| Robine, Nicole |
Roman sentimental et jeunes travailleuses |
1995 |
sociology, readers |
| Burge, Amy; Robinson, Rachel |
Review essay on The Sheik |
2020 |
E. M. Hull, sheikh romance, romance scholarship |
| Robinson, Rachel |
Reading and writing dogs in popular romance fiction |
2023 |
animals |
| Robinson, Lillian S. |
Sex, Class, and Culture |
1978 |
historical romance, history, Jane Austen, Georgette Heyer, fashion/clothing, sex/sexuality, social/economic class, gender, trash/literary and or intellectual quality |
| Roccella, Eugenia |
La letteratura rosa |
1998 |
Liala, pen name of Amalia Liana Cambiasi Negretti Odescalchi |
| Roces, Mina |
Women's Movements and the Filipina 1986-2008 |
2012 |
Philippines, feminism, health/medical, family, Lualhati Bautista, Carmen Cabiling |
| Roche, Emma |
Women, Violence and Postmillennial Romance Fiction |
2023 |
Twilight, Fifty Shades, feminism, rape and/or intimate partner violence/abuse, capitalism/business |
| Moruzi, Kristine; Rodgers, Beth; Smith, Michelle J. |
The Edinburgh History of Children's Periodicals |
2024 |
|
| Rodriguez, Simone Meirelles |
Leitoras com coração: usos de leitura dos romances sentimentais de massa |
2005 |
Brazil, readers |
| Roger, Isabel M. |
Recreación crítica de la novela rosa en El cuarto de atrás |
1986 |
metafiction |
| Rollins, Shannon Marie |
Crafting women’s narratives: the material impact of twenty-first century romance fiction on contemporary steampunk dress |
2019 |
steampunk, fashion/clothing, gender, Gail Carriger, feminism, race/ethnicity, Adrienne Kress |
| Roman, Leslie G.; Christian-Smith, Linda K.; Ellsworth, Elizabeth |
Becoming Feminine: The Politics of Popular Culture |
1988 |
|
| Romera Pintor, Angela Magdalena |
L’enfance dans l’œuvre de Delly |
2019 |
Delly, family |
| Romera Pintor, Angela Magdalena |
Maryan (1847-1927) et le déclassement du roman sentimental |
2020 |
Maryan, pen name of Marie Cadiou, Older and/or precursor texts (may not be "romance" as now defined) |
| Núñez Cubero, Luis; Romero Pérez, Clara |
Emociones, cultura y educación: Un enfoque interdisciplinar |
2009 |
|
| Romney, Rebecca |
The Romance Novel in English: A Survey in Rare Books, 1769-1999 |
2021 |
Publishing, Older and/or precursor texts (may not be "romance" as now defined), work, Harlequin Mills & Boon, historical romance, Christian romance, gothic romance, romantic suspense, paranormal/fantasy/time-travel romance, YA/teenage romance, African American romance, LGBTQ+ characters, readers and/or authors, Frances Brooke, Canada, Elizabeth Inchbald, Frances Burney, Sydney Owenson, national identity, Ireland, Ouida, May Agnes Fleming, Laura Jean Libbey, Emma Wolf, religion/spirituality, Judaism, Pauline Hopkins, Onoto Watanna/Winnifred Eaton, Japan, Elinor Glyn, Louise Gerard, Barbara Cartland, Laura Lou Brookman, Kathleen Thompson Norris, romances in magazines and newspapers, Elizabeth Carfrae, Frances Shelley Wees, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Jean S. MacLeod/Catherine Airlie, Alice Lent Covert, Joyce Dingwell/Kate Starr, Australia, Faith Baldwin, Mary Renault, medical romance, Mary Burchell, pen name of Ida Cook, Juliet Shore/Anne Vinton, Della Field, pseudonym of Fanny Howe, Janet Dailey, Lydia Maria Child, Charlotte M. Yonge, Mary Johnston, Susa Young Gates, Kathleen Woodiwiss, Rosemary Rogers, June Lund Shiplett, paratext, Jayne Ann Krentz/Amanda Quick/Jayne Castle, science fiction/futuristic romance, Valerie Belgrave, Caribbean, Beverly Jenkins, Jane Austen, Susan Ferrier, Georgette Heyer, Amii Lorin, Nora Roberts/J. D. Robb, Marisa de Zavala/Ana Lisa de Leon/Rachel Scott/Celina Rios Mullan, Sandra Kitt, Maureen Wartski, Augusta Jane Evans, Florence Barclay, Ethel M. Dell, Janette Oke, Beverly Lewis, Charlotte Brontë, Harriet Lewis, Virginia Coffman, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Mary Stewart, Daoma Winston, Chelsea Quinn Yarbro, Rita Clay Estrada, Lori Herter, Jean Webster, Robin McKinley, Tracy West/Joyce McGill/Chassie West, Marie G. Lee, race/ethnicity, Paula Christian, Isabel Miller, Gordon Merrick, Ann Allen Shockley, Vincent Virga, Nancy Garden, Katherine V. Forrest, Loretta Chase, Brenda Jackson |
| Roper, Holly N. |
Representing the Romance: Diversity and Inclusion in the Romance Collections of Public Libraries |
2020 |
libraries/librarians, disability, race/ethnicity, LGBTQ+ characters, readers and/or authors |
| Rosanowski, Annika |
Can She Have It All? Pregnancy Narratives in Contemporary Category Romance |
2019 |
family, gender, Harlequin Mills & Boon, marriage |
| Rose, Suzanna |
Is Romance Dysfunctional? |
1985 |
sex/sexuality, gender, psychology, fairytales/folktales, readers |
| Muram, David; Rosenthal, Ted L.; Tolley, Elizabeth A.; Peeler, Molly M.; Pitts, Bridget |
Teenage Pregnancy: Dating and Sexual Attitudes |
1992 |
readers, sex/sexuality, race/ethnicity |
| Rosier, Laurence; Pollet, Marie-Christine |
Les mauvais genres en classe de français?: Retour sur la question. |
2007 |
|
| Ross, Marlon B. |
“What’s Love But a Second Hand Emotion?”: Man-on-Man Passion in the Contemporary Black Gay Romance Novel |
2013 |
African American romance, LGBTQ+ characters, readers and/or authors, race/ethnicity, Larry Duplechan, James Earl Hardy, m/m romance, family, E. Lynn Harris |
| Ross, Catherine Sheldrick |
Reader on Top: Public Libraries, Pleasure Reading, and Models of Reading |
2009 |
libraries/librarians, readers, trash/literary and or intellectual quality |
| Ross, Catherine Bourland |
Carmen de Icaza: Novela rosa as Feminist Discourse? |
