monica; Roth, Jenny |
Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in "Supernatural" fan fiction |
2010 |
fanfiction, LGBTQ+ characters, readers and/or authors |
| Weisser, Susan Ostrov; Fleischner, Jennifer |
Feminist Nightmares: Women at Odds: Feminism and the Problem of Sisterhood |
1994 |
|
| Fleites-Lear, Marisela |
¿Victoria contra Corín Tellado?: La novela rosa revolucionaria cubana y la ficción en Mujeres |
2009 |
Corín Tellado, Cuba, readers, socialism and/or communism |
| Flesch, Juliet Ella |
From Australia with love: Australian romance novels, 1950-2000 |
2001 |
national identity, Australia, feminism, Lucy Walker, Publishing, readers, sex/sexuality, rape and/or intimate partner violence/abuse, race/ethnicity, translation, settings, Marion Lennox, Ann Charlton, Alison Kelly, Joyce Dingwell/Kate Starr, Edwina Shore, Helen Bianchin, paratext, Harlequin Mills & Boon |
| Flesch, Juliet |
Love Brought to Book: A Bio-Bibliography of 20th Century Australian Romance Novels |
1995 |
Australia |
| Flesch, Juliet |
A Labour of Love? Compiling a Bibliography of Twentieth Century Australian Romance Novels |
1996 |
libraries/librarians, Australia, authors, Margaret Way, Marion Lennox, Emma Darcy, Victoria Gordon, paratext |
| Flesch, Juliet |
A Labour of Love? The Story Behind the Compilation of Love Brought to Book: A Bio-bibliography of 20th Century Australian Romance Novels |
1996 |
Australia, libraries/librarians, Margaret Way, Marion Lennox, Emma Darcy, Victoria Gordon, authors, paratext |
| Flesch, Juliet |
Not just housewives and old maids |
1997 |
libraries/librarians |
| Flesch, Juliet |
From Australia With Love: A History of Modern Australian Popular Romance Novels |
2004 |
Australia, national identity, Helen Bianchin, Harlequin Mills & Boon, Emma Darcy, Ann Charlton, authors, Marion Lennox, Joyce Dingwell/Kate Starr, Valerie Parv, feminism, Victoria Gordon, Alison Kelly, race/ethnicity, Publishing, translation, paratext, readers, Lucy Walker, sex/sexuality, rape and/or intimate partner violence/abuse, Meredith Webber |
| Flesch, Juliet |
Blushing Bride to Bush Matriarch: Women in the Fiction of Lucy Walker |
2005 |
Lucy Walker |
| Flesch, Juliet |
Love under the Coolabah: Australian Romance Publishing since 1990 |
2007 |
Australia, Publishing |
| Flesch, Juliet |
”Feminists Talk about Sisterhood: I Do Not Know How Deeply They Feel It”: Australian Mass Market Romance Novels and Their Critics |
2009 |
feminism |
| Flesch, Juliet |
The Wide Brown Land and the Big Smoke: The Setting of Australian Popular Romance |
2012 |
Australia, settings |
| Fletcher, Lisa |
I love you: historical romance fiction and heterosexuality |
2002 |
historical romance |
| Fletcher, Lisa |
“Mere Costumery”? Georgette Heyer’s Cross-Dressing Novels |
2004 |
historical romance, Georgette Heyer, fashion/clothing, cross-dressing, gender |
| Fletcher, Lisa |
Historical Romance Fiction: Heterosexuality and Performativity |
2008 |
love, sex/sexuality, Georgette Heyer, historical romance, linguistics, fashion/clothing, A. S. Byatt |
| Fletcher, Lisa; Gaby, Rosemary; Kloester, Jennifer |
Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester |
2011 |
teaching romance, Georgette Heyer, history, metafiction |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim |
Women, Akubras and Ereaders: Romance Fiction and Australian Publishing |
2011 |
Australia, Publishing, rural romance, Harlequin Mills & Boon |
| Fletcher, Lisa |
The Scholarship of Teaching and Learning Popular Romance Studies: What is it, and why does it matter? |
2013 |
teaching romance |
| Fletcher, Lisa |
Writing the Happy Ever After: An Interview with Anne Gracie |
2014 |
