| Rannaud, Adrien |
Désirs d’amour, magazine et culture moyenne chez Gabrielle Roy. Autour de trois nouvelles sentimentales publiées dans La Revue moderne en 1940 |
2022 |
romances in magazines and newspapers, Gabrielle Roy |
| Morrison, Kevin A.; Rantala, Pälvi |
Historical Research, Creative Writing, and the Past: Methods of Knowing |
2023 |
|
| Rao, Sathya |
Genres populaires et «érographiques» en Afrique francophone: le cas des romans de la collection Adoras |
2009 |
Africa, Publishing, settings |
| Rapp, Adrian; Dodgen, Lynda; Kaler, Anne K. |
A Romance Writer Gets Away with Murder |
2000 |
Sandra Brown, romantic suspense, death |
| Ya’u, Mohammed Sani; Rashid, Sabariah Md; Ali, Afida Mohamad; Singh, Hardev Kaur Jujar |
Semantic Extensions of Hausa Visual and Auditory Perception Verbs gani and ji in Romance Fiction |
2023 |
linguistics |
| Rashid, Hussein; Petersen, Kristian |
The Bloomsbury Handbook of Muslims and Popular Culture |
2023 |
|
| Rastier, François; Ballabriga, Michel |
Corpus en Lettres et Sciences sociales : des documents numériques à l'interprétation, Actes du colloque international d'Albi, juillet 2006 |
2007 |
|
| Rata, Georgeta |
Linguistic Studies of Human Language |
2013 |
|
| Rattanamathuwong, Bancha |
Time Is on Our Side?: Homo Economicus in Time-Travel Romance |
2023 |
paranormal/fantasy/time-travel romance, capitalism/business, Jude Deveraux, Rompaeng, Thomyantri, Thailand, Audrey Niffenegger |
| Raub, Patricia |
Issues of Passion and Power in E. M. Hull's The Sheik |
1992 |
E. M. Hull, sex/sexuality, United States of America, history, gender, Older and/or precursor texts (may not be "romance" as now defined), Elinor Glyn, Harlequin Mills & Boon |
| Raub, Patricia |
Yesterday's Stories: Popular Women's Novels of the Twenties and Thirties |
1994 |
Older and/or precursor texts (may not be "romance" as now defined), Temple Bailey, Kathleen Thompson Norris, E. M. Hull, Gene Stratton-Porter, Viña Delmar, sex/sexuality, marriage, family, work, Dorothy Canfield, United States of America, history, Faith Baldwin, fashion/clothing, Daphne du Maurier, Margaret Mitchell, gender |
| Raw, Laurence |
The Silk Road of Adaptation: Transformations across Disciplines and Cultures |
2013 |
|
| Raymundo, Sarah Jane S. |
In the Concrete Now: Investigating Feminist Challenges to Popular Romance Production |
2004 |
Philippines, feminism, gender, Joi Barrios, Lualhati Bautista |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Reed, Eleanor |
Domestic Culture in Woman's Weekly, 1918-1958 |
2018 |
history, social/economic class, romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), UK |
| Reed, Eleanor |
Romance in Woman’s Weekly and Woman’s Weekly as Romance, 1918–39 |
2020 |
romances in magazines and newspapers, social/economic class, UK, readers, work |
| Reed, Eleanor |
Woman's Weekly and Lower-Middle-Class Domestic Culture in Britain, 1918-1958: Making Homemakers |
2023 |
romances in magazines and newspapers, UK, readers, social/economic class |
| Reep, Diana |
The Rescue And Romance: Popular Novels Before World War I |
1982 |
Older and/or precursor texts (may not be "romance" as now defined), United States of America, gender, race/ethnicity, social/economic class |
| Reese, Tracy H.Z. |
Beyond the Pale: Genre, Race, and Intersectional Feminist Tensions in Bridgerton |
2024 |
Julia Quinn, race/ethnicity, rape and/or intimate partner violence/abuse |
| Reeves, Anne R. |
Adolescents Talk about Reading: Exploring Resistance to and Engagement with Text |
2004 |
readers |
| Regan, Lisa |
Women and the 'War Machine' in the Desert Romances of E. M. Hull and Rosita Forbes |
2017 |
E. M. Hull, UK, war/armed forces, national identity |
| Regis, Pamela |
Complicating Romances and their Readers: Barrier and Point of Ritual Death in Nora Roberts's Category Fiction |
1997 |
Nora Roberts/J. D. Robb, romance scholarship, genre definitions |
| Regis, Pamela |
A Natural History of the Romance Novel |
2003 |
genre definitions, trash/literary and or intellectual quality, Samuel Richardson, Jane Austen, Older and/or precursor texts (may not be "romance" as now defined), Charlotte Brontë, Anthony Trollope, E. M. Forster, Georgette Heyer, Mary Stewart, Harlequin Mills & Boon, Janet Dailey, Jayne Ann Krentz/Amanda Quick/Jayne Castle, Nora Roberts/J. D. Robb, rape and/or intimate partner violence/abuse, E. M. Hull |
| Regis, Pamela |
Female genre fiction in the twentieth century |
2011 |
genre definitions, Samuel Richardson, Older and/or precursor texts (may not be "romance" as now defined), E. D. E. N. Southworth, religion/spirituality, Kathleen Thompson Norris, Faith Baldwin, Claire Morgan/Patricia Highsmith, LGBTQ+ characters, readers and/or authors, Kathleen Woodiwiss, Jennifer Crusie, Beverly Jenkins, Ann Herendeen, Nora Roberts/J. D. Robb, marriage |
| Regis, Pamela |
What Do Critics Owe the Romance? Keynote Address at the Second Annual Conference of the International Association for the Study of Popular Romance |
2011 |
feminism, trash/literary and or intellectual quality, pornography, readers, emotions, romance scholarship |
