| Dudek, Debra; Reid Boyd, Elizabeth; Grobbelaar, Madalena; Williams, Rose |
Tingles and Shivers: First Kisses and Intimate Civility in Eliza Redgold’s Historical Harlequin Romances Pre–and Post-#MeToo |
2022 |
Harlequin Mills & Boon, sex/sexuality, Elizabeth Reid Boyd (pen name Eliza Redgold), psychology, feminism |
| Nankervis, Madison |
Diversity in Romance Novels: Race, Sexuality, Neurodivergence, Disability, and Fat Representation |
2022 |
Publishing, race/ethnicity, sex/sexuality, LGBT+ characters, readers and/or authors, disability, fat, fatness |
| Brunet, Peyton; Davis, Blair |
Comic Book Women: Characters, Creators, and Culture in the Golden Age |
2022 |
comics/manga, African American romance, LGBT+ characters, readers and/or authors |
| Hanson, Donna Maree |
Romance fiction as a bridge to understanding changing gender roles in society |
2022 |
readers, authors, feminism, gender, science fiction/futuristic romance, rape and/or intimate partner violence/abuse, Rachel Lee/Sue Civil-Brown, Rosemary Carter, Darynda Jones, Penny Jordan/Caroline Courtney, Daphne Clair, Nora Roberts/J. D. Robb, Robyn Donald, Marjorie Lewty, Pamela Kent, Elizabeth Graham, Donna Maree Hanson |
| Hendricks, Margo |
How a Black Author Found Her Romance History |
2022 |
Margo Hendricks/Elysabeth Grace, Older and/or precursor texts (may not be "romance" as now defined), teaching romance, race/ethnicity, African American romance, readers, Beverly Jenkins, Alyssa Cole, paratext, historical romance, Publishing |
| Wells, Juliette |
Afterword: Sex, Romance, and Representation in Uzma Jalaluddin’s Ayesha at Last |
2022 |
Uzma Jalaluddin, Jane Austen, sex/sexuality, religion/spirituality, Islam |
| Pritchard, Jamee N. |
Reading the Black Romance: Exploring Black Sexual Politics in the Romance Fiction of Rebekah Weatherspoon |
2022 |
Rebekah Weatherspoon, sex/sexuality, African American romance, gender, race/ethnicity, BDSM, erotic romance, feminism, LGBT+ characters, readers and/or authors, Ann Allen Shockley |
| Sharma, Vishal; Bray, Kirsten E.; Kumar, Neha; Grinter, Rebecca E. |
Romancing the Algorithm: Navigating Constantly, Frequently, and Silently Changing Algorithms for Digital Work |
2022 |
Publishing, authors |
| Pérez-Gil, María del Mar |
Mass Tourism, Ecocriticism, and Mills & Boon Romances (1970s-1980s) |
2022 |
Harlequin Mills & Boon, settings, history, Doreen Hornsblow as Sally Wentworth, Spain, Greece, Margaret Rome, Elizabeth Hunter, Violet Winspear, rural romance, Ethel Connell as Katrina Britt, Kay Thorpe, Iris Danbury, ecocriticism/environmentalism/climate change |
| Alcala Gonzalez, Antonio; Sederholm, Carl H. |
Lovecraft in the 21st Century: Dead, But Still Dreaming |
2022 |
|
| Golubov, Nattie |
El placer de la lectura: cuerpos, afectos, textos |
2022 |
|
| Allan, Jonathan A. |
Men, Masculinities, and Infertilities |
2022 |
health/medical, family, gender, LaVyrle Spencer, Emilie Richards |
| Wallace, Jennifer |
Army trenches and school benches: the Philippine-American War in the Sugar Sun series |
2022 |
Jennifer Hallock, war/armed forces, Philippines, United States of America |
| Pérez-Casal, Inmaculada |
La novela rosa o romántica: pasado, presente y futuro |
2022 |
genre definitions, Older and/or precursor texts (may not be "romance" as now defined), romance and, or as, activism, romance scholarship |
| Gehrmann, Susanne |
Varieties of Romance in Contemporary Popular Togolese Literature |
2022 |
Togo, Africa, Serge Azialé/Seraz, Jeannette Ahonsou, romantic suspense, Lauren Ekué, chick lit |
| Ayala Rodríguez, Ida María; Almaral Cereijo, Iraida Thalia |
Deconstructionism of the heroine in the novel The Grand Sophy by Georgette Heyer |
2022 |
Jane Austen, Georgette Heyer |
| Sheehan, Sarah E. |
The “Popular Romance Canon”: An Academic Librarian’s Response |
2022 |
romance scholarship, libraries/librarians |
| Chawla, Gitanjali; Mittal, Sangeeta |
Indian Popular Fiction: Redefining the Canon |
2022 |
|
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Farooqui, Javaria |
Reading historical popular romance in 21st-century Pakistan |
2022 |
Pakistan, readers, historical romance, social/economic class, settings, Julia Quinn, Stephanie Laurens, Judith McNaught, Gaelen Foley |
| Befeler, Paige |
LGBTQ(NA), Queer New Adult Fiction: The Emergence of a New Genre and Its Impact on the LGBTQIA+ Community |
2022 |
YA/teenage romance, LGBT+ characters, readers and/or authors, Casey McQuiston, Morgan Rogers, race/ethnicity |
| Bazenga, Aline |
The sociocultural and linguistic landscape of Madeira: Anglocentric visions in a sample of six romance novels |
2022 |
Portugal, UK, Harlequin Mills & Boon, settings, metaphor/symbolism, linguistics |
| Watson, Courtney |
I Thought You’d Never Ask: Consent in Contemporary Romance |
2022 |
sex/sexuality, K. J. Charles, feminism, romance scholarship |
| Bilodeau, Isabelle |
How Romance Translators Write Themselves and Their Readers into Afterwords |
2022 |
paratext, translation, Japan |
| Allan, Jonathan A. |
‘Impossibly erotic things’: On men’s underwear in Brief Encounters by Suzanne Forster |
2022 |
fashion/clothing, Harlequin Mills & Boon, Suzanne Forster, sex/sexuality, gender |
| LaDousa, Chaise; Davis, Christina P. |
Language, Education, and Identity: Medium in South Asia |
2022 |
|
| Brunet, Peyton; Davis, Blair |
Comic Book Women: Characters, Creators, and Culture in the Golden Age |
2022 |
comics/manga, African American romance, LGBT+ characters, readers and/or authors |