Anne Gracie, trash/literary and or intellectual quality, metafiction, Jane Austen, readers, emotions, family, wealth/prosperity, sex/sexuality, happy ending |
| Fletcher, Lisa |
Popular Fiction and Spatiality: Reading Genre Settings |
2016 |
|
| Crane, Ralph; Fletcher, Lisa |
The Genre of Islands: Popular Fiction and Performative Geographies |
2016 |
islands, settings, rural romance |
| Crane, Ralph; Fletcher, Lisa |
Island Genres, Genre Islands: Conceptualisation and Representation in Popular Fiction |
2017 |
islands, settings, Margaret Evans Porter, Nora Roberts/J. D. Robb |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
2018 |
Publishing, Australia |
| Driscoll, Beth; Fletcher, Lisa; Wilkins, Kim; Carter, David |
The Publishing Ecosystems of Contemporary Australian Genre Fiction |
2018 |
Publishing, Australia |
| Fletcher, Lisa; Driscoll, Beth; Wilkins, Kim |
What is Australian Popular Fiction? |
2018 |
Australia, national identity, settings |
| Fletcher, Lisa; McAlister, Jodi; Temple, Kurt; Williams, Kathleen |
#loveyourshelfie: Mills & Boon books and how to find them |
2019 |
Harlequin Mills & Boon, paratext, trash/literary and or intellectual quality, readers, Publishing, Australia |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Flora, Cornelia Butler; Flora, Jan L. |
The Fotonovela As a Tool for Class and Cultural Domination |
1978 |
Latin America, Mexico, Brazil, Corín Tellado, sociology, capitalism/business, social/economic class, wealth/prosperity, fotonovela |
| Flora, Cornelia Butler; Flora, Jan L. |
The Fotonovela As a Tool for Class and Cultural Domination |
1978 |
Latin America, Mexico, Brazil, Corín Tellado, sociology, capitalism/business, social/economic class, wealth/prosperity, fotonovela |
| Foley, J. A. |
Critical Awareness: Romance Novels in English for the Asian Market. A Critical Study of Locally Published "Romance Novels" in English |
2007 |
linguistics, Singapore, gender |
| Folie, Sandra |
The Ethnic Labelling of a Genre Gone Global: A Distant Comparison of African-American and African Chick Lit |
2020 |
chick lit, Africa, South Africa, Kenya, race/ethnicity |
| Burge, Amy; Folie, Sandra |
Girls of Riyadh and Desperate in Dubai: reading and writing romance in the Middle East |
2022 |
chick lit, race/ethnicity, Islam, Rajaa Alsanea, Ameera Al Hakawati, Saudi Arabia, United Arab Emirates, sheikh romance |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
What You Read Matters: The Role of Fiction Genre in Predicting Interpersonal Sensitivity |
2013 |
readers, psychology |
| Fong, Katrina; Mullin, Justin B.; Mar, Raymond A. |
How Exposure to Literary Genres Relates to Attitudes Toward Gender Roles and Sexual Behavior |
2015 |
psychology, readers, sex/sexuality, gender |
| Forbes, Curdella |
X Press Publications: Pop Culture, “Pop Lit” and Caribbean Literary Criticism: An Essay of Provocation |
2006 |
Caribbean, Valerie Belgrave, UK, race/ethnicity, sex/sexuality |
| Gil Gómez, Alicia; Escrig Gil, Gemma; Forcada Martínez, Águeda |
Poder, poderes y empoderamiento… ¿Y el amor? ¡Ah, el amor!: Actas 5º Congreso Estatal Isonomía sobre Igualdad entre mujeres y hombres |
2009 |
|
| Fordham, Helen |
‘That’s love for you’: Destabilizing divides and re-imaging subjectivities in the romantic fiction of Eloisa James |
2014 |
trash/literary and or intellectual quality, readers, Eloisa James, Shakespeare |
| Forte, Gioacchino |
I persuasori rosa: sociologia curiosa del rotocalco femminile in Italia |
1966 |
Italy, romances in magazines and newspapers, sociology |
| Fortunati, Vita; Franci, Giovanna |
'Ma c'è sempre un arcobaleno': La 'romantic fiction' di Barbara Cartland |
1982 |
Barbara Cartland |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Fortunati, Vita; Franci, Giovanna |