| Regis, Pamela |
Pamela Crosses the Atlantic; or, Pamela Andrews's Story Inaugurates the American Romance Novel |
2016 |
Samuel Richardson, United States of America |
| Regis, Pamela |
The evolution of the American romance novel |
2021 |
United States of America, Older and/or precursor texts (may not be "romance" as now defined), romance scholarship, Charles Brockden Brown, Sukey Vickery, Catharine Maria Sedgwick, Lydia Maria Child, E. D. E. N. Southworth, Louisa May Alcott, Frances Watkins Harper, race/ethnicity, Onoto Watanna/Winnifred Eaton, Jean Webster, Kathleen Thompson Norris, Viña Delmar, family, Claire Morgan/Patricia Highsmith, LGBTQ+ characters, readers and/or authors |
| Reid, Charlotte |
A Cursory Visit of Inspection to Annie S. Swan |
1990 |
Annie S. Swan |
| Reid Boyd, Elizabeth |
Romancing feminism: From women’s studies to women’s fiction |
2014 |
feminism, love, readers, Elizabeth Reid Boyd (pen name Eliza Redgold) |
| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Grobbelaar, Madalena; Reid Boyd, Elizabeth; Dudek, Debra |
Contemporary Love Studies in the Arts and Humanities: What's Love Got To Do With It? |
2023 |
|
| Reid-Walsh, Jacqueline |
Adolescent Girls' Romance Fiction: Contemporary Conduct Books? |
1993 |
YA/teenage romance, readers, Older and/or precursor texts (may not be "romance" as now defined), gender |
| Peukert, Christian; Reimers, Imke |
Digital Disintermediation and Efficiency in the Market for Ideas |
2018 |
Publishing |
| Cassuto, Leonard; Eby, Clare Virginia; Reiss, Benjamin |
The Cambridge History of the American Novel |
2011 |
|
| Reitemeier, Rebecca |
Romance Novels and Higher Education |
2019 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, readers, psychology, teaching romance |
| Rempel, Valerie Gale |
“The soft white strong hand of God”: Gender and the expression of evangelical piety in the religious fiction of Grace Livingston Hill, 1897–1948 |
2003 |
Grace Livingston Hill, Christian romance, religion/spirituality, gender, marriage, family |
| Frantz, Sarah S. G.; Rennhak, Katharina |
Women Constructing Men: Female Novelists and their Male Characters, 1750-2000 |
2009 |
|
| Reuter, Yves |
Le roman sentimental: système de personnages et circulation sociale de la thématique amoureuse |
1990 |
love, gender, genre definitions |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Hedrick, Donald; Reynolds, Bryan |
Shakespeare without Class: Misappropriations of Cultural Capital |
2000 |
|
| Clark, Beverly Lyon; Bernier, Karen Gennari; Henneberry-Nassau, Michelle; Jenks, Lauren Beth; Moorman, Angie J.; Rhoades, Marah Bianca |
Reading Romance, Reading Ourselves |
1996 |
readers, feminism, sex/sexuality, trash/literary and or intellectual quality, teaching romance, Harlequin Mills & Boon, rape and/or intimate partner violence/abuse, race/ethnicity, capitalism/business |
| Rholetter, Wylene |
Nora Roberts |
2008 |
Nora Roberts/J. D. Robb, rape and/or intimate partner violence/abuse, family, romantic suspense, feminism, work, Janet Dailey, fairytales/folktales, paranormal/fantasy/time-travel romance, Harlequin Mills & Boon |
| Riba, Caterina; Sanmartí, Carme |
La traducción de literatura sentimental entre 1920 y 1960. El rosario de Florence Barclay: versiones, adaptaciones y censura |
2018 |
Florence Barclay, translation, Spain |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Riba, Caterina; Sanmartí, Carme |
Semblanza de La Novela Rosa (Barcelona, 1924-1937, Madrid, 1939-1948) |
2021 |
Publishing, translation, Spain, Older and/or precursor texts (may not be "romance" as now defined) |
| Riba Sanmartí, Caterina; Sanmartí Roset, Carme |
Censura moral en la novela rosa. El caso de Elinor Glyn. |
2017 |
Elinor Glyn, Spain, fascism/right-wing authoritarianism, translation, Older and/or precursor texts (may not be "romance" as now defined) |
| Zaragoza Ninet, Gora; Martínez Sierra, Juan José; Cerezo Merchán, Beatriz; Richart Marset, Mabel |
Traducción, género y censura en la literatura y en los medios de comunicación |
2018 |
|
| Richaudeau, François |
La galaxie Harlequin, des auteurs et des romans |
1986 |
Harlequin Mills & Boon, linguistics, translation, Margaret Rome, Delly, Barbara Cartland, metaphor/symbolism |
| Riche, Martha Farnsworth |
Why Romance Novels Are Like the Rustbelt |
1986 |
readers, Publishing |
| Richey, Weston |
(Loves) Me, (Loves) Me Not: Unbuilding of Selfhood in the Romance of the Present |
2023 |
readers, LGBTQ+ characters, readers and/or authors, gender, psychology, Kris Ripper |
| Richey, Emily |
Southern Charmed: The Stigma Surrounding the Contemporary Romance Novel |
2024 |
|
| Richlin, Amy |
Pornography and Representation in Greece and Rome |
1992 |
|
| Ricker-Wilson, Carol |
Busting Textual Bodices: Gender, Reading, and the Popular Romance |
1999 |
gender, Danielle Steel, readers, feminism, work, social/economic class, trash/literary and or intellectual quality |
| Rigato, Ayşegül |
From Private to Public: #Bookstagram as a Safe Space for Romance Readers |
2025 |
readers |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBTQ+ characters, readers and/or authors |