2005 |
Carmen de Icaza |
| Ross, Catherine Bourland |
Carmen de Icaza: Novela Rosa as Feminist Discourse? |
2006 |
Carmen de Icaza, feminism, Spain, fascism/right-wing authoritarianism, work |
| Cook, Jennifer R.; Rostosky, Sharon S.; Riggle, Ellen D. B. |
Gender Role Models in Fictional Novels for Emerging Adult Lesbians |
2013 |
YA/teenage romance, LGBTQ+ characters, readers and/or authors |
| Flegel, Monica; Roth, Jenny |
Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in "Supernatural" fan fiction |
2010 |
fanfiction, LGBTQ+ characters, readers and/or authors |
| Caland, Fabienne Claire; Rouby, Bertrand; Bleton, Paul |
L'amour au temps du roman |
2015 |
Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Delly, Max du Veuzit, Magali, pen name of Jeanne Philbert, Barbara Cartland |
| Roy, Pierre; Pellegrin-Boucher, Estelle |
Business Model Innovation in Creative and Cultural Industries |
2024 |
|
| Rudisill, Kristen |
Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
2018 |
India, readers, Publishing, national identity, Harlequin Mills & Boon, family |
| Nayrou, Félicie; Rudy, Alain |
La Rencontre: figures du destin |
1993 |
|
| Ruggiero, Josephine A.; Weston, Louise C. |
Sex-Role Characterization of Women in "Modern Gothic Novels" |
1977 |
gender, gothic romance, feminism, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury, social/economic class, work, readers |
| Weston, Louise C.; Ruggiero, Josephine A. |
Male-Female Relationships in Best-Selling "Modern Gothic" Novels |
1978 |
gothic romance, romantic suspense, gender, Mary Stewart, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Jane Blackmore, Dorothy Eden, Susan Howatch, Anne Maybury |
| Ruggiero, Josephine A.; Weston, Louise C. |
Conflicting Images of Women in Romance Novels |
1983 |
gothic romance, historical romance, gender, readers |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Pupipat, Apisak; Rungkaew, Titirut; Meeparp, Lampoon |
Judging a Book by its Back Cover: Spoken/Informal Register as Found in Happily-Ever-After Women’s Novel Blurbs |
2022 |
linguistics, paratext |
| Rush, Ramona R.; Allen, Donna |
Communications at the Crossroads: The Gender Gap Connection |
1989 |
|
| Russ, Joanna |
Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic |
1973 |
gothic romance, genre definitions, settings, Phyllis A. Whitney, Margaret Summerton, Helen Arvonen, Susan Howatch, Anne Maybury, Dorothy Eden, food, drink, fashion/clothing, sex/sexuality, gender |
| Russ, Joanna |
Magic Mommas, Trembling Sisters, Puritans & Perverts: Femininst Essays |
1985 |
|
| Russ, Joanna |
Pornography By Women For Women, With Love |
1985 |
fanfiction, m/m romance, pornography, readers, gender, sex/sexuality, rape and/or intimate partner violence/abuse, science fiction/futuristic romance |
| Russell, Shannon |
Dangerous Young Men: Themes of Female Sexuality and Masculinity in Paranormal Romance Novels for Young Adults |
2014 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, gender, rape and/or intimate partner violence/abuse |
| Russo, Stephanie |
These old shades: Georgette Heyer’s unruly eighteenth century |
2022 |
Georgette Heyer, gender, history, fashion/clothing |
| Pifarré, Alexandra-Flora; Rutigliano-Daspet, Sandrine |
Re- Répéter - Répétitions |
2010 |
|
| Ryan, Mary |
Amongst women: Male romance authors and Irish chick lit author, Andrew O’Connor |
2011 |
authors, gender, chick lit, Andrew O’Connor |
| Ryden, Wendy |
Bourgeois Realism or Working Class Kitsch?: The Aesthetics of Class in Composition |
2007 |
trash/literary and or intellectual quality, social/economic class, Karen van der Zee, teaching romance, family, marriage |
| Ryder, Mary Ellen |
Smoke and mirrors: Event patterns in the discourse structure of a romance novel |
1999 |
linguistics, Barbara Cartland |
| Alberti, Paola; Fortunati, Vita; Franci, Giovanna; Galateria, Daria; Mangaroni, Rosella; Pozzato, Maria Pia; Sabbadini, Tiziana; Tempera, Mariangela |
Maestre d'amore: eroine e scrittrici nell'impero del rosa inglese |
1986 |
UK, Elinor Glyn, E. M. Hull |
| Sabino, Rosimeri Ferraz; Bezerra, Antônio Ponciano |
Romance-folhetim em tela: linguagem, personagens e sentidos sociais |
2020 |
Brazil, Faith Baldwin, gender, film/movies |
| Sabo, Oana |
Translingualism 2.0 |
2024 |
France, linguistics |
| Sagun, Karryl Kim Abella |
Book Mavens of Manila: an interpretative phenomenological analysis of contemporary niche publishers in the Philippines |
2019 |
Philippines, Publishing, Mina V. Esguerra |
| Bleton, Paul; Saint-German, Richard |
Les hauts et les bas de l'imaginaire western dans la culture médiatique |
1997 |
|
| Saint-Jacques, Denis |
La recherche sur le roman sentimental au CRELIQ de l'Université de Laval |
1990 |
romance scholarship |
| Saint-Jacques, Denis; de la Garde, Roger |
Les pratiques culturelles de grande consommation. Le marché francophone |
1992 |
|
| Bettinotti, Julia; Bleton, Paul; des Rivières, Marie-José; Saint-Jacques, Denis |
Lecture paralittéraire québécoise : les femmes et le travail de 1945 à aujourd’hui |
1994 |
Canada, Harlequin Mills & Boon |
| Saint-Jacques, Denis; Bettinotti, Julia; des Rivières, Marie-José; Bleton, Paul; Savoie, Chantal |
Femmes de rêve au travail : les femmes et le travail dans les productions écrites de grande consommation, au Québec, de 1945 à aujourd'hui |
1998 |
Canada, work, gender, Delly, Barbara Cartland, Harlequin Mills & Boon, Charlotte Lamb, Janet Dailey |
| Saint-Jacques, Denis |
L'acte de lecture |
1998 |
|
| Saint-Jacques, Denis |
Que vaut la littérature? |