Tre romantiche ‘figlie d’Inghilterra’ alla conquista della storia: Eleanor Hibbert, Georgette Heyer e Barbara Cartland |
1986 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Georgette Heyer, Barbara Cartland |
| Fortunati, Vita; Franci, Giovanna |
Barbara Cartland, la regina del rosa |
1987 |
Barbara Cartland |
| Foss, Kimberly Kay |
An Analysis to Determine if Popular Romance Novels, Read by Today’s High School Students, Reflect the Characteristics and Roles of Women in Current Society |
1997 |
YA/teenage romance, work, feminism, United States of America, race/ethnicity, social/economic class |
| Foster, Guy Mark |
How Dare a Black Woman Make Love to a White Man! Black Women Romance Novelists and the Taboo of Interracial Desire |
2007 |
race/ethnicity, rape and/or intimate partner violence/abuse, United States of America, Lizzette Carter, Dyanne Davis, Monica White, history, psychology, African American romance, gender, sex/sexuality, readers |
| Foster, Guy Mark |
What To Do If Your Inner Tomboy Is a Homo: Straight Women, Bisexuality, and Pleasure in M/M Gay Romance Fictions |
2015 |
gender, m/m romance, sex/sexuality, psychology, LGBTQ+ characters, readers and/or authors |
| Fowler, Bridget |
"True to Me Always": An Analysis of Women's Magazine Fiction |
1979 |
romances in magazines and newspapers, social/economic class, readers, Older and/or precursor texts (may not be "romance" as now defined), marriage, work, wealth/prosperity, gender, medical romance, settings, rural romance |
| Fowler, Bridget |
The Alienated Reader: Women and Romantic Literature in the Twentieth Century |
1991 |
social/economic class, gender, Samuel Richardson, capitalism/business, religion/spirituality, Older and/or precursor texts (may not be "romance" as now defined), readers, trash/literary and or intellectual quality, Catherine Cookson, Publishing, romances in magazines and newspapers, Harlequin Mills & Boon, work, Barbara Taylor Bradford, Barbara Cartland, fairytales/folktales, family, feminism, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, marriage, Scotland, sex/sexuality |
| Fox, Pamela A. |
Ethel Carnie Holdsworth's "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing |
1993 |
socialism and/or communism, Ethel Carnie Holdsworth, Older and/or precursor texts (may not be "romance" as now defined) |
| Fox, Pamela |
The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Women's Writing |
1994 |
social/economic class, socialism and/or communism, UK, Ethel Carnie Holdsworth, Ellen Wilkinson, rape and/or intimate partner violence/abuse, capitalism/business, work, gender, Older and/or precursor texts (may not be "romance" as now defined) |
| Fragero Guerra, Carmen |
La técnica narrativa del espejo en Carmen de Icaza (1899-1979) y en Carmen Martín Gaite (1925-2000) |
2013 |
Carmen de Icaza |
| Fragero Guerra, Carmen |
Fifty shades of grey: Una novela popular en España |
2013 |
Fifty Shades, Carmen de Icaza, Spain |
| Fragero Guerra, Carmen |
"Soñar la vida": La narrativa de Carmen de Icaza (1936-1960) |
2014 |
Carmen de Icaza, Luisa-María Linares, history, Spain, fascism/right-wing authoritarianism, social/economic class, fashion/clothing, film/movies |
| Fragero Guerra, Carmen |
Auxilio Social en La casa de enfrente (1960) de Carmen de Icaza |
2014 |
Carmen de Icaza, Spain, fascism/right-wing authoritarianism |
| Fragero Guerra, Carmen |
Del azul al rosa: la narrativa de Carmen de Icaza (1936-1960) |
2017 |
Carmen de Icaza, Luisa-María Linares, Spain, fascism/right-wing authoritarianism |
| Fragero Guerra, Carmen |
Carmen de Icaza: la imagen de identidad femenina durante el primer franquismo (1936-1949) |
2020 |
Carmen de Icaza, fascism/right-wing authoritarianism, Spain, gender |
| Fortunati, Vita; Franci, Giovanna |