| Rihoit, Catherine |
Regards de femmes |
1984 |
Harlequin Mills & Boon, readers |
| Rimmer, Abi |
Can I have a side hustle as a doctor? |
2024 |
Fearne Hill |
| Ripoll Fonollar, Mariana |
Wording deeds: the figure of the suffragette in contemporary british fiction |
2023 |
feminism, historical romance, Katie MacAlister, Courtney Milan, Evie Dunmore |
| Ripoll Fonollar, Mariana |
Suffragette Historical Romances: Re-Purposing Women’s Suffrage in a Postfeminist Context |
2024 |
historical romance |
| Riseman, Noah |
Intimatopias and the queering of Australian war fiction |
2020 |
Australia, history, war/armed forces, m/m romance, LGBTQ+ characters, readers and/or authors |
| Suárez Coalla, Paquita; Rivera Valdés, Sonia; Íñigo, Ainoa |
Repercusión de la lectura y otras formas de arte en nuestra vida y nuestra obra: Memorias del VII coloquio de LART, Centro Español de Manhattan, Nueva York, 26-28 de octubre de 2016 |
2018 |
|
| Rix, Robert W. |
“Love in the Clouds”: Barbara Cartland’s Religious Romances |
2009 |
Barbara Cartland, religion/spirituality, love, gender, Christian romance, Marie Corelli, Ethel M. Dell |
| Rizkyane Machmuri, Alya; Nurulaen, Yuyun; Priyawan, Pepen |
Romance Formula in Zoulfa Katouh’s Novel As Long As The Lemon Trees Grow |
2025 |
Zoulfa Katouh |
| Roach, David |
A Very British Affair – The Best of Classic Romance Comics |
2023 |
comics/manga, UK |
| Roach, Catherine M. |
Getting a Good Man to Love: Popular Romance Fiction and the Problem of Patriarchy |
2010 |
love, religion/spirituality, happy ending, sex/sexuality, BDSM, Maya Banks, Joey W. Hill, J. R. Ward |
| Roach, Catherine M. |
'Going Native': Aca-Fandom and Deep Participant Observation in Popular Romance Studies |
2014 |
authors, romance scholarship |
| Roach, Catherine M. |
Happily Ever After: The Romance Story in Popular Culture |
2016 |
authors, religion/spirituality, love, sex/sexuality, Beverly Jenkins, gender, rape and/or intimate partner violence/abuse, genre definitions, BDSM, J. R. Ward, readers, LGBTQ+ characters, readers and/or authors, happy ending, romance scholarship, marriage, pornography, Publishing, feminism |
| Roach, Catherine M. |
Love as the Practice of Bondage: Popular Romance Narratives and the Conundrum of Erotic Love |
2016 |
love, BDSM, Beverly Jenkins, James Buchanan, J. R. Ward, gender, LGBTQ+ characters, readers and/or authors, m/m romance |
| Roach, Catherine M. |
Erotica |
2018 |
erotic romance, sex/sexuality, pornography, love, LGBTQ+ characters, readers and/or authors, feminism, rape and/or intimate partner violence/abuse, BDSM, Alexis Hall |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Roach, Catherine M. |
Fantasy and Desire: From my Mother’s Stack of Trashy Novels to an Experiment in Writing at Field’s Edge |
2024 |
romance scholarship |
| Stern, Stephanie C.; Robbins, Brianne; Black, Jessica E.; Barnes, Jennifer L. |
What You Read and What You Believe: Genre Exposure and Beliefs About Relationships |
2019 |
psychology, readers, love, gender |
| Roberts, Sherron Killingsworth |
Meet Jessica and Elizabeth from Sweet Valley: Who Are the Female Role Models in Popular Romance Novels for Children? |
2002 |
YA/teenage romance |
| Roberts, Sherron Killingsworth |
Twenty-five years and counting of Sweet Valley: Jessica and Elizabeth in romance novels for young children? |
2010 |
YA/teenage romance |
| Roberts, Gillian |
Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel |
2018 |
|
| Robertson, Rachel |
‘Driven by Tens’: Obsession and cognitive difference in Toni Jordan’s romantic comedy Addition |
2014 |
disability, Toni Jordan |
| Robine, Nicole |
Roman sentimental et jeunes travailleuses |
1995 |
sociology, readers |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Robinson, Rachel |
Reading and writing dogs in popular romance fiction |
2023 |
animals |
| Robinson, Lillian S. |
Sex, Class, and Culture |
1978 |
historical romance, history, Jane Austen, Georgette Heyer, fashion/clothing, sex/sexuality, social/economic class, gender, trash/literary and or intellectual quality |
| Roccella, Eugenia |
La letteratura rosa |
1998 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Roces, Mina |
Women's Movements and the Filipina 1986-2008 |
2012 |
Philippines, feminism, health/medical, family, Lualhati Bautista, Carmen Cabiling |
| Roche, Emma |
Women, Violence and Postmillennial Romance Fiction |
2023 |
Twilight, Fifty Shades, feminism, rape and/or intimate partner violence/abuse, capitalism/business |
| Moruzi, Kristine; Rodgers, Beth; Smith, Michelle J. |
The Edinburgh History of Children's Periodicals |
2024 |
|
| Rodriguez, Simone Meirelles |
Leitoras com coração: usos de leitura dos romances sentimentais de massa |
2005 |
Brazil, readers |
| Yáñez-Bouza, Nuria; Rodríguez-Gil, María E.; Pérez-Guerra, Javier |
New Horizons in Prescriptivism Research |
2024 |
linguistics |
| Roger, Isabel M. |
Recreación crítica de la novela rosa en El cuarto de atrás |
1986 |
metafiction |
| Rollins, Shannon Marie |