2000 |
|
| Saint-Jacques, Denis; des Rivières, Marie-José |
Le féminisme problématique d’un roman d’amour, Anne Mérival |
2011 |
Older and/or precursor texts (may not be "romance" as now defined), feminism, work, marriage, war/armed forces, Canada, trash/literary and or intellectual quality, Delly, religion/spirituality, romances in magazines and newspapers |
| Salamone, Frank A. |
Global Cultures |
2009 |
|
| Sales, Roger |
The Loathsome Lord and the Disdainful Dame: Byron, Cartland and the Regency Romance |
1999 |
Barbara Cartland, historical romance |
| Salmon, Catherine; Symons, Donald |
Warrior Lovers: Erotic Fiction, Evolution and Female Sexuality |
2003 |
evolutionary psychology, m/m romance, sex/sexuality |
| Salmon, Catherine |
Crossing the Abyss: Erotica and the Intersection of Evolutionary Psychology and Literary Studies |
2005 |
evolutionary psychology, sex/sexuality, feminism, pornography, fanfiction |
| Salmon, Catherine |
The Pop Culture of Sex: An Evolutionary Window on the Worlds of Pornography and Romance |
2012 |
evolutionary psychology, pornography, gender, feminism |
| Salmon, Catherine |
What Do Romance Novels, Pro Wrestling, and Mack Bolan Have in Common?: Consilience and the Pop Culture of Storytelling |
2016 |
evolutionary psychology |
| Salter, Anastasia |
Plundered Hearts: Infocom, Romance, and the History of Feminist Game Design |
2020 |
computer/video/digital games, pirates and outlaws, fashion/clothing, feminism |
| Salvador Miguel, Nicasio |
Letras de la España contemporánea. Homenaje a José Luis Varela |
1995 |
|
| Salvador Miguel, Nicasio |
¿Hay precedentes de la novela rosa? |
1995 |
Older and/or precursor texts (may not be "romance" as now defined), genre definitions, trash/literary and or intellectual quality |
| Sama, Lisa Mary |
Love's Ardent Writer |
1982 |
Barbara Delinsky |
| Samuel, Barbara |
The Art of Romance Novels |
1997 |
Ruth Wind/Barbara Samuel/Barbara O'Neal, authors, feminism, emotions, gender, readers |
| Borham-Puyal, Miriam; Sánchez, Jorge Diego; García-Pérez, María-Isabel |
Documentando la memoria cultural: las mujeres en las (auto)narraciones exocanónicas |
2020 |
|
| Sánchez Alvarez-Insúa, Alberto |
Entre la aristocracia y el falangismo: Carmen de Icaza, una escritora falangista representante del fascismo español del primer franquismo y su novela Cristina Guzmán, profesora de idiomas |
2009 |
Carmen de Icaza, Spain, fascism/right-wing authoritarianism |
| Sánchez Calle, Pilar; Malcolm, David; López-Peláez Casellas, Jesús |
Masquerades: Disguise in Literature in English from the Middle Ages to the Present |
2004 |
|
| Sánchez-Palencia Carazo, Carolina |
El discurso femenino de la novela rosa en lengua inglesa la mujer como protagonista, autora y lectora del género |
1994 |
gender, authors, readers, genre definitions, Older and/or precursor texts (may not be "romance" as now defined), gothic romance, historical romance, erotic romance, Katherine V. Forrest |
| Sánchez-Palencia Carazo, Carolina |
El discurso femenino de la novela rosa en lengua inglesa |
1997 |
gender |
| Sanconie, Maïca |
Au-delà du vertige. Mises en abyme ou la traduction des réseaux de clichés dans les romans Harlequin |
2001 |
Harlequin Mills & Boon, translation, emotions |
| Sanconie, Maïca |
« Tout un monde d’évasion » : adapter les romans sentimentaux pour un lectorat français |
2010 |
historical romance, translation, settings, Julie Anne Long, Pamela Britton, France, UK, United States of America |
| Sandbakken, Asta Margrethe |
Feeling Men: Masculinity, Sexuality, and Emotion in the Contemporary Romance |
2016 |
sex/sexuality, gender, Nora Roberts/J. D. Robb, Susan Elizabeth Phillips, emotions |
| Sanders, Lise Shapiro |
Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920 |
2006 |
social/economic class, history, gender, readers, Older and/or precursor texts (may not be "romance" as now defined), Publishing, romances in magazines and newspapers, work |
| Sanders, Lise Shapiro |
Making the Modern Girl: Fantasy, Consumption, and Desire in Romance Weeklies of the 1920s |
2018 |
romances in magazines and newspapers, gender, social/economic class, fashion/clothing, work, Older and/or precursor texts (may not be "romance" as now defined) |
| Sanders, Lise Shapiro |
Girls Growing Up: Reading ‘Erotic Bloods’ in Interwar Britain |
2024 |
romances in magazines and newspapers, Older and/or precursor texts (may not be "romance" as now defined), readers |
| Riba, Caterina; Sanmartí, Carme |
La traducción de literatura sentimental entre 1920 y 1960. El rosario de Florence Barclay: versiones, adaptaciones y censura |
2018 |
Florence Barclay, translation, Spain |
| Riba, Caterina; Sanmartí, Carme |
The Reception of Elinor Glyn's Work in Spain (1926–57) |
2018 |
Elinor Glyn, Spain, Rafael Pérez y Pérez, religion/spirituality, sex/sexuality |
| Riba, Caterina; Sanmartí, Carme |
Semblanza de La Novela Rosa (Barcelona, 1924-1937, Madrid, 1939-1948) |
2021 |
Publishing, translation, Spain, Older and/or precursor texts (may not be "romance" as now defined) |
| Sanmartí i Roset, Carme; Sanmartí Roset, Montserrat |
La transmisión de los valores femeninos a través de la lectura (1900-1939) |
2008 |
Spain, readers, gender, religion/spirituality, social/economic class, work, marriage |
| Sanmartí i Roset, Carme; Sanmartí Roset, Montserrat |
La transmisión de los valores femeninos a través de la lectura (1900-1939) |
2008 |
Spain, readers, gender, religion/spirituality, social/economic class, work, marriage |
| Riba Sanmartí, Caterina; Sanmartí Roset, Carme |