'Ma c'è sempre un arcobaleno': La 'romantic fiction' di Barbara Cartland |
1982 |
Barbara Cartland |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Fortunati, Vita; Franci, Giovanna; Mangaroni, Rosella |
Prefazione |
1986 |
|
| Fortunati, Vita; Franci, Giovanna |
Tre romantiche ‘figlie d’Inghilterra’ alla conquista della storia: Eleanor Hibbert, Georgette Heyer e Barbara Cartland |
1986 |
Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Georgette Heyer, Barbara Cartland |
| Fortunati, Vita; Franci, Giovanna |
Barbara Cartland, la regina del rosa |
1987 |
Barbara Cartland |
| Francis, Conseula |
Flipping the Script: Romancing Zane's Urban Erotica |
2016 |
Zane, sex/sexuality, romance and, or as, activism, race/ethnicity, emotions, marriage, love |
| Franck, Kaja |
Growing Pains of the Teenage Werewolf: Young Adult Literature and the Metaphorical Wolf |
2020 |
paranormal/fantasy/time-travel romance, YA/teenage romance, Maggie Stiefvater, animals, fairytales/folktales, Twilight |
| Franco, Jean |
Plotting Women: Popular Narratives for Women in the United States and in Latin America |
1986 |
Anne Mather, gender, Harlequin Mills & Boon, Mexico |
| Franco, Jean |
The Incorporation of Women: A Comparison of North American and Mexican Popular Narrative |
1986 |
social/economic class, Corín Tellado, Harlequin Mills & Boon, Anne Mather, gender, work, wealth/prosperity, Mexico |
| Frankel, Valerie Estelle |
Adoring Outlander: Essays on Fandom, Genre and the Female Audience |
2016 |
|
| Frankel, Valerie Estelle |
Adapting Bridgerton: Essays on the Netflix Show in Context |
2024 |
Julia Quinn |
| Franssen, Thomas; Velthuis, Olav |
Making materiality matter: a sociological analysis of prices on the Dutch fiction book market, 1980–2009 |
2016 |
Publishing, Netherlands, trash/literary and or intellectual quality |
| Frantz, Sarah S. G. |
"Expressing" Herself: The Romance Novel and the Feminine Will to Power |
2002 |
feminism, gender, readers, metafiction, Mary Balogh, Jayne Ann Krentz/Amanda Quick/Jayne Castle, sex/sexuality, Sandra Brown, Bertrice Small, Diana Gabaldon, Susan Johnson, Alexis Harrington, Candice Proctor, rape and/or intimate partner violence/abuse |
| Frantz, Sarah S. G. |
"Suzanne Brockmann" |
2008 |
Suzanne Brockmann, war/armed forces, paranormal/fantasy/time-travel romance, race/ethnicity, Islam, LGBTQ+ characters, readers and/or authors, rape and/or intimate partner violence/abuse, romantic suspense |
| Frantz, Sarah S. G. |
Darcy’s Vampiric Descendants: Austen’s Perfect Romance Hero and J. R. Ward’s Black Dagger Brotherhood |
2009 |
Jane Austen, J. R. Ward, readers, gender, emotions |
| Frantz, Sarah S. G. |
I’ve tried my entire life to be a good man': Suzanne Brockmann’s Sam Starrett, Ideal Romance Hero |
2009 |
Suzanne Brockmann, war/armed forces, gender, sex/sexuality, race/ethnicity, family |
| Frantz, Sarah S. G.; Rennhak, Katharina |
Women Constructing Men: Female Novelists and their Male Characters, 1750-2000 |
2009 |
|
| Frantz, Sarah S. G. |
"How we love is our soul": Joey W. Hill's BDSM Romance Holding the Cards |
2012 |
Joey W. Hill, BDSM, erotic romance, Ellora's Cave, genre definitions, metafiction |
| Selinger, Eric Murphy; Frantz, Sarah S. G. |
Introduction: New Approaches to Popular Romance Fiction |
2012 |
Loretta Chase, romance scholarship |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Frantz, Sarah S. G. |
The History of BDSM Fiction and Romance |
2012 |
BDSM, John Preston, sex/sexuality, Fifty Shades, erotic romance, Emma Holly, Joey W. Hill |
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Frederick, Rhonda D. |
Evidence of Things Not Seen: Fantastical Blackness in Genre Fictions |
2022 |
Colin Channer, Jamaica, readers, Caribbean, race/ethnicity |