Crafting women’s narratives: the material impact of twenty-first century romance fiction on contemporary steampunk dress |
2019 |
steampunk, fashion/clothing, gender, Gail Carriger, feminism, race/ethnicity, Adrienne Kress |
| Roman, Leslie G.; Christian-Smith, Linda K.; Ellsworth, Elizabeth |
Becoming Feminine: The Politics of Popular Culture |
1988 |
|
| Romera Pintor, Angela Magdalena |
L’enfance dans l’œuvre de Delly |
2019 |
Delly, family |
| Romera Pintor, Angela Magdalena |
Maryan (1847-1927) et le déclassement du roman sentimental |
2020 |
Maryan, pen name of Marie Cadiou, Older and/or precursor texts (may not be "romance" as now defined) |
| Núñez Cubero, Luis; Romero Pérez, Clara |
Emociones, cultura y educación: Un enfoque interdisciplinar |
2009 |
|
| Romney, Rebecca |
The Romance Novel in English: A Survey in Rare Books, 1769-1999 |
2021 |
Publishing, Older and/or precursor texts (may not be "romance" as now defined), work, Harlequin Mills & Boon, historical romance, Christian romance, gothic romance, romantic suspense, paranormal/fantasy/time-travel romance, YA/teenage romance, African American romance, LGBTQ+ characters, readers and/or authors, Frances Brooke, Canada, Elizabeth Inchbald, Frances Burney, Sydney Owenson, national identity, Ireland, Ouida, May Agnes Fleming, Laura Jean Libbey, Emma Wolf, religion/spirituality, Judaism, Pauline Hopkins, Onoto Watanna/Winnifred Eaton, Japan, Elinor Glyn, Louise Gerard, Barbara Cartland, Laura Lou Brookman, Kathleen Thompson Norris, romances in magazines and newspapers, Elizabeth Carfrae, Frances Shelley Wees, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Jean S. MacLeod/Catherine Airlie, Alice Lent Covert, Joyce Dingwell/Kate Starr, Australia, Faith Baldwin, Mary Renault, medical romance, Mary Burchell, pen name of Ida Cook, Juliet Shore/Anne Vinton, Della Field, pseudonym of Fanny Howe, Janet Dailey, Lydia Maria Child, Charlotte M. Yonge, Mary Johnston, Susa Young Gates, Kathleen Woodiwiss, Rosemary Rogers, June Lund Shiplett, paratext, Jayne Ann Krentz/Amanda Quick/Jayne Castle, science fiction/futuristic romance, Valerie Belgrave, Caribbean, Beverly Jenkins, Jane Austen, Susan Ferrier, Georgette Heyer, Amii Lorin, Nora Roberts/J. D. Robb, Marisa de Zavala/Ana Lisa de Leon/Rachel Scott/Celina Rios Mullan, Sandra Kitt, Maureen Wartski, Augusta Jane Evans, Florence Barclay, Ethel M. Dell, Janette Oke, Beverly Lewis, Charlotte Brontë, Harriet Lewis, Virginia Coffman, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Mary Stewart, Daoma Winston, Chelsea Quinn Yarbro, Rita Clay Estrada, Lori Herter, Jean Webster, Robin McKinley, Tracy West/Joyce McGill/Chassie West, Marie G. Lee, race/ethnicity, Paula Christian, Isabel Miller, Gordon Merrick, Ann Allen Shockley, Vincent Virga, Nancy Garden, Katherine V. Forrest, Loretta Chase, Brenda Jackson |
| Roper, Holly N. |
Representing the Romance: Diversity and Inclusion in the Romance Collections of Public Libraries |
2020 |
libraries/librarians, disability, race/ethnicity, LGBTQ+ characters, readers and/or authors |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Rose, Suzanna |
Is Romance Dysfunctional? |
1985 |
sex/sexuality, gender, psychology, fairytales/folktales, readers |
| Muram, David; Rosenthal, Ted L.; Tolley, Elizabeth A.; Peeler, Molly M.; Pitts, Bridget |
Teenage Pregnancy: Dating and Sexual Attitudes |
1992 |
readers, sex/sexuality, race/ethnicity |
| Rosier, Laurence; Pollet, Marie-Christine |
Les mauvais genres en classe de français?: Retour sur la question. |
2007 |
|
| Ross, Marlon B. |
“What’s Love But a Second Hand Emotion?”: Man-on-Man Passion in the Contemporary Black Gay Romance Novel |
2013 |
African American romance, LGBTQ+ characters, readers and/or authors, race/ethnicity, Larry Duplechan, James Earl Hardy, m/m romance, family, E. Lynn Harris |
| Ross, Catherine Sheldrick |
Reader on Top: Public Libraries, Pleasure Reading, and Models of Reading |
2009 |
libraries/librarians, readers, trash/literary and or intellectual quality |
| Ross, Catherine Bourland |
Carmen de Icaza: Novela rosa as Feminist Discourse? |
2005 |
Carmen de Icaza |
| Ross, Catherine Bourland |
Carmen de Icaza: Novela Rosa as Feminist Discourse? |
2006 |
Carmen de Icaza, feminism, Spain, fascism/right-wing authoritarianism, work |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBTQ+ characters, readers and/or authors |
| Flegel, Monica; Roth, Jenny |
Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in "Supernatural" fan fiction |
2010 |
fanfiction, LGBTQ+ characters, readers and/or authors |
| Caland, Fabienne Claire; Rouby, Bertrand; Bleton, Paul |
L'amour au temps du roman |
2015 |
Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Delly, Max du Veuzit, Magali, pen name of Jeanne Philbert, Barbara Cartland |
| Rowe, Simone |
The Map to Black Love: The Information Behaviours of Black Readers Seeking Romance Books with Black Character Representation |
2025 |
libraries/librarians, readers, race/ethnicity |
| Roy, Pierre; Pellegrin-Boucher, Estelle |
Business Model Innovation in Creative and Cultural Industries |
2024 |
|
| Rudisill, Kristen |
Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
2018 |
India, readers, Publishing, national identity, Harlequin Mills & Boon, family |
| Nayrou, Félicie; Rudy, Alain |
La Rencontre: figures du destin |
1993 |
|
| Ruggiero, Josephine A.; Weston, Louise C. |
Sex-Role Characterization of Women in "Modern Gothic Novels" |
1977 |
gender, gothic romance, feminism, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury, social/economic class, work, readers |
| Weston, Louise C.; Ruggiero, Josephine A. |
Male-Female Relationships in Best-Selling "Modern Gothic" Novels |
1978 |
gothic romance, romantic suspense, gender, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury |
| Ruggiero, Josephine A.; Weston, Louise C. |
Conflicting Images of Women in Romance Novels |
1983 |
gothic romance, historical romance, gender, readers |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Pupipat, Apisak; Rungkaew, Titirut; Meeparp, Lampoon |
Judging a Book by its Back Cover: Spoken/Informal Register as Found in Happily-Ever-After Women’s Novel Blurbs |
2022 |
linguistics, paratext |
| Rush, Ramona R.; Allen, Donna |
Communications at the Crossroads: The Gender Gap Connection |
1989 |
|
| Russ, Joanna |
Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic |
1973 |
gothic romance, genre definitions, settings, Phyllis A. Whitney, Margaret Summerton, Helen Arvonen, Susan Howatch, Anne Maybury, Dorothy Eden, food, drink, fashion/clothing, sex/sexuality, gender |
| Russ, Joanna |
Magic Mommas, Trembling Sisters, Puritans & Perverts: Femininst Essays |
1985 |
|
| Russ, Joanna |
Pornography By Women For Women, With Love |
1985 |
fanfiction, m/m romance, pornography, readers, gender, sex/sexuality, rape and/or intimate partner violence/abuse, science fiction/futuristic romance |
| Russell, Shannon |
Dangerous Young Men: Themes of Female Sexuality and Masculinity in Paranormal Romance Novels for Young Adults |
2014 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, gender, rape and/or intimate partner violence/abuse |
| Russo, Stephanie |
These old shades: Georgette Heyer’s unruly eighteenth century |
2022 |
Georgette Heyer, gender, history, fashion/clothing |
| Pifarré, Alexandra-Flora; Rutigliano-Daspet, Sandrine |
Re- Répéter - Répétitions |
2010 |
|
| Ryan, Mary |
Amongst women: Male romance authors and Irish chick lit author, Andrew O’Connor |
2011 |
authors, gender, chick lit, Andrew O’Connor |
| Ryden, Wendy |
Bourgeois Realism or Working Class Kitsch?: The Aesthetics of Class in Composition |
2007 |
trash/literary and or intellectual quality, social/economic class, Karen van der Zee, teaching romance, family, marriage |
| Ryder, Mary Ellen |
Smoke and mirrors: Event patterns in the discourse structure of a romance novel |
1999 |
linguistics, Barbara Cartland |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Sabo, Oana |
Translingualism 2.0 |
2024 |
France, linguistics |
| Sagun, Karryl Kim Abella |
Book Mavens of Manila: an interpretative phenomenological analysis of contemporary niche publishers in the Philippines |
2019 |
Philippines, Publishing, Mina V. Esguerra |
| Bleton, Paul; Saint-German, Richard |
Les hauts et les bas de l'imaginaire western dans la culture médiatique |
1997 |
|
| Saint-Jacques, Denis |
La recherche sur le roman sentimental au CRELIQ de l'Université de Laval |
1990 |
romance scholarship |
| Saint-Jacques, Denis; de la Garde, Roger |
Les pratiques culturelles de grande consommation. Le marché francophone |
1992 |
|
| Bettinotti, Julia; Bleton, Paul; des Rivières, Marie-José; Saint-Jacques, Denis |
Lecture paralittéraire québécoise : les femmes et le travail de 1945 à aujourd’hui |
1994 |
Canada, Harlequin Mills & Boon |
| Saint-Jacques, Denis; Bettinotti, Julia; des Rivières, Marie-José; Bleton, Paul; Savoie, Chantal |
Femmes de rêve au travail : les femmes et le travail dans les productions écrites de grande consommation, au Québec, de 1945 à aujourd'hui |
1998 |
Canada, work, gender, Delly, Barbara Cartland, Harlequin Mills & Boon, Charlotte Lamb, Janet Dailey |
| Saint-Jacques, Denis |
L'acte de lecture |
1998 |
|
| Saint-Jacques, Denis |
Que vaut la littérature? |
2000 |
|
| Saint-Jacques, Denis; des Rivières, Marie-José |
Le féminisme problématique d’un roman d’amour, Anne Mérival |
2011 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, work, marriage, war/armed forces, Canada, trash/literary and or intellectual quality, Delly, religion/spirituality, romances in magazines and newspapers |
| Salamone, Frank A. |
Global Cultures |
2009 |
|
| Sales, Roger |
The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance |
1999 |
Barbara Cartland, historical romance |
| Salmon, Catherine; Symons, Donald |
Warrior Lovers: Erotic Fiction, Evolution and Female Sexuality |
2003 |
evolutionary psychology, m/m romance, sex/sexuality |
| Salmon, Catherine |
Crossing the Abyss: Erotica and the Intersection of Evolutionary Psychology and Literary Studies |
2005 |
evolutionary psychology, sex/sexuality, feminism, pornography, fanfiction |
| Salmon, Catherine |