Censura moral en la novela rosa. El caso de Elinor Glyn. |
2017 |
Elinor Glyn, Spain, fascism/right-wing authoritarianism, translation, Older and/or precursor texts (may not be "romance" as now defined) |
| Sanna, Antonio |
Pirates in History and Popular Culture |
2018 |
pirates and outlaws, historical romance |
| Barkman, Adam; Sanna, Antonio |
A Critical Companion to Robert Zemeckis |
2020 |
|
| Santa, Angels |
Delly et ses illustrateurs |
2011 |
Delly |
| Santa, Angels; Buard, Jean-Luc |
Delly romancière |
2011 |
Delly |
| Buard, Jean-Luc; Santa, Angels |
L’Œuvre de Delly |
2011 |
Delly |
| Santaemilia, José |
Gender, Sex and Translation: The Manipulation of Identities |
2005 |
|
| Santaulària, Isabel |
The Fallacy of Eternal Love: Romance, Vampires and the Deconstruction of Love in Linda Lael Miller's Forever and the Night and For All Eternity |
2002 |
paranormal/fantasy/time-travel romance, death, happy ending, Linda Lael Miller, gender, religion/spirituality |
| Allan, Jonathan A.; Santos, Cristina; Spahr, Adriana |
Virgin Envy: The Cultural Insignificance of the Hymen |
2016 |
|
| Anita,; Nababan, Mangatur Rudolf; Santosa, Riyadi; Wibowo, Agus Hari |
Shift on Functions of Sexual Euphemisms in English-Indonesian Translation of Duke of Her Own by Eloisa James |
2020 |
translation, sex/sexuality, Indonesia, Eloisa James |
| Sanyal, Madhuparna |
Re-imagining the late-colonial Anglo-Indian woman's romance: Reading Maud Diver |
2008 |
Maud Diver, India, UK, race/ethnicity, Older and/or precursor texts (may not be "romance" as now defined) |
| Wyatt, Neal; Olsen, Georgine; Ramsdell, Kristin; Saricks, Joyce; Welch, Lynne |
Core Collections in Genre Studies: Romance Fiction 101 |
2007 |
libraries/librarians, historical romance, romantic suspense, paranormal/fantasy/time-travel romance, genre definitions |
| Sarwal, Amit; Sarwal, Reema |
Reading Down Under: Australian Literary Studies Reader |
2009 |
|
| Sarwal, Amit; Sarwal, Reema |
Reading Down Under: Australian Literary Studies Reader |
2009 |
|
| Johnson-Woods, Toni; Sarwal, Amit |
Sold by the Millions: Australia's Bestsellers |
2012 |
|
| Satoh, Kyoko |
Ideologically Constructed Intimacy: Personal Address in Japanese Romance Novels |
2013 |
Japan, linguistics, love |
| Saunders, Corinne |
A Companion to Romance: From Classical to Contemporary |
2004 |
|
| Savchuk, O. H.; Marchenko, N. M. |
The concept of LOVE and its conceptualization in modern English romance novels |
2018 |
love, metaphor/symbolism, linguistics |
| Savinainen, Raija |
Gender-specific features of male/female interaction in a popular romantic novel by Barbara Cartland |
2001 |
linguistics, Barbara Cartland, gender |
| Bettinotti, Julia; Savoie, Chantal |
Du bon sauvage au beau sauvage : un roman d’amour "politically correct" |
1997 |
United States of America, Native American romance |
| Saint-Jacques, Denis; Bettinotti, Julia; des Rivières, Marie-José; Bleton, Paul; Savoie, Chantal |
Femmes de rêve au travail : les femmes et le travail dans les productions écrites de grande consommation, au Québec, de 1945 à aujourd'hui |
1998 |
Canada, work, gender, Delly, Barbara Cartland, Harlequin Mills & Boon, Charlotte Lamb, Janet Dailey |
| Desmet, Christy; Sawyer, Robert |
Shakespeare and Appropriation |
1999 |
|
| Saxena, Vandana |
Memory and Nation-Building: World War II in Malaysian Literature |
2022 |
Malaysia, Noel Barber |
| Saxena, Vandana |
Afterlives of Colonialism: Nostalgia, Reader’s Response and the Case of Noel Barber’s Tanamera |
2023 |
historical romance, history, race/ethnicity, UK, Singapore, national identity, readers, Malaysia, war/armed forces, settings, Noel Barber |
| Harrow, Sharon R.; Saxton, Kirsten T. |
Adapting the Eighteenth Century: A Handbook of Pedagogies and Practices |
2020 |
|
| Sceats, Sarah; Cunningham, Gail |
Image & Power: Women in Fiction in the Twentieth Century |
1996 |
|
| Hiergeist, Teresa; Schäfer, Stefanie |
Ladies in Arms: Women, Guns, and Feminisms in Contemporary Popular Culture |
2024 |
feminism |
| Schalk, Sami |
Happily Ever After for Whom? Blackness and Disability in Romance Narratives |
2016 |
disability, race/ethnicity, sex/sexuality, African American romance, Gwynne Forster, gender, war/armed forces, N. K. Jemisin, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Big Bad Wolf: Masculinity and Genetics in Popular Culture |
2007 |
animals, health/medical, gender, evolutionary psychology, paranormal/fantasy/time-travel romance |
| Schell, Heather |
The Love Life of a Fact |
2011 |
gender, evolutionary psychology, authors, feminism, romance scholarship, sex/sexuality, animals, Linda Howard, paranormal/fantasy/time-travel romance |
| Schell, Heather |
Bringing the Mid-West to the Middle-East: An Analysis of a Harlequin Romance in English and Turkish |
2013 |
translation, Harlequin Mills & Boon, Turkey, Shirley Jump, readers, family, social/economic class, gender |
| Schell, Heather; Brown, Ann K. G. |
Romancelandia on Twitter: Designing a Digital Humanities Research Assignment for First-Year Writing Students |
2018 |
teaching romance, authors |
| Schell, Heather; Larsen, Katherine |
How the Story Ends: Gender, Sexuality, and Nation in the Happy Ending |
2019 |
happy ending, Sonali Dev, Radclyffe/Len Barot, United States of America, gender, trash/literary and or intellectual quality |
| Schell, Heather |
After “I Do”: Turkish Harlequin Readers Re-Imagine the Happy Ending |
2020 |
Turkey, Harlequin Mills & Boon, happy ending, Shirley Jump, family, readers, love, work |