| Frederick, Rhonda |
Making Jamaican Love: Colin Channer's Waiting in Vain and Romance-ified Diaspora Identities |
2013 |
national identity, Caribbean, Colin Channer, Jamaica, social/economic class, race/ethnicity, gender, erotic romance |
| Williams, Clover; Freedman, Jean R. |
Shakespeare's Step-Sisters: Romance Novels and the Community of Women |
1995 |
readers, feminism, gender, trash/literary and or intellectual quality |
| Andrade, Roberta Manuela Barros de; Nascimento, Antonio Marcos Fonseca do; Freitas, Tatiane Lima de |
As representações de masculinidades e feminilidades nos romances de banca de Diana Palmer nos anos de 1990 |
2015 |
Diana Palmer, gender |
| Frenier, Mariam Darce |
Good-bye Heathcliff: Changing Heroes, Heroines, Roles, and Values in Women’s Category Romances |
1988 |
gender, United States of America, UK, Harlequin Mills & Boon, feminism, sex/sexuality, work |
| Fresno-Calleja, Paloma |
Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young’s Scarlet Series |
2019 |
Lani Wendt Young, chick lit, Samoa, metafiction, YA/teenage romance, race/ethnicity, feminism, food, drink, metaphor/symbolism, family, wealth/prosperity, national identity, sex/sexuality, rape and/or intimate partner violence/abuse |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Fresno-Calleja, Paloma |
Rugby Romances and the Branding of New Zealand |
2021 |
New Zealand, national identity, race/ethnicity, sport |
| Fresno-Calleja, Paloma |
New Romantic Narratives for the Twenty-First Century |
2023 |
romance scholarship |
| Fresno-Calleja, Paloma |
Repurposing Fantasy Island: Lani Wendt Young’s Telesā Series and the Politics of Postcolonial Romance |
2023 |
Lani Wendt Young, YA/teenage romance, settings, paranormal/fantasy/time-travel romance, islands, Samoa, metafiction, race/ethnicity, sex/sexuality, romance and, or as, activism |
| Teo, Hsu-Ming; Fresno-Calleja, Paloma |
Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History |
2024 |
|
| Teo, Hsu-Ming; Fresno-Calleja, Paloma |
Introduction: Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History |
2024 |
historical romance, history |
| Friedman, Lenemaja |
Mary Stewart |
1990 |
romantic suspense, Mary Stewart |
| Fromont, Daniel |
Lire Delly, un plaisir toujours renouvelé |
2011 |
Delly |
| Frost, Laura |
The Romance of Cliché: E. M. Hull, D. H. Lawrence, and Interwar Erotic Fiction |
2006 |
E. M. Hull, trash/literary and or intellectual quality, sex/sexuality, sheikh romance, romance scholarship, readers, pornography |
| Frost, Laura |
The Problem with Pleasure: Modernism and Its Discontents |
2013 |
E. M. Hull, trash/literary and or intellectual quality, romance scholarship, sex/sexuality, readers |
| Bennett, Tony; Emmison, Michael; Frow, John |
Accounting for Tastes: Australian Everyday Cultures |
1999 |
Australia, readers, gender, social/economic class, trash/literary and or intellectual quality |
| Fuchs, Barbara |
Romance |
2004 |
Older and/or precursor texts (may not be "romance" as now defined) |
| Funderburk, Amy |
Romance collections in North Carolina public libraries: Are all genres treated equally? |
2004 |
libraries/librarians |
| Dean, John; Gabilliet, Jean-Paul |
European Readings of American Popular Culture |
1996 |
|
| Fletcher, Lisa; Gaby, Rosemary; Kloester, Jennifer |
Pedagogy Report: Embedding Popular Romance Studies in Undergraduate English Units: Teaching Georgette Heyer’s Sylvester |
2011 |
teaching romance, Georgette Heyer, history, metafiction |
| Gagne-Hawes, Genevieve |
Anatomy of a Romance: Questioning genre conventions in the novels of Nora Roberts |
2006 |
Nora Roberts/J. D. Robb, paranormal/fantasy/time-travel romance |
| Bettinotti, Julia; Bédard-Cazabon, Hélène; Gagnon, Jocelyn; Noizet, Pascale; Provost, Christiane |