The Pop Culture of Sex: An Evolutionary Window on the Worlds of Pornography and Romance |
2012 |
evolutionary psychology, pornography, gender, feminism |
| Salmon, Catherine |
What Do Romance Novels, Pro Wrestling, and Mack Bolan Have in Common?: Consilience and the Pop Culture of Storytelling |
2016 |
evolutionary psychology |
| Salter, Anastasia |
Plundered Hearts: Infocom, Romance, and the History of Feminist Game Design |
2020 |
computer/video/digital games, pirates and outlaws, fashion/clothing, feminism |
| Salvador Miguel, Nicasio |
Letras de la España contemporánea. Homenaje a José Luis Varela |
1995 |
|
| Salvador Miguel, Nicasio |
¿Hay precedentes de la novela rosa? |
1995 |
Older and/or precursor texts (may not be "romance" as now defined), genre definitions, trash/literary and or intellectual quality |
| Sama, Lisa Mary |
Love's Ardent Writer |
1982 |
Barbara Delinsky |
| Samuel, Barbara |
The Art of Romance Novels |
1997 |
Ruth Wind/Barbara Samuel/Barbara O'Neal, authors, feminism, emotions, gender, readers |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Sánchez Alvarez-Insúa, Alberto |
Entre la aristocracia y el falangismo: Carmen de Icaza, una escritora falangista representante del fascismo español del primer franquismo y su novela Cristina Guzmán, profesora de idiomas |
2009 |
Carmen de Icaza, Spain, fascism/right-wing authoritarianism |
| Sánchez Calle, Pilar; Malcolm, David; López-Peláez Casellas, Jesús |
Masquerades: Disguise in Literature in English from the Middle Ages to the Present |
2004 |
|
| Sánchez Díaz-Aldagalán, Carlos |
María de la O Lejárragala: imagen de la mujer en su literatura |
2018 |
Spain, feminism, María de la O Lejárragala/ Gregorio Martínez Sierra |
| Sánchez-Palencia Carazo, Carolina |
El discurso femenino de la novela rosa en lengua inglesa la mujer como protagonista, autora y lectora del género |
1994 |
gender, authors, readers, genre definitions, Older and/or precursor texts (may not be "romance" as now defined), gothic romance, historical romance, erotic romance, Katherine V. Forrest |
| Sánchez-Palencia Carazo, Carolina |
El discurso femenino de la novela rosa en lengua inglesa |
1997 |
gender |
| Sanconie, Maïca |
Au-delà du vertige. Mises en abyme ou la traduction des réseaux de clichés dans les romans Harlequin |
2001 |
Harlequin Mills & Boon, translation, emotions |
| Sanconie, Maïca |
« Tout un monde d’évasion » : adapter les romans sentimentaux pour un lectorat français |
2010 |
historical romance, translation, settings, Julie Anne Long, Pamela Britton, France, UK, United States of America |
| Sandbakken, Asta Margrethe |
Feeling Men: Masculinity, Sexuality, and Emotion in the Contemporary Romance |
2016 |
sex/sexuality, gender, Nora Roberts/J. D. Robb, Susan Elizabeth Phillips, emotions |
| Sanders, Lise Shapiro |
Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920 |
2006 |
social/economic class, history, gender, readers, Older and/or precursor texts (may not be "romance" as now defined), Publishing, romances in magazines and newspapers, work |
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined), readers |
| Sanders, Lise Shapiro |
Girls Growing Up: Reading ‘Erotic Bloods’ in Interwar Britain |
2024 |
romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), readers |
| Sanders, Lise Shapiro |
Reading Historical Romance/Reading Romance Historically |
2025 |
historical romance |
| Riba, Caterina; Sanmartí, Carme |
La traducción de literatura sentimental entre 1920 y 1960. El rosario de Florence Barclay: versiones, adaptaciones y censura |
2018 |
Florence Barclay, translation, Spain |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Riba, Caterina; Sanmartí, Carme |
Semblanza de La Novela Rosa (Barcelona, 1924-1937, Madrid, 1939-1948) |
2021 |
Publishing, translation, Spain, Older and/or precursor texts (may not be "romance" as now defined) |
| Sanmartí i Roset, Carme; Sanmartí Roset, Montserrat |
La transmisión de los valores femeninos a través de la lectura (1900-1939) |
2008 |
Spain, readers, gender, religion/spirituality, social/economic class, work, marriage |
| Sanmartí i Roset, Carme; Sanmartí Roset, Montserrat |
La transmisión de los valores femeninos a través de la lectura (1900-1939) |
2008 |
Spain, readers, gender, religion/spirituality, social/economic class, work, marriage |
| Riba Sanmartí, Caterina; Sanmartí Roset, Carme |
Censura moral en la novela rosa. El caso de Elinor Glyn. |
2017 |
Elinor Glyn, Spain, fascism/right-wing authoritarianism, translation, Older and/or precursor texts (may not be "romance" as now defined) |
| Sanna, Antonio |
Pirates in History and Popular Culture |
2018 |
pirates and outlaws, historical romance |
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Santa, Angels |
Delly et ses illustrateurs |
2011 |
Delly |
| Santa, Angels; Buard, Jean-Luc |
Delly romancière |
2011 |
Delly |
| Buard, Jean-Luc; Santa, Angels |
L’Œuvre de Delly |
2011 |
Delly |
| Santaemilia, José |
Gender, Sex and Translation: The Manipulation of Identities |
2005 |
|
| Santaulària, M. Isabel |
The Part of the Iceberg That Doesn’t Show: Romance, Good Husbands, and Mr Julia Child |