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Brock, Alexander; Pflaeging, Jana; Schildhauer, Peter |
Genre Emergence: Developments in Print, TV and Digital Media |
2019 |
|
| Schiffman, Leon G.; Schnaars, Steven P. |
The Consumption of Historical Romance Novels: Consumer Aesthetics in Popular Literature |
1981 |
historical romance, Publishing, readers |
| Schoene, Berthold |
The Edinburgh Companion to Contemporary Scottish Literature |
2007 |
|
| Jandl, Ingeborg; Knaller, Susanne; Schönfellner, Sabine; Tockner, Gudrun |
Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature |
2017 |
|
| Schopp, Claude |
Delly. Les Trois châteaux d’Ourida |
2011 |
Delly |
| Schultz Nybacka, Pamela |
Bookonomy: The Consumption Practice and Value of Book Reading |
2011 |
Sweden, Harlequin Mills & Boon, readers, trash/literary and or intellectual quality, Publishing |
| Sullivan, Larry E.; Schurman, Lydia Cushman |
Pioneers, Passionate Ladies, and Private Eyes: Dime Novels, Series Books, and Paperbacks |
1996 |
|
| Schurman, Lydia Cushman; Johnson, Deidre |
Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America |
2002 |
|
| Schwab, Sandra Martina |
Of Dragons, Knights, and Virgin Maidens: Dragonslaying and Gender Roles from Richard Johnson to Modern Popular Fiction |
2013 |
historical romance, Teresa Medeiros, Gaelen Foley, Stephanie Laurens, metaphor/symbolism, genre definitions, Harlequin Mills & Boon, happy ending, Sandra Schwab, gender, Penelope Williamson, animals, Julia Ross, virginity, romance scholarship |
| Schwab, Sandra |
“It Is Only with One’s Heart That One Can See Clearly”: The Loss of Sight in Teresa Medeiros’s The Bride and the Beast and Yours until Dawn |
2012 |
disability, Teresa Medeiros, metaphor/symbolism, fairytales/folktales, settings, Charlotte Brontë, myth |
| Gilmour, Rachael; Schwarz, Bill |
End of Empire and the English Novel since 1945 |
2011 |
|
| Scott, Alison M. |
Romance in the Stacks; or, Popular Romance Fiction Imperiled |
2002 |
libraries/librarians, trash/literary and or intellectual quality, romance scholarship |
| Scupham, Hannah Elizabeth |
“Reader, I Married Him”: Readership, Imagination, and Politics of the Marriage Plot in the Nineteenth-Century Novel |
2022 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), readers, Jane Austen, Elizabeth Gaskell, George Eliot |
| Seale, Maura |
"I find some Hindu practices like burning widows, utterly bizarre": Representations of Sati and Questions of Choice in Veils of Silk |
2007 |
Mary Jo Putney, India, historical romance, feminism, race/ethnicity, gender, religion/spirituality, death, family, marriage |
| Secrease, Cassandra L |
A comparative analysis of lesbian romance novels and heterosexual romance novel themes |
2000 |
LGBTQ+ characters, readers and/or authors, Karin Kallmaker, Peggy Herring, Lyn Denison, Katherine V. Forrest, Diana Simmonds |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Seidel, Kathleen Gilles |
Judge Me by the Joy I Bring |
1992 |
readers, happy ending, love, settings, emotions, feminism |
| Seifert, Christine |
Virginity in Young Adult Literature after Twilight |
2015 |
YA/teenage romance, paranormal/fantasy/time-travel romance, sex/sexuality, virginity, Twilight, contemporary romance |
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBTQ+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Selinger, Margaret |
“Midsummer Nights’ Affaires:” Shakespeare in the Work of Eloisa James |
2021 |
Eloisa James, Shakespeare, trash/literary and or intellectual quality |
| Selinger, Eric Murphy |
Foils and Fakers, Monsters and Makers |
2006 |
Georgette Heyer, Eloisa James, A. S. Byatt |
| Selinger, Eric Murphy |
Rereading the Romance |
2007 |
romance scholarship |
| Selinger, Eric Murphy |
How to Read a Romance Novel (and Fall in Love with Popular Romance) |
2012 |
close reading, trash/literary and or intellectual quality, Laura Kinsale, marriage, Milton, disability, religion/spirituality, love |
| Selinger, Eric Murphy; Frantz, Sarah S. G. |
Introduction: New Approaches to Popular Romance Fiction |
2012 |
Loretta Chase, romance scholarship |
| Frantz, Sarah S. G.; Selinger, Eric Murphy |
New Approaches to Popular Romance Fiction: Critical Essays |
2012 |
|
| Selinger, Eric Murphy |
Nothing But Good Times Ahead: A Special Forum on Jennifer Crusie (Editor’s Introduction) |
2012 |
Jennifer Crusie, romance scholarship, marriage, family, feminism |
| Moore, Kate; Selinger, Eric Murphy |
The Heroine as Reader, the Reader as Heroine: Jennifer Crusie’s Welcome to Temptation |
2012 |
Jennifer Crusie, readers, metafiction, romance scholarship, sex/sexuality, marriage |
| Selinger, Eric Murphy |
My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na |
2014 |
film/movies, metafiction |
| Selinger, Eric Murphy |
An Interview with Susan Elizabeth Phillips |
2015 |
Susan Elizabeth Phillips, rape and/or intimate partner violence/abuse, romance scholarship, United States of America, religion/spirituality, authors |
| Selinger, Eric Murphy |
Erotica: romance novels |
2015 |
genre definitions |
| Selinger, Eric Murphy; Gleason, William A. |
Introduction: Love as the Practice of Freedom? |
2016 |
genre definitions, Nell Stark, romance scholarship |
| Gleason, William A.; Selinger, Eric Murphy |
Romance Fiction and American Culture: Love as the Practice of Freedom? |
2016 |
|
| Frantz Lyons, Sarah; Selinger, Eric Murphy |
Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance |
2016 |
historical romance, Kathleen Woodiwiss, feminism, sex/sexuality, Rosemary Rogers, rape and/or intimate partner violence/abuse, United States of America |