| Moody-Freeman, Julie E. |
Black Cultural Studies and Black Love: Why Black Love Matters |
2022 |
love, race/ethnicity, teaching romance |
| Moody-Freeman, Julie E. |
Romance, Hip-Hop Feminism, and Black Love: From Theory to Praxis |
2022 |
Gwyneth Bolton/Gwendolyn Pough, feminism, African American romance, gender, teaching romance, sex/sexuality, music, romance and, or as, activism, race/ethnicity |
| González-Cruz, María Isabel |
Discursos e Identidades en la Ficción Romántica: Visiones Anglófonas de Madeira y Canarias / Discourses and Identities in Romance Fiction: Anglophone Visions from Madeira and the Canaries |
2022 |
teaching romance |
| Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Selinger, Eric Murphy |
The wild heart of the continent: love and place in the Silk Road novels of Sherry Thomas |
2022 |
Sherry Thomas, settings, trash/literary and or intellectual quality, love, Buddhism, religion/spirituality, historical romance, race/ethnicity, China, Asia |
| Pérez-Gil, María del Mar |
Paraísos imperfectos: Madeira en las novelas de Margaret Rome, Katrina Britt y Sally Wentworth |
2022 |
Harlequin Mills & Boon, settings, national identity, race/ethnicity, Portugal, UK, Margaret Rome, Ethel Connell as Katrina Britt, Doreen Hornsblow as Sally Wentworth, Sara Wood, gender |
| Golubov, Nattie |
La promesa de felicidad: la novela rosa y el placer de la lectura afectiva |
2022 |
readers, emotions, happy ending |
| Ayala Rodríguez, Ida María; Almaral Cereijo, Iraida Thalia |
Deconstructionism of the heroine in the novel The Grand Sophy by Georgette Heyer |
2022 |
Jane Austen, Georgette Heyer |
| Turner, Ellen; Wadsö Lecaros, Cecilia |
The desert-governess romance: Regency England meets exotic Arabia |
2022 |
sheikh romance, historical romance, settings, Marguerite Kaye, Laura Martin, Lynne Graham, Kate Hewitt, E. M. Hull, work, genre definitions, Harlequin Mills & Boon, paratext |
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Vera-Cazorla, María Jesús |
Canarian culture and identity and their representation in the novels of the FFI2014-53962-P corpus |
2022 |
national identity, Spain, UK, metaphor/symbolism |
| Sheerman, Lucy |
“Place the glass before you, and draw in chalk your own picture”: The Recasting of Jane Eyre |
2022 |
Charlotte Brontë, Beverly Jenkins, Alyssa Cole, race/ethnicity |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Pierini, Francesca |
Romance and Metagenre: A Response to Burkhard Niederhoff |
2022 |
romance scholarship, E. M. Forster, happy ending |
| LaDousa, Chaise; Davis, Christina P. |
Language, Education, and Identity: Medium in South Asia |
2022 |
|
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Nachumi, Nora; Oppenheim, Stephanie |
Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond |
2022 |
|
| Scupham, Hannah Elizabeth |
“Reader, I Married Him”: Readership, Imagination, and Politics of the Marriage Plot in the Nineteenth-Century Novel |
2022 |
historical romance, Older and/or precursor texts (may not be "romance" as now defined), readers, Jane Austen, Elizabeth Gaskell, George Eliot |
| Huguley, Piper |
In Search of the Black Historical Hottie: The Sad Situation of the Black Hero in Historical Romance |
2022 |
historical romance, race/ethnicity, gender, Piper Huguley, happy ending, wealth/prosperity |
| Deng, Yiwei |
The Aesthetic form of Childhood Sweetheart: I Love You, None of Your Business |
2022 |
China, emotions |
| Grinnell, Natalie |
The Challenge to Dominance Theory in Patricia Briggs's and Carrie Vaughn's Paranormal Romance Novels |
2022 |
Patricia Briggs, Carrie Vaughn, paranormal/fantasy/time-travel romance, gender, rape and/or intimate partner violence/abuse, feminism |
| Jussawalla, Feroza; Omran, Doaa |
Muslim Women’s Writing from across South and Southeast Asia |
2022 |
|
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Herrera, Carolina M. |
Examining the relation between media engagement and developmental outcomes in adolescents and emerging adults: an exploration of engagement with and impact of young adult literature media among youth |
2022 |
readers, psychology, YA/teenage romance, Twilight |
| Hoorenman, Johanna |
Remembering love: Parsons-Yazzie's historical romance novel and the (re)writing of Navajo history |
2022 |
Evangeline Parsons Yazzie, Native American romance, race/ethnicity, settings, United States of America |
| Bazenga, Aline |
Paisaje sociocultural y lingüístico de la isla de Madeira: Visiones anglocéntricas en una muestra de seis novelas rosa |
2022 |
Portugal, UK, Harlequin Mills & Boon, settings, metaphor/symbolism, linguistics |
| Jan, Jariah Mohd; Ujum, Diana Abu |
Negotiating Conflicts amongst Muslim Female Characters in Malay Romance Novels: A Narratological Perspective |
2022 |
Malaysia, Muslim romance, gender |
| Turner, Ellen; Wadsö Lecaros, Cecilia |
The desert-governess romance: Regency England meets exotic Arabia |
2022 |
sheikh romance, historical romance, settings, Marguerite Kaye, Laura Martin, Lynne Graham, Kate Hewitt, E. M. Hull, work, genre definitions, Harlequin Mills & Boon, paratext |
| Hogan, Patrick Colm; Irish, Bradley J.; Hogan, Lalita Pandit |
The Routledge Companion to Literature and Emotion |
2022 |
|
| Søndberg Spaabæk, Anne Sofie |
The “Infernal” Value of the Gothic: A Reading of Gothicness and Romanceness in Cassandra Clare’s The Infernal Devices |
2022 |
gothic romance, paranormal/fantasy/time-travel romance, Cassandra Clare, genre definitions |