2023 |
film/movies, gender, marriage |
| Martín, Sara; Santaulària, M. Isabel |
Detoxing Masculinity in Anglophone Literature and Culture: In Search of Good Men |
2024 |
|
| Santaulària, Isabel |
The Fallacy of Eternal Love: Romance, Vampires and the Deconstruction of Love in Linda Lael Miller's Forever and the Night and For All Eternity |
2002 |
paranormal/fantasy/time-travel romance, death, happy ending, Linda Lael Miller, gender, religion/spirituality |
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Sanyal, Madhuparna |
Re-imagining the late-colonial Anglo-Indian woman's romance: Reading Maud Diver |
2008 |
Maud Diver, India, UK, race/ethnicity, Older and/or precursor texts (may not be "romance" as now defined) |
| Priya, S Vishnu; Saravanan, P |
Exploring Gender Roles in Nora Roberts’ Northern Lights: A Critical Analysis |
2025 |
gender, Nora Roberts/J. D. Robb |
| Wyatt, Neal; Olsen, Georgine; Ramsdell, Kristin; Saricks, Joyce; Welch, Lynne |
Core Collections in Genre Studies: Romance Fiction 101 |
2007 |
libraries/librarians, historical romance, romantic suspense, paranormal/fantasy/time-travel romance, genre definitions |
| Sarwal, Amit; Sarwal, Reema |
Reading Down Under: Australian Literary Studies Reader |
2009 |
|
| Sarwal, Amit; Sarwal, Reema |
Reading Down Under: Australian Literary Studies Reader |
2009 |
|
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| Satoh, Kyoko |
Ideologically Constructed Intimacy: Personal Address in Japanese Romance Novels |
2013 |
Japan, linguistics, love |
| Saunders, Corinne |
A Companion to Romance: From Classical to Contemporary |
2004 |
|
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Savinainen, Raija |
Gender-specific features of male/female interaction in a popular romantic novel by Barbara Cartland |
2001 |
linguistics, Barbara Cartland, gender |
| Bettinotti, Julia; Savoie, Chantal |
Du bon sauvage au beau sauvage : un roman d’amour "politically correct" |
1997 |
United States of America, Native American romance |
| Saint-Jacques, Denis; Bettinotti, Julia; des Rivières, Marie-José; Bleton, Paul; Savoie, Chantal |
Femmes de rêve au travail : les femmes et le travail dans les productions écrites de grande consommation, au Québec, de 1945 à aujourd'hui |
1998 |
Canada, work, gender, Delly, Barbara Cartland, Harlequin Mills & Boon, Charlotte Lamb, Janet Dailey |
| Desmet, Christy; Sawyer, Robert |
Shakespeare and Appropriation |
1999 |
|
| Saxena, Vandana |
Memory and Nation-Building: World War II in Malaysian Literature |
2022 |
Malaysia, Noel Barber |
| Saxena, Vandana |
Afterlives of Colonialism: Nostalgia, Reader’s Response and the Case of Noel Barber’s Tanamera |
2023 |
historical romance, history, race/ethnicity, UK, Singapore, national identity, readers, Malaysia, war/armed forces, settings, Noel Barber |
| Harrow, Sharon R.; Saxton, Kirsten T. |
Adapting the Eighteenth Century: A Handbook of Pedagogies and Practices |
2020 |
|
| Sceats, Sarah; Cunningham, Gail |
Image & Power: Women in Fiction in the Twentieth Century |
1996 |
|
| Hiergeist, Teresa; Schäfer, Stefanie |
Ladies in Arms: Women, Guns, and Feminisms in Contemporary Popular Culture |
2024 |
feminism |
| Schalk, Sami |
Happily Ever After for Whom? Blackness and Disability in Romance Narratives |
2016 |
disability, race/ethnicity, sex/sexuality, African American romance, Gwynne Forster, gender, war/armed forces, N. K. Jemisin, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Big Bad Wolf: Masculinity and Genetics in Popular Culture |
2007 |
animals, health/medical, gender, evolutionary psychology, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Love Life of a Fact |
2011 |
gender, evolutionary psychology, authors, feminism, romance scholarship, sex/sexuality, animals, Linda Howard, paranormal/fantasy/time-travel romance |
| Schell, Heather |
Bringing the Mid-West to the Middle-East: An Analysis of a Harlequin Romance in English and Turkish |
2013 |
translation, Harlequin Mills & Boon, Turkey, Shirley Jump, readers, family, social/economic class, gender |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Schoene, Berthold |
The Edinburgh Companion to Contemporary Scottish Literature |
2007 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Schopp, Claude |
Delly. Les Trois châteaux d’Ourida |
2011 |
Delly |
| Schulmann-Darsy, Louise |
Mr. Darcy as the Perfect Book Boyfriend, or the Impact of BookTok on Male Characters in Romance Books |
2025 |
Jane Austen, gender |
| Schultz Nybacka, Pamela |
Bookonomy: The Consumption Practice and Value of Book Reading |
2011 |
Sweden, Harlequin Mills & Boon, readers, trash/literary and or intellectual quality, Publishing |
| Sullivan, Larry E.; Schurman, Lydia Cushman |
Pioneers, Passionate Ladies, and Private Eyes: Dime Novels, Series Books, and Paperbacks |
1996 |
|
| Schurman, Lydia Cushman; Johnson, Deidre |
Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America |
2002 |
|
| Schwab, Sandra Martina |
Of Dragons, Knights, and Virgin Maidens: Dragonslaying and Gender Roles from Richard Johnson to Modern Popular Fiction |