| Selinger, Eric Murphy |
When I Paint My Masterpiece: Bob Dylan, Ekphrasis, and the Art of Susan Elizabeth Phillips |
2016 |
Susan Elizabeth Phillips, metafiction, close reading, trash/literary and or intellectual quality, gender, music |
| Selinger, Eric Murphy |
Use Heart in Your (Re)Search: The Invitations of Popular Romance |
2018 |
teaching romance, readers, Sherry Thomas, trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy |
On Teaching, Not Teaching, and Teaching The Sheik |
2020 |
teaching romance, E. M. Hull, music, race/ethnicity |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Selinger, Eric Murphy |
Cant and Canonicity |
2022 |
romance scholarship, trash/literary and or intellectual quality, teaching romance, genre definitions |
| Selinger, Eric Murphy |
Disaggregating attraction: asexuality and genre critique in Alex Beecroft's Blue Steel Chain |
2022 |
Alex Beecroft, LGBTQ+ characters, readers and/or authors, sex/sexuality, religion/spirituality, love, marriage, Ann Herendeen, metafiction, trash/literary and or intellectual quality, Christian romance, food, drink, metaphor/symbolism |
| Selinger, Eric Murphy |
Disenchantment and its discontents: “modern love” and irony in popular romance fiction |
2022 |
love, Jennifer Crusie, science/technology, religion/spirituality, marriage, Alisha Rai, feminism, emotions, Alexis Hall, metafiction, Francine Rivers, fairytales/folktales, health/medical |
| Selinger, Eric Murphy |
The wild heart of the continent: love and place in the Silk Road novels of Sherry Thomas |
2022 |
Sherry Thomas, settings, trash/literary and or intellectual quality, love, Buddhism, religion/spirituality, historical romance, race/ethnicity, China, Asia |
| Sequeiros, Paula |
“Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison |
2018 |
readers, Portugal |
| Serafine, Amelia |
"He Filled My Heart with Doubt": The Southern Belle's Love and Duty in the Civil War |
2016 |
history, United States of America, Older and/or precursor texts (may not be "romance" as now defined), Augusta Jane Evans, death, war/armed forces, religion/spirituality, gender, Edward Bulwer-Lytton, readers |
| Şerban, Andreea |
Romancing the Paranormal: A Case Study of J.R. Ward’s The Black Dagger Brotherhood |
2012 |
paranormal/fantasy/time-travel romance, J. R. Ward, LGBTQ+ characters, readers and/or authors, sex/sexuality |
| Serisier, Tanya |
On Not Reading Fifty Shades: Feminism and the Fantasy of Romantic Immunity |
2015 |
Fifty Shades, readers, feminism, rape and/or intimate partner violence/abuse |
| Servén, Carmen |
Éxito y olvido de Carmen de Icaza |
2005 |
Carmen de Icaza |
| Servén, Carmen |
Mujer y persona narrativa en tres novelas de siglo XX: Carmen de Icaza, Carmen Martín Gaite y Rosa Montero |
2020 |
Carmen de Icaza |
| Servén Díez, Carmen |
Novela rosa, novela blanca y escritura femenina en los años cuarenta: la evolución de Carmen de Icaza |
1996 |
Carmen de Icaza, Spain, work, Rafael Pérez y Pérez, marriage |
| Service, Alexandra |
Popular Vikings: Constructions of Viking Identity in Twentieth Century Britain |
1998 |
historical romance, Heather Graham, Johanna Lindsey, Catherine Coulter, Betina Krahn, rape and/or intimate partner violence/abuse, history, war/armed forces |
| Sevilla, Florencio; Alvar, Carlos |
Actas del XIII Congreso de la Asociación Internacional de Hispanistas: Madrid 1998: IV: Historia y sociedad comparada y otros estudios |
2000 |
|
| Shachar, Hila |
A Post-Feminist Romance: Love, Gender and Intertextuality in Stephenie Meyer's Saga |
2011 |
Twilight, Emily Brontë, Charlotte Brontë, Harlequin Mills & Boon |
| Harvey, Keith; Shalom, Celia |
Language and Desire: Encoding Sex, Romance, and Intimacy |
1997 |
|
| Coles, Claire D.; Shamp, M. Johnna |
Some Sexual, Personality, and Demographic Characteristics of Women Readers of Erotic Romances |
1984 |
readers, erotic romance, sex/sexuality, pornography |
| Shapiro, Joan; Kroeger, Lee |
Is Life a Romantic Novel? The Relationship Between Attitudes About Intimate Relationships and the Popular Media |
1991 |
psychology, readers |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
It Takes (at least) Two: The Work to Make Romance Work |
2023 |
Publishing, authors, readers |
| Sheehan, Sarah E.; Stevens, Jen |
Creating a Popular Romance Collection in an Academic Library |
2015 |
libraries/librarians |
| Sheehan, Sarah E. |
The “Popular Romance Canon”: An Academic Librarian’s Response |
2022 |
romance scholarship, libraries/librarians |
| Sheerman, Lucy |
“Place the glass before you, and draw in chalk your own picture”: The Recasting of Jane Eyre |
2022 |
Charlotte Brontë, Beverly Jenkins, Alyssa Cole, race/ethnicity |
| Macdonald, Andrew; Macdonald, Gina; Sheridan, Mary Ann |
Shape-shifting: Images of Native Americans in Recent Popular Fiction |
2000 |
Native American romance, race/ethnicity |
| Bontly, Susan W.; Sheridan, Carol J. |
Enchanted Journeys Beyond the Imagination: An Annotated Bibliography of Fantasy, Futuristic, Supernatural, and Time Travel Romances |
1996 |
paranormal/fantasy/time-travel romance |
| Zhou, Yanyan; Paul, Bryant; Sherman, Ryland |
Still a Hetero-Gendered World: A Content Analysis of Gender Stereotypes and Romantic Ideals in Chinese Boy Love Stories |
2018 |
m/m romance, gender, China, LGBTQ+ characters, readers and/or authors |
| Sherman, Jen |
Reading Infrastructures in the Contemporary City: A Study of Three Public Libraries in Sydney |
2016 |
libraries/librarians, Australia |
| Sherwood, Kim |