| González de la Rosa, María del Pilar |
Female voices and feminist discourse in some Harlequin/Mills & Boon romances |
2022 |
Harlequin Mills & Boon, feminism, gender |
| Alexander, Camille S. |
“The Realness” in Jasmine Guillory’s Sista Lit Rom Com Novels |
2022 |
Jasmine Guillory, African American romance, rom-com romance, race/ethnicity, ageism |
| Larson, Christine; Ready, Elspeth |
Networking down: Networks, innovation, and relational labor in digital book publishing |
2022 |
authors, Publishing |
| Michelson, Anna |
Pushing the boundaries: Erotic romance and the symbolic boundary nexus |
2022 |
genre definitions, erotic romance, authors, sex/sexuality, Fifty Shades, Publishing, fanfiction, sociology |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Nachumi, Nora; Oppenheim, Stephanie |
Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond |
2022 |
|
| van Halteren, Hans |
Automatic Authorship Investigation |
2022 |
linguistics, Harlequin Mills & Boon, Stephanie Howard |
| O'Brien, Lee |
Telling Gaps and Domestic Tyranny: Georgette Heyer’s Regency Romances |
2022 |
Georgette Heyer, happy ending, family, history, health/medical, sex/sexuality, gender, social/economic class, rape and/or intimate partner violence/abuse, marriage |
| Konle, Leonard; Jannidis, Fotis |
Modeling Plots of Narrative Texts as Temporal Graphs |
2022 |
linguistics |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Davies, Ben; Lupton, Christina; Gormsen Schmidt, Johanne |
Reading Novels During the Covid-19 Pandemic |
2022 |
readers, Sally Rooney |
| Hernandez, Carmen E. |
Romance and Revolution |
2022 |
Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, wealth/prosperity, Jane Austen, Fifty Shades, social/economic class, Sylvain Reynard, Erika Wilde, Carly Phillips, rape and/or intimate partner violence/abuse, virginity, Eliza Haywood |
| Burge, Amy; Folie, Sandra |
Girls of Riyadh and Desperate in Dubai: reading and writing romance in the Middle East |
2022 |
chick lit, race/ethnicity, Islam, Rajaa Alsanea, Ameera Al Hakawati, Saudi Arabia, United Arab Emirates, sheikh romance |
| Vera-Cazorla, María Jesús |
La cultura y la identidad canarias y su representación en las novelas del corpus FFI2014-53962-P |
2022 |
national identity, Spain, UK, metaphor/symbolism |
| Jan, Jariah Mohd; Ujum, Diana Abu |
Negotiating Conflicts amongst Muslim Female Characters in Malay Romance Novels: A Narratological Perspective |
2022 |
Malaysia, Muslim romance, gender |
| Balteskard, Susanna |
Feminism in Romance: How the romance genre has(n't) changed since the 1950s |
2022 |
feminism, Georgette Heyer, Barbara Cartland, Julia Quinn, Peggy Gaddis Dern with many pseudonyms including Perry Lindsay, Charlotte Lamb, Susan Elizabeth Phillips |
| Wood, Andrea |
His Baby Daddy is an Alien?!: Mpreg Fantasies and Queer Reproductive Intimacies in Contemporary M/M Science Fiction Romance |
2022 |
m/m romance, science fiction/futuristic romance, family, health/medical, LGBT+ characters, readers and/or authors, Lyn Gala, Lexi Ander |
| Ramos-García, María Teresa |
Transatlantic definitions of Whiteness in Louise Bergstrom’s Gothic romances in the Canary Islands (1971-1972) |
2022 |
Louise Bergstrom, gothic romance, race/ethnicity |
| Carter, Ellen |
Eating Disorders and Romance |
2022 |
food, drink, health/medical, Jenny B. Jones, Courtney Milan, M. B. Mulhall, Janette Kenny, Katherine Locke |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Introduction to the Special Issue on Black Romance |
2022 |
romance scholarship |
| Wijanarka, Hirmawan |
Cinderella Formula: The Romance Begins |
2022 |
Harlequin Mills & Boon, genre definitions |
| Wilkins, Kim; Driscoll, Beth; Fletcher, Lisa |
Genre Worlds: Popular Fiction and 21st-Century Book Culture |
2022 |
Publishing, readers |
| Gómez, Sarah Hannah |
Romance Has Broken My Dichotomous Key |
2022 |
readers, trash/literary and or intellectual quality |
| Fekete, Maleah |
Confluent Love and the Evolution of Ideal Intimacy: Romance Reading in 1980 and 2016 |
2022 |
readers, sex/sexuality, gender, sociology, love, emotions |
| Konle, Leonard; Jannidis, Fotis |
Modeling Plots of Narrative Texts as Temporal Graphs |
2022 |
linguistics |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Iché, Virginie; Sorlin, Sandrine |
The Rhetoric of Literary Communication: From Classical English Novels to Contemporary Digital Fiction |
2022 |
|
| Frederick, Rhonda D. |
Evidence of Things Not Seen: Fantastical Blackness in Genre Fictions |
2022 |
Colin Channer, Jamaica, readers, Caribbean, race/ethnicity |
| Belk, Jaime |
Save Our Love |
2022 |
African American romance, Christian romance, Harlequin Mills & Boon, happy ending |
| Burge, Amy; Folie, Sandra |
Girls of Riyadh and Desperate in Dubai: reading and writing romance in the Middle East |
2022 |
chick lit, race/ethnicity, Islam, Rajaa Alsanea, Ameera Al Hakawati, Saudi Arabia, United Arab Emirates, sheikh romance |
| González de la Rosa, María del Pilar |
Voces femeninas y discurso feminista en algunas novelas de Harlequin/Mills & Boon |
2022 |
Harlequin Mills & Boon, feminism, gender |
| Fanetti, Susan |
Introduction—Popular Romance in the 21st Century: Time to Claim Its Due |
2022 |
romance scholarship, genre definitions, happy ending, Publishing, Fifty Shades |
| White, Bonnie |
Freedom, Sincerity, and the Modern Woman in the Interwar Romances of Berta Ruck |
2022 |
Berta Ruck, history, gender, UK, cross-dressing, LGBT+ characters, readers and/or authors, sex/sexuality, fashion/clothing, emotions |
| Burge, Amy |
Beyond Outlander: Annie S. Swan and the Scottish popular romance novel |
2022 |
Annie S. Swan, Scotland, Older and/or precursor texts (may not be "romance" as now defined), Karen Marie Moning, Lynsay Sands, settings |
| Namysłowska, Karolina |
Romance novels in translation: Focus on defining features of selected texts translated from English into Polish. |
2022 |
Poland, translation, Penny Jordan/Caroline Courtney, Diana Palmer, Sandra Brown, Jude Deveraux |
| de los Heros, Susana |
Language ideologies, landscape and narrative voice in The Wind off the Small Isles |
2022 |
Mary Stewart, linguistics, race/ethnicity, settings |
| Wagner, Wendy |
The “Grandly and Inhospitably Strange” World of Autistic Heroines in Romance Fiction |
2022 |
health/medical, disability, Helen Hoang, Sherry Thomas, Talia Hibbert, gender, community |
| Hendricks, Margo; Moody-Freeman, Julie E. |
Introduction to the Special Issue on Black Romance |
2022 |
romance scholarship |
| Selinger, Eric Murphy |
Cant and Canonicity |
2022 |
romance scholarship, trash/literary and or intellectual quality, teaching romance, genre definitions |
| Nilson, Maria; Posti, Piia K |
Speglingar av feelgood: Genre, etikett eller känsla? |
2022 |
|
| Russo, Stephanie |
These old shades: Georgette Heyer’s unruly eighteenth century |
2022 |
Georgette Heyer, gender, history, fashion/clothing |
| Ivanski, Chantelle; Maslej, Marta M.; Mar, Raymond A. |
Empirical Approaches to Studying Emotion in Literature: The Case of Gender |
2022 |
science/technology, emotions, gender, readers, authors, romance scholarship |
| Beyer, Charlotte |
Centring Women of Colour: Decolonising the Literature Curriculum with Kamila Shamsie’s Home Fire and Bolu Babalola’s Love in Colour |
2022 |
teaching romance, myth, Bolu Babalola, race/ethnicity |
| Vivanco, Laura |
Historical Accuracy, Racism, Courtney Milan, and The Duke Who Didn’t Conform to Genre Norms |
2022 |
race/ethnicity, historical romance, authors, Courtney Milan, history, United States of America, UK, humour |
| Ivanski, Chantelle; Humphries, Stacey; van Dalen-Oskam, Karina; Mar, Raymond A. |
Do We Judge Fiction by the Author’s Gender? |
2022 |
trash/literary and or intellectual quality, gender |
| Bissessar, Ann Marie; Huggins, Camille |
Gender and Domestic Violence in the Caribbean |
2021 |
|
| McAlister, Jodi |
Erotic romance |
2021 |
erotic romance, genre definitions, Fifty Shades, sex/sexuality, Sylvia Day, happy ending, Older and/or precursor texts (may not be "romance" as now defined), John Cleland, Publishing, fanfiction, Alisha Rai, Harlequin Mills & Boon |
| Young, Erin S. |
Race, ethnicity, and whiteness |
2021 |
race/ethnicity, Mary Balogh |
| George, Laura J. |
Judith Taverner as dandy-in-training in Georgette Heyer’s Regency Buck |
2021 |
Georgette Heyer, historical romance, fashion/clothing, cross-dressing, gender |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Markert, John |
Publishing the romance novel |
2021 |
Publishing, Harlequin Mills & Boon, United States of America, historical romance, Kathleen Woodiwiss, contemporary romance |
| Pierre-Robertson, Petronetta |
Literature as an Agent of Change |
2021 |
Caribbean, rape and/or intimate partner violence/abuse, Petra Pierre-Robertson, romance and, or as, activism |
| Kiyawa, Haruna Alkasim |
Female Readers as Literary Critics: Reading Experiences of Kano Market Romance Fiction |
2021 |
Nigeria, readers |
| Rader, Kara; Hovick, Shelly R.; Bigsby, Elisabeth |
“Are You Clean?” Encouraging STI Communication in Casual Encounters through Narrative Messages in Romance Novels |
2021 |
sex/sexuality, health/medical, psychology, readers |
| Mäkelä, Veera |
Reading Response in Mary Balogh: A Critical Engagement |
2021 |
Mary Balogh, romance scholarship, gender, sex/sexuality |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Pereira, Simone Luci; das Neves, Thiago Tavares; Budag, Fernanda Elouise |
Comunicação e Culturas Urbanas: temas, debates e perspectivas |
2021 |
|
| Seifrit, Rachel Joy |
Come Out, Come Out, Wherever You Are: Sexuality and Gender Exploration in Contemporary Slash Fanfiction |
2021 |
LGBT+ characters, readers and/or authors, fanfiction, gender, sex/sexuality |
| Ficke, Sarah H. |
The historical romance |
2021 |
historical romance, Georgette Heyer, Barbara Cartland, Kathleen Woodiwiss, settings, race/ethnicity, Valerie Belgrave, Kate Breslin, fascism/right-wing authoritarianism, history, African American romance, Beverly Jenkins, LGBT+ characters, readers and/or authors |
| Carlos, Giovana Santana |
Literatura pop feminina: as fãs de romance no Brasil |
2021 |
Brazil, readers, paratext |
| Kapstein, Helen |
Petrofeminism: Love in the Age of Oil |
2021 |
ecocriticism/environmentalism/climate change, Nigeria, feminism, Chimamanda Adichie, Myne Whitman, metafiction, Balaraba Ramat Yakubu, work, capitalism/business |
| Romney, Rebecca |
The Romance Novel in English: A Survey in Rare Books, 1769-1999 |
2021 |
Publishing, Older and/or precursor texts (may not be "romance" as now defined), work, Harlequin Mills & Boon, historical romance, Christian romance, gothic romance, romantic suspense, paranormal/fantasy/time-travel romance, YA/teenage romance, African American romance, LGBT+ characters, readers and/or authors, Frances Brooke, Canada, Elizabeth Inchbald, Frances Burney, Sydney Owenson, national identity, Ireland, Ouida, May Agnes Fleming, Laura Jean Libbey, Emma Wolf, religion/spirituality, Judaism, Pauline Hopkins, Onoto Watanna/Winnifred Eaton, Japan, Elinor Glyn, Louise Gerard, Barbara Cartland, Laura Lou Brookman, Kathleen Thompson Norris, romances in magazines and newspapers, Elizabeth Carfrae, Frances Shelley Wees, Lilian Warren as Kathryn Blair/Rosalind Brett/Celine Conway, Jean S. MacLeod/Catherine Airlie, Alice Lent Covert, Joyce Dingwell/Kate Starr, Australia, Faith Baldwin, Mary Renault, medical romance, Mary Burchell, pen name of Ida Cook, Juliet Shore/Anne Vinton, Della Field, pseudonym of Fanny Howe, Janet Dailey, Lydia Maria Child, Charlotte M. Yonge, Mary Johnston, Susa Young Gates, Kathleen Woodiwiss, Rosemary Rogers, June Lund Shiplett, paratext, Jayne Ann Krentz/Amanda Quick/Jayne Castle, science fiction/futuristic romance, Valerie Belgrave, Caribbean, Beverly Jenkins, Jane Austen, Susan Ferrier, Georgette Heyer, Amii Lorin, Nora Roberts/J. D. Robb, Marisa de Zavala/Ana Lisa de Leon/Rachel Scott/Celina Rios Mullan, Sandra Kitt, Maureen Wartski, Augusta Jane Evans, Florence Barclay, Ethel M. Dell, Janette Oke, Beverly Lewis, Charlotte Brontë, Harriet Lewis, Virginia Coffman, Victoria Holt/Jean Plaidy/Eleanor Burford Hibbert, Phyllis A. Whitney, Mary Stewart, Daoma Winston, Chelsea Quinn Yarbro, Rita Clay Estrada, Lori Herter, Jean Webster, Robin McKinley, Tracy West/Joyce McGill/Chassie West, Marie G. Lee, race/ethnicity, Paula Christian, Isabel Miller, Gordon Merrick, Ann Allen Shockley, Vincent Virga, Nancy Garden, Katherine V. Forrest, Loretta Chase, Brenda Jackson |
| Zibrak, Arielle |
Avidly Reads Guilty Pleasures |
2021 |
readers, sex/sexuality, historical romance, gender, Older and/or precursor texts (may not be "romance" as now defined), Susan Warner, E. D. E. N. Southworth, Rosemary Rogers, Jill Marie Landis, fairytales/folktales, feminism |
| Daud, Kathrina Mohd |
In response to Harlequin: Global legacy, local agency |
2021 |
Harlequin Mills & Boon, Africa, China, Japan, India, Malaysia, Nigeria |
| Sherwood, Kim |
Pride and prejudice: metafiction and the value of historical romance in Georgette Heyer |
2021 |
Georgette Heyer, metafiction, trash/literary and or intellectual quality |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Aravind, G. S.; Dwivedi, Laxmi Dhar |
The Representation of Female Characters in the Romances of Hawthorne: A Comparison with the Popular Romance Fiction of America in the Twentieth Century |
2021 |
feminism |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Ramsdell, Kristin |
Libraries and popular romance fiction |
2021 |
libraries/librarians |
| Ngoshi, Hazel Tafadzwa |
Repression, Literary Dissent and the Paradox of Censorship in Zimbabwe |
2021 |
Zimbabwe, romance and, or as, activism, Africa |
| Pearce, Susan C.; Sojka, Eugenia |
Cultural Change in East-Central European and Eurasian Spaces: Post-1989 Revisions and Re-imaginings |
2021 |
|
| Adamu, Yusuf M. |
Hausa Prose-Fiction: A Reader |
2021 |
|
| Billekens, Franciska |
The Editor and Translator's Passionate Embrace: Cultural and Linguistic Alterations in Translated Harlequin Category Romance Novels |
2021 |
Harlequin Mills & Boon, paratext, translation, linguistics |
| Whitsitt, Novian |
Northern Nigerian Popular Literature and the Boundaries of Hausa Feminism: The Works of Balaraba Yakubu and Bilkisu Funtuwa |
2021 |
Balaraba Ramat Yakubu, Bilkisu Ahmed Funtuwa, feminism, Nigeria |
| Olkusz, Ksenia |
Stripping The Vampire. Erotic Imaginations and Sexual Fantasies In Paranormal Romances (A Study Of Selected Examples) |
2021 |
paranormal/fantasy/time-travel romance, Kerrelyn Sparks, Alexandra Ivy, Lara Adrian, sex/sexuality |
| Parnell, Jo |
The Bride in the Cultural Imagination: Screen, Stage, and Literary Productions |
2021 |
|
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Moody-Freeman, Julie E. |
African American romance |
2021 |
African American romance, Older and/or precursor texts (may not be "romance" as now defined), race/ethnicity, Publishing, Rosalind Welles - pen name of Elsie B. Washington, Lia Sanders - pen name of Angela Jackson and Sandra Jackson-Opoku, Alyssa Cole |
| Clement, Jennifer |
Loving and giving: realism, emotional hypocrisy and generosity in A Civil Contract |
2021 |
Georgette Heyer, Jane Austen, emotions, gender, social/economic class |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Pöhls, R. L. Victoria; Utudji, Mariane |
Powerful Prose: How Textual Features Impact Readers |
2021 |
|
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Malinowska, Ania |
Global Popular Culture for Local Infrastructures: Migration of Texts and Problems of Transferability (the Polish Case) |
2021 |
translation, Fifty Shades, Poland |
| McGurl, Mark |
Unspeakable Conventionality: The Perversity of the Kindle |
2021 |
Publishing, capitalism/business, trash/literary and or intellectual quality, readers, sex/sexuality, BDSM, Fifty Shades, erotic romance, LGBT+ characters, readers and/or authors, genre definitions, fanfiction |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| Khumwongdee, Yanisa |
Reading and Rewriting Fat Romance: A Study of Twenty-First Century Thai and US Fat Romance Novels |
2021 |
fat, fatness, gender, LGBT+ characters, readers and/or authors |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Murias, Rosana |
In Grey and Pink: The Image of the Bride through the Spanish Postwar Novela Rosa |
2021 |
Spain, fascism/right-wing authoritarianism, marriage, Carlota O'Neill/Laura de Noves, gender, film/movies, history |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Leetsch, Jennifer |
Love and Space in Contemporary African Diasporic Women’s Writing: Making Love, Making Worlds |
2021 |
Chimamanda Adichie, Africa, Nigeria |
| Balkan, Stacey; Nandi, Swaralipi |
Oil Fictions: World Literature and Our Contemporary Petrosphere |
2021 |
|
| Jarmakani, Amira |
Explorations of the "desert passion industry" |
2021 |
sheikh romance, E. M. Hull, settings, race/ethnicity, Linda Conrad, rape and/or intimate partner violence/abuse, gender, war/armed forces |
| Hirst, Holly |
Georgette Heyer and redefining the Gothic romance |
2021 |
gothic romance, Georgette Heyer, romance scholarship, genre definitions |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Michelson, Anna |
The politics of happily-ever-after: romance genre fiction as aesthetic public sphere |
2021 |
sociology, romance and, or as, activism, emotions, feminism, readers, authors, fascism/right-wing authoritarianism, United States of America, Casey McQuiston, happy ending, Roni Loren, Sarah MacLean, sex/sexuality, Alyssa Cole, race/ethnicity, Publishing, Courtney Milan, Suzanne Brockmann, health/medical |
| Parnell, Claire; Trinidad, Andrea Anne; McAlister, Jodi |
Hello, Ever After: #RomanceClass and Online-Only Live Literature in the Philippines in 2020 |
2021 |
Philippines |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
The Routledge Research Companion to Popular Romance Fiction |
2021 |
romance scholarship |
| Gildersleeve, Jessica |
The Routledge Companion to Australian Literature |
2021 |
|
| McAlister, Jodi |
New Adult Fiction |
2021 |
NA romance, genre definitions, Publishing, readers, contemporary romance, Jamie McGuire, Colleen Hoover, paratext |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Fernández Rodríguez, Carolina |
Nora Roberts’s Boonsboro Empire: Boosting Business through Romance, Invigorating Romance with Affective Capitalism |
2021 |
Nora Roberts/J. D. Robb, capitalism/business, work, metaphor/symbolism |
| Cuthbert, Kate |
The Australian Digital Publishing Bubble, 2012-2016: An Insider Perspective |
2021 |
Australia, Publishing, Harlequin Mills & Boon |
| Ammidown, Steve |
Romance Writers of America Rescind Award for Lakota Genocide Redemption Narrative |
2021 |
authors, race/ethnicity, Christian romance, religion/spirituality, Native American romance |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction |
2021 |
|
| Hefner, Brooks E. |
Black Pulp: Genre Fiction in the Shadow of Jim Crow |
2021 |
romances in magazines and newspapers, African American romance, race/ethnicity, gender, Gertrude Schalk |
| Pierre, Zakiya |
Browsing in nuances: Using ethnographic research to design for the experience of browsing. |
2021 |
readers |
| Ramos-García, María T. |
Paranormal romance and urban fantasy |
2021 |
paranormal/fantasy/time-travel romance, happy ending, genre definitions, YA/teenage romance, LGBT+ characters, readers and/or authors, steampunk, erotic romance, romance scholarship, Laurell K. Hamilton, Twilight, J. R. Ward, war/armed forces, race/ethnicity, Nalini Singh |
| McCann, Hannah; Roach, Catherine M. |
Sex and sexuality |
2021 |
sex/sexuality, pornography, feminism, gender |
| Zhaboriuk, I. A.; Rukshtel, Yu. A. |
The Artistic Detail in the Novel "The Reluctant Widow" by G. Heyer |
2021 |
Georgette Heyer, linguistics |
| Shields, Juliet |
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life |
2021 |
Annie S. Swan, Flora Annie Steel, Older and/or precursor texts (may not be "romance" as now defined), Scotland, India, Sir Walter Scott |
| Kamblé, Jayashree |
Romance in the media |
2021 |
trash/literary and or intellectual quality, genre definitions, paratext, sex/sexuality |
| Jennings, Kathleen |
Heyer … in space! The influence of Georgette Heyer on science fiction |
2021 |
Georgette Heyer, war/armed forces, Patricia Wrede, Tessa Dare |
| Reyes, Daisy Verduzco; Speer, Annika C.; Denes, Amanda |
White Women and Latina Readers’ Ambivalence Toward Fifty Shades of Grey |
2021 |
Fifty Shades, erotic romance, pornography, sex/sexuality, race/ethnicity, gender, readers, United States of America, rape and/or intimate partner violence/abuse |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Kamblé, Jayashree; Selinger, Eric Murphy; Teo, Hsu-Ming |
Introduction |
2021 |
romance scholarship |
| Burge, Amy |
Class and wealth in popular romance fiction |
2021 |
social/economic class, wealth/prosperity, gender, work, race/ethnicity, capitalism/business |
| Philips, Deborah |
Fifty Shades of Romance: The intertextualities of Fifty Shades of Grey |
2021 |
Fifty Shades, Harlequin Mills & Boon, Twilight |
| Novakova, Iva |
Les motifs phraséologiques pour distinguer les genres littéraires. Sur l’exemple des motifs de la communication verbale et non verbale |
2021 |
linguistics |
| Allan, Jonathan A. |
Gender and sexuality |
2021 |
gender, sex/sexuality, pornography, LGBT+ characters, readers and/or authors, lesbian romance, m/m romance |
| Naeej, Elham |
Parting the Curtain: The Virgin Heroine and the ‘Westoxified’ Villain in Contemporary Iranian Romance Novels |
2021 |
Iran, virginity, national identity, Fattaneh Haj Seyyed Javadi, Nazi Safavi, Roya Khosronajdi, Parinush Saniee, Simin Shirdel, Maryam Riahi, Homa Puresfahani, gender, Islam, marriage |
| Weimer, Christopher |
Romancing Weird Fiction: Lovecraftian Reinscriptions in Jordan L. Hawk's Whyborne and Griffin |
2021 |
Jordan L. Hawk, m/m romance, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, race/ethnicity |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Selinger, Eric Murphy |
Literary approaches |
2021 |
trash/literary and or intellectual quality, romance scholarship |
| Hopkins, Lisa |
All’s Well That Ends Well: Shakespearean echoes in Heyer’s Regency novels |
2021 |
Shakespeare, Georgette Heyer |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Boivin, Karol'Ann; Luneau, Marie-Pier |
Qu’ont en commun Mimi Estival, Roxanne d’Avril et Georgette Mars? Auctorialité et roman sentimental québécois de l’après guerre (1944-1965) |
2021 |
Canada, authors, Publishing, dime novels |
| Boussahba-Bravard, Myriam |
Le roman sentimental Regency, entre continuités et ruptures (2000-2020) |
2021 |
historical romance |
| Zwar, Jan; Lawson, Airlie |
Success Story - International Rights Sales of Australian- Authored Books: Case Studies |
2021 |
Publishing, Australia, Kylie Scott |
| Egilsdatter Sleire, Maria |
“Only I shall taste your body’s joys:” The Erotic Function of Female Corporeality in The Flame and the Flower and Fifty Shades of Grey |
2021 |
Fifty Shades, Kathleen Woodiwiss, pornography, sex/sexuality, virginity, rape and/or intimate partner violence/abuse |
| Dixon, jay |
History of English romance novels, 1621-1975 |
2021 |
UK, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, historical romance |
| Fresno-Calleja, Paloma |
Rugby Romances and the Branding of New Zealand |
2021 |
New Zealand, national identity, race/ethnicity, sport |
| Valovirta, Elina |
Repeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature |
2021 |
sex/sexuality, readers, NA romance, Marie Carnay, Charlotte Stein, Sierra Sparks, Juliana Conners |
| Parnell, Claire |
Independent Authors’ Dependence on Big Tech: Categorization and Governance of Authors Of Color on Amazon |
2021 |
Publishing, authors, race/ethnicity, African American romance |
| Hunter, Christyna M. |
Cataloging Category Romance Fiction and Librarian and Patron Views on Romance Fiction in Public Libraries |
2021 |
libraries/librarians, Harlequin Mills & Boon |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Šmídová, Monika Markéta |
Five Thousand for Justice: The Use of English Folklore in the Novels of KJ Charles |
2021 |
K. J. Charles, fairytales/folktales, LGBT+ characters, readers and/or authors, paranormal/fantasy/time-travel romance, historical romance, social/economic class, community, family |
| Allen, Amanda K. |
Young adult romance |
2021 |
YA/teenage romance, genre definitions, readers, Samuel Richardson, romance scholarship, Twilight, LGBT+ characters, readers and/or authors |
| Teo, Hsu-Ming |
Love and romance novels |
2021 |
love, sex/sexuality, history, sociology, feminism, Older and/or precursor texts (may not be "romance" as now defined), Samuel Richardson, Jane Austen, Charlotte Brontë, religion/spirituality, E. M. Hull, Kathlyn Rhodes, Barbara Cartland, Georgette Heyer, Harlequin Mills & Boon, historical romance, Jennifer Crusie, wealth/prosperity |
| Abrahamsson, Elin |
Superwomen, Latte Dads and Feminist Alphas: Negotiations on Feminism in Contemporary Swedish Popular Romance Novels |
2021 |
Sweden, feminism, gender, family, work, national identity, Simona Ahrnstedt, Sofia Fritzson, Christina Schiller, Harlequin Mills & Boon, LGBT+ characters, readers and/or authors, social/economic class |
| Pradhan, Anil |
The literary field of queer cultural production in contemporary India: considering popular queer texts via Bourdieu |
2021 |
India, LGBT+ characters, readers and/or authors |
| Smith, Michelle J.; Moruzi, Kristine |
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others |
2021 |
|
| Wilcox, Vanda |
Georgette Heyer, Wellington’s Army and the First World War |
2021 |
Georgette Heyer, war/armed forces, history, gender |
| González-Cruz, María-Isabel |
On the Discoursive Construction of the Spanish Hero in Intercultural Romances |
2021 |
Spain, Harlequin Mills & Boon, national identity, race/ethnicity, love |
| Kirtley, William M.; Kirtley, Patricia M. |
Happily, Ever After: An Analysis of Romance Novels |
2021 |
genre definitions |
| Arnold-Forster, Agnes |
Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction |
2021 |
Harlequin Mills & Boon, medical romance, work, gender, UK, romance and, or as, activism, social/economic class, readers, authors, romances in magazines and newspapers, Elizabeth Gilzean, Alex Stuart, Hilda Pressley, pseudonym of Hilda Nickson, Marguerite Lees, family, marriage, Betty Neels |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Regis, Pamela |
The evolution of the American romance novel |
2021 |
United States of America, Older and/or precursor texts (may not be "romance" as now defined), romance scholarship, Charles Brockden Brown, Sukey Vickery, Catharine Maria Sedgwick, Lydia Maria Child, E. D. E. N. Southworth, Louisa May Alcott, Frances Watkins Harper, race/ethnicity, Onoto Watanna/Winnifred Eaton, Jean Webster, Kathleen Thompson Norris, Viña Delmar, family, Claire Morgan/Patricia Highsmith, LGBT+ characters, readers and/or authors |
| Moreno-Álvarez, Alejandra |
Romance Novels in Postcolonial India: From Mills & Boon to Pageturn’s Red Romance Series |
2021 |
India, Harlequin Mills & Boon, readers |
| Valovirta, Elina |
The Stuff of Which Fairy Tales Are Made: Royal Romance, Ordinariness, and Affectivity in the Literary Market |
2021 |
Publishing, social/economic class, feminism |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Ntelia, Renata Elizabetta |
How Damsels Love: The Transgressive Pleasure of Romance |
2021 |
feminism, love, psychology, gender |
| Herb, Annika |
(Para)normalizing Rape Culture: Possession as Rape in Young Adult Paranormal Romance |
2021 |
rape and/or intimate partner violence/abuse, YA/teenage romance, paranormal/fantasy/time-travel romance |
| Mayer, Claude-Hélène; Vanderheiden, Elisabeth |
International Handbook of Love: Transcultural and Transdisciplinary Perspectives |
2021 |
love |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Moolla, F. Fiona |
Her Heart Lies at the Feet of the Mother: Transformations of the Romance Plot in Leila Aboulela’s Minaret |
2021 |
Leila Aboulela, Islam, family, Muslim romance |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Iwicka, Renata |
Manifestations of Male Image in the World's Cultures |
2021 |
|
| Zille, Tom |
Georgette Heyer and the language of the historical novel |
2021 |
Georgette Heyer, linguistics, history, historical romance |
| Kuchta, Estella Carolye |
Imagining Love: Teen Romance Novels and American Teen Relational Capacity |
2021 |
YA/teenage romance, readers, psychology, love |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Izharuddin, Alicia |
Reading the Digital Muslim Romance |
2021 |
Muslim romance, Malaysia, readers, religion/spirituality, Islam, gender |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Kołodziej, Gaja |
Unforgettably in love: uses of the amnesia trope in contemporary romance |
2021 |
contemporary romance, romantic suspense, health/medical, love |
| O'Mahony, Lauren |
Australian romance fiction |
2021 |
Australia, national identity, gender, Older and/or precursor texts (may not be "romance" as now defined), Harlequin Mills & Boon, Rosa Praed, Marie Bjelke Petersen, settings, Emma Darcy, readers, libraries/librarians, chick lit, Anita Heiss, race/ethnicity |
| Pérez Ríu, Carmen |
Romance Reading as Fandom in the Context of Convergence Culture |
2021 |
readers |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Awad, Amal |
Desert dreamings and sheikh-lit |
2021 |
sheikh romance, Jackie Ashenden, Miranda Lee, race/ethnicity |
| Fernández Rodríguez, Carolina |
American Quaker Romances: Building the Myth of the White Christian Nation |
2021 |
United States of America, Christian romance, race/ethnicity, gender, religion/spirituality |
| Dalziell, Tanya |
Australia's Long Relationship with Romance |
2021 |
Australia, romance scholarship, national identity, race/ethnicity, Rosa Praed, Joyce Dingwell/Kate Starr |
| Rayner, Samantha J.; Wilkins, Kim |
Introduction: the persistence of Georgette Heyer |
2021 |
Georgette Heyer |
| Hernandez-Knight, Bianca |
Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy |
2021 |
Jane Austen, Georgette Heyer, historical romance, race/ethnicity, trash/literary and or intellectual quality |
| Dane, Alexandra; Weber, Millicent |
Post-Digital Book Cultures: Australian Perspectives |
2021 |
|
| Ali, Kecia |
Author studies and popular romance fiction |
2021 |
romance scholarship, authors, Nora Roberts/J. D. Robb, Georgette Heyer, Marie Bjelke Petersen, Suzanne Brockmann, Jennifer Crusie |
| Dutton, Lucie Bea |
A reluctant movie? The Reluctant Widow on screen |
2021 |
Georgette Heyer, film/movies |
| Hackett, Lisa J.; Coghlan, Jo |
The History Bubble: Negotiating Authenticity in Historical Romance Novels |
2021 |
historical romance |
| Sujaya, I Made; Suarka, I Nyoman; Sudewa, I Ketut |
Representation of Balinese Exoticism: Analysis of Inter-ethnic Relations Novels in Pre-independence Period |
2021 |
Indonesia |
| Suleiman, Michael W.; Joseph, Suad; Cainkar, Louise |
Arab American Women: Representation and Refusal |
2021 |
|
| Long, Eileen M. |
Modern Love: Reading, Writing, and Publishing the Romance Novel |
2021 |
feminism, Jennifer Crusie, Jane Austen, authors, Publishing |
| Toscano, Angela |
Gothic romance |
2021 |
gothic romance, Mary Stewart |
| Pérez-Casal, Inmaculada |
Marketplace Feminism? The Writing and Selling of Lisa Kleypas’s Ravenels Series |
2021 |
Lisa Kleypas, feminism |
| Pérez Fernández, Irene; Pérez Ríu, Carmen |
Romantic Escapes in Contemporary Popular Romance Fiction |
2021 |
romance scholarship |
| Kraxenberger, Maria; Knoop, Christine A.; Menninghaus, Winfried |
Who reads contemporary erotic novels and why? |
2021 |
readers, Fifty Shades, Sylvia Day, erotic romance, sex/sexuality, Germany |
| Rayner, Samantha J.; Wilkins, Kim |
Georgette Heyer, History, and Historical Fiction |
2021 |
Georgette Heyer |
| Garber, Linda |
Novel Approaches to Lesbian History |
2021 |
historical romance, LGBT+ characters, readers and/or authors, history, sex/sexuality, pirates and outlaws, United States of America |
| Silliman, Daniel |
Reading Evangelicals: How Christian Fiction Shaped a Culture and a Faith |
2021 |
Christian romance, Janette Oke, Beverly Lewis, United States of America, Publishing, religion/spirituality |
| Barrett-Fox, Rebecca; Donnelly, Kristen |
Inspirational Romance |
2021 |
Christian romance, Grace Livingston Hill, religion/spirituality, Janette Oke, Francine Rivers, gender, African American romance, Beverly Jenkins, Angela Benson, Philippines |
| Selinger, Eric Murphy; Vivanco, Laura |
Romance and/as religion |
2021 |
religion/spirituality, love, history, happy ending, Christian romance, Judaism, Islam, Buddhism, Hinduism, Paganism/Wicca, Jennifer Crusie |