2013 |
historical romance, Teresa Medeiros, Gaelen Foley, Stephanie Laurens, metaphor/symbolism, genre definitions, Harlequin Mills & Boon, happy ending, Sandra Schwab, gender, Penelope Williamson, animals, Julia Ross, virginity, romance scholarship |
| Schwab, Sandra |
“It Is Only with One’s Heart That One Can See Clearly”: The Loss of Sight in Teresa Medeiros’s The Bride and the Beast and Yours until Dawn |
2012 |
disability, Teresa Medeiros, metaphor/symbolism, fairytales/folktales, settings, Charlotte Brontë, myth |
| Gilmour, Rachael; Schwarz, Bill |
End of Empire and the English Novel since 1945 |
2011 |
|
| Teo, Hsu-Ming; Schwegler-Castañer, Astrid |
Post/Colonial Nostalgia and Melancholia in Dinah Jefferies' The Tea Planter's Wife and Before the Rains * |
2025 |
India, Sri Lanka, history, historical romance, race/ethnicity, Dinah Jefferies |
| Scott, Alison M. |
Romance in the Stacks; or, Popular Romance Fiction Imperiled |
2002 |
libraries/librarians, trash/literary and or intellectual quality, romance scholarship |
| Scupham, Hannah Elizabeth |
“Reader, I Married Him”: Readership, Imagination, and Politics of the Marriage Plot in the Nineteenth-Century Novel |
2022 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), readers, Jane Austen, Elizabeth Gaskell, George Eliot |
| Seale, Maura |
"I find some Hindu practices like burning widows, utterly bizarre": Representations of Sati and Questions of Choice in Veils of Silk |
2007 |
Mary Jo Putney, India, historical romance, feminism, race/ethnicity, gender, religion/spirituality, death, family, marriage |
| Secrease, Cassandra L |
A comparative analysis of lesbian romance novels and heterosexual romance novel themes |
2000 |
LGBTQ+ characters, readers and/or authors, Karin Kallmaker, Peggy Herring, Lyn Denison, Katherine V. Forrest, Diana Simmonds |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Seidel, Kathleen Gilles |
Judge Me by the Joy I Bring |
1992 |
readers, happy ending, love, settings, emotions, feminism |
| Seifert, Christine |
Virginity in Young Adult Literature after Twilight |
2015 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, virginity, Twilight, contemporary romance |
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBTQ+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality, gender |
| Selinger, Eric Murphy |
Foils and Fakers, Monsters and Makers |
2006 |
Georgette Heyer, Eloisa James, A. S. Byatt |
| Selinger, Eric Murphy |
Rereading the Romance |
2007 |
romance scholarship |
| Selinger, Eric Murphy |
How to Read a Romance Novel (and Fall in Love with Popular Romance) |
2012 |
close reading, trash/literary and or intellectual quality, Laura Kinsale, marriage, Milton, disability, religion/spirituality, love |
| Selinger, Eric Murphy; Frantz, Sarah S. G. |
Introduction: New Approaches to Popular Romance Fiction |
2012 |
Loretta Chase, romance scholarship |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Selinger, Eric Murphy |
Nothing But Good Times Ahead: A Special Forum on Jennifer Crusie (Editor’s Introduction) |
2012 |
Jennifer Crusie, romance scholarship, marriage, family, feminism |
| Moore, Kate; Selinger, Eric Murphy |
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation |
2012 |
Jennifer Crusie, readers, metafiction, romance scholarship, sex/sexuality, marriage |
| Selinger, Eric Murphy |
My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na |
2014 |
film/movies, metafiction |
| Selinger, Eric Murphy |
An Interview with Susan Elizabeth Phillips |
2015 |
Susan Elizabeth Phillips, rape and/or intimate partner violence/abuse, romance scholarship, United States of America, religion/spirituality, authors |
| Selinger, Eric Murphy |
Erotica: romance novels |
2015 |
genre definitions |
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Gleason, William A.; Selinger, Eric Murphy |
Romance Fiction and American Culture: Love as the Practice of Freedom? |
2016 |
|
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Selinger, Eric Murphy |
When I Paint My Masterpiece: Bob Dylan, Ekphrasis, and the Art of Susan Elizabeth Phillips |
2016 |
Susan Elizabeth Phillips, metafiction, close reading, trash/literary and or intellectual quality, gender, music |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Cant and Canonicity |
2022 |
romance scholarship, trash/literary and or intellectual quality, teaching romance, genre definitions |
| Selinger, Eric Murphy |
Disaggregating attraction: asexuality and genre critique in Alex Beecroft's Blue Steel Chain |
2022 |
Alex Beecroft, LGBTQ+ characters, readers and/or authors, sex/sexuality, religion/spirituality, love, marriage, Ann Herendeen, metafiction, trash/literary and or intellectual quality, Christian romance, food, drink, metaphor/symbolism |
| Selinger, Eric Murphy |
Disenchantment and its discontents: “modern love” and irony in popular romance fiction |
2022 |
love, Jennifer Crusie, science/technology, religion/spirituality, marriage, Alisha Rai, feminism, emotions, Alexis Hall, metafiction, Francine Rivers, fairytales/folktales, health/medical |