Pride and prejudice: metafiction and the value of historical romance in Georgette Heyer |
2021 |
Georgette Heyer, metafiction, trash/literary and or intellectual quality |
| Okamoto, Shigeko; Shibamoto Smith, Janet S. |
Japanese Language, Gender, and Ideology: Cultural Models and Real People |
2004 |
|
| Shibamoto Smith, Janet S. |
Language and Gender in the (Hetero)Romance: "Reading" the Ideal Hero/ine through Lovers' Dialogue in Japanese Romance Fiction |
2004 |
Japan |
| Shibamoto Smith, Janet S. |
Translating True Love: Japanese Romance Fiction, Harlequin-Style |
2005 |
Japan, Harlequin Mills & Boon, linguistics, gender, emotions, translation |
| Shibamoto Smith, Janet S. |
Changing Lovestyles: Fictional Representations of Contemporary Japanese Men in Love |
2008 |
love, gender, Japan, marriage, linguistics |
| Shields, Juliet |
Preaching without Practicing: Middle-Class Domesticity in Annie S. Swan's Serial Fiction |
2019 |
Annie S. Swan |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Shore, Z. Lesley |
Essay Review: Girls Learning, Women Teaching: Dancing to Different Drummers |
2000 |
readers |
| Cooper, Katherine; Short, Emma |
The Female Figure in Contemporary Historical Fiction |
2012 |
|
| Short, Christopher Brown |
The history of romance illustration and the romance novel cover |
1996 |
paratext |
| Lawrey, Jeffrey A.; McLuckie, Alyx; Mulberry, Benjamin J.; Mullins, Erin K.; Shuler, Autumn R.; Kratzer, Jessica M. W. |
Communication, Kink, and Sexual Education: What Young Women Learned from Fifty Shades of Grey |
2018 |
Fifty Shades, readers, sex/sexuality, erotic romance, BDSM |
| Shumway, David R. |
Romance in the Romance: Love and Marriage in Turn-of-the-Century Best Sellers |
1999 |
Older and/or precursor texts (may not be "romance" as now defined), love, marriage, history, national identity |
| Sichelschmidt, Gustav |
Hedwig Courths-Mahler. Deutschlands erfolgreichste Autorin. Eine literatursoziologische Studie |
1967 |
Hedwig Courths-Mahler |
| Grossmann, Francis; Gymnich, Marion; Siepmann, Dirk |
Alcohol and Tobacco Consumption in English and French Novels Since the 1950s: A Corpus-Stylistic Analysis |
2020 |
food, drink, linguistics, history, gender, emotions, social/economic class |
| Novakova, Iva; Siepmann, Dirk |
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives |
2020 |
linguistics, languages, translation |
| Silliman, Daniel |
Fictions of Belief: Reading Evangelical Novels in A Secular Age |
2016 |
Christian romance, religion/spirituality, United States of America, Janette Oke, Beverly Lewis, Publishing |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Livros do Coração: uma análise dos romances sentimentais do Século XX |
2008 |
Delly, Brazil, linguistics, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A vida em cor de rosa: o romance sentimental e a ditadura militar no Brasil |
2010 |
Corín Tellado, Brazil, history, capitalism/business, love, marriage, gender, readers, fascism/right-wing authoritarianism |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Corpos que falam: erotismo, amor e paixão no romance sentimental |
2010 |
Elinor Glyn, sex/sexuality |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
A pedagogia social dos romances de amor dos “tempos da vovó” |
2013 |
Brazil, Publishing, readers, gender, social/economic class, Delly, Elinor Glyn, Berta Ruck, Concordia Merrel |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O Consumo de Romances e o Universo Feminino: As Práticas de Leitura dos Livros do Coração |
2013 |
readers, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
O que é o romance ideal? Uma cartografia dos romances mais populares publicados pela Harlequim-Silhouette entre 1977 e 2012 |
2013 |
Brazil, Harlequin Mills & Boon |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório |
Os Romances Sentimentais e suas Comunidades de Leitura |
2014 |
Brazil, readers |
| Silva, Erotilde Honório; Andrade, Roberta Manuela Barros de |
Os romances sentimentais e a revolução digital: os processos de criação dos projetos de democratização da leitura nos livros do coração |
2015 |
Publishing, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia |
O casamento em perigo no romance sentimental de Corin Tellado e a imprensa feminina na ditadura militar brasileira |
2017 |
Brazil, Corín Tellado, marriage, fascism/right-wing authoritarianism |
| Andrade, Roberta Manuela Barros de; Feitosa, Ricardo Augusto de Sabóia; Silva, Erotilde Honório |
Emoção e moralidade em tempos de ruptura: o estupro nas relações conjugais nos romances sentimentais e suas comunidades de leitura |
2019 |
rape and/or intimate partner violence/abuse, marriage, readers, Brazil |
| Andrade, Roberta Manuela Barros de; Silva, Erotilde Honório; Feitosa, Ricardo Augusto de Sabóia; Viana, Thiago Mena Barreto |
Um século de romances de amor: A trajetória da literatura sentimental no Brasil (1920 - 2020) |
2020 |
Brazil |
| Leith, Murray Stewart; Sim, Duncan |
The Modern Scottish Diaspora: Contemporary Debates and Perspectives |
2014 |
|
| Simon, Jenni M. |
Consuming Agency and Desire in Romance: Stories of Love, Laughter, and Empowerment |
2018 |
feminism, authors, romance and, or as, activism, rape and/or intimate partner violence/abuse |
| Kohlman, Marla H.; Simpson, Samantha N. |
For the Sake of Hearth and Home: Gender Schematicity in the Romance Novel |
2017 |
gender, Harlequin Mills & Boon, race/ethnicity, work, marriage, family |
| Gillis, Bryan; Simpson, Joanna |
Sexual Content in Young Adult Literature: Reading between the Sheets |
2015 |
YA/teenage romance, sex/sexuality |
| Chakrabarti, Reema; Singh, Rajni |
Gender Stereotypes and Feminist Strokes: Negotiating the Spaces in Mills and Boon |
2016 |
Harlequin Mills & Boon, Sandra Marton, Riya Lakhani, Tessa Radley, gender, feminism |
| Ya’u, Mohammed Sani; Rashid, Sabariah Md; Ali, Afida Mohamad; Singh, Hardev Kaur Jujar |
Semantic Extensions of Hausa Visual and Auditory Perception Verbs gani and ji in Romance Fiction |
2023 |
linguistics |
| Sinha, Mona |
Reading Mills and Boon in India From the Post-Colonial to the Millennial Experience |
2022 |
India, Harlequin Mills & Boon, readers, chick lit |
| Sinner, Carsten |
Fictional orality in romance novels: Between linguistic reality and editorial requirements |
2012 |
translation, languages |
| Slušná, Zuzana |
Paranormal and Religious as Part of Pop Cultural Consumerism |
2014 |
paranormal/fantasy/time-travel romance, religion/spirituality |
| Slušná, Zuzana |
Postfeminism, Post-romantic and New Patterns of Feminity [sic] in Popular Culture |
2015 |
readers, gender, sex/sexuality, pornography, trash/literary and or intellectual quality |
| Slusser, George E.; Rabkin, Eric S. |
Intersections: Fantasy and Science Fiction |
1987 |
|
| Smáradóttir, Helena María |
Love as a Commodity: Brand-Name Romantic Fiction and its Readers. The Domain and Readership of Harlequin Enterprises, Both in Iceland and Abroad |
2009 |
Harlequin Mills & Boon, Iceland, readers |
| Šmídová, Monika Markéta |
Five Thousand for Justice: The Use of English Folklore in the Novels of KJ Charles |
2021 |
K. J. Charles, fairytales/folktales, LGBTQ+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, historical romance, social/economic class, community, family |
| Šmídová, Monika Markéta |
“Oh, my friend, those weren’t angels”: Trauma, Recovery and Folklore in The Secret Casebook of Simon Feximal and Spectred Isle by KJ Charles |
2024 |
K. J. Charles, paranormal/fantasy/time-travel romance, health/medical, war/armed forces, family, fairytales/folktales |
| Smith, William Clay Kinchen |
Revising Captivity Narratives |
2002 |
United States of America, historical romance, Native American romance, Fern Michaels, race/ethnicity, Nan Ryan, Karen A. Bale |
| Churchwell, Sarah; Smith, Thomas Ruys |
Must Read: Rediscovering American Bestsellers from Charlotte Temple to The Da Vinci Code |
2012 |
|
| Smith, Michelle J.; Moruzi, Kristine |
Vampires and Witches Go to School: Contemporary Young Adult Fiction, Gender, and the Gothic |
2018 |
YA/teenage romance, gothic romance, paranormal/fantasy/time-travel romance |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Moruzi, Kristine; Rodgers, Beth; Smith, Michelle J. |
The Edinburgh History of Children's Periodicals |
2024 |
|
| Smith, Lindsay Lea |
Feminism and romance novels : is Irigaray's utopia found in bestselling romance novels? |
2006 |
feminism |
| Smith, Josefine; Kollman, Kathleen W. Taylor |
Still Reading Romance: Identity and Engagement with Popular Romance Fiction |
2025 |
readers |
| Smith, Janet S. (Shibamoto) |
From Hiren to Happî-endo: Romantic Expression in the Japanese Love Story |
1999 |
Japan, marriage, love, linguistics, family, metaphor/symbolism, emotions |
| Trower, Shelley; Tooth Murphy, Amy; Smith, Graham |
‘Me mum likes a book, me dad’s a newspaper man’: Reading, gender and domestic life in ‘100 Families’ |
2019 |
gender, readers |
| Smith, Faith |
Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad |
1999 |
Caribbean, race/ethnicity, Valerie Belgrave, feminism, national identity |
| Deller, Ruth A.; Smith, Clarissa |
Reading the BDSM romance: Reader responses to Fifty Shades |
2013 |
Fifty Shades, BDSM, readers, trash/literary and or intellectual quality, sex/sexuality |
| Smith, Clarissa; Attwood, Feona; McNair, Brian |
The Routledge Companion to Media, Sex and Sexuality |
2018 |
|
| Snitow, Ann Barr |
Mass Market Romance: Pornography for Women is Different |
1979 |
Harlequin Mills & Boon, readers, gender, virginity, fashion/clothing, food, drink, sex/sexuality, religion/spirituality, settings, work, pornography, Anne Mather |
| Snodgrass, Mary Ellen |
Reading Nora Roberts |
2010 |
Nora Roberts/J. D. Robb |
| Snyman, Maritha; Penzhorn, Cecilia |
Leser en Konteks: ’n resepsiestudie oor Afrikaanse romanselesers |
2011 |
readers, South Africa |
| Petersson, Sara; Söderberg, Daniel |
En berättelse tar form - en studie i hur geometrisk form på bokomslag indikerar populärlitterär genre |
2014 |
paratext |
| Soedibio, Sari M. R. D.; Djundjung, Jenny M. |
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s |
2013 |
gender, Harlequin Mills & Boon, Nora Roberts/J. D. Robb, Diana Palmer, Penny Jordan/Caroline Courtney, Debbie Macomber, Linda Lael Miller, Robyn Carr |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Soler Gallo, Miguel |
La novela romántica falangista femenina de los años cuarenta |
2013 |
Spain, fascism/right-wing authoritarianism |
| Soler Gallo, Miguel |
El Bien y el Mal: Modelos de conducta femeninos en la novela rosa de los 40 |
2014 |
fascism/right-wing authoritarianism, Spain, gender |
| Soler Gallo, Miguel |
Vencer a Medusa: el modelo de mujer angelical en la primera novela rosa de Carmen de Icaza. Feminidad y tradicionalismo |
2015 |
Carmen de Icaza, fascism/right-wing authoritarianism, gender, family |
| Soler Gallo, Miguel |
El ideal de la mujer de la Sección Femenina de Falange a través de las ilustraciones de la novela rosa de los años cuarenta |
2016 |
gender, fascism/right-wing authoritarianism, Spain, paratext, Carmen de Icaza |