La corrida de l'amour: Le Roman Harlequin |
1986 |
Harlequin Mills & Boon, Publishing, gender, settings, marriage, trash/literary and or intellectual quality, paratext, family, Janet Dailey, Charlotte Lamb, sex/sexuality, work |
| Gagnon, Andrée |
Et si je t'aime, prends garde à toi : essai d'anthropologie sur la sexualité dans les romans Harlequin |
1987 |
Harlequin Mills & Boon, sex/sexuality |
| Gaines, Judith |
Tracing feminism through the romance novel, or, the vines (clinging) and the swines (chauvinistic), they are a-changin' |
1990 |
feminism |
| Galateria, Daria |
Erotismo e buona creanza in Georgette Heyer |
1986 |
Georgette Heyer |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Galateria, Daria |
Accorgimenti antibovaristi di Georgette Heyer |
1987 |
Georgette Heyer |
| Carter, David; Galligan, Anne |
Making Books: Contemporary Australian Publishing |
2007 |
|
| Gallon, Kim |
“How Much Can You Read about Interracial Love and Sex without Getting Sore?”: Readers’ Debate over Interracial Relationships in the Baltimore Afro-American |
2013 |
African American romance, romances in magazines and newspapers, race/ethnicity, readers |
| Ganapathy, Subha |
Who Is Afraid of Romance Novels?: Women Readers, Patriarchy and Popular Culture |
2002 |
trash/literary and or intellectual quality, readers, psychology, India, film/movies, gender, feminism |
| Gandolfo, Anita |
Faith and Fiction: Christian Literature in America Today |
2007 |
Christian romance, United States of America, Janette Oke, Francine Rivers, Karen Kingsbury, Dee Henderson, religion/spirituality |
| Ganetz, Hillevi; Lövgren, Karin |
Om unga kvinnor: identitet, kultur och livsvillkor |
1991 |
|
| Ganguly, Keya |
Alien(ated) Readers: Harlequin Romances and the Politics of Popular Culture |
1991 |
feminism, capitalism/business, readers |
| Curthoys, Ned; Ganguly, Debjani |
Edward Said: The Legacy of a Public Intellectual |
2007 |
|
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBTQ+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Fraysse, Mélie; Garcia, Marie-Carmen |
Les Thug Love : des romans sentimentaux à l'épreuve de la classe et de la race |
2019 |
France, race/ethnicity, social/economic class, Islam, gender, virginity, sex/sexuality |
| Garcia, Christina |
The Race of Publishing: The Troubling Whiteness in Publishing and the Forces Pushing Back |
2023 |
Publishing, race/ethnicity, readers, romance and, or as, activism |
| García Fernández, Aurora; Fresno-Calleja, Paloma |
Competence, Complicity and Complexity: Hsu-Ming Teo on the Pitfalls and Nuances of Reading and Researching Popular Romance |
2020 |
romance scholarship, feminism, historical romance, rape and/or intimate partner violence/abuse, love, Australia |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Garciano, Shylyn G.; Cuevas, Gloria Con-ui; Geraldizo-Pabriga, Maria Gemma; Macabodbod, Saira Jay J.; Yu, Jaciah Mae B.; Pinote, Ma. Jezan A. |
Romance-Themed Novels: Influenced on Relationship Satisfaction |
2023 |
readers, psychology |
| Gardiner, Edmond F. |
Annie S. Swan—forerunner of modern popular fiction |
1974 |
Annie S. Swan |
| Diekman, Amanda B.; McDonald, Mary; Gardner, Wendi L. |
Love means never having to be careful: The relationship between reading romance novels and safe sex behavior |
2000 |
psychology, sex/sexuality, readers |
| Gardner, Jeanne Emerson |
"Dreams May End, But Love Never Does": Marriage and Materialism in American Romance Comics, 1947-1954 |
2012 |
comics/manga |
| Gardner, Jeanne Emerson |
She Got Her Man, but Could She Keep Him? Love and Marriage in American Romance Comics, 1947–1954 |
2013 |
comics/manga, sex/sexuality, history, YA/teenage romance, marriage, United States